Equestrian Portraits Through Time

A collection of historical equestrian portraits featuring noble figures on horseback, showcasing intricate armor and rich details in prints and engravings.

Netherlands, Cornelisz. van Oostsanen, Jacob, The Counts and Countesses of Holland, Dirk I and Dirk II, Cornelisz van Oostsanen, verso lower left - stamped, Fragment of the title page with Dirk I and Dirk II, counts of Holland on horseback. Arms and caption are missing., print, prent, prints, prenten, height 176 mm, width 135 mm, Noord-Nederlands, 1475 - 1533, print maker, prentmaker, 1518 - 1518, first quarter 16th century, paper, papier, houtsnede

Bridle portrait of Julius Frans van Saksen -Lauenburg, Pieter Stevens (mentioned in 1689), 1666 - 1702 print Portrait of Julius Frans van Saksen-Lauenburg, on horseback with a sword in his hand. At the bottom of the margin his name and function in Latin. Amsterdam paper etching / engraving equestrian state-portrait

Rome, Panzera, Battista, Italy, Tempesta, Antonio, - 1596, paper, etching, Work conception, Italian, 1555 - 1630-08-05, own design of, Publication (Event), Publication, publisher

Netherlands, Cornelisz. van Oostsanen, Jacob, The Counts and Countesses of Holland, Dirk I and Dirk II, Cornelisz van Oostsanen, verso lower left - stamped, Fragment of the title page with Dirk I and Dirk II, counts of Holland on horseback. Arms and caption are missing., print, prent, prints, prenten, height 176 mm, width 135 mm, Noord-Nederlands, 1475 - 1533, print maker, prentmaker, 1518 - 1518, first quarter 16th century, paper, papier, houtsnede

Portrait of Duke Willem van Kleef, Gulik and Berg, count of Mark, lord of Ravenstein on horseback, Cornelis Anthonisz., 1538 - 1542 print Equestrian portrait. Coat of arms on the right probably a later bet in the block. paper

Female personification of continent Europe presented as a woman in armor on bull, Cornelis van Dalen (II), 1720 - 1772 print Personification of continent Europe presented as a woman in armor sitting on bull, a reference to the mythological Europe that was abducted by Jupiter in the form of a bull. In the foreground is spoils of war. The woman leans on her shield, so she regrets the robberies the title. Amsterdam paper etching / engraving Europe represented allegorically; 'Europa' (Ripa). bull

Bridle portrait of a Roman emperor, Laurens Eillarts, after Antonio Tempesta, 1616 - 1620 print A Roman emperor on horseback, and Profil depicted with one hand on the rein and in the other are command staf. print maker: Romeafter design by: Italy paper engraving emperor

Plate 8: Emperor Otho on Horseback, from 'The First Twelve Roman Caesars' 1596 Antonio Tempesta Italian. Plate 8: Emperor Otho on Horseback, from 'The First Twelve Roman Caesars' 400931

Strains, Ludwig Graf.

Plate 1: Emperor Julius Caesar on Horseback, from 'The First Twelve Roman Caesars' 1596 Antonio Tempesta Italian. Plate 1: Emperor Julius Caesar on Horseback, from 'The First Twelve Roman Caesars' 400927

Schweikard von Kronenberg, John.

Plate 8: Emperor Otho on Horseback, from 'The First Twelve Roman Caesars', after Tempesta. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 11 13/16 × 9 1/16 in. (30 × 23 cm). Series/Portfolio: The First Twelve Roman Caesars. Date: 1610-50. Museum: Metropolitan Museum of Art, New York, USA. Author: Matthäus Merian the Elder. after Antonio Tempesta.

Plate 8: Emperor Otho on Horseback, from 'The First Twelve Roman Caesars'. Artist: Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 11 13/16 × 8 7/8 in. (30 × 22.5 cm). Publisher: Giovanni Battista di Lazzaro Panzera da Parma (Italian, born 1541, active Rome 1577-98). Date: 1596. Museum: Metropolitan Museum of Art, New York, USA.

Ruggiero, Antonio Tempesta, 1597 print paper etching (scenes from) specific works of literature: Ariosto, Orlando Furioso

Bridle portrait of Don Luis Requesens, Hessel Gerritsz (attributed to), 1591 - 1632 print Don Requesens, land guardian of the Netherlands, on horseback. To the left. He has a staff in his hand. In the background the relief of Leiden. The print has a Latin caption and is part of a series of bridle portraits from Dutch governors. Amsterdam paper etching riding a horse, ass, or mule; rider, horseman

Maximilian II, German emperor, on horseback He wears a chain bearing the Order of the Golden Fleece In the background the army's entry into a town In the margin a four-line caption in Latin Print from a series featuring German emperors on horseback, Maximilian II on horseback Maximilianvs II German emperors on horseback Romani Imperatores Domo Austria , print maker: Crispijn van de Passe (I), G. Ens, (mentioned on object), publisher: Crispijn van de Passe (I), (mentioned on object), Cologne, 1604, paper, engraving, h 142 mm × w 105 mm

Albrecht II of Habsburg on horseback, Crispijn van de Passe (I), 1604 print Albrecht II of Habsburg, Roman-German Keizer, on horseback. In the background the siege of a city. In the margin a four -line caption in Latin. Print from a series with German emperors on horseback. Cologne paper engraving

CONQUISTADORES DE CHILE: GARCIA HURTADO DE MENDOZA, PEDRO DE VILLAGRA Y RODRIGO DE QUIROGA - GRABADO SIGLO XVII. Author: ALONSO DE OVALLE. Location: ACADEMIA DE LA HISTORIA-COLECCION. MADRID. SPAIN. VILLAGRA PEDRO DE. HURTADO GARCIA. QUIROGA RODRIGO. MARQUES DE CAÑETE (1535-1609). GARCIA HURTADO DE MENDOZA (1535-1609).

Ferdinand III., Roman-German Kaiser.

Isenburg and Grenzau, Ernst Graf von.

Maximilian II Emanuel, Elector of Bavaria.

Zriny, Nikolaus Count Stecher: Renner, Jeremia Leger: Hannas, Marc Antondattatting: 1663/1676 publisher: Augsburg

Hanging Portret of Cardinal -Infant Ferdinand, Antony van der Does, After Abraham van Diepenbeeck, after Peter Paul Rubens, 1634 - 1680 print Engelen float above him with trumpet and card with siege. In landscape with Battle of Nördlingen in a nutshell. Three columns of Latin text in the lower margin. paper engraving / etching equestrian state-portrait

St George on Horseback Made 1508 Germany. Engraving in black on ivory laid paper . Albrecht Dürer

Juan d'Austria .

Bernhard, Prince of Sachsen-Weimar.

Bernardino Ricci, called il Tedeschino, atop a horse in center, riding towards the left, wearing a long robe, a cape, and a hat, holding a staff in his right hand, a putto holding the Medici coat of arms at bottom left, Florence in the background 1637 Stefano della Bella Italian. Bernardino Ricci, called il Tedeschino, atop a horse in center, riding towards the left, wearing a long robe, a cape, and a hat, holding a staff in his right hand, a putto holding the Medici coat of arms at bottom left, Florence in the background 411190

Sousa, Egas Gomes.

Suke -Tan Suleiman wonderfully on a horse; Hopfer, Daniel (Ca 1470-1536), Swart Van Groningen, Jan (Ca 1500-Ca 1560), Funck, David (1642-1709); 1601-1700 (1601-00-00-1700-00-00);Orient, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, suleleman magnificent (1494-1566), Turkey, portraits, men's portraits

Caligula, Roman Emperor Draftsman: Straevel, Jan Van Most Cutter: Raeven, Servatius

Lady of Clover (Bartsch 324) Virgil Solis (1514-1562). Lady of Clover (Bartsch 324). Burin. 1545. Museum of Fine Arts in the city of Paris, small palace.

Albrecht Dürer, Saint George on Horseback, 1505-08, engraving on paper.

Ludwig, Prince of France.

Mars - The Patron Gods of the Planets cycle. Aldegrever, Heinrich (1502-1555/1561), graphic artist

Emperor Nero on horseback, Adriaen Collaert, after Jan van der Straet, 1587 - 1589 print On a column Keizer Nero on horseback, with a winch in hand. In the background the big fire of Rome. At the bottom of the column two cartouches with scenes from his life. On the right the Senate listens to one of his musical performances. On the left he commits suicide with a dagger. The print has a Latin caption. The print is part of a twelve -part series about Roman emperors. Antwerp paper engraving (story of) Nero, the Roman Emperor. suffering, misfortune of Nero - death of person from classical history. Nero sings and plays the lyre as he watches Rome burning

Courtenay, Baron de Saint-Brisson, Jean (IV.).

Equestrian portrait of Cardinal-Infant Ferdinand. Angels float above him with bazuin and map with siege. In landscape with battle at Nördlingen in a nutshell. Drawing three Columns Latin text under undergarment.

Bradamante; Bradamante Valorola; Eight characters from Ariostos Orlando Furioso; Nine Roman heroes and heroines ..

Standard carrier, AC Monogrammist (16th century), 1520 - 1562 print Man with banner and sword in Schede, city in the background. Low Countries paper engraving standard-bearer, flag-bearer

Vladislav IV Wladyslaw IV Zygmunt, King of Poland, 1595-1648. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

Portrait of Godfried III with the bump, duke of Neder-Lorraine; Graves and gravingen from Holland. Portrait of Godfried III with the bump, duke of Neder-Lorraine, standing to the left in a harness with a coat of arms on his shoulder and in his hand a rocket. Print from a series of 36 prints with portraits feet from graves and gravingen of Holland.

A harnessed man on horseback, riding to the left, holding a command staff in the right hand (a riding master). This print is part of a series of 22 numbered prints: a title print, 20 prints depicting one or several different types of (mostly harnessed) horsemen, and a print depicting an equestrian fight., Captain of the Cavalry (ritmeister) The Equestrian School (series title), print maker: Jacob de Gheyn (II), (workshop of), print maker: Zacharias Dolendo, (possibly), Jacob de Gheyn (II), (mentioned on object), print maker: Leiden, print maker: Netherlands, publisher: Leiden, 1599, paper, engraving, h 157 mm × w 203 mm

Joachim Ernst, Markgraf von Brandenburg-Ansbach.

Robert Greville, 2nd Baron Brooke, 1607-1643. Radical Puritan activist and leading member of the opposition to King Charles I of England. In armour on horseback with coat of arms. Robert, Lord Brooke, Baron of Beauchamp Court. From the unique equestrian plate in Earl Spencer's copy of Clarendon's History of the Rebellion, 1704. Copperplate engraving from Samuel Woodburns Gallery of Rare Portraits Consisting of Original Plates, George Jones, 102 St Martins Lane, London, 1816.

Hoogmoed, Heinrich Aldegrever, 1552 print Personification of the pride. Woman on horseback, with a tiara on the head, a sword in the right hand, in the left a banner with an eagle on it. A lion runs next to the horse. At the top left a coat of arms with a lion, above that a peacock. Under the show a two -line text in Latin. First print from a series of seven. paper engraving Pride; 'Superbia' (Ripa) ~ personification of one of the Seven Deadly Sins

Philipp, Duke of Orléans.

Keulen, Bruyn, Abraham de, Rutz, Caspar, Portrait of François, Duke of Anjou on horseback, verso bottom center - stamped, Horse and rider to the right. The horse is rearing. On the horse the Duke of Anjou. In his hand he holds a baton. The print has a German and a Latin caption. Print originally from 'Equitum descripcio...', 1577., costume print, prints, height 158 mm, width 117 mm, 1540 - 1587, print maker, printmaker, 1577 - 1577, paper, papier, engraving, engraving (printing process), Publication (Event), Publicatie, publisher

Equestrian statue of Cosimo I, Grand Duke of Tuscany. Equestrian statue of Cosimo I, Grand Duke of Tuscany. Soldiers warring in the background. At the top left the arm of the de'medici family worn by putti and at the top right an angel with a cartouche with the emblem of Cosimo. Under the statue a cartouche with assignment in Latin.

Minchiate Florentine. Set of 56 cards. The jumper of cuts Anonymous. "Florentine Minchiate. 56 cards game. The jumper of cuts". Floor, brush colors. 1650-1700. Museum of Fine Arts of the city of Paris, small palace.

Bergh, Heinrich Graf from the Stecher: Kieser, Eberhard

Equestrian portrait of Emperor Claudius. Emperor Claudius on horseback, and profil depicted with spear and shield.

Essex, Robert Devereux Earl of .

Wilhelm III., Prince of Orania, King of England sitting at horse age to about ten years: Whole figure in front view from left; with sprinkled hat on a loop cast hood; Lace-lined collar; the riding trick with striped sleeve and edge braids; Medal of trouser band order on chest band before feline bind around the right shoulder; Command duty in the right; the horse standing on a right front hoof and left hoist; in the background of the inland in the Hague; Equestrian groups as a graduation; top left of crowned coat of arms; Below the representation of two-line Latin. Legend, the right-to-right publisher note. Copper engraving laid (probably stabbed) by Joannes Myssens.

Maximilian, Duke of Austria, on Horseback. Dated: 1492. Dimensions: overall: 38.7 x 26.1 cm (15 1/4 x 10 1/4 in.). Medium: pen and black ink over traces of black chalk on laid paper ruled in leadpoint. Museum: National Gallery of Art, Washington DC. Author: Primary Master of the Strassburg Chronicle.

A woodcut from 1545 by the Cranach workshop depicting the Pope riding on a sow, showing the figure and animal in detailed composition.

Ludwig Xiv., King of France.

Equestrian Statue of Marcus Aurelius; The Capitol Horse. The Equestrian Statue of Marcus Aurelius on Piazza del Campidoglio in Rome.

First Crusade (1096-1099). Godfrey of Bouillon with armour. Illustration of the 15th c. Gothic art. Xylography. BELGIUM. BRUSSELS. Brussels. Bibliothque Royale (Royal Library).

The Small Horse Made 1505 Germany. Engraving in black on ivory laid paper . Albrecht Dürer

Sousa, Gonçalo Garcia.

Lady of heart (Bartsch 337) Virgil Solis (1514-1562). Lady of heart (Bartsch 337). Burin. 1545. Museum of Fine Arts in the city of Paris, small palace.

Karl I, King of England.

Plate 6: Emperor Nero on Horseback, from 'The First Twelve Roman Caesars', after Tempesta. Artist: Matthäus Merian the Elder (Swiss, Basel 1593-1650 Schwalbach); After Antonio Tempesta (Italian, Florence 1555-1630 Rome). Dimensions: Sheet: 11 13/16 × 8 7/8 in. (30 × 22.6 cm). Series/Portfolio: The First Twelve Roman Caesars. Date: 1610-50. Museum: Metropolitan Museum of Art, New York, USA.

Stopping J. Bergmann (3), St. Lanter (2), J.P. Kehr (1), C. Heindel (1) and N. Strixner (35) to paintings of the collection of Bosseré.

Trzech jeźdźców arabskich. Hopfer, Daniel (ca 1470-1536), graphic artist, Funck, David (1642-1709), publisher, Swart van Groningen, Jan (ca 1500-ca 1560), painter

Equestrian portrait of Alessandro Farnese, Duke of Parma, Hessel Gerritsz (attributed to), 1591 - 1632 print Alessandro Farnese, Duke of Parma, governor of the Netherlands, on horseback. To the left. He has a staff in his hand. In the background the siege of Antwerp. The print has a Latin caption and is part of a series of bridle portraits from Dutch governors. Amsterdam paper etching riding a horse, ass, or mule; rider, horseman

Margaret of Austria, also known as Margaret of Parma (she was duchess of Parma and Piacenza), illegitimate daughter of Emperor Charles V, Regent of the Netherlands under Philip II (1559-1567). Seen here riding sidesaddle on horseback. Date: 1522 - 1586

Antwerp, Galle, Philips, Straet, Jan van der, Collaert, Adriaen, Imperatorvm XII. A svetonio descriptorvm effigies resqve gestae, Roman emperors on horseback, Clavdivs, Emperor Claudius on horseback, verso center bottom - stamped, On a column emperor Claudius on horseback. In the background scenes from his life. On the left the construction of a canal connecting the Tiber with the sea. On the right a sea battle that was re-enacted in his honor in one of his famous Naumachiae. Cartouches on the column show his marriage to Agrippina and his patronage of art. The print has a Latin caption. The print is part of a twelve-part series on Roman emperors., print, prints, verso bottom center - stamped, height 324 mm, width 222 mm, Southern Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1587 - 1589, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1523 - 1605-11-02, after a design by, Publication (Event), Publication, 1537 - 1612-03-29

Jean Charles François (French, 1717-1769) after Charles Parrocel (French, 1688 - 1752). Cavalry at Rest, 1766. Chalk manner etching on heavy laid paper. Plate: 553 mm x 412 mm (21.77 in. x 16.22 in.). First of two states.

Galba. Adriaen Collaert (Flanders, Antwerp, circa 1560-1618). Flanders. Prints; engravings. Engraving

Captain on a prancing horse, Virgilius Solis, 1524 - 1562 print Nuremberg paper engraving / etching the soldier; the soldier's life. ranks in the army. riding a horse, ass, or mule; rider, horseman

Saint Joris and De Dragon, François Ragot, After Rafaël, 1648 - 1670 print paper engraving / etching the warrior martyr George (Georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword

Ferdinand III (c.1201-1252), called Ferdinand the Saint. King of Castile and Leon. Ferdinand III on horseback. Engraving in Spain Illustrated History by R. del Castillo, 19th century.

Benedictus Xiii te Pard, Jakob Frey (i), after agostinino Masual, print With caption in Latin. paper etching / engraving riding a horse, ass, or mule; rider, horseman

Ferdinand Maria, Elector of Bavaria.

Henry Thomas Alken, 1785-1851, British, Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail, undated. Graphite and red chalk on thin, smooth, blued white, wove paper.

Nuremberg, Solis, Virgil, Landsknechten, Captain on a rearing horse, verso - handwritten in brown ink, print, prints, verso - stamped, 146, height 108 mm, width 88 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, engraving, engraving (printing process), etching

Leiden, Elzevier, Netherlands, Title page for: Quintus Curtius Rufus, Historia Alexandri Magni, 1664, Alexander the Great on horseback, verso - stamped, A cartouche with the title above which is Alexander the Great on horseback. Below the horse lies a fallen figure and a globe. At the top Fama is blowing a trumpet., print, engraving, title page, prints, height 157 mm, width 104 mm, print maker, printmaker, 1664 - 1664, third quarter 17th century, paper, engraving (printing process), etching, etchings, Publication (Event), Publication, publisher

Speculum Romanae Magnificentiae: Marcus Aurelius 16th century Attributed to Cornelis Bos Netherlandish This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of

Solms-Rödelheim, Friedrich Graf too.

Five wild boar and standard carrier on horseback; Triumph of Emperor Maximiliaan I. Five wild boar with laurel benches on their heads in a row. In the triumphal of Emperor Maximiliaan I they follow a hunter that is shown as standard carrier. The horse on which the hunter is on is losing while holding the standard with the empty cartouche. In addition to the rider, an empty text band is depicted.

Black Horseman 1646-1656 Italy. Florentine by birth, della Bella worked extensively for the Medici family before going to Rome around 1638. A prolific graphic artist, he later traveled to Paris before returning to Florence around 1650.. Etching on paper . Stefano della Bella

Figure 23 and 29. Part 2 to the right. Voltes in corbettes.

"Woodcut by Albrecht Altdorfer depicting the triumphal procession of Emperor Maximilian I, including banners of Geldern, Luxembourg, and Limburg, showing figures, horses, and architectural elements."

The large horse., 1505, Germany, by Albrecht Dürer. Gift of Sir John Ilott, 1962.

Vendôme, Duc de Beaufort, François de.

Alexander the Great with his horse Bucephalus, Hans Sebald Beham, 1510 - 1550 print paper engraving emperor. horse

Knight, Death, and the Devil (copy). Artist: After Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg). Dimensions: Sheet: 10 3/16 × 7 15/16 in. (25.8 × 20.2 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Friedrich August I, Elector of Saxony.

The Little Courier, c. 1496. Albrecht Dürer (German, 1471-1528). Engraving;

Unknown (-); Master of Absalon's DOED (-); Jacob Cornelisz van Oostsanen (1477-1533), The Holy Georg Drain Dragon, About 1510

Two Moors on a Dromedaris, Abraham de Bruyn (Attributed to), 1577 Cartouche with image of dromedaris and two riders to the right. The dromedaris is in step. His two riders are of Moorish descent. One has an arc in his hands and shoots an arrow. The print has a German caption and Latin inscription. Print originally from 'Equitum Descripcio ...', 1577. Cologne paper engraving warfare; military affairs (+ mounted troops on other animals than horses). folk costume, regional costume. Asiatic races and peoples (with NAME). hoofed animals: dromedary

Burgkmair, Hans (I), Equestrian portrait of Emperor Maximilian, verso lower left - stamped, Equestrian portrait of Emperor Maximilian in armor. The horse stands in front of an arch decorated with ornaments. This architecture has the effect of a triumphal arch. Next to the emperor hangs his coat of arms with a two-headed eagle. At the top is the emperor's title in capitals: IMP CAES MAXIMIL AUG., print, prent, prints, prenten, height 325 mm, width 229 mm, German, 1473 - 1531, print maker, prentmaker, 1518 - 1518, first quarter 16th century, paper, papier, houtsnede

A black ink pen drawing by an anonymous artist around 1480 depicting a mounted rider.

Equestrian portrait of Willem V, Prince of Orange-Nassau. Equestrian portrait of Willem V in an oval. In the upper margin two columns with each two lines of Dutch text. In the underwear two columns with four lines of Dutch text. At the top right '15'.

Artist: Albrecht Dürer, German, 1471-1528, SolIustitiae, Engraving, sheet: 10.7 × 7.7 cm (4 3/16 × 3 1/16in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Haarlem, Heemskerck, Maarten van, Coornhert, Dirck Volckertsz., Patientiae Trivmphvs, Triomf van de lijdzaamheid, Triomf van Isaak, verso bottom left - stamped, In the foreground Isaac, riding a dromedary. In his right hand a cross with a banner. On the banner two fetters as a sign of his voluntary patience. He pulls a cart with attributes of his patience: the ram that was sacrificed in his place, the sword of Abraham and the sacrificial fire. In the background the sacrifice of Isaac. The print has a Latin text of six lines on a separate piece of paper and is part of an eight-part series on the triumph of Patience., print, prints, verso middle bottom - stamped, height 207 mm, width 260 mm, Noord-Nederlands, 1522 - 1590-10-29, print maker, printmaker, 1559 - 1559, paper, papier, etching, engraving, engraving (printing process), letterpress printing, Work conception, 1498 - 1574

Saint Martin. Vaillant, Wallerant (1623-1677), graphic artist

Sint Nicolaas. Leaf with a large representation of Sint Nicolaas as a balancing young man, moving on his horse. He is dressed in 16th-century clothing (a long cloak trimmed with fur, about wamboo and knee pants, on his head a beret with feather). Numbered upper left: No. 42.

Passenger Cutruence drawn by three horses, from the front, 1651 drawing Zwolle paper. ink. chalk brush / brush

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