Etched Landscape Scenes

Beautiful etchings capturing serene landscapes and pastoral settings, highlighting nature’s beauty with detailed textures and soft tones.

Landscape with a bridge and some figures, guercino (attributed to), 1601 - 1666 drawing paper. ink pen landscape with bridge, viaduct or aqueduct

Bourrine dans les Peupliers, 1911. Auguste Louis Lepère (French, 1849-1918). Etching;

Les rochers , Alphonse Legros (1837-1911)

The Gardens of Horace, original impression 1855, printed in 1921. Jean Baptiste Camille Corot (French, 1796-1875). Cliché-verre; sheet: 38.5 x 30.5 cm (15 3/16 x 12 in.); image: 36.7 x 29.4 cm (14 7/16 x 11 9/16 in.).

Le Retour du Troupeau, Crèvecoeur, 1913. Auguste Louis Lepère (French, 1849-1918). Etching;

Jean-Baptiste-Camille Corot, Souvenir d'Italie, 1863, etching on paper.

Pan en Syrinx.The NiMF Syrinx flight for pan in the reeds. In the sub-margin a reference to the first book of the metamorphoses of Ovid in which this scene is described.

View Taken at Bas-Meudon. Charles François Daubigny; French, 1817-1878. Date: 1852. Dimensions: 105 × 203 mm (image); 192 × 243 mm (sheet). Etching on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Charles Francois Daubigny.

Alphonse Legros, Chailli Seen in a Storm (Chailli Effet d'orage) Chailli Seen in a Storm (Chailli: Effet d'orage)

Landscape with a bridge and some figures, guercino (attributed to), 1601 - 1666 drawing paper. ink pen landscape with bridge, viaduct or aqueduct

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Artist: Alphonse Legros, French, 1837-1911, Pres duMoulin, Etching and drypoint, 15.6 × 23.5 cm (6 1/8 × 9 1/4in.), Made in France, French, 19thcentury, Works on Paper -Prints

Sappho 1871 Camille Corot French. Sappho. Camille Corot (French, Paris 1796-1875 Paris). 1871. Lithograph printed in orange-brown ink; second state of two. Prints

Souvenir dItalie (Memory of Italy). Artist: Jean-Baptiste-Camille Corot, French, 1796-1875

La Mort et le bûcheron (2nd plate) , Death, Skeletons, Woodcutters, Fuelwood, Alphonse Legros (1837-1911)

The Entomologist. Jean Emile Laboureur; French, 1877-1943. Date: 1932. Dimensions: 345 × 400 mm (image); 440 × 555 mm (sheet). Etching on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Le hangar , Trees, Sheds, Alphonse Legros (1837-1911)

Alphonse Legros, Squaring Logs (Homme que fend des buches) Squaring Logs (Homme que fend des buches)

Winchelsea, Sussex. Dated: published 1812. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JOSEPH MALLORD WILLIAM TURNER.

Little Shepherd, 1st Plate (Le Petit Berger). Dated: 1855. Dimensions: image: 32.5 x 24.5 cm (12 13/16 x 9 5/8 in.) sheet: 37.3 x 28.5 cm (14 11/16 x 11 1/4 in.). Medium: cliche-verre. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Camille Corot.

Design for a painting, Landscape with a sculpture, draughtsman: Dionys van Nijmegen, (possibly), 1715 - 1798, paper, h 169 mm × w 210 mm

The Skylark, c. 1850. Samuel Palmer (British, 1805-1881). Pen and ink over graphite with white heightening; sheet: 8.8 x 6.8 cm (3 7/16 x 2 11/16 in.).

Jean-Baptiste-Camille Corot, Souvenir of Ostia (Souvenir d'Ostie), 1855, printed 1921, cliché-verre, gelatin printing-out print.

Egypt and Nubia, Volume III: The Holy Tree of Metereah, 1849. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (Scottish, 1796-1864). Color lithograph; sheet: 45 x 40.5 cm (17 11/16 x 15 15/16 in.); image: 35.1 x 23.9 cm (13 13/16 x 9 7/16 in.).

Bos van de Villa Madama outside Rome, Gerard ter Borch (I), 1610 drawing Forest of the Villa Madama outside Rome, with walker. Rome paper. ink. chalk pen / brush

Les rives du Po. Corot, Jean-Baptiste-Camille (1796-1875). 1853 - 1874. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Po River Valley (Italy)

Landscape with a sculpture. Design for a painting.

Souvenir de Toscane (Memory ofTuscany). Artist: Jean-Baptiste-Camille Corot, French, 1796-1875

Garden with ladies and gentlemen, Max Liebermann, 1857 - 1935 print Berlin paper etching / drypoint sitting figure. trees

Gustave Fraipont (1849-1923). "Vignette" stops while walking "for the chapter" Contemplations ". Illustration for the" Golden Book of Victor Hugo ". Ink on paper. 1882. Paris, house of Victor Hugo. 102267-27 Drawing, ink, illustration of literary work, river, statue, Vegetation, 19th XIXth 19th 19th 19th 19th century, House

37 correct, L.O.

Homme qui fend des bûches ('Squaring Logs') , Woodcutters, Woodcutting, Alphonse Legros (1837-1911)

Francis Seymour Haden, 1818-1910, British, On the Test, 1878. Etching and drypoint, with plate tone on medium, smooth, cream Asian paper with cream chine collé.

A Road Bordered by Trees, a City in the Background, Hercules Segers, c. 1622 - c. 1625 print Path along forest edge. In the distance a city with two church towers, this could be Amersfoort. paper. varnish lift-ground etching city-view in general; 'veduta'. fringe, edge of the wood Amersfoort

The Childhood of Claude Lorrain Made 1863 France. Etching on cream chine laid down on ivory wove paper . Baron de Jean-Baptiste Heraclée Olivier Wismes

Arthur-Joseph Guéniot (1866-1951). Study of trees (front); Dog lying down (back). Graphite pencil. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

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A brook with a grotto and a boat, Rembrandt van Rijn, 1645 print paper etching / drypoint

Saint Jerome written under a willow Harmensz van Rijn Rembrandt (1606-1669). Saint J�r�me writing under a willow (B 103 - 1st state), 1648.

Souvenir of Italy (Souvenir d'Italie). Dated: 1866. Dimensions: plate: 31.8 x 23.9 cm (12 1/2 x 9 7/16 in.) sheet: 50.2 x 34.3 cm (19 3/4 x 13 1/2 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Camille Corot.

Landscape with love couple. Mythological performance: landscape with love couple.

The Small Lion Hunt (with twolions). Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669

Banks of the Saint-Pré. Alphonse Legros; French, 1837-1911. Date: 1880-1890. Dimensions: 175 × 155 mm (plate); 200 × 176 mm (sheet). Etching and drypoint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

No. 55. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Suite dePaysages. Artist: Charles Dulac, French, 1866-1898

Moissonneuses surprises par l'orage , Agricultural laborers, Storms, Trees, Alphonse Legros (1837-1911)

Church and Farm at Éragny. Camille Pissarro; French, 1830-1903. Date: 1895. Dimensions: 155 × 243 mm (image/plate); 251 × 323 mm (sheet). Etching and drypoint in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Design for a painting, Garden with obelisk, draughtsman: Dionys van Nijmegen, (possibly), 1715 - 1798, paper, h 147 mm × w 174 mm

Landscape with rocks, draughtsman: Jan Baptist Weenix, 1631 - 1660, paper, h 200 mm × w 156 mm

Upper Sheepscott. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 5 7/16 × 9 7/16 in. (13.8 × 23.9 cm)Plate: 2 5/8 × 6 7/8 in. (6.7 × 17.4 cm). Date: 1900-1925. Museum: Metropolitan Museum of Art, New York, USA.

St Jerome Beside a Pollard Willow, Rembrandt van Rijn, 1648 print paper etching / drypoint the monk and hermit Jerome (Hieronymus); possible attributes: book, cardinal's hat, crucifix, hour-glass, lion, skull, stone

The Hague, Heppener, Jan, Landweg, verso middle - stamped, print, prints, height 59 mm, width 87 mm, 1826 - 1898-03-01, print maker, printmaker, 1841 - 1898, paper, papier, chine collé, etching, etchings

Pencil sketches by Ferdinand Georg Waldmüller, 1827, depicting human figures, landscapes, trees, and architectural forms with detailed composition.

Alphonse Legros, Prospect (Le point de vue) Prospect (Le point de vue)

Nozal, Alexandre (n.1852-08-07-D.1929), landscape with the moon (main title). Black and white pastels on brown paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Collection of Prints by Notable Dilettanti, Print made by unknown artist, Annotated by James Chelsum, 1738-1801, British, c. 1780, Etching

Landscape with a Man Leaning on a Bale, c. 1640. Guercino (Italian, 1591-1666). Pen and brown ink; sheet: 18.5 x 26.3 cm (7 5/16 x 10 3/8 in.).

Out of study window , Cities & towns. Francis Seymour Haden (1818-1910). Prints and Drawings

Evening, 1895. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

James McNeill Whistler, Saint James's Park, c 1884 1886 Saint James's Park

Landscape overwhelmed with outlines of human characters in the foreground; Thoma, Hans (1839-1924); around 1870 (1865-00-00-1875-00-00);

Rijn, Rembrandt van, Hieronymus at the pollard willow, verso lower left - stamped, print, prints, height 180 mm, width 133 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1648 - 1648, second quarter 17th century, second quarter of the 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

James Bruce, 1730-1794, British, Figures in a Landscape, undated. Pen and black ink and gray wash on medium, moderately textured, cream laid paper.

Nine Barrow Down, 1877. Francis Seymour Haden (British, 1818-1910). Drypoint;

Emilio Sánchez Perrier (Drafstman) / 'Tree Trunk in Alcalá de Guadaíra, Seville'. Ca. 1884. Pencil, Black ink on wove paper. Museum: Museo del Prado, Madrid, España.

Study sheet with a tree and the superior part of the artist's face Harmensz van Rijn Rembrandt (1606-1669). Study sheet with a tree and the upper part of the artist's face (B 372 - single state, 1st event), around 1642.

No. 3. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Frightened. Anders Zorn; Swedish, 1860-1920. Date: 1912. Dimensions: 195 x 144 mm (image); 199 x 148 mm (plate); 328 x 255 mm (sheet). Etching on ivory laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA.

Jean Baptiste Camille Corot, Horseman in the Woods, Large Plate (Le Grand Cavalier sous bois), c 1854 Horseman in the Woods, Large Plate (Le Grand Cavalier sous bois)

Flooding in the Forest of the Ile Séguin. Dated: c. 1833. Dimensions: overall: 20.2 x 41.1 cm (7 15/16 x 16 3/16 in.). Medium: pen and iron gall ink over graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Paul Huet.

Ye compleat angler , Mills, Fishermen, Fishing. Francis Seymour Haden (1818-1910). Prints and Drawings

Farm on a Hillside in Sunlight (La ferme du coteau; Effet de soleil sur le coteau). Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

The Farm Where the Wheat is Threshed. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1907. Dimensions: 200 × 250 mm (image/plate); 243 × 318 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, USA.

From the Hill over the New Church, Clevedon, 4 September 1845, Capt. Thomas Hastings, 1778-1854, British, 1845, Graphite on medium, slightly textured, cream wove paper, Sheet: 7 3/4 × 10 1/2 inches (19.7 × 26.7 cm)

Greenwich Park. James McNeill Whistler; American, 1834-1903. Date: 1859. Dimensions: 128 x 205 mm (plate); 198 x 316 mm (sheet). Etching and drypoint with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Town garden. Graetzer, Alfred (1875-1911), draughtsman, cartoonist

Women Bathing 1867 France. Etching on ivory China paper, laid down on white wove paper . Paul Huet

Weehawken, No. 1. John Marin; American, 1870-1953. Date: 1915. Dimensions: 231 x 287 mm (plate); 242 x 292 mm (sheet). Etching with graphite additions on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Bridge over a stream, Philip Zilcken, 1867 - 1890 print A waxing woman can be seen under the bridge. paper etching / drypoint bridge. laundering

Shipbuilder's House. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 11 5/8 × 9 3/8 in. (29.6 × 23.8 cm)Plate: 9 7/8 × 7 15/16 in. (25.1 × 20.2 cm). Date: ca. 1920.Phippsburg, Maine. Museum: Metropolitan Museum of Art, New York, USA.

Holmberg, Werner, work, Sketch book, drawing, 21.3 cm x 27.6 cm, Holmberg, Werner

Alphonse Legros, Along the River (Sur la riviere) Along the River (Sur la riviere)

Planche faite pour une exposition chez Dunthorne , Trees, Alphonse Legros (1837-1911)

Six Men Talking, James Bruce, 1730-1794, British, undated, Pen and brown ink and gray wash on medium, slightly textured, beige laid paper, Sheet: 7 5/8 × 9 5/8 inches (19.4 × 24.4 cm)

La Surprise, Claude Allin Shepperson (Beckenham, England, 1867 - 1921)

The Goatherd. Artist: Charles-François Daubigny (French, Paris 1817-1878 Paris). Dimensions: image: 13 1/2 x 10 1/2 in. (34.3 x 26.7 cm)sheet: 14 1/4 x 11 3/8 in. (36.2 x 28.9 cm). Publisher: Maurice Le Garrec (French, 1881-1937). Series/Portfolio: Le Garrec printing of 1921. Date: 1862 reprinted 1921. Museum: Metropolitan Museum of Art, New York, USA. Author: Charles-Francois Daubigny.

A pencil drawing by Johann Christoph Erhard from 1816 depicting a scene of a field game at the Brühl.

Brook with barges, draughtsman: Willem Bastiaan Tholen, 1870 - 1931, paper, h 468 mm × w 317 mm

An Autumn Evening: Near Rossillon. Adolphe Appian; French, 1818-1898. Date: 1874. Dimensions: 80 × 165 mm (plate); 153 × 227 mm (sheet). Etching on ivory Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Drawing, Black Point, Scarborough; Winslow Homer (American, 1836-1910); USA; charcoal, white chalk on gray laid paper; 39 × 60 cm (15 3/8 × 23 5/8 in.)

Bramble and Ivy. Eugène Blery; French, 1805-1887. Date: 1845. Dimensions: 257 × 196 mm (plate); 361 × 273 mm (sheet). Etching, with additions in dark gray pen and ink, on ivory wove chine collé on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Artist: Alphonse Legros, French, 1837-1911, Chateau desRevenants, Etching, platemark: 17.3 × 22.7 cm (6 13/16 × 8 15/16in.), Made in France, French, 19thcentury, Works on Paper -Prints

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: Irregular sheet: 10 15/16 x 8 11/16 in. (27.8 x 22.1 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

The Hague, Hoppenbrouwers, Johannes Franciscus, Skaters near pollard willows, verso - stamped, Winter landscape with two skaters on the ice, skating past two pollard willows. In the background a mill., print, prints, height 46 mm, width 75 mm, 1819-04-16 - 1866-07-17, print maker, printmaker, 1857 - 1857, paper, papier, etching, etchings, drypoint, dry needle

A Rocky Stream ca. 1811 James Ward British Best known for romantic paintings of animals, Ward was also a prolific draftsman. An apprenticeship to the engraver John Raphael Smith was followed by studies at the Royal Academy Schools, after which the artist made regular sketching tours around Britain to hone his technique (leaving 2,828 drawings in his estate). This richly shaded rendering of a stream resembles a sheet in private hands inscribed White Well" and dated July 31, 1811. Ward travelled widely that summer, from Brownsea, Dorset to Wychnor, Staffordshire and likely found this subject at Whitewell, near Clitheroe, in Lancashire, a picturesque village on the River Hodder. The initials "JWD RA” were added late in life, as the artist went through and inscribed his drawings.. A Rocky Stream 421659

Garden of fountains; Schellinki, Willem (1627-1678); after 1665 (1665-00-00-1690-00-00);Bloch, Jan Gottlib (1836-1902), Bloch, Jan Gottlib (1836-1902) - collections, Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, in the workshop of the Dutch master (National Museum in Warsaw - exhibition - 18.05. 2017-20.08.2017), Italy (state - coat of arms), outdoor artists, fountains, parks (gardens), Dutch drawings

Christ Summoning Peter and Andrew 1776 Richard Earlom British. Christ Summoning Peter and Andrew. Liber Veritatis, no. 165. Richard Earlom (British, London 1743-1822 London). 1776. Mezzotint with etching. Published by John Boydell (British, Dorrington, Shropshire 1720-1804 London). Prints

Olympia. Artist: Arthur B. Davies, American, 1862-1928

The Ramparts, Sandwich 1887 United States. Etching with foul biting in black ink on ivory laid paper . James McNeill Whistler

Figures and a palm tree on a bank in Batavia, Wijnand Otto Jan Nieuwenkamp, 1919 print paper etching trees: palm-tree Batavia

A set of pencil sketches by Ferdinand Georg Waldmüller featuring human figures, animals, and landscape elements emphasizing form, posture, and observational accuracy.

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