Everyday Life Illustrations

Engravings capturing scenes of daily life and commerce in historical settings, spotlighting characters engaged in trade and social interactions. The illustrations convey a whimsical charm.

Decorative motif with two deer, c. 1897 - c. 1898 Page 28 Verso from a sketchbook with 29 sheets. paper. ink. pencil brush hoofed animals: deer

"The diligence is gone!!!" from the Little Miseries of Human Life 1843 J. J. Grandville. "The diligence is gone!!!" from the Little Miseries of Human Life. Petites Misères de la Vie Humaine. 1843. Wood engraving. Brugnot (French, active 1834-73). Prints

Plum saleswoman, Jean Duplessis -Bertaux, 1760 - 1818 print Numbered at the top right: 11. France paper etching 'cris de Paris', cries of London, etc. - BB - women engaged in trade and commerce. fruits: plum

Decorative motif with two deer, c. 1897 - c. 1898 Page 28 Verso from a sketchbook with 29 sheets. paper. ink. pencil brush hoofed animals: deer

Design for an Altar, Plate 2 from an Untitled Series of Designs for Altars Printed ca. 1750-56 Jacob Gottlieb Thelot Ornament print with a design for a double altar in frontal elevation. The design appears to show two variants, with a single altar table on the left side and a double structure on the right. The left side is shaped more naturalistically and shows two candelabras, while the right side is more architectonic in its structure.This print is bound in an album containing 27 series with a total of 122 ornament prints from the fund of the prominent Augsburg publisher Martin Engelbrecht.. Design for an Altar, Plate 2 from an Untitled Series of Designs for Altars. After Carl Pier (German, active Augsburg, ca. 1750). Printed ca. 1750-56. Etching. Martin Engelbrecht (German, Augsburg 1684-1756 Augsburg). Jacob Gottlieb Thelot (German, Augsburg 1708-1760 Augsburg)

Print (France)

German Parliament = Gallerie Wache, Caricature on Karl Möhring and Friedrich Siegmund Jucho, MP of the National Assembly in Frankfurt , Lithographer, Eduard Gustav May -, publisher

Trophy, Gabriel Huquier, French, 1695-1772, Antoine Watteau, (French, 1684-1721), Etching on paper, France, Europe, 18th century, Print, Print

Nox, 1588 - 1590 print The goddess Nox, driving on a car pulled through bats, a torch in hand. This print is part of a series of seven oval prints of classical gods and goddesses. paper Personification of the Night, 'Nox'; 'Night', 'Carro della Notte', 'Serenit of the night' (Ripa). Other Primeval Deities: Nox

Ochenta Caprichos: You Will Not Escape, 1793-1798. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

Woman with a jug, Edward Edwards, 1790 print Numbered: 42. print is part of an album. paper etching adolescent, young woman, maiden. floating in the air

Two Designs for Illustration 1820-84 Adrian Ludwig Richter German. Two Designs for Illustration 335694

Heaven and Hell , Josefine Gallmeyer, Heaven and Hell from The Flea , Karl Klic -, Caricaturist

Feline in landscape with fruit and bound Halmen, Gabriel Huquier, After Alexis Peyrotte, 1731 - 1761 print Design for a fan. In a landscape with trees and fruit there is a feline on a fallen elongated object made of bound culms. There are two round structures of bound culms on the right. Behind the cat, a bird is sitting on a stick on a pedestal with vases. Paris paper etching cat. landscapes. fruits

Antique Ruined Statuary Artist's working dates 1767-1770 France. Etching on ivory laid paper

Soldier who subjects an enemy, c. 1701 The soldier, who has a shield and sword in his hands, stands on an enemy with his right foot. Next to this man is a sword and a helmet with a dragon on it. In the background a mountain landscape with two towers. Page 42 Recto from a sketchbook with 63 sheets. paper. pencil. watercolor (paint) brush The soldier, who has a shield and sword in his hands, stands on an enemy with his right foot. Next to this man is a sword and a helmet with a dragon on it. In the background a mountain landscape with two towers. Page 42 Recto from a sketchbook with 63 sheets. paper. pencil. watercolor (paint) brush

Bound Print, Cartouche with Putto Blowing Conch; Designed by François de Cuvilliés the Elder (Belgian, active Germany, 1695 - 1768); Print Maker: Carl Albert von Lespilliez (German, 1723 - 1796); Germany; etching and engraving on paper; 18.7 × 24.8 cm (7 3/8 × 9 3/4 in.)

Design for a Cartouche Evoking the Season of Autumn and The Chase, Jacques de Lajoüe, French, 1687-1761, Gabriel Huquier, French, 1695-1772, Engraving on white laid paper, Clusters of grapes, leaves, and gourds surround a cartouche with pedestal elements on either side. A top the cartouche a dog grabs the leg of a boar that is spewing water. At bottom left are two dogs. At bottom center is a grotesque mask., France, 1740, ornament, Print, Print

Print (France)

News. /// the day of kings. Poor England! Every eaten without her! / 80

Title page for: the political Kruyer, dl. 2, 1784, Theodoor Koning, After Cornelis van Cuylenburgh (II), 1784 print Title page for: the political Kruyer, dl. 2, 1784. Allegory in which, under the approval supervision of Dutch freedom, an armed citizen with a broken banner with Oranjappel prevents the freedom throne from entering the freedom. Northern Netherlands paper etching / engraving

Le Gout (Taste) from the series Les Cinq Senses (The Five Senses), François Boucher, French, 1703 - 1770, Gabriel Huquier, French, 1695-1772, Etching and engraving on laid paper, Allegorical scene depicting the sense of taste. Two figures are seated beneath a tree with a large fruit, out of which some segments have been cut. The lefthand figure eats a slice of the fruit, and the right figure points at him., France, 1720-1770, figures, Print, Print

N ° 23 / (the pear) on this conservative land, / I must finally, entrust me without sourness ... (IT)

Title page with Minerva that holds a shield entitled on "Reijnier Vinkeles 2nd part, Tooneelen Press test", Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper. pencil etching (story of) Minerva (Pallas, Athena)

POLICHINELLE. Artist: Paul Gavarni, French, 1804-1866

Trophy of Ottoman weapons; Numismata virorum illustrium ex Barbadica Gente. A console with a trophy consisting of Buitakten Ottoman weapons and attributes, such as a shield with a half moon, a turban, arrow kokers and Kromzwaard. The print is part of an album.

Barbarigo, Giovanni Francesco, Rome, Audenaerd, Robert van, Numismata virorum illustrium ex Barbadica gente, Mermaid with the arms of Barbarigo, verso - stamped, A console with a mermaid. The man holds up a crown and has a shield with the arms of the Barbarigo family next to him. The two batons and hat possibly refer to Agostino Barbarigo, commander during the naval battle at Lepanto. The print is part of an album., print, prent, albumblad, prints, prenten, height 182 mm, width 180 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, papier, engraving, engraving (printing process), Italian, 1658-04-29 - 1730-01-27, client

Cartoon on Napoleon, 1813, Anonymous, 1813 print Cartoon on Napoleon of 1813 where his face is made up of the corpses of his victims, his hat is the Prussian eagle, his epaulette is a gripping hand. The collar is a river of blood, his coat the battlefield of Europe and the order of the legion of honor on his chest is a spider web. On the leaf under the plate a verse of eighteen lines. Netherlands paper etching / letterpress printing political caricatures and satires

Paris, Chéreau, Jacques-François, Delafosse, Jean Charles, Nouvelle Iconologie Historique Ou Attributes Hieroglyphics, N Tombstones, Les Grecs, Greeks, verso - stamped, A tomb with laurel wreaths and garlands. At the top a panther skin, oak leaves and a round medallion with an eagle and a unicorn. Print number 18., print, ornamental print, prints, ornamental prints, height 380 mm, width 232 mm, French, 1734 - 1791-10-11, print maker, printmaker, 1768 - 1771, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design of, Publication (Event), Publication, 1742-10-14 - 1794-05-16, publisher

The truth is what must be an image of obscurantism. (TF)

I am French, Bobron, I am French, name of ...! / N ° 9. (registered title) | Mr Mayeux's ways. (title of all)

News. / 137. / The festival at the Champ de Mars. (Title registered (letter)) | News. (Title of all)

A great mortar at very small reach Honoré Daumier (1808-1879). Press cartoon. "A great mortar at very small reach". Board published in "caricature" of December 18, 1834. Lithography. Paris, House of Balzac.

Melpomene December 6, 1784 Attributed to James Gillray British. Melpomene. Attributed to James Gillray (British, London 1756-1815 London). December 6, 1784. Etching and aquatint; open letter state. J. Ridgeway (London). Prints

Good trip Mr. Badinguet. (IT)

The baron. Ah! How do you name yourself! ... the CTE. I call myself the cte de Boursoufle! ... (title registered (letter)) | History of the Count de Boursoufle. (Title registered (letter))

"I had come to London to see a royal, but I only saw the back of another person's head." from the Little Miseries of Human Life 1843 J. J. Grandville. "I had come to London to see a royal, but I only saw the back of another person's head." from the Little Miseries of Human Life. Petites Misères de la Vie Humaine. 1843. Wood engraving. Prints

Print (France)

Print made by John Doyle ('H.B.'), 1797-1868, Irish, The Harpies Attacking the Daughters of Pandarus, 1848. Lithograph in tan and black ink on moderately thick, smooth, beige wove paper.

Imperial court, Augsburg, Nilson, Johann Esaias, Holzer, Johann Evangelist, Picturae a Fresco in Aedibus Augustae Vindelic, Y. The Arts. Quenched by Evil and Neighbour., Violence and Envy, verso - stamped, Allegory of violence and envy. A female personification of the arts seeks protection from a bust of Minerva. Minerva symbolises wisdom and struggle. King Midas and Medusa, the personifications of violence and envy, approach the personification of the arts on the right and pull on her clothes. On the left, Father Time flies and saves the arts with his scythe. In the bottom margin a German text., print, ornament print, prints, ornament prints, height 166 mm, width 246 mm, German, 1721-11-02 - 1788, print maker, 1765 - 1770, paper, etching, engraving, engraving (printing process), 1709-12-24 - 1740-07-21, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher, grantor of privilege

Print, Design for a Trophy; Designed by Mathurin Cherpitel (French, 1736 - 1809); Published by Geneviève-Marguerite Chéreau (French, active 1755-1768); France; etching on laid paper

Monkey Despot, from Monkey-Ana or Men, in Miniature. Artist: Thomas Landseer (British, London 1795-1880 London). Dimensions: Sheet: 8 1/16 x 6 11/16 in. (20.4 x 17 cm). Published in: Paris; London. Publisher: Moon, Boys & Graves (London). Date: July 1828. Museum: Metropolitan Museum of Art, New York, USA.

Print (France)

Heinrich IV., King of France.

Trophies with shields; NN Attributs d'Eglise. On the left a trophy with a book, a shield with a chalice and beams, a vase and fruit. On the right a miter, a staff, a crown, a fascination, a shield with the lamb on the book with the seven stamps, a book and chalks.

The redhead moon / second year - N ° 72 / Sunday 21 April 1878 / Easter egg, by Gill

Les nouveaux icares , Politicians, Historians, Lawyers, Government officials, Thiers, Adolphe, 1797-1877, Berryer, Pierre-Antoine, 1790-1868, Montalembert, Charles Forbes, comte de, 1810-1870, Molé, Louis-Mathieu, comte, 1781-1855. Honoré Daumier (1808-1879). Lithographs

Lantern / Henri de braise (dummy title) | Lanterns (title of all)

Isis, the goddess with the thousand names, or nature is personalized, in or before 1792 print Goddess with attributes, standing on the waves. Proef pressure with caption in brush. paper engraving / etching Isis, the mother-goddess. 'Natura' (allegorical figure or scene; or as Diana of Ephesus, with many breasts); 'Natura' (Ripa)

Father Time picks up fleeing people and puts them in a basket, Alexander Ver Huell, 1864 - 1866 print Father Time picks up fleeing people and puts them in the basket on his back. On the left, death drives a scythe on the people. Arnhem paper Father Time, man with wings and scythe

Virtues and Forces, Jean Charles Delafosse, 1768 - 1771 print A monument with two lions and a triangular element with a globe and oak leaves. In the middle the chain of the golden fleece, books, a helmet, weapons and a shield with a dragon and a crown with chains. Print number 66. Paris paper etching / engraving monument, statue. 'Sapientia' and the Seven Virtues, i.e. the Three Theological and the Four Cardinal Virtues

September 30, 1824. (IT)

Koopman with fruits, vegetables and geese, Francesco Villamena (Possibly), After Christoph Krieger, After Cesare Vecellio, 1576 - 1624 print Koopman with a basket with fruits and vegetables on the head and two dead geese in the hand. paper engraving folk costume, regional costume. fruit. vegetables. carrying something in basket, bag, rucksack, etc.. carrying something on the head or on the shoulders

Birds and yacht attributes; Autumn. Symbolic representation of autumn. A round frame with image of a falcon hunting on a bird. Above an owl and the text et fulminis ocyor alis. Around yacht attributes.

Picart, Bernard, Amsterdam, The Fall of Icarus, verso lower left - stamped, Icarus and his father Daedalus escape from Crete. However, Icarus flies too close to the sun, causing the wax on his wings to melt, his wings to come loose, and he crashes into the sea. In the margin the title in French, English, German and Dutch. The representation is decorated with an ornamental border., print, prints, height 355 mm, width 253 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1730 - 1730, second quarter 18th century, paper, papier, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Work conception, after own design by

Woman embraces a tower, Robert van Audenaerd, 1673 - 1743 print A console with a woman dressed in a cloak with a few stars at the hem. She embraces a tower or castle. The print is part of an album. paper engraving female sex; woman. tower, clock tower ~ monumental adornment

Attributes of science and arts. Attributes of science, such as Globe and Passer. In addition, attributes of the arts, such as violin, sheet music and painting palette.

Cartoon on the speech of Baron van Zuylen van Nijvelt, 1864, 1864 print Cartoon on the speech of Baron van Zuylen van Nijevelt of December 8 in which he holds a big banner with all kinds of signs. Plaat appeared at the Weekblad De Nederlandsche Spectator, no. 52, December 24, 1864. print maker: Netherlandsprinter: Netherlandspublisher: Arnhempublisher: The Hague paper banner, standard (as symbol of the state, etc.)

Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie 18th century Jean Claude Richard, Abbé de Saint-Non French. Fragments choisis dans les Peintures et les Tableaux les plus interessants des Palais et des Eglises d'Italie 369406

Teyler, Johan, Raphael, Netherlands, Woman and a boy with a flower basket above his head at the foot of a monument, A naked woman sits at the foot of a monument or altar. Next to her stands a boy or putto with a flower basket on his head. On the left an overturned barrel with grapes, a thyrsus and masks. In the foreground a pair of doves. This print is part of an album., print, prent, albumblad, prints, prenten, height 269 mm, width 337 mm, print maker, prentmaker, 1688 - 1698, paper, papier, engraving, engraving (printing process), à la poupée, colour printing, hand colouring, Work conception, 1483-04-07 - 1520-04-07, after a design by, Noord-Nederlands, 1648 - 1712, supervision

Of kleine Mens Holloka Tschimitschko buttitiam southwest of Huzaar, CA. 1710, 1705 - The little man Holloka Tschimitschko Buttiam Uran as a hussar. In the caption under the title a four -line verse in German. Numbered at the top right: 12. Part of a loose -leaf edition from around 1710 of a series of caricatures of small people, known as the dwarf tone. Augsburg paper etching / engraving The little man Holloka Tschimitschko Buttiam Uran as a hussar. In the caption under the title a four -line verse in German. Numbered at the top right: 12. Part of a loose -leaf edition from around 1710 of a series of caricatures of small people, known as the dwarf tone. Augsburg paper etching / engraving

Bound Print, Ornamental Vase Design; Designed by François Boucher (French, 1703-1770); Print Maker: A. Bouchet (French, active ca. 1730-1740); Published by Chez Le Pere et Avaulez; France; etching on cream laid paper

Rest of France Honoré Daumier (1808-1879). Press cartoon. "Rest of France". Board published in "caricature" of August 28, 1834. Lithography. Paris, House of Balzac.

Pas rassurés les écus!. Honoré Daumier (1808-1879). Lithographs

Honoré Daumier, La tête branlante, 1834 La tête branlante

4 / The carrot & the potato (IT)

Portrait of Louis XVIII van France, J. Michon, 1815 - 1850 print Paris paper engraving / etching historical persons. ruler, sovereign

Fontein in the form of a pyramid, anonymous, after Georg Andreas Böckler, 1664 print The fountain is decorated with winged seahorses, sea codes, shells, vases with flowers and fruit. Page 113 from part III of a series consisting of 226 magazines, divided into four books, each with its own title page. print maker: Germanyafter design by: Germany (possibly)printer: Neurenbergpublisher: Neurenberg paper etching

18. / Oh! Oh! My friend Polichinelle! It is said that a good done is never lost ...

AAP as a koopman, Jean doing aFrea, nearly Antoine Watteau, 1728 - 1740 print A monkey dressed as a merchant is with merchandise for draperies. Around an ornamental frame with leaf and floral motifs. Paris paper etching animals acting as human beings. monkeys, apes. merchant, salesman

Caricature of Berlioz, from La Caricature Provisoire, no. 1 1838 Benjamin Roubaud (called "Benjamin") French. Caricature of Berlioz, from La Caricature Provisoire, no. 1 392320

St. George and the Dragon (4), 1885. Claude-Ferdinand Gaillard (French, 1834-1887), after Raphael (Italian, 1483-1520). Engraving; sheet: 65 x 47.4 cm (25 9/16 x 18 11/16 in.); image: 30 x 25.5 cm (11 13/16 x 10 1/16 in.); platemark: 40.7 x 33.9 cm (16 x 13 3/8 in.).

Monument to Menno Baron van Coehoorn in the permanent castle church of Wijckel; Wijkel monument for Menno Baron van Coehoorn, in the church .. Part of photo album with sights in Dutch, Belgian and German cities.

Entre deux fauteuils le, monsieur par terre , Kings, Otho I, King of Greece, 1815-1867. Honoré Daumier (1808-1879). Lithographs

Bertoldino slows down the ears of a donkey; History of Bertoldo, Bertoldino and Cacasenno. Bertoldino has cut off the ears of the donkey. In his right hand, the scissors, in his left an ear. Behind him the donkey is beamed and Malcolfa is relieving. Under the show a three-legged rhyme in Italian. Print from a series of eight with the regions of Bertoldino, part of a series of twenty prints.

A black ink sketch by Anton Hanak from 1925 illustrating personal reflections and observations, with figures and expressive posture.

Ornament with weapon yard ..

Jules Favre / The Crying Fountain. / 4

A New Book of Vases 1770 Jean Charles Delafosse French. A New Book of Vases 358573

Published in le Charivari (8 May 1869): Actualities (No. 98): The quartering reinstated, 1869. Honoré Daumier (French, 1808-1879). Lithograph; sheet: 43.6 x 62 cm (17 3/16 x 24 7/16 in.); image: 23.3 x 22.3 cm (9 3/16 x 8 3/4 in.).

Monument for an Accademia della Pace, Felice Giani, Italian, 1758-1823, Pencil. Pen, ink. Bistre wash., Horizontal rectangle. At right is an enormous pedestal, seen from a corner; upon it is the base of a column. At the front the inscription: 'ACADEMIA / LA PACE/' and some unintelligible signs. At the side at right is the head of an indefinite animal above clouds. Lying are in front of the pedestal, at right, three wreaths, two of them entwined, at left two rolls, a compass and a lyre. Lying, respectively, standing, beside are at left a palette with brushes, a bust of Zeus, an open book. Behind these is a tripod with a bowl with a fire. At left is a part of the front of a temple with the inscription: 'CIANO SACRum.', Italy, 1810-20, architecture, Drawing, Drawing

Political mythology // mercury

The Dwarf Jan Hagel as a Dutch bootsmeg, 1720, Fopje Folkema, 1718 - 1720 The dwarf Jan Hagel as a Dutch boots servant. In the caption verses in Dutch and French. Numbered right in the middle: 16. Part of the second Dutch bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf tone. print maker: Northern Netherlandspublisher: Amsterdam paper etching The dwarf Jan Hagel as a Dutch boots servant. In the caption verses in Dutch and French. Numbered right in the middle: 16. Part of the second Dutch bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf tone. print maker: Northern Netherlandspublisher: Amsterdam paper etching

Curré translated by J.Corseeaux / Accée Triomhale in Berlo-d'a Grulroer (1871).

Grieken; Les Grecs; N Tombeaux; Nouvelle Iconologie Historique Ou Attributs Hierogliphyques (...).A tomb with laurel wreaths and garlands. At the top a panther, oak leaves and a round medallion with an eagle and a unicorn. Print number 18.

Franse kroon, Parijs, Chéreau, Jacques-François, Lalonde, Richard de, Foin, Augustin, L Dessus de Portes et Cartels, Dessus-de-portes with smoking-bowl and vase, Paris, verso - stamped, A dessus-de-porte with a smoking-bowl on a stand surrounded by two thyrsi, two vases with flowers, shields and garlands. Below a dessus-de-porte with a vase on an octagonal frame with a face, surrounded by flowers, olive branches and garlands., print, ornamental print, prints, ornamental prints, height 345 mm, width 221 mm, 1726 - 1759, print maker, printmaker, 1784 - 1785, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, French, 1742-10-14 - 1794-05-16, publisher, uitgever van privilege

THE MODERN MAZEPPA.(TI)

Schmalz Otto (1861-1915), commemorative publication for the 100th anniversary of the Technical University of Berlin-Charlottenburg. Dilment designs (1899): Book decoration. Ink, pencil on paper, 12.5 x 17.9 cm (including scan edges)

Haystack in a weiland.Leaf 64 recto from a sketchbook with 88 sheets.

Dial project for the royal court of the Royal Military School, Place Joffre, current 7th arrondissement

Bliżej Kultury unknown

Cabinet of Modes or New Modes, October 15, 1786, PL. II.TWO Women's Busts with Hats: On The Left A 'Baigner', Right A 'Pouf to Virginia'.

Enter, enter, gentlemen, ladam, in this menagerie you will see the royal tiger ... (IT)

The dwarf Monsieur Le Marquis de Sauterelle, ca. 1710; Monsieur Le Marquis de Sauterelle, Obrister Heüschrecken Comissarius, in der Liebes Declaration; Il Callotto Resurcitato Oder Neu Eingerichtes Zwerchen Cabinet. The dwarf Monsieur Le Marquis de Sauterelle. In the caption under the title a four-line verse in German. Numbered at the top right: 20. Part of a loose-leaf edition from approx. 1710 of a series of caricatures with dwarfs, known as the dworten tone.

Brussels, Bey, H., Saedeler, Hector de, ME Gourdon (Qual plaisir d'être Bruxellois), Portrait of Monsieur Gourdon in Qual plaisir d'être Bruxellois, recto - printed, photomechanical print, page, photos, photographically illustrated books, No 6, height 124 mm, width 89 mm, Belgian, 1826, photographer, 1869 - 1874, paper, Woodburytype, cliché maker

Three large and six small fountains; Nova Fontium Deineatio. Down Apollo on a dolphin. Copy to blade from series Liure de Fontaines published by Daniel Marot.

Around, and around, and around they go.. Rackham, Arthur (1867-1939). Illustrations. 1911. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Witches, Jumping

Letter I. Draughtsman: anonymous. Dating: 1600 - 1800. Measurements: h 76 mm × w 141 mm. Museum: Rijksmuseum, Amsterdam.

The Dwarf Dwarf Neussius van Wynkar -Bach, 1720, Joost van Sassen, 1718 - 1720 The Dwarf Snon Mesius of Wynkar-Bach as an inspector in Vienna. In the caption verses in German, French and Dutch. Numbered right in the middle: 46. Part of part II in the second Dutch -bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf tone. print maker: Northern Netherlandspublisher: Amsterdam paper etching The Dwarf Snon Mesius of Wynkar-Bach as an inspector in Vienna. In the caption verses in German, French and Dutch. Numbered right in the middle: 46. Part of part II in the second Dutch -bound edition from 1720 (and related to the wind trade in that year) of a series of caricatures with dwarfs, known as the dwarf tone. print maker: Northern Netherlandspublisher: Amsterdam paper etching

King in the cheese, 1830, Anonymous, 1830 - 1831 print Cartoon on King William I After the declaration of the House of Oranje-Nassau of the Belgian throne by the Belgian congress, November 23, 1830. Bust of the king in a stack of cheeses, on the left an owl on a branch, on the right two soldiers as storks with guns. Belgium paper cheese

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