Expressionist Prints

Bold graphic art depicting mythological and allegorical themes with strong contrasts and dynamic compositions.

Gauguin, Paul Eug_ne Henri (1848-1903) © Museum of Modern Art, New York Graphic arts 35,5x20,5 Genre,Mythology, Allegory and Literature Te Faruru (Here We Make Love) From the Series ""Noa Noa""

Roman rider on horseback. A rider with cloak, sword and Roman helmet on a horse, possibly the Holy Martin. In addition to him a standing and a seated man, both half naked.

Gauguin, Paul Eug_ne Henri (1848-1903) © Museum of Modern Art, New York Graphic arts 35,5x20,5 Genre,Mythology, Allegory and Literature Te Faruru (Here We Make Love) From the Series ""Noa Noa""

Woman and boy in the clouds. A naked woman and boy, both partially covered by the woman's cloak. Different clouds around them. Woman wears a flower wreath in her wavy hair.

Creation I (Schöpfungsgeschichte I). Artist: Franz Marc (German, 1880-1916). Dimensions: block: 9 1/4 x 7 3/4 inches (24 x 19.5 cm). Series/Portfolio: Bauhaus Porfolio III. Date: 1914. Museum: Metropolitan Museum of Art, New York, USA.

Two performances, Julie de Graag, 1878 - 1924 print Above a part of a cabbage. Under a symmetrical ornament with plant motifs. paper plants and herbs: cabbage. ornament derived from plant forms

Albrecht Altdorfer, Saint Christopher, 1513 Saint Christopher

Denis, Maurice, work, Nun and cross bearer, woodcut, graphics

Heinrich Tischler, Einsame, 1914 Einsame

Vollon, Antoine (n.1833-04-23-D.1900-08-27), palace interior (main title). Plume, black ink on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Te Po (The Long Night). Dated: 1894/1895. Medium: woodcut in bistre on cream paper. Museum: National Gallery of Art, Washington DC. Author: PAUL GAUGUIN.

The Two Ghosts, 1901. Edward Gordon Craig (British, 1872-1966). Woodcut;

Squatted figure and two crowned men, Mathieu Lauweriks, 1935 print A squatted naked figure holds a plateau up. Two crowned men then face each other with their hands on each other's shoulders. Japanese paper (handmade paper) crown (symbol of sovereignty). squatting, crouching figure

Kügelgen, Carl von, manufacturer: printed in St. Petersburg 1823-1824, Hämeenlinna, 1822, lithography, graphics, leaf width 54.7 cm, leaf height 44 cm, image width 40.5 cm, image height 31 cm

Standing man and kneeling woman. A naked, standing man, who loves his arms so as if he shoots with arrow and bow. To the right of him a half-naked, kneeling woman, which puts two clenched fists in the air.

Kop of a figure, Henri Jonas, 1888 - 1931 print paper head (human)

Lazio Viterbo Viterbo S. Maria Nuova7. Hutzel, Max 1960-1990 Exterior and interior views of nave and altar in Medieval collection. In Hutzel collection are views of paintings, frescoes, architectural details, throne. Owner: S. Maria Nuova General Notes: Seventy-one catalogued views in Medieval core collection and fifty-one uncatalogued, some of which do not have matching negs. Two numerical sequences have been fused into one; see guide. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Composition with six human figures, Reijer Stolk, 1906 - 1945 print In the middle a naked woman with her arms above her head. Japanese paper (handmade paper) postures of the human figure. Fate, Doom

Leonhard Beck created a wooden stick depiction of Saint Ladislaus in 1516 as part of the Sipp series for Emperor Maximilian I.

Seated man in theater. Draughtsman: Jac van Looij. Dating: 1865 - 1930. Measurements: h 162 mm × w 103 mm. Museum: Rijksmuseum, Amsterdam.

Thenot Under Fruit Tree, from The Pastorals of Virgil 1821 England. Wood engraving on off-white wove paper . William Blake

Les Bretonneries: Title Page (Page de Titre), 1889, printed 1896. Émile Bernard (French, 1868-1941). Zincograph; sheet: 41.1 x 57.7 cm (16 3/16 x 22 11/16 in.); image: 31.5 x 24.8 cm (12 3/8 x 9 3/4 in.).

Kneeling figure between plants, Johannes Josephus Aarts, 1881 - 1934 print A naked, kneeling figure, leaning on both arms. A few plant motifs around the figure. paper kneeling figure. woman (showing herself) undressed, quasi-nude

The Assault. Dated: published 1915. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Ernst Barlach.

Etching by Sebald Beham from 1520 depicting a bagpiper playing outdoors, showing figure, musical instrument, and posture.

Death like Harlekijn, Bilboquet playing, Johannes Josephus Aarts, 1881 - 1934 print Death, dressed like harlequin, with a bilboquet in his hand. He tries to get a skull with a wandering movement on a skewer. A part of a head is visible above death. paper Death as man. cup-and-ball, bilboquet

Paul Gauguin, Breton Women beside a Fence (Bretonnes à la barrière), 1889 Breton Women beside a Fence (Bretonnes à la barrière)

Girl withFrogs. Artist: Heinrich Campendonk, German, 1889-1957

Naked Woman, Meijer Bleekrode, 1923 print A naked woman with lit her, seen on the back. paper woman (showing herself) undressed, quasi-nude

Two naked men's figures with bells and candleover, Johannes Josephus Aarts, 1881 - 1934 print Two naked, emaciated men's figures walk in a room. De Voorste carries a bell in his left hand and goes out a candle with the candleover in his right hand. paper (showing oneself) undressed, quasi-nude. bell ~ acoustic signalling. candle

Decorative design. Draughtsman: Carel Adolph Lion Cachet. Dating: 1874 - 1945. Measurements: h 191 mm × w 139 mm. Museum: Rijksmuseum, Amsterdam.

Herbert Bennett, Untitled (Frustration), American, linocut

Prancing horse, flour and head (sketch), Leo Gestel, c. 1930 - in Or Before 1941 drawing Scunging horse in the bottom left, flour in the middle and head and profil at the top right. paper. India ink (ink). gouache (paint) brush horse. head (human) - AA - female human figure

Nave nave fenua (Delightful Land), from the Noa Noa Suite. Paul Gauguin; French, 1848-1903. Date: 1893-1894. Dimensions: 355 × 205 mm (image); 358 × 208 mm (sheet). Wood-block print in residual brown and black inks, with selective wiping, a transferred twill impression, and touches of hand-applied dark brown ink, on thin, pale-pink wove paper (faded to tan). Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

St. Jerome in the Desert ca. 1511 Hans Baldung (called Hans Baldung Grien) German. St. Jerome in the Desert 416410

Daphnis plays pan flute for Chloé, Aristide Maillol, 1937 print paper one person playing an instrument - CC - out of doors. panpipes. Daphnis (in Greek mythology a shepherd who invented pastoral poetry. Chloe

John Henry's Funeral Fred Becker American Published by WPA 1935-40

Paul Gauguin, Auti te Pape (Women at the River), 1894 1895 Auti te Pape (Women at the River)

Gallen-Kallela, Akseli, work, Lemminkäinen's mother, 1905, line etching, graphics, plate width 18.2 cm, plate height 14, 2 cm, leaf width 39.5 cm, leaf height 28 cm, image width 17.6 cm, image height 13.7 cm, Akseli Gallen-Kallela 1865 - 1931, a Finnish painter who is best known for his illustrations of the Kalevala, the national epic of Finland.

Heavenly art; L'Art Céleste. A head of a human, and profil. In the air an angel playing on a string instrument.

Manao Tupapau (Spirit of the DeadWatching). Artist: Paul Gauguin, French, 1848-1903

Cat and Flowers 1869 Edouard Manet French. Cat and Flowers 375951

Depiction of the funeral of the King of Scotland in the Weißkunig chronicle of Emperor Maximilian I by Hans Burgkmair the Elder, carved on a wooden stick between 1514 and 1516.

The Letter 'O' (is for Owl, Opossum...), from book ABC by Theodore Howard, USA, Illinois, Chicago, Newberry Library

Love is Enough - Upright Border or Sidepiece with four Putti, 1872. By William Morris

Kneeling figure. .

Woodcut by Marianne Seeland, 1917, depicting the symbolic theme of cross acceptance, focusing on figures and expressive forms.

Nancy Outside in July XXIII: Squeezed Out on Japanese Paper. Jim Dine (American, born 1935); printed and published by Aldo Crommelynck (French, 1931-2008). Date: 1981. Dimensions: 596 x 496 mm (image/plate); 915 x 626 mm (sheet). Aquatint from one copper plate on light brown mulberry paper with flecks. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Cat and Flowers. Artist: Édouard Manet (French, Paris 1832-1883 Paris). Dimensions: plate: 7 7/8 x 5 7/8 in. (20 x 14.9 cm)sheet: 13 1/4 x 8 7/8 in. (33.7 x 22.5 cm). Date: 1869. Museum: Metropolitan Museum of Art, New York, USA.

Carriage and Figures on a Road. Date: March-April 1890, Saint-Rémy-de-Provence. Dimensions: 28.2 cm x 23.9 cm. Museum: Van Gogh Museum, Amsterdam.

Interior of a Hut (Interieur de case). Dated: in or after 1895. Medium: woodcut in black. Museum: National Gallery of Art, Washington DC. Author: PAUL GAUGUIN.

Fantasy: On the left two figures with hats on to the right, on the right a scratched appearance with plumage, Samuel Jessurun de Mesquita, 1919 print On the left two figures with hats on to the right, on the right a graved appearance with plumage. paper

14th Street Meat Market #1. Antonio Frasconi; Uruguayan, born Argentina, 1919-2013. Date: 1957. Dimensions: 870 x 585 mm (image); 915 x 610 mm (sheet). Color woodcut on cream Japanese paper. Origin: Uruguay. Museum: The Chicago Art Institute, Chicago, USA.

Mélisande looks at her in the water, Richard Nicolaüs Roland Holst, 1892 print Mélisande is kneeling at a source. She stares at her ring, which has left two circles on the water surface. On either side of the source is a horned head with an oak leaf as a nose. paper ring. spring, source of river or stream. foliated head ~ ornament

Rider on a horse, Henri Jonas, 1888 - 1931 print paper riding a horse, ass, or mule; rider, horseman

A vignette with flowers and initial N before the title poem in: Zygmunt Lubicz Zaleski, on a narrow sleep and storm. Tadeusz Józef Makowski, Warsaw Paris Kraków: Centnerszwer I SKA, 1914, p. 7 arranged and decorated Makowski, Tadeusz (1882 1932), Centnerszwer and S ka, Reiff, A. Heymann

Promenade No.2. Artist: Thomas Handforth, American, 1897-1948

Working break , Karl Wiener -, artist

'Les Soldats À La Gare', 1919. Artist: Jean-Emile Laboureur.

Te faruru (Here We Make Love), from the Noa Noa Suite. Paul Gauguin; French, 1848-1903. Date: 1894. Dimensions: 356 × 202 mm (image), 359 ×206 mm (sheet). Wood-block print, printed twice in brown and black inks, with selective wiping, and a transferred twill impression, touches of brush and red and green watercolors, and traces of brush and black ink, on pale-pink wove paper (faded to tan). Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Abruzzo L'Aquila L'Aquila Museo Nazionale d'Abruzzo10. Hutzel, Max 1960-1990 Tabernacle from S. Maria delle Grotte in Fossa with scenes of the Presentation at the Temple, the Flagellation, the Annunciation, and the Betrayal by Judas. Museo Nazionale housed in Castle: several exterior views (The Archeological Museum is one gallery (Sala IV) of the Museo). Remaining views of museum collection, including paintings, processional crosses, reliquaries, chalices, ceramics, textiles, manuscripts, and a number of eighth century Abruzzan Madonna sculptures. Works from the church Madonna del Soccorso also stored in Museo. Museo Nazionale d'Abruzzo Roman inscriptions, sculpture and relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans

Lithograph by Edvard Munch titled 'Attribution I', executed in black with lithotusche, chalk, and needle in 1896, showing detailed line work and expressive forms.

This color print by James Ensor depicts Christ among the doctors, showing him in discussion with scholars in a domestic or temple setting, emphasizing gestures and attention.

Judah', a collection of ballads by the non-Jewish poet Börries von Münchhausen 1874 - 1945. Illustrated by Ephraim Moses Lilien (1874-1925), art nouveau illustrator and printmaker, noted for his art on Jewish themes. He is sometimes called the "first Zionist artist. Münchhausen's relationship to Judaism remained ambivalent: Munchhausen did not consider the "Jewish race" inferior, but merely wanted to prevent a "mixture" with the non-Jewish Germans.

Actors as Samurai by Katsukawa Shunsho, 1726-1792, colored woodblock print, 18th century

Otto Müller, Nude Figure of a Girl in a Landscape (Madchenzwischen Blattpflanzen), 1912 Nude Figure of a Girl in a Landscape (Madchenzwischen Blattpflanzen)

Rosalie is guarded by the Cenii.

Ernst Barlach, The Godlike Beggar (Der Göttliche Bettler, no. 3., 1922/54, woodcut on paper.

The Guitar (La guitare). Dimensions: 32.4 cm x 25.5 cm, 22.5 cm x 17.8 cm. Museum: Van Gogh Museum, Amsterdam. Author: FELIX VALLOTTON.

Byblis; Leda ou La Louange des Bienheureuses Tenebres 1898, by Pierre Louys. engraved Art Nouveau pictorial initials, by Paul-Albert Laurens, one of the central figures in Art Nouveau book illustration on the Continent.

Manao tupapau (She Thinks of the Ghost or The Ghost Thinks of Her). Paul Gauguin; French, 1848-1903. Date: 1894-1895. Dimensions: 220 × 525 mm (image/sheet). Wood-block print, printed twice in black ink, with brush and stencil-applied red, orange, yellow, green, blue, violet, and brown watercolors on ivory Japanese paper, laid down on cream Japanese paper. Origin: France. Museum: The Chicago Art Institute, FLORENCIA, USA.

Conversation (Conversation). Dimensions: 38.7 cm x 28.2 cm, 29 cm x 24 cm. Museum: Van Gogh Museum, Amsterdam. Author: PIERRE BONNARD.

ROMANCERO GITANO DE FEDERICO GARCIA LORCA-LITOGRAFIA. Author: RAFAEL ALBERTI (1902-1999).

Fantasy: Left Two figures with hats to the right, right a cracked appearance with plumage. Links Two figures with hats to the right, right a cracked appearance with plumage.

La Tentation. Jasiński, Feliks Stanisław (1862-1901), graphic artist, unknown, printer of graphic prints

Fantasy: Left Two figures with hats to the right, right a cracked appearance with plumage. Links Two figures with hats to the right, right a cracked appearance with plumage.

Madonna. Wąsowicz, Wacław (1891-1942), graphic artist

Paul Gauguin, Mahna no Varua Ino (The Devil Speaks), 1894 1895 Mahna no Varua Ino (The Devil Speaks)

Decorative design with two standing deer. .

Woman Putting on Her Shoes, 1912. Ernst Ludwig Kirchner (German, 1880-1938). Woodcut;

To understand the content of the print ter dee / so the Texts searches / here as described / and takes the Bybel book / and that will open that / they will give you the sentence and where to give you, c. 1782 - c. 1793 print Block with five stories from the old and the New Testament in one show: the fall, the Ark of Noah, the journey through the Red Sea, the baptism of Christ and the fall of Lucifer. At the top of the Bible references to the five stories. Numbered at the top right: 61. publisher: Amsterdamprint maker: Netherlands paper letterpress printing Temptation and Fall: Adam and Eve in paradise (after the Fall) (Genesis 3:8-21). the Flood and destruction of mankind ~ story of Noah (Genesis 7:10 - 8:17). Moses lifts up his rod and the water divides (Red Sea); the angel of God and the pillar of cloud move to the rear. baptism of Christ in the river Jordan: John the Baptist pouring out water on Christ's head: the Holy Ghost descends. Revelation 12-18. the fall of Satan, fall of Luc

Paul Gauguin (French, 1848 - 1903), Women, Animals and Foliage (Femmes, animaux et feuillages), in or after 1895, woodcut in black

After dinner II. Draughtsman: Peter van Straaten (signed by artist). Dating: 1945 - 2010. Place: Amsterdam. Measurements: h 320 mm × w 375 mm. Museum: Rijksmuseum, Amsterdam.

TeAtua. Artist: Paul Gauguin, French, 1848-1903

Au Pied du Sinaï, Rejected Cover Made 1897 France. Lithograph on thick gray-tan Japan wove paper . Henri de Toulouse-Lautrec

Aus der Tierlegende. From: Genius. prints, woodcuts, works on paper

Ukifune and Ukon approach the island of Tachibana 1700-1764 Japan. Woodblock print; hosoban . Okumura Masanobu

Here We Make Love (Te Faruru), from Fragrance (Noa Noa). Artist: Paul Gauguin (French, Paris 1848-1903 Atuona, Hiva Oa, Marquesas Islands). Dimensions: block: 13 15/16 x 8 in. (35.4 x 20.3 cm)sheet: 18 7/8 x 12 5/16 in. (48 x 31.3 cm). Series/Portfolio: Noa Noa (suite of ten woodcuts). Date: 1893-94. Museum: Metropolitan Museum of Art, New York, USA.

Otto Müller, Standing Girl in Water and the Other Sitting on Shore (Im Wasser stehendes und am Ufer sitzendes Madchen mit Hut), 1921 1922 Standing Girl in Water and the Other Sitting on Shore (Im Wasser stehendes und am Ufer sitzendes Madchen mit Hut)

Lazio Viterbo Bagnaia Villa Lante68. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Peasant Woman Working the Land. Date: July 1890, Auvers-sur-Oise. Dimensions: 30.5 cm x 23.9 cm. Museum: Van Gogh Museum, Amsterdam.

Colored woodcut by Emil Orlik depicting hay in a rural landscape, showing stacked hay and surrounding fields, circa 1902.

Thomas Handforth, Black Eros, state II, 1928, etching on paper.

Escena del libro Don Quichote, de Miguel de Cervantes Saavedra (Alcalá de Henares, 1547-Madrid, 1616). "Don Quijote sujetado al marco de una ventana" Editado en Zutphen (Países Bajos), año 1930. Author: Albert Hahn jr.

Paul Klee, Small World (Kleinwelt), 1914 Small World (Kleinwelt)

Der Moerder (The Murderer), illustration for Zolas La Bete Humaine (The Human Beast). Artist: Ernst Ludwig Kirchner, German, 1880-1938

Art Policy Ornamentation I..

Woman who cleans food at a table, 1919 The woman is sitting at a table with a deep plate and a colander. Page 30 Recto from a sketchbook with 33 sheets. paper. India ink (ink) pen table. cleaning (food)

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Woodcut depicting the Hofkapelle in the triumphal procession of Emperor Maximilian I, directed by Georg Slatkonia, Bishop of Vienna, by Hans Burgkmair, 1516, carved on a wooden stick.

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