Etched Landscapes

A selection of etched landscapes featuring serene river views, historical buildings, and pastoral scenes, illustrating the beauty of nature and architecture through prints.

A landscape with a settlement on a hill In the foreground a man, seen from behind, with two dogs, Landscape with a settlement on a hill Paese Landscapes , print maker: Pietro Parboni, (mentioned on object), intermediary draughtsman: L. Corsi, (mentioned on object), after: Gaspard Dughet, (mentioned on object), Italy, 1800 - 1899, paper, etching, h 259 mm × w 365 mm

Charles Heath, 1785-1848, British, Kirkby Lonsdale Churchyard, 1818-1823. Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream, wove paper, with cream chine colle.

Liber Veritatis, 1777. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682). Etching and mezzotint;

Venice, Wagner, Joseph, Italy, Ricci, Marco, Volpato, Giovanni, L'onda tranquilla i Naviganti alletta, River landscape, verso - stamped, A river landscape with a ruin on the left and a moored boat and a man with a pack donkey in the foreground. Numbered lower left: No. 51. 4. Title in bottom margin., print, prent, prints, prenten, height 333 mm, width 431 mm, Italian, 1740 - 1803, print maker, printmaker, 1750 - 1803, paper, papier, etching, etchings, 1676 - 1730, after, after painting by, Publication (Event), Publication, German, 1706 - 1780, publisher

Pejzaż z sentencją: Poi cessa colla sera ogni lavoro. Reinhart, Johann Christian (1761-1847), graphic artist

Les chaumières (TheCottages). Etcher: Maxime Lalanne, French, 1827-1886 After: Jan van Goyen, Dutch, 1596-1656

A landscape with a settlement on a hill In the foreground a man, seen from behind, with two dogs, Landscape with a settlement on a hill Paese Landscapes , print maker: Pietro Parboni, (mentioned on object), intermediary draughtsman: L. Corsi, (mentioned on object), after: Gaspard Dughet, (mentioned on object), Italy, 1800 - 1899, paper, etching, h 259 mm × w 365 mm

Crossing the Brook, Print made by unknown artist, nineteenth century, after print by William Richardson, active 1842-1877, British, Formerly attributed to Robert Brandard, 1805-1862, British, after Joseph Mallord William Turner, (), 1775-1851, British, undated, Line engraving

View of the Remains of the Praetorian Fort the Poecile, Hadrian's Villa, Tivoli, from Views of Rome. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1770. Dimensions: 366 x 649 mm (image); 373 x 656 mm (plate); 560 x 724 mm (sheet). Etching on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Print made by William Byrne, 1743-1805, British, Newbury From Speen Hill, 1805. Etching and line engraving.

Landscape with buildings and two figures on a bridge, Sébastien Bourdon, 1626 - 1671 print paper etching / engraving landscapes. 'en route', traveller under way

Apuleia in Search of Apuleius, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by William Say, 1768-1834, British, after Joseph Mallord William Turner, 1775-1851, British, between 1813 and 1823, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper, Sheet: 11 1/8 × 15 3/4 inches (28.3 × 40 cm), Plate: 8 1/4 × 11 1/2 inches (21 × 29.2 cm), and Image: 7 3/8 × 10 5/8 inches (18.7 × 27 cm), arch, bridge, city, hill, landscape, literary theme, man, Metamorphoses, metamorphoses of male persons into trees, mountain, pillar, religious and mythological subject, river, rock, sheep, shepherdess, sitting, the Apulian shepherd changed into an oleaster: the Apulian shepherd changed into an oleaster as punishment for mocking dancing nymphs (Ovid, Metamorphoses XIV 521), tree, woman, woods

William Radclyffe, 1780-1855, British, Hornby Castle from Tatham Church, 1822. Line engraving and etching, engraver's proof on moderately thick, slightly textured, cream, wove paper, with cream, chine colle.

William Radclyffe, 1780-1855, British, Blenheim, Oxfordshire, 1827-1838. Open etching.

Joseph Mallord William Turner, The Bridge in Middle Distance, June 10, 1808, Etching and mezzotint printed in brown inks.

Land Discoverd by Columbus, Edward Alfred Goodall, 1819-1908, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof on thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 13 1/8 × 7 5/8 inches (33.3 × 19.4 cm), Plate: 11 1/2 × 6 inches (29.2 × 15.2 cm), Chine collé: 11 1/4 × 5 3/4 inches (28.6 × 14.6 cm), and Image: 3 1/2 × 3 1/4 inches (8.9 × 8.3 cm)

St. Herbert's Chapel, Henry Le Keux, 1787-1868, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving on moderately thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 17 5/16 × 11 13/16 inches (44 × 30 cm), Plate: 11 1/16 × 6 1/2 inches (28.1 × 16.5 cm), Chine collé: 10 3/4 × 6 1/4 inches (27.3 × 15.9 cm), and Image: 3 × 3 1/4 inches (7.6 × 8.3 cm)

Figures in a river landscape for the tomb of Caecilia Metella, Jean Jacques de Boissieu, 1797 print In the foreground on the right, a drowned man is taken from the river. On the other side of the river on the left the tomb of Caecilia Metella and in the background on the right other architecture. France paper. etching / drypoint landscapes with waters, waterscapes, seascapes (in the temperate zone). drowned person. grave, tomb Rome. Via Appia Antica. Tombs van caecilia metella

Newburg.. Wall, William Guy (b. 1792). Prints. 1777 - 1890. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Hudson River (N.Y. and N.J.), Newburgh (N.Y.)

J. C. Varrall, active 1815-1827, Rochester, Stroud, and Chatham, Medway, 1827-1838. Line engraving, first published state.

Joseph Powell, 1780-1834, British, The Angel and Tobias (Number 7), 1815.

Coastal landscape with cattle drivers and fight on a bridge, Richard Earlom, After Claude Lorrain, 1774 print London paper etching cattle driving, cattle driver. landscape with tower or castle. coast

Landscape with shepherds, cattle and the Milvian bridge, Richard Earlom, After Claude Lorrain, 1775 print Landscape with an idealized face on the Milvian bridge on the right. London paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. cattle. sunset. landscape with bridge, viaduct or aqueduct - II - ideal landscapes. pastorals, Arcadian scenes Milvische use

Print made by William Say, 1768-1834, British, Kirkstall, Lock, on the River Aire, 1823 to 1827. Mezzotint, engraver's proof (a)(touched).

No. 190. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

The Laterne of St. Cloud, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1835, Line engraving, engraver's proof

Landscape Prospect with a Buggy and a Herd of Goats. Artist: attributed to Giuseppe Zocchi (Italian, Florence 1711-1767 Florence). Dimensions: 13-1/8 x 19-5/16 in. (33.4 x 49.1 cm). Date: 1711-67. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with Polyphemus, Nymphs and Faunen, Etienne Baudet, After Nicolas Poussin, 1701 print paper etching / engraving Polyphemus. nymphs (in general); 'Ninfe in commune' (Ripa). satyrs, fauns, Sileni. armorial bearing, heraldry

A Group of Peasants, One sleeping, on a River Bank, Francois Vivares, 1709-1780, French, after Franco Zuccarelli RA, 1702-1788, Italian, 1753, Engraving on moderately thick, moderately textured, beige, laid paper, Sheet: 16 1/8 × 19 3/4 inches (41 × 50.2 cm) and Image: 14 1/4 × 19 1/8 inches (36.2 × 48.6 cm)

An Arcadian ruined landscape by Johannes de Bosch showing architectural remains with a figure resting in the foreground, executed with pen in gray and black, watercolor, and black chalk or graphite.

Landscape with Hagar and the Engel, Richard Earlom, After Claude Lorrain, 1776 print London paper etching city-view, and landscape with man-made constructions - II - ideal landscapes. an angel meets Hagar at the fountain on the way to Shur and persuades her to return

Landscape with two shepherds and drinking cattle in a ruin, Pierre Jacques Duret (attributed to), after Nicolaes Pietersz Berchem, c. 1773 print paper etching / engraving landscape with ruins. herd, flock

Fontana Blandusia, volgarmente detta Acquoria a Tivoli. Dated: 1794. Dimensions: plate: 28.4 x 37.7 cm (11 3/16 x 14 13/16 in.) sheet: 39.2 x 49.2 cm (15 7/16 x 19 3/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacob Wilhelm Mechau.

Arundel Castle and Town, Sussex, Thomas Jeavons, ca. 1800-1867, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Etching and engraving, first published state

. A hilly landscape. Farmers harvest grain in the foreground. The print has a French caption.

Bataille des Cimbres 1850-71 Saro Cucinotta A semicircular design.. Bataille des Cimbres. Saro Cucinotta (Italian, Messina 1830-1871 Paris). 1850-71. Etching. Gazette des Beaux-Arts. Prints

St. Agatha's Abbey, Easby, John Le Keux, 1783-1846, British, after Joseph Mallord William Turner, 1775-1851, British, 1818-1823, Line engraving, engraver's proof on moderately thick, slightly textured, cream, wove paper, Sheet: 15 × 21 9/16 inches (38.1 × 54.8 cm), Plate: 13 7/8 × 17 inches (35.2 × 43.2 cm), and Image: 8 × 11 1/4 inches (20.3 × 28.6 cm)

Print made by John Pye, 1782-1874, British, Pope's Villa, 1811. Etching and line engraving on medium, slightly textured, cream wove paper.

River landscape with three figures and a dog, Jacques-Philippe Le Bas, after David Teniers (II), c. 1751 print Numbered at the top right: No. 57. Paris paper etching / engraving landscapes (+ landscape with figures, staffage). river. windmill

Print (France)

Robert Wallis, 1794-1878, British, Ludlow Castle, Shropshire, 1827-1838. Line engraving, engraver's proof.

William Miller, 1796-1882, British, Brienne, 1834. Etching and engraving, first published state.

Meleager and Atalanta (hunting for the Kalidonian wild boar; William Woollett and Benjamin Thomas Puncy according to Richard Wilson (1714 1782) and John Hamilton Mortimer (1741 1779). Pouncy, Benjamin Thomas (1750 1799) , Woollett, William (1735 1785), Wilson, Richard (1713 1782), Mortimer, John Hamilton (1740 1779), Sayer R. J. Benett

Lake of Albano, Print made by Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1828, Etching and line engraving, 1st state on medium, slightly textured, cream, wove paper, with tan chine colle, Sheet: 11 × 14 1/4 inches (27.9 × 36.2 cm), Plate: 6 × 8 1/2 inches (15.2 × 21.6 cm), Chine collé: 5 5/8 × 8 1/4 inches (14.3 × 21 cm), and Image: 3 5/8 × 5 1/4 inches (9.2 × 13.3 cm)

The Village Fountain ca. 1750-1800 After Joseph Vernet. The Village Fountain. After Joseph Vernet (French, Avignon 1714-1789 Paris). ca. 1750-1800. Engraving; first state of two. Pietro Antonio Martini (Italian, Trescali 1738-1797 Parma). Prints

Küste von Sicilien.. Rottmann, Carl, 1797-1850. Prints. 1837 - 1842. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Painting , Germany , Munich, Lithography, German, Mountains, Bays (Bodies of water)

A copper engraving and etching by Giovanni Volpato from 1750-1803 depicting a landscape with mythological figures Cephalus and Procris, including terrain and natural elements.

Edward Francis Finden, 1791-1857, British, Malta, 1832-1834. Line engraving, engraver's proof on moderately thick, slightly textured, beige, wove paper.

Robert Wallis, 1794-1878, British, Virginia Water No. 1, 1828-1832. Line engraving, first published state on medium, smooth, cream, wove paper, with gray, chine colle.

Print made by Thomas Medland, 1755-1823, British, Loch-Kaitrin, East End, 1802. Aquatint on medium, slightly textured, cream wove paper.

Print (France)

The Sportsman, Print made by John Browne, 1741-1801, British, after Gaspar Poussin, 1615-1675, French, after Joseph Farington, 1747-1821, British, Published by John Boydell, 1720-1804, British, 1775, Etching, line engraving, and stipple engraving on moderately thick, moderately textured, cream laid paper, Sheet: 15 7/8 x 19 3/8 inches (40.4 x 49.2 cm), Plate: 15 7/16 x 18 7/8 inches (39.2 x 47.9 cm), and Image: 13 11/16 x 17 11/16 inches (34.8 x 45 cm), buildings, dogs (animals), game (hunted animal), genre subject, gesture, gun (small arm), horse (animal), hunters, hunting, landscape, men, mountains, path, rifle (long gun), sporting art, sportsmen, talking, trees, walking

Donnington Castle, taken from a Field adjoining the Road to East Ilsley, from Newbury., Print made by Letitia Byrne, 1779-1849, British, after Joseph Mallord William Turner, 1775-1851, British, Print made by William Byrne, 1743-1805, British, Published by William Byrne, 1743-1805, British, 1805, Etching and line engraving on medium, slightly textured, cream wove paper

View of the Bridge of Washerwomen at the Peasant House. Artist: François Boucher (French, Paris 1703-1770 Paris); Quentin Pierre Chedel (French, Chlons-en-Champagne 1705-1763 Chlons-en-Champagne). Dimensions: Sheet (trimmed): 10 3/8 × 14 1/8 in. (26.4 × 35.8 cm). Date: mid-18th century. Museum: Metropolitan Museum of Art, New York, USA.

William Woollett, 1735-1785, British, A View of the Casade...in the Garden of Sir Francis Dashwood, Bt. at West Wycomb, Bucks. Engraving.

Herculaneum, Voyage pittoresque, ou, Description des royaumes de Naples et de Sicile, Robert, Hubert, 1733-1808, Saint Non, Jean Claude Richard de, 1727-1791, Engraving, 1781-1786, Engraving. This is not an overall view of p. 3. This a detail view of the engraving which appears on p. 3. Composé par Robert, Peintre du Roi, Gravé par Ch. Guttenberg.

Print made by Arthur Willmore, 1814-1888, British, Saint Beat, Upper Garonne, undated. Line engraving on medium, slightly textured, cream wove paper.

Wife and a soldier in a landscape, 1660 print A man with a dagger kneels with a naked woman under a tree. On the left a sadded horse. In the distance buildings. This print is part of an album. paper etching / engraving landscapes in the temperate zone. the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure (+ sitting on the ground). the soldier; the soldier's life

Joseph C. Bentley, 1809-1851, British, Rievaulx Abbey, 1834-1836. Engraver's proof.

Sir Richard Colt Hoare, 1758-1838, British, At Tivoli, near Rome, 1786 to 1819. Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper.

William Woollett, 1735-1785, British, Meleager and Atalanta, 1779. Line engraving and etching on moderately thick, slightly textured, cream laid paper.

Face locking Stolzenfels, Carl Mayer, After Ferdinand Karl Klimsch, 1822 - 1868 print This print is part of an album with twelve prints. paper steel engraving castle. river Stolzen fels. Rhine

Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), The Bellman, 1879. Etching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper.

View of Birmingham. Artist: Peter Paul Benazech (British, ca. 1730-1783 ()); After Jean-Baptiste-Claude Chatelain (British, London () ca. 1710-1758 London). Dimensions: Sheet (Trimmed): 9 in. × 12 3/8 in. (22.9 × 31.5 cm). Date: ca. 1755. Museum: Metropolitan Museum of Art, New York, USA.

Sir Richard Colt Hoare, 1758-1838, British, At Tivoli, near Rome, 1786 to 1819. Graphite, pen and brown ink, and brown wash on medium, slightly textured, cream laid paper.

W. R. Smith, active 1819-1851, Richmond Hill and Bridge, Surrey, 1827-1838. Line engraving, engraver's proof.

Jumieges, James Charles Armytage, 1802-1897, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof

The promenade of Lobenstein dedication: Hero is awarded by the woman Franciske Gut Princess of Reuss-Lobenstein

No. 25. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Mont Ferrier, France, Print made by James Charles Armytage, 1802-1897, British, after James Duffield Harding, 1798-1863, British, Published by Fisher, Son & Co., active 1821-1848, British, 1837, Line engraving on medium, slightly textured, cream wove paper

View of the Road from Cascatelles to Tivoli. Claude Thiénon (French, 1772-1846); printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849). Date: 1817. Dimensions: 175 × 255 mm (image); 268 × 357 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

No. 76. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Mercury and Herse, Print made by John Cousen, 1804-1880, British, after Joseph Mallord William Turner, 1775-1851, British, 1842, Etching; open etched state on thick, moderately textured, beige wove paper with cream chine-collé, Sheet: 32 × 24 inches (81.3 × 61 cm), Plate: 24 3/4 × 19 1/4 inches (62.9 × 48.9 cm), Chine collé: 24 3/8 × 18 5/8 inches (61.9 × 47.3 cm), and Image: 18 1/2 × 15 1/4 inches (47 × 38.7 cm), arches, bridges, men, religious and mythological subject, river, temple, trees, women

James T. Willmore, 1800-1863, British, Richmond, Yorkshire From the Moors, 1828. Line engraving, 3rd state on moderately thick, slgitly textured, cream, wove paper.

Liber Veritatis: No. 89, View of a Mountainous Extended Country, 1775. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell (British, 1720-1804). Etching and mezzotint printed in brown; sheet: 26.3 x 40.7 cm (10 3/8 x 16 in.); platemark: 20.6 x 25.8 cm (8 1/8 x 10 3/16 in.).

Vienna in the night of th and th October , Recorded by Kahlenberge, Friedrich von Exter -, lithograph

Margate, Kent, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof, early

Print made by Samuel William Reynolds, 1773-1835, British, Near Namur, undated. Mezzotint on moderately thick, moderately textured, cream, laid paper.

The Early Ploughman, or The Morning Spread Upon the Mountains. Artist: Samuel Palmer (British, London 1805-1881 Redhill, Surrey). Dimensions: sheet: 7 3/8 x 10 7/16 in. (18.8 x 26.5 cm)plate: 6 7/8 x 9 7/8 in. (17.5 x 25.1 cm)image: 5 3/16 x 7 3/4 in. (13.1 x 19.7 cm). Date: before 1861. Museum: Metropolitan Museum of Art, New York, USA.

William Beilby, 1740-1819, British, Kielder Castle, Northumberland, undated. Watercolor on slightly textured, medium, beige laid paper.

Francesco fuori di Subiacao. Dated: 1794. Dimensions: plate: 28.1 x 38 cm (11 1/16 x 14 15/16 in.) sheet: 39.1 x 49.1 cm (15 3/8 x 19 5/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacob Wilhelm Mechau.

Print made by James Bromley, 1801-1838, British, Kirkstall Abbey, on the River Aire, 1823 to 1827. Etching; soft ground etching.

Failure of the Kamperdijk and damage caused by the water near Oosterwolde and Doornspijk during the heavy storm of February 4, 1825, Breakthrough of the Kamperdijk Flooding of the Kamperdijk, and damage caused by the same at Oosterwolde and Doornspijk on February 4, 1825 , print maker: Abraham Vinkeles, (mentioned on object), printer: Abraham Vinkeles, (mentioned on object), publisher: Johannes Immerzeel, print maker: Netherlands, publisher: The Hague, 1826, paper, h 229 mm × w 289 mm

This etching by Albert Christoph Dies, created 1792-1793, depicts Caracalla's thermal baths and the Lake of Nemi, highlighting Roman architecture and natural landscape.

View of Chaillot in Paris 17th century Reinier Nooms, called Zeeman Dutch. View of Chaillot in Paris 380686 Artist: Reinier Nooms, called Zeeman, Dutch, Amsterdam ca. 16231664 Amsterdam, View of Chaillot in Paris, 17th century, Etching; second state, sheet: 6 11/16 x 11 15/16 in. (17 x 30.3 cm). The Metropolitan Museum of Art, New York. Harris Brisbane Dick Fund, 1926 (26.49.69)

No. 65. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

View in the Trastevere Quarter, Rome. Claude Thiénon (French, 1772-1846); printed by Comte de Charles Philibert Lasteyrie du Saillant (French, 1759-1849). Date: 1817. Dimensions: 199 × 287 mm (image); 248 × 323 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Crafty Bird-Catcher (Insidiosus auceps) from The Large Landscapes. Artist: After Pieter Bruegel the Elder (Netherlandish, Breda () ca. 1525-1569 Brussels); Johannes van Doetecum the elder (Netherlandish, active 1554-ca. 1600, died 1605); Lucas van Doetecum (Netherlandish, active 1554-72, died before 1589). Dimensions: Sheet: 13 3/4 x 18 in. (35 x 45.7 cm)Plate: 12 15/16 x 17 in. (32.8 x 43.2 cm). Publisher: Hieronymus Cock (Netherlandish, Antwerp ca. 1510-1570 Antwerp). Date: ca. 1555-56. Museum: Metropolitan Museum of Art, New York, USA.

Lancaster Sands, Robert Brandard, 1805-1862, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof

Thomas Jeavons, ca. 1800-1867, British, Kidwelly Castle, South Wales, 1827-1838. Line engraving, first published state.

Mountain landscape with a wooden bridge between two rocks, Jakob Wangner, after Jean Baptiste Pillement, 1750 - c. 1781 print France (possibly) paper etching landscape with bridge, viaduct or aqueduct. ass, donkey. goat. 'en route', traveller under way

The Neuve River at the End of the Dardenne Valley, 1800s. Edouard Jean Marie Hostein (French, 1804-1889). Pen and brush and black ink, brush and brown and gray wash, and white and gray-blue gouache, over graphite; sheet: 30.5 x 43.8 cm (12 x 17 1/4 in.).

William Finden, 1787-1852, British, Ramah and Rachel's Tomb, 1836. Etching and engraving, engraver's proof.

The Hague, Hondius, Hendrick (I), Wildens, Jan, Stock, Andries Jacobsz., The twelve months, October, landscape with grape harvest, verso - stamped, Landscape with figures on the right, harvesting grapes. The baskets with grapes are loaded onto donkeys. On the left a stream. Depiction of the month October. Print from a series of the twelve months., print, prints, height 287 mm, width 437 mm, Northern Netherlands, 1582 - 1648, print maker, printmaker, 1614 - 1614, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1585 - 1653-10-16, after a design by, Publication (Event), Publication, 1573-06-09 - 1650-10-25, publisher

AFarmyard. Artist: Gilles Demarteau, Flemish, active in France, 1722-1776 After: François Boucher, French, 1703-1770

Haven with ruins and pilgrims, Jean Daullé, After Claude Joseph Vernet, 1760 print Paris paper etching / engraving harbour. landscape with ruins. pilgrim(s)

Weathercote Cave when Half Filled with Water, Samuel Middiman, ca. 1750-1831, British, after Joseph Mallord William Turner, 1775-1851, British, 1821, Etching and line engraving on medium, slightly textured, cream, wove paper, Sheet: 12 11/16 × 18 15/16 inches (32.2 × 48.1 cm), Plate: 11 1/2 × 17 3/4 inches (29.2 × 45.1 cm), and Image: 7 5/8 × 10 11/16 inches (19.4 × 27.1 cm)

View of the ruins of the theater of Sparta, Jacques-Philippe Le Bas, after Julien Le Roy, 1758 print Print Maker: Parisafer Drawing by: Greece paper etching ruin of a building ~ architecture. landscape with ruins. amphitheatre Sparta

John Varley, 1778-1842, British, Ludlow, Shropshire, undated. Watercolor on moderately thick, slightly textured, cream wove paper.

Heuvellandschap with a river, Carl Friedrich Holtzmann, after Johann Georg Wagner, 1787 print Text in German in the lower margin. Print is part of an album. Dresden paper etching landscapes (+ landscape with figures, staffage). river. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Picturesque and Romantic Journeys in Old France: Ruins of the Palace of the White Queen, 1824. Alexandre-Evariste Fragonard (French, 1781-1850). Lithograph;

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