Evening Landscapes

A collection of landscapes portraying serene evening scenes, featuring varied natural elements, soft color palettes, and historical themes, evoking a peaceful mood.

Boat on river by Rembrandt van Rhijn, Oil on wood, 1606-1669, Netherlands, Amsterdam, Rijksmuseum, 29, 5x42, 5

Henri Foreau (1866-1938). "The evening at the fortifications". Oil on canvas. Paris, Carnavalet museum. Panorama, evening, area, fortification, oil on canvas

THE CEMETERY AT PRONOIA NEAR NAUPLIA, by Carl Rottmann, 1841-47, German painting, oil on canvas. This is a painterly sketch of Pronoia, the burial place of Bavarian soldiers who fought against the Ottoman Turks during the Greek War of Independence in 1822. This is one of 38 paintings of Greek landscapes King Ludwig I of Bavaria commissioned from Rottmann in 1834. (BSLOC_2017_9_141)

'Landscape with Saint John the Evangelist', 1612-1614, Oil on canvas, 74 cm x 163 cm, P03128. Author: FRAY JUAN BAUTISTA MAINO (1581-1649). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SAN JUAN EVANGELISTA Y APOSTOL.

Arcadian local landscape with couple working in the foreground with dog on the road and in the background man and woman in rowing boat, landscape room wallpaper wallpaper painting painting linen paint wood, Narrow high canvas with painted frame over top and bottom and representation over the sides. Belongs to series of four panels that make one performance Arcadian local landscape with couple working in the foreground with dog on the road and in the background man and woman in rowboat Rotterdam Charlois Kerksingel topography life wisdom lesson symbol life course romance From house at the Kerksingel in Charlois.

Artist, school of: Anthony van Dyck, Flemish, 1599-1641, Clearing in theWoods, 17thcentury, Watercolor and gouache on bluish-gray paper, sheet: 25.2 × 41.1 cm (9 15/16 × 16 3/16in.), Made in Flanders, Flemish, 17thcentury, Works on Paper - Drawings andWatercolors

Peace and Plenty 1865 George Inness American Painted toward the end of the Civil War, this large composition was intended as a direct challenge to the grandiose, literal style of the Hudson River School painters, such as Frederic Edwin Church and Albert Bierstadt. As opposed to exotic subject matter and technical accuracy, Inness offered an image of suburban farmland imbued with feeling, which he communicated through enriched pigment and softened brushstrokes. The title, the depiction of a bountiful harvest, and statements by the artist associated with this and other pictures made during the war suggest his faith in Union victory and prosperity.. Peace and Plenty. George Inness (American, Newburgh, New York 1825-1894 Bridge of Allan, Scotland). American. 1865. Oil on canvas

Moonlight Scene, 1800-1850. Artist unknown.

Boat on river by Rembrandt van Rhijn, Oil on wood, 1606-1669, Netherlands, Amsterdam, Rijksmuseum, 29, 5x42, 5

Rembrandt van Rijn/ Landscape with the Rest on the Flight into Egypt, 1647. Oil on canvas. 34 cm x 48 cm.

In the Auvergne. Jean-François Millet; French, 1814-1875. Date: 1866. Dimensions: 81.5 × 99.9 cm (32 1/16 × 39 1/4 in.). Oil on canvas. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Dark Mountain, No. 2. Artist: Marsden Hartley (American, Lewiston, Maine 1877-1943 Ellsworth, Maine). Dimensions: 20 x 24 in. (50.8 x 61 cm). Date: 1909.Hartley's dark, cloud-filled landscape pays direct homage to painter Albert Pinkham Ryder. After seeing Ryder's work in New York in 1909, Hartley, a native of Maine, executed a series of bleak, emotionally fraught, even tortured landscapes of his home state. This painting depicts the region of Stoneham Valley, near North Lovell, Maine, although Hartley painted it in New York from memory. Museum: Metropolitan Museum of Art, New York, USA.

The Valkhof at Nijmegen, Aelbert Cuyp, circa 1653, Indianapolis Museum of Art, Indianapolis, Indiana, USA, North America

Joseph Mallord William Turner, 1775-1851, British, Off the Nore, between 1840 and 1845. Oil on paper, laid on canvas.

The parting of Hero and Leander, by Joseph Mallord William Turner (1775-1851).

David Cox, 1783-1859, British, Warwick Castle, 1840s. Brown wash, gray wash, and graphite, with scraping out on medium, slightly textured, cream wove paper.

Recollection of Mortefontaine, Souvenir de Mortefontaine, by Camille Corot, 1864, Musee du Louvre, Paris France, Europe

The Mill 1645 1648 Rembrandt van Rijn The Mill

Macbeth and the Witches. Date/Period: Mid-1890's and later. Painting. Oil on canvas. Height: 28.25 mm (1.11 in); Width: 35.75 mm (1.40 in). Author: Albert Pinkham Ryder.

The Good Samaritan, c. 1842. Alexandre-Gabriel Decamps (French, 1803-1860). Oil on fabric; framed: 54 x 71 x 10 cm (21 1/4 x 27 15/16 x 3 15/16 in.); unframed: 28.8 x 46 cm (11 5/16 x 18 1/8 in.).

Antwerp 16th Century (Possibly Matthys Cock), The Martyrdom of Saint Catherine, c 1540 The Martyrdom of Saint Catherine

Madras, or Fort St. George, in the Bay of Bengal -- A Squall Passing Off. Date/Period: 1833. Painting. Oil on canvas. Height: 686 mm (27 in); Width: 1,067 mm (42 in). Author: William Daniell.

Off the Nore, Joseph Mallord William Turner, 1775-1851, British, between 1840 and 1845, Oil on paper, laid on canvas, Support (PTG): 12 x 18 inches (30.5 x 45.7 cm), brushstrokes, landscape, marine art, meteorology, science, sea, seascape, ship, sky, storms, waves (natural events), wind, England, North Sea, Thames Estuary, United Kingdom

Mordant, Daniel Charles Marie (n.1853-D.1914-01-30), the family, after Eugène Carrière (main title), 1908. Oil on canvas. Petit Palais, Museum of Fine Arts of the City of Paris.

The Thunderstorm. The rapid, powerful brushwork of this landscape makes it look more like an oil sketch than a finished painting. As such, Tavenraat deviated from the path taken by most Dutch painters at the time. Instead of a smooth painting style and restrained sentiment, he opted for bright colours and dramatic effects of light and dark. His work thus more closely reflects international, mainly French, developments in Romantic painting.

Artist Unknown British, 19th century, Landscape with Windmill, 19th century, oil on laminate cardboard.

View of Gangolfo Castle, 1851, by Giambattista Bassi (1784-1852), oil on canvas, Itlay, 19th Century, 99,5x136 cm.

The Breach of the Saint Anthonys Dike near Amsterdam, 1651 painting Amsterdam linen (material). oil paint (paint) painting Dike-Break Diemerzeedijk. Sint-Antoniesdijk

'Matlock Village: Gleaners Returning', 1849, (1935). Artist: Peter de Wint.

Jerusalem by Vorobyev, Maxim Nikiphorovich (1787-1855) / Regional Art Gallery, Volgograd / Classicism / 1849 / Russia / Oil on canvas / Landscape / 83x133

From Spenser's Fairy Queen, published 1811, Liber Studiorum: no.36 Finberg 1-71; 1943.3.8129-8199, etching and mezzotint, Finberg 1924, no. 36, State iv/iv, Thomas Hodgetts (artist) British, active 1801/1846, Joseph Mallord William Turner (artist) British, 1775 - 1851

Landscape with Figures Crossing a Bridge. John Rathbone and George Morland; British, c. 1750-1807 and 1763-1804. Date: 1790. Dimensions: 11 15/16 × 16 1/8 in. (30.2 × 41 cm). Oil on panel. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Philipp Peter Roos, called Rosa da Tivoli (ca. 1655-1706). German painter. Pastoral scene. Oil on canvas. National Museum of Fine Arts. Valletta. Malta.

Hermes and the Infant Dionysus, 1900-1915. Arthur B. Davies (American, 1862-1928). Oil on canvas; unframed: 61 x 140 cm (24 x 55 1/8 in.).

'Fantastic Vision (Asmodeus)', 1820-1823, Oil on wall, 127 x 263 cm, P00756. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. ASMODEO.

Ice Floes, Claude Monet, 1893, Metropolitan Museum of Art, Manhattan, New York City, USA, North America

Stock, Henri Charles, work, Return of the fishermen, oil on canvas, painting, 27 cm x 60.3 cm

A View of Fountains Abbey, Yorkshire with a Shepherd and two Figures in the Foreground. John Rathbone (c. 1750-1807). Oil on canvas, 51 x 69cm.

Roman fresco depicting a mythological landscape. Cubiculum of the Village of Agrippa Postumus. 20 BC-10 AD. Third Pompeian Style. Boscotrecase, near Pompeii. National Archaeological Museum. Naples. Italy.

Fantastic Landscape ca. 1765 Francesco Guardi Italian This imaginary landscape, or capriccio, is one of three in The Mets collection from the castle of Colloredo di Monte Albano, near Udine. Their sizes and shapes seem to have been adjusted by Guardi in the course of painting or immediately thereafter, probably in order to be fit into decorative plaster surrounds. Guardi built these picturesque compositions from rocky outcroppings, slanting tree trunks, and classical ruins, which are populated by fishermen and their families.. Fantastic Landscape. Francesco Guardi (Italian, Venice 1712-1793 Venice). ca. 1765. Oil on canvas. Paintings

Men Bathing. Dating: 1650 - 1674. Measurements: h 45.5 cm × w 33.5 cm; d 7 cm. Museum: Rijksmuseum, Amsterdam. Author: Gerbrand van den Eeckhout.

The Prodigal Son. Dating: 1661. Measurements: h 96.5 cm × w 289 cm × t 3.9 cm; d 6.1 cm. Museum: Rijksmuseum, Amsterdam. Author: Barent Fabritius.

William Collins, 1788-1847, British, Paddling, undated. Graphite, watercolor, gouache, blackchalk, and pen and brown ink on medium, slightly textured, beige wove paper.

Four Vessels Running Before a Gale by Mulier, Pieter, the Elder (ca 1610-1659) / Hallwylska Museet, Stockholm / 1630 / Holland / Oil on wood / Landscape / 49x80

Night scene by Nikolai Nikolayevich Karasin, gouache on cardboard, 1887, 1842-1908, Russia, Kazan, State Art Museum of Republic Tatarstan

Yacht Racing on the Solent. Date/Period: Ca. 1827. Painting. Oil on paper. Height: 152 mm (5.98 in); Width: 248 mm (9.76 in). Author: UNKNOWN ARTIST.

Victor Hugo (1802-1885). "Souvenir du Neckar". Plume and wash of brown ink, black ink, charcoal, black pencil, black stone () And gouache on paper. Painted frame. 1849. Paris, house of Victor Hugo. 157444-2 Chateau, sea, souvenir, tower, 19th 19th 19th 19th 19th 19th 19 century

Atmospheric Chair. Salvador Dalí; Spanish, 1904-1989. Date: 1933. Dimensions: 7 1/8 × 5 7/16 in. (18.1 × 14.1 cm). Oil on panel. Origin: Spain. Museum: The Chicago Art Institute, FLORENCIA, USA.

1893 Art Work - Afterglow - George Inness.

View in the Grand Detour, 1900 Miles above St. Louis. oil on canvas. Date: 1832. Museum: Smithsonian American Art Museum.

Sanford Robinson Gifford, Siout, Egypt, American, 1823-1880, 1874, oil on canvas

Paisaje (San Fernando). Date/Period: From 1840 until 1870. Painting. Sobre papel. Height: 310 mm (12.20 in); Width: 605 mm (23.81 in). Author: Prilidiano Pueyrredon.

The Sleeping Beauty, Bakst, Léon (1866-1924)

Threshing in Ukraine. Wyczółkowski, Leon (1852-1936), painter

The Old Castle. Artist: Emanuel Murant (Dutch, Amsterdam 1622-1700 Leeuwarden). Dimensions: 15 5/8 x 21 7/8 in. (39.7 x 55.6 cm).People go around their daily lives on the grounds of an abandoned medieval castle, the ruins of which might well cause reflection on the passage of time and changes of fortune. The painter/biographer Arnold Houbraken (1660 - 1719) noted of Murrant's paintings that "one could count the bricks in the masonry.". Museum: Metropolitan Museum of Art, New York, USA.

The Rock of Salvation Signed and dated in gray paint, lower center: "S. Coleman 1837.", Samuel Colman, 1780-1845, British

1500S View Of Toledo Spain By Spanish Artist El Greco Domenico Theotocopuli

Night spear fishing by Perov, Vasili Grigoryevich (1834-1882)/ State Tretyakov Gallery, Moscow/ 1870s/ Russia/ Oil on canvas/ Realism/ 13,3x23,9/ Genre

Drainage Mills in the Fens, Croyland, Lincolnshire, John Sell Cotman, 1782-1842, British, ca. 1835, Oil on canvas, Support (PTG): 21 3/4 x 36 1/8 inches (55.2 x 91.8 cm), clouds, costume, drainage, fens, field, grain, landscape, men, meteorology, science, storm, stream, windmills, Croyland, England, Europe, Lincolnshire, United Kingdom

View of Lucerne. Joseph Mallord William Turner; English, 1775-1851. Date: 1840-1841. Dimensions: 233 × 292 mm. Watercolor, with scraping on white wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Thomas Stothard, 1755-1834, British, Harlech, ca. 1805-1811. Watercolor and pen and ink on medium, moderately textured, cream wove paper.

John Sell Cotman, 1782-1842, British, Drainage Mills in the Fens, Croyland, Lincolnshire, ca. 1835. Oil on canvas.

'Calm and Free (Maine Coast)'. USA, 1909. Dimensions: 72x112 cm. Museum: State Hermitage, St. Petersburg. Author: ROCKWELL KENT.

Candido Lopez, Yatayti Cora, July 2, 1866, 1866, oil on canvas, National Museum of Fine Arts (MNBA), Buenos Aires, Republic of Argentina.

Building falls of antique buildings, Henri Joseph Van Blarenberghe, 1751 - 1826 miniature. drawing Building traps of antique buildings, in the background war boys. parchment (animal material). deck paint brush landscape with ruins. ruin of a building ~ architecture

Triptych of the Alps, death, ca 1898, by Giovanni Segantini (1858-1899), oil on canvas.

John Constable, Flailing Turnip-heads, East Bergholt, c. 1812-15, oil on canvas.

John Martin, Eve at the Fountain, Paradise Lost, Book 4, Line 453, 1824/26, mezzotint on laid paper.

The Triumph at Calvary, c. 1874, George Inness, American, 1825 - 1894, 19 9/16 x 29 1/2 in. (49.69 x 74.93 cm) (sight)20 1/4 x 30 3/8 in. (51.44 x 77.15 cm) (canvas)28 3/8 x 38 1/2 in. (72.07 x 97.79 cm) (outer frame), Oil on canvas, United States, 19th century, The Triumph at Calvary is unusual in its presentation of a specific religious event set in a larger landscape, as the spiritual aspects of Inness's landscapes were never explicit but, instead, hidden within the structure and essence of the composition.

Waterloo Bridge. Claude Monet (1840-1926). Oil On Canvas.

Poetry-Drama, sketch for the small palace Alfred Philippe Roll (1846-1919). Poetry-drama, sketch for the small palace. Oil on canvas. 1913.

Lago di Bracciano, 19th-20th century, Onorato Carlandi, Italian, 1848-1939, 15 1/2 x 19 11/16 in. (39.37 x 50.01 cm) (sight)23 x 27 3/16 in. (58.42 x 69.06 cm) (outer frame), Watercolor, Italy, 19th-20th century

Auguste Louis Lepère (1849-1918). "At the seaside". Oil on canvas. Museum of Fine Arts of the City of Paris, Petit Palais. 123465-30 oil on canvas

Studio per 'A Messa Prima' Giovanni Segantini (1858-1899 Italian) Oil on cardb on wood

(SIN TITULO) - 1977. Author: LUCIO MUÑOZ (1929-1998). Location: COMUNIDAD DE MADRID-COLECCION DE ARTE. MADRID. SPAIN.

fine arts, Schleich, Eduard, (Edward the Elder), (1812 - 1874), painting, ""Schlo_ und Kirche G™nzburg"", (castle and church of Guenzburg), oil on panel, Depot Meiserstra_e, Munich,

Stone Wall, Clarkson Stanfield, 1793-1867, British, 1863, Watercolor, graphite, and white gouache on moderately thick, slightly textured, cream wove paper, Sheet: 5 × 7 1/4 inches (12.7 × 18.4 cm) and Binding: 5 1/4 inches (13.3 cm)

A View Of Ancient Rome, 1838. By Samuel Palmer

View of Rome from Monte Pincio, 1826, Jean-Baptiste-Camille Corot, French, 1796 - 1875, 9 5/8 x 16 5/8 in. (24.45 x 42.23 cm), Oil on paper mounted on canvas, France, 19th century

Columbus Landing, Bierstadt, Albert, 1893.

Tempest. Jasiński, Zdzisław (1863-1932), painter

Painting titled 'The Dnieper'. Oil on paper mounted on cardboard.

City Walls in Winter. A canal running alongside a fortified city disappears into the distance, the city walls in ruins and the bridgecollapsed. In the background at right is a glowing furnace, where marble is burned to make chalk. Thesemotifs, often found in paintings by Dutch Italianates, have here been shifted to a cold wintery day.

unknown artist, Penmaenmawr, 1855. Colored by hand.

Roadmen at rest, 1911, Wellington, by Dorothy Richmond. Gift of the family of the late A.J. Luke, 1981.

Leon Wyczózowski (1852-1936), Czarny Staw; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939); 1908 (1908-00-00-1908-00-00);

Chteau dOrnans, 1855, Gustave Courbet, French, 1819 - 1877, 32 1/8 x 46 in. (81.6 x 116.84 cm) (canvas)44 1/16 x 57 1/2 x 3 1/2 in. (111.92 x 146.05 x 8.89 cm) (outer frame), Oil on canvas, France, 19th century, The country around his native town of Ornans, in eastern France, inspired most of Gustave Courbet's paintings. Like his contemporaries who worked near Barbizon, Courbet revitalized the landscape tradition with views of distinctive regional features observed at first hand. The town of Ornans appears in the valley below.

Anatomical room, by Luigi Conconi (1852-1917), oil on canvas, 76x116 cm.

Krymov, Nikolai Petrovich (1884-1958) State Russian Museum, St. Petersburg c. 1918 73x96 Oil on canvas Modern Russia

France, Vizille, Allegory of Freedom, 1790, oil on canvas

William Wyld, 1806-1889, British, Rome from the Palatine Hill, undated. Graphite and watercolor on medium, slightly textured, cream wove paper.

Easter Monday at Rome, La Girandola, Joseph Wright of Derby, 1775-1776,

Fire in the village. Kostrzewski, Franciszek (1826-1911), painter

Flight into Egypt. oil on wood. Date: ca. 1916-1922. Museum: Smithsonian American Art Museum.

Night-time Festivities near Florence ; 1889. by Oswald Achenbach; 1827-1905

Windy Day by Nikolaj Petrovic Krymov, 1884-1958, Russia, Moscow, Tretyakov Gallery

Dumbarton Castle. Artist: John Ruskin.. From PreRaphaelites.org:. In 1838 Ruskin toured Scotland with his parents. The use of strong blue and yellow in this work reflects the influence of David Cox on the young Ruskin. The catalogue of drawings produced by E. T. Cook and A. Wedderburn dates this work to 30 July 1838 (Works of Ruskin, XXXVIII, Catalogue of Drawings, p. 248).

Charles Joseph Flipart / 'Still Life', ca. 1779, French School, Oil on canvas, 91 cm x 171 cm, P07823. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Fantastic composition; 20th century (1901-00-00-2000-00-00);Fantastic architecture, aquatic landscape, fantastic landscapes

Franciszek Murko (1859-1910), composition; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939), Anczyc, W Adys Aw Ludwik and Spóka (Kraków; Drukarnia; 1875-1948); around 1908 (1903-00-00-1913-00-00);

A Windmill against a Cloudy Sky, 1845/1850, oil paint and black chalk over charcoal on tan paper, overall: 46.7 x 36.5 cm (18 3/8 x 14 3/8 in.), Constant Troyon (artist) French, 1810 - 1865

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