Expressionist Woodcut Art

A collection of woodcut prints depicting human figures and natural elements in an expressive, abstract style. Dark tones and intricate patterns showcase emotional depth.

Musicians, Chaim Soutine, 1903 - 1943 print Paris paper musician at work

The Wife of Professor Goldstein (Frau Professor Goldstein). Dated: 1916. Dimensions: image: 45.5 x 24.1 cm (17 15/16 x 9 1/2 in.) sheet: 58.1 x 41.9 cm (22 7/8 x 16 1/2 in.). Medium: woodcut in black on blotting paper. Museum: National Gallery of Art, Washington DC. Author: ERNST LUDWIG KIRCHNER.

Ernst Ludwig Kirchner, Wife of Professor Schaxel, 1917 1918 Wife of Professor Schaxel

Woodcut with a Horned Head 1898-99 Paul Gauguin French. Woodcut with a Horned Head 337857

Two performances. Above a portion of a cabbage. Under a symmetrical ornament with plant motifs.

Johannes de Boper, Lodewijk Schelfhout, 1915 print John the Baptist, walking on a path in a mountain landscape. paper drypoint series of scenes from the life of John the Baptist. walking. mountains

Fantasy: On the left two figures with hats on to the right, on the right a scratched appearance with plumage, Samuel Jessurun de Mesquita, 1919 print On the left two figures with hats on to the right, on the right a graved appearance with plumage. paper

Nude Standing. Gerhard Marcks; German, 1889-1981. Date: 1948. Dimensions: 450 x 180 mm (image); 525 x 365 mm (sheet). Linocut on ivory japanese paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Plate with the Head of a Horned Devil, from the Suite of Late Wood-Block Prints. Paul Gauguin; French, 1848-1903. Date: 1898-1899. Dimensions: 154 × 295 mm (image); 192 × 299 mm (sheet/secondary support). Wood-block print, printed twice in black over pale yellow ocher ink, on thin ivory Japanese paper, partially laid down on white two-ply mat board. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Musicians, Chaim Soutine, 1903 - 1943 print Paris paper musician at work

They'd such very odd heads and such very odd tails.. Rackham, Arthur (1867-1939). Illustrations. 1911. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Aquatic animals, Sea monsters

Ernst Ludwig Kirchner, Female Nude, 1908 Female Nude

Witch trip

Kokotten am Kurfürstendamm (Coquettes on theKurfürstendamm). Artist: Ernst Ludwig Kirchner, German, 1880-1938

Ink mushrooms. .

Floating people, fantasy firms and cats; Fantastic composition with cats, monsters, etc .. under them a flat landscape with links buildings and a river in the middle.

Diana. Goryńska, Wiktoria (1902-1945), graphic artist

Paul Gauguin (French, 1848 - 1903), Manao Tupapau (She is Haunted by a Spirit), 1894-1895, woodcut printed in yellow, orange and black by Louis Roy

Composition XXII. Dimensions: image: 21.6 x 15.8 cm (8 1/2 x 6 1/4 in.) sheet: 39.4 x 26.5 cm (15 1/2 x 10 7/16 in.). Medium: woodcut in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jacoba van Heemskerck van Beest.

Edgar Degas, French (1834-1917), Nude Woman Standing, Drying Herself (Femme nue debout, a sa toilette), c. 1890, lithograph

Two naked men in a swirling air mass, Henri Jonas, 1921 print paper man (showing himself) undressed, quasi-nude. whirlwind, cyclone, hurricane, typhoon, tornado

The Universe is Created (L'Univers est cree). Dated: c. 1894. Medium: woodcut printed in black and gray by Pola Gauguin in 1921. Museum: National Gallery of Art, Washington DC. Author: PAUL GAUGUIN.

Sembah, Johannes Frederik Engelbert ten Klooster, 1922 print A kneeling woman with folded hands. transparent paper kneeling figure - AA - female human figure

Pieta. Kronfeld, Marion. 1940. Prints. Schomburg Center for Research in Black Culture, Art and Artifacts Division. African Americans

Qu'importe le sujet pourvu que l'on creuse. Jasiński, Feliks Stanisław (1862-1901), graphic artist, unknown, printer of graphic prints

Munch, Edvard, work, Wood, woodcut, graphics, plate width 43.9 cm, plate height 35 cm, leaf width 46.7, cm, leaf height 40 cm

Sing the morning mass, a new day is born, plate 29 from Miserere. Georges Rouault; French, 1871-1958. Date: 1945. Dimensions: 511 × 365 mm (image/plate); 653 × 503 mm (sheet). Etching on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Mother and child, Else Berg, c. 1918 - c. 1919 print Woman with bare breasts and a baby in her arms, stylized. Japanese paper (handmade paper). printing ink mother and baby or young child

Standing man in a street, Joub Wiertz, 1903 - 1966 print paper standing figure. street

Sitting woman, Karel de Nerée to Babberich, c. 1904 - c. 1906 drawing paper. deck paint. India ink (ink) pen / brush adult woman. sitting figure - AA - female human figure. (showing oneself) undressed, quasi-nude

Reed Brushes and Bamboo Leaves, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Bound reed brushes are decorated with scattered bamboo leaves., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami

Female Nude (Weiblicher Akt). Dated: 1908. Dimensions: image: 49.4 x 38.1 cm (19 7/16 x 15 in.) sheet: 52.4 x 41.9 cm (20 5/8 x 16 1/2 in.). Medium: woodcut on blotting paper. Museum: National Gallery of Art, Washington DC. Author: ERNST LUDWIG KIRCHNER.

Four studies of a woman on a chair, Johannes Löhr, 1892 - 1928 print paper etching sitting figure - AA - female human figure. chair

Composition (Stilleven), Jacoba van Heemskerck, 1916 print A still life with fruit. transparent paper fruit

Ernst Ludwig Kirchner, Street Scene After the Rain, 1914 Street Scene After the Rain

Street Scene After the Rain. Dated: 1914. Dimensions: image: 26.5 x 24.7 cm (10 7/16 x 9 3/4 in.) sheet: 44.7 x 35 cm (17 5/8 x 13 3/4 in.). Medium: woodcut printed in black. Museum: National Gallery of Art, Washington DC. Author: ERNST LUDWIG KIRCHNER.

George Schrimpf, Nude IX, 1918 Nude IX

Figure holding his chin; Pensive. .

Portrait of a lying woman reading a book. Raynefeld, Józef (1908-1940), draughtsman, cartoonist

Ernst Ludwig Kirchner, Palucca, 1930 Palucca

Daydreaming (Rêverie) from the series Petites scènes familières. Dimensions: 33.2 cm x 22.7 cm, 18 cm x 12.8 cm. Museum: Van Gogh Museum, Amsterdam. Author: PIERRE BONNARD.

Theatre programme for La victoire by Saint-Georges de Bouhélier (Thétre de l'Oeuvre, 20 June 1898). Dimensions: 37.7 cm x 28 cm, 36 cm x 26.4 cm. Museum: Van Gogh Museum, Amsterdam. Author: MAXIME DETHOMAS.

Farmer resting under a tree in a meadow with cows, Leo Gestel, 1891 - 1941 drawing paper. deck paint brush meadow, pasture. farmers

Lithographic print by Otto Mueller depicting figures bathing, created in 1918. The image shows nude figures in a natural setting with early 20th-century lithographic technique.

Fragment of the left edge of the large cartouche, 1558 - 1608 print The large cartouche from which the fragments come is part of a series of 3 magazines. Netherlands (possibly) paper etching ornament ~ cartouche

Two Bacchants surrounded by Wingerdbladeren, Johannes Josephus Aarts, 1881 - 1934 print Two baccians or maenaden, female worshipers of the fertility god Bacchus. They are surrounded by wingerd leaves. One of them is wearing a wreath. paper Maenad (s), Female Bacchant (ES)

Ultime ballade ,. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Gauguin, Paul Eug_ne Henri (1848-1903) © Museum of Modern Art, New York Graphic arts 35,5x20,5 Mythology, Allegory and Literature Nave Nave Fenua (Fragrant Isle) From the Series ""Noa Noa""

Fragment of the left edge of the large cartouche; Two fragments of a large cartouche with a picture frame with grotesken, garlands and mascarons. The large cartouche where the fragments come from is part of a series of 3 sheets.

Forest logging. Makowski, Tadeusz (1882-1932), graphic artist

Girl with a basket and boy with a rope, Richard Nicolaüs Roland Holst, 1912 print The girl and the boy are located at an arch where a climbing plant grows. Sailing ships on the water in the background. paper child (at home). container made of plant material other than wood: basket. tools, aids, implements ~ crafts and industries: rope. garden. sailing-ship, sailing-boat

Figural composition in a landscape. Chwistek, Leon (1884-1944), draughtsman, cartoonist

Leda and theSwan. Artist: Heinrich Campendonk, German, 1889-1957

Te Faruru (They are Making Love Here). Dated: 1894/1895. Dimensions: image: 35.8 x 20.5 cm (14 1/8 x 8 1/16 in.). Medium: woodcut printed in beige, red and black by Louis Roy. Museum: National Gallery of Art, Washington DC. Author: PAUL GAUGUIN.

Mahana Atua (The Food of the Gods). Dated: 1894/1895. Medium: woodcut printed in black and gray by Pola Gauguin in 1921. Museum: National Gallery of Art, Washington DC. Author: PAUL GAUGUIN.

Mushrooms, Janus de Winter, 1892 - 1951 print Japanese paper (handmade paper) mushrooms

Te atua (The God), from the Noa Noa Suite. Paul Gauguin; French, 1848-1903. Date: 1893-1894. Dimensions: 203 × 354 mm (image); 207 × 358 mm (sheet). Wood-block print in black ink on tan wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Still life with a flower in a pot; Makowski, Tadeusz (1882-1932); 1914 (1914-00-00-1914-00-00);

Pale Horse. From the Series 'The Mystical Images of War' by Goncharova, Natalia Sergeevna (1881-1962)/ Private Collection/ 1914/ Russia/ Lithograph/ Expressionism/ Mythology, Allegory and Literature,History

Papoeavrouw, Johannes Frederik Engelbert ten Klooster, 1921 - c. 1925 print Japanese paper (handmade paper) rowing-boat, canoe, etc.. standing figure - AA - female human figure. fishes

Design for a vignette: woman head and seagulls with the sea in the background. Draughtsman: Leo Gestel. Dating: 1891 - 1941. Measurements: h 133 mm × w 196 mm. Museum: Rijksmuseum, Amsterdam.

Woman; Myrtek, Thomas (1888-1935); 1920-1929 (1920-00-00-1929-00-00);Silesian Museum of Fine Arts (Wrocław - 1880-1945), Silesian Museum of Fine Arts (Wrocław - 1880-1945) - Kolekcja

Nude Woman Standing, Drying Herself. Edgar Degas; French, 1834-1917. Date: 1891-1892. Dimensions: 332 × 251 mm (image); 420 × 301 mm (sheet). Transfer lithograph on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Hilaire Germain Edgar Degas.

Opera by Marc Chagall, 1887-1985, France, Paris, Galerie Maeght

Pencil dedication sheet from 1909, showing ornamental elements and calligraphic lines.

Woodcut on Japanese paper by Franz Marc titled 'Reconciliation', executed in 1912, showing figures, animals, and symbolic composition.

Be in Love and You Will Be Happy. Paul Gauguin (French, 1848-1903). Woodcut;

Shoki, the Demon Queller 1740-1750 Japan. Hand-colored woodblock print; habahiro hashira-e, urushi-e . Okumura Masanobu

Forain, Jean-Louis, work, Lying woman, caricature, technique text: pastel and marker engraving, drawing, 45.5 cm x 35 cm

Two Friezes with Women and Sea Monsters, Felice Giani, Italian, 1758-1823, Pen and dark brown ink, brush and sepia wash over black chalk on off white laid paper, Sea horse with enormously long sea body, conducted by rein of flying putto. Above sea horse's long back, woman lying apparently supporting a dish. Upon one of scrolls of body, sits putto. Below, woman with casket, resting upon sea ox., Italy, ca. 1820, figures, Drawing, Drawing

Liegender Akt (RecliningNude). Artist: Ernst Ludwig Kirchner, German, 1880-1938

Flowers in a crystal vase; Wyczóżó Kowski, Leon (1852-1936); 1925 (1925-00-00-1925-00-00);Wilder, Hieronim (1876-1941), Wilder, Hieronim (1876-1941)-collection, Polish graphics, flowers, still life, recovered war losses, Poland (culture), message (provenance), vases, purchase (provenance)

Nächtlisches Schanzen, board 9; Erler, Erich (1870-1935), Verlag von P.H. Beyer & Sohn (Leipzig; Publisher; 1897-), Wetteroth, Heinrich (Munich; Graphic Zak 1860-1925); 1918 (1900-00-00-1950-00-00);World War I (1914-1918), Schlesisches Museum der Bildenden Künste (Wrocław-1880-1945)-collection, cycles, front (war), German graphics, German (culture), night, war, World War (1914-1918) , team

Nave nave fenua (Delightful Land), from the Noa Noa Suite 1893-1894 France. Wood-block print in residual brown and black inks, with selective wiping, a transferred twill impression, and touches of hand-applied dark brown ink, on thin, pale-pink wove paper (faded to tan) . Paul Gauguin

Party goers in the snow on Christmas Eve, Charles Lucien Léandre, 1897 print Paris paper Christmas (non-liturgical celebration). Christmas (ecclesiastical feast). snow

Beach. A woman on the beach wears a cylindrical object on her shoulder. In addition to her a goat, a goat and two crabs. A pole head and sailing ships in the water.

Philips Lamp, Reijer Stolk, 1906 - 1945 drawing Hand that includes a burning light bulb. paper. pencil advertisement, notice. hand. electric lamp

Wooden bridge over a river gorge in Bali, Wijnand Otto Jan Nieuwenkamp, 1908 print Figures walk on the bridge. On Verso a part of the etching 'Temple, Madura' from Nieuwenkamp. paper bridge. inland cliff face Bali

Wakten Vrouw, Bernard Essers, 1903 - 1920 print A woman is sitting at the foot end of a bed on which a man is sleeping. They are in a palace room with a port. Roses lie on the table in front of them. paper house personnel, servants. sleeping in bed. flowers: rose

Poster for victory by Israel Querido, Jan Sluijters, 1923 print. poster A woman who lifts her hands to heaven. paper

Two Nudes in Boat Under StarrySky. Artist: Heinrich Campendonk, German, 1889-1957

A 1899 woodcut by Emil Rudolf Weiß on Japanese paper depicting two figures embracing, emphasizing composition and texture.

The Horseman and the Beggar, also called Don Quixote and Sancho Panza (Le Cavalier et le mendiant). Artist: Louis Anquetin (French, Etrépagny 1861-1932 Paris). Dimensions: Image: 14 7/16 × 19 5/16 in. (36.7 × 49.1 cm)Sheet: 16 1/8 × 22 5/16 in. (41 × 56.6 cm). Publisher: André Marty (French, born 1857). Series/Portfolio: L'Estampe originale, Album I. Date: 1893. Museum: Metropolitan Museum of Art, New York, USA.

Ernst Barlach, The Dog Catcher, 1919 The Dog Catcher

Homage to Goya: The Marsh Flower, a Sad Human Head, 1885. Odilon Redon (French, 1840-1916), printed by Lemercier & Cie.. Lithograph on China paper laid on wove paper; image: 27.5 x 20.5 cm (10 13/16 x 8 1/16 in.).

Young Woman Surrounded by Briars, Lightning and Roses (Chapter Heading, "Le Morte d'Arthur," J. M. Dent 1893-94, Part III, book vi, chapter xvii, p. 215 and Part VII, book x, chapter xxii, p. 500) by May 30, 1893 Aubrey Vincent Beardsley British Beardsley created this stylized image of a woman with long, loose hair, dressed in a shift and standing before a background of stylized roses and thorny branches for J. M. Dent's 1893-94 edition of "Le Morte Darthur." It appears twice, at the head of chapter titled "How Sir Launcelot Overtook a Knight Which Chased His Wife to Have Slain Her, and How He Said to Him," and is again to adorn one titled: "How King Arthur Made King Mark to be Accorded with Sir Tristram, and How They Departed to Cornwall." The image does not obviously illustrate either portion of text.. Young Woman Surrounded by Briars, Lightning and Roses (Chapter Heading, "Le Morte d'Arthur," J. M. Dent 1893-94, Part III, book vi, chapter xvii, p. 215 and Part VII, book x, chapter x

ROMANCERO GITANO DE FEDERICO GARCIA LORCA -LITOGRAFIA SIGLO XX. Author: RAFAEL ALBERTI (1902-1999).

Tone blocks from antipater. .

Death: "My irony surpasses all others!", plate 3 of 6. Odilon Redon; French, 1840-1916. Date: 1889. Dimensions: 200 × 260 mm (image/chine); 345 × 505 mm (sheet). Lithograph in black on ivory China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

The Destruction of Job's Sons, circle of John Linnell, 1792-1882, British, after William Blake, 1757-1827, British, undated, Watercolor and black ink on moderately thick, slighly textured, cream wove paper, Sheet: 5 1/4 x 4 1/8 inches (13.3 x 10.5 cm), children, columns, death, demons, destruction, fear, fire, nude, Old Testament, religious and mythological subject, sons, wings

Leaf from the Memoirs of an Old Woman. Paul Klee; German, born Switzerland, 1879-1940. Date: 1939-1940. Dimensions: 294 x 209 mm (max.). Watercolor and pen and brown ink, over graphite, on off-white wove paper, tipped on ivory wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Stooping woman who collects objects in her apron. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 87 mm × w 73 mm. Museum: Rijksmuseum, Amsterdam.

Nine fantastic female figures, Johannes Josephus Aarts, 1897 print Bottom left a woman with wings, to the right of the middle a gorgin, a woman with snakes instead of her. Above the middle a woman on a throne. Japanese paper (handmade paper) Gorgons. woman (showing herself) undressed, quasi-nude. fabulous beings with wings

Adam and Eve (innocence), from the book Judah illustrated by Ephraim Moses Lilien (1874-1925). Lilian is considered as the father of Zionist iconography, created in the Jugendstil (German art nouveau) style. He illustrated' Juda' (1900), a book of biblical poetry by a Christian friend, Borries Freiherr von Munchausen.'

Delightful Land 1893-94 Paul Gauguin French Gauguin spent much of his time in Paris in 1893-94 working on the text and illustrations for Noa Noa (Fragrance). The project began as a narrative to guide an uncomprehending public through Gauguin's personal and artistic perceptions of Tahiti, but ultimately became more complex and mysterious than anything he had produced in the South Seas. The remarkable series of ten woodblock prints that Gauguin designed as illustrations bear little relationship to his romanticized autobiographical text. Nor do they seem to follow any particular sequence. However, the imagery and themes of the printslove and fear, creation and death, day and nightrelate closely to those of Gauguin's Tahitian paintings.The Noa Noa woodcuts were seen for the first time by a coterie of friends and admirersincluding Degas and the critics Julien Leclerq and Charles Moriceat Gauguin's studio exhibition in December 1894. Leclerq and Morice responded enthusiastically. They re

Woman reading

Franciszek Murko (1859-1910), Christ; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939), Anczyc, W Adys Aw Ludwik and Spóka (Kraków; Drukarnia; 1875-1948); around 1908 (1903-00-00-1913-00-00);

Ben Haley , Fishermen. Charles H. Woodbury (1864-1940). Prints

Paul Gauguin, French (1848-1903), Nave Nave Fenua, probably 1894, brush, gouache, and india ink with pen and india ink on dark tan wove paper

The Doomed Town. From the Series 'The Mystical Images of War' by Goncharova, Natalia Sergeevna (1881-1962)/ State A. Pushkin Museum of Fine Arts, Moscow/ 1914/ Russia/ Lithograph/ Expressionism/ Mythology, Allegory and Literature,History

Three kneeling figures for winged man, Mathieu Lauweriks, 1935 print On the right is a man with wings instead of ears. He turns to the three figures that kneel in front of him. He holds a flower in his left hand; With the right he points to the sun in which a bird can be seen with spread wings. Japanese paper (handmade paper) kneeling figure

of 2