Expressive Etchings

Various etchings portraying emotional and contemplative moments, using contrasting light and shadow for dramatic effect.

Death with two men and a woman, Johannes Josephus Aarts, 1881 - 1934 print Death, dressed as a man, with a headscarf around his head. To his right a woman in dress. Among them a squat and a lying man. paper personifications of Death; 'Morte' (Ripa). head-gear (with NAME)

Etching, to different masters. 89 pieces. .

Pilgrim from a sublunar world 1891 Odilon Redon French. Pilgrim from a sublunar world 369634

Return of the ProdigalSon. Artist: Jean-Louis Forain, French, 1852-1931

Sitting girl seen on her back.

L'ne renversé par la foudre , Lightning, Alphonse Legros (1837-1911)

Francisco de Goya (1746-1828), and De Slaeber Hend away, 1797-1798

Albert Besnard, The Mystery (Le mystère), 1900 The Mystery (Le mystère)

Disparate de miedo (The Folly of Fear), pl. 2 from Losproverbios. Artist: Francisco Goya, Spanish, 1746-1828

Death with two men and a woman, Johannes Josephus Aarts, 1881 - 1934 print Death, dressed as a man, with a headscarf around his head. To his right a woman in dress. Among them a squat and a lying man. paper personifications of Death; 'Morte' (Ripa). head-gear (with NAME)

Who would have thought it!. Francisco Goya y Lucientes (Spain, Fuendetodos, 1746-1828). Spain, 1799. Prints; etchings. Etching, burnished aquatint amd burin

Tristan and Isolde, Act II Signal in the Night 1881-1891 France. Lithograph on cream Japanese paper . Henri Fantin-Latour

Untitled Salvator Rosa (Italian, 1615-1673). Untitled. Etching, Sheet: 11 7/8 x 17 9/16 in. (30.2 x 44.6 cm). European Art

Les saules têtards , Hills, Tree trunks, Alphonse Legros (1837-1911)

Albert Besnard, Getting Up (Le lever), 1913 Getting Up (Le lever)

MUJER DORMIDA - DIBUJO PARA EL CUENTO DE PERRAULT - LAS HADAS. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Nada. Ello dirá. (Nothing. The Event Will Tell.), pl. 69 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

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L'incendie (2nd plate) , Fires, Victims, Alphonse Legros (1837-1911)

Albert Besnard, Social Triumph (Le Triomphe mondain), c 1886 Social Triumph (Le Triomphe mondain)

Alphonse Legros, Sleeping Beggar (Mendiant endormi), French, 1837-1911, etching and drypoint

Alphonse Legros, Pollard Willows (Les saules tetards), French, 1837-1911, etching

Holy Marcella van Rome as a recluse, Anonymous, After Boëtius Adamsz. Bolswert, after Abraham Bloemaert, 1590 - 1662 print paper engraving female saints. anchorite, hermit

Etching by Rudolf Jettmar from 1904 depicting a love couple, created using cold needle technique on light blue paper, showing figures in intimate composition and detailed line work.

A bad night. Francisco Goya y Lucientes (Spain, Fuendetodos, 1746-1828). Spain, 1799. Prints; etchings. Etching and burnished aquatint

Spider web with human -like spider who caught a man in her web, Marcel Roux, 1910 print Being with the abdomen of a spider and the upper body of a woman bends over the body of a man. paper etching / drypoint spiders. (corpse of) man eaten by animals

Saltarello (Saltarelle), 1858, cliché-verre, Delteil, no. 75, State ii/ii, Jean-Baptiste-Camille Corot (artist) French, 1796 - 1875

Bust of a seated old man with a cap on the head, en profil to the right., Seated old man, print maker: Jozef Israëls, unknown, 1835 - 1911, paper, etching, h 83 mm × w 45 mm

Rembrandt van Rijn, Beggar with a Wooden Leg, c 1630 Beggar with a Wooden Leg

A Eugène Delacroix , Artists, Supernatural beings, Tombs & sepulchral monuments, Delacroix, Eugène, 1798-1863. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

The black flames; Les Flambeaux Noirs. A shamming torch on the floor of a church. At the rear left three figures. Print is made as a illustration for the title sheet of the book "Flambeaux Noirs".

Odilon Redon, Sans cesse a mes cotes s'agite le demon (Ceaselessly by my side the demon stirs), 1890 Sans cesse a mes cotes s'agite le demon (Ceaselessly by my side the demon stirs)

Victime de chemineaux , Victims, Alphonse Legros (1837-1911)

Nada. Ello dirá (Nothing. The Event Will Tell), Plate 69 from Los desastres de la guerra (The Disasters of War). Artist: Francisco Goya, Spanish, 1746-1828

Pencil sketch by Josef Wawra showing a figure, object, or scene with attention to detail, posture, and composition.

Death with chopped head, Johannes Josephus Aarts, 1881 - 1934 print A figure with a skull with a chopped head with open mouth and semi -open eye. At the bottom a rectangular vignette of a skull with winged helmet. paper personifications of Death; 'Morte' (Ripa). head of a beheaded person. death's head, skull (symbol of Death)

Será lo mismo. (It Will Be the Same.), pl. 21 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Lying feminine nude in an interior. She leans on an elbow. Page 63 from a sketchbook with 40 sheets.

Francisco de Goya y Lucientes / 'The beds of death'. 1812 - 1814. Red chalk on dark yellow laid paper. Museum: Museo del Prado, Madrid, España.

Alphonse Legros, The Good Samaritan (Le bon samaritain) The Good Samaritan (Le bon samaritain)

The Model's Rest (fourth plate). Dated: 1909. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Satan, Johannes Josephus Aarts, 1881 - 1934 print A naked man with wings, seated on a rock. His arms rest on his lifted left knee. paper devil(s) and demons: Satan. man (showing himself) undressed, quasi-nude

Symphonie Fantastique A Ball, from Hector Berlioz, sa vie et ses oeuvres Made 1888 France. French composer Hector Berliozís Symphonie Fantastique is an epic composition that tells the story of an artistís unrequited love for a beautiful woman, who was probably based on the Irish actress Harriet Smithson. Here, Henri Fantin-Latour paid homage to the symphonyís second movement, in which the artist, at right, tries to gain the attention of his beloved as the guests of the ball mingle in the background.. Lithograph in black on off-white China paper, laid down on white wove paper (chine collÈ) . Henri Fantin-Latour

Thunder (Un coup de foudre). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Woman With The Arrow, Rembrandt van Rijn, 1661 print paper etching / drypoint bed

Woman under a tree, Matthijs Maris, 1887 - 1888 print London paper etching Womanhood

Gustave Doré, Rue de la Vieille lanterne (The Suicide of Gérard de Nerval), 1855 Rue de la Vieille lanterne The Suicide of Gérard de Nerval

Copper engraving and etching by Antoine Trouvain between 1670 and 1708 titled A hermit is enough for a woman, showing figures and narrative scene.

A Glove: Anxieties, 1880. Max Klinger (German, 1857-1920). Etching;

Mourning person at the foot of a gallows with a hungry, Willem Linnig (II), 1852 - 1890 print paper etching violent death by hanging. mourning the dead

An etching of Vaslav Nijinsky, created between 1900 and 1950. The work measures 12.6 x 12.6 cm and depicts themes related to ballet and graphic arts

Meditation (La meditation). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

The holy Bartolomeus, monogrammist FP (Italy; 16th century), after Parmigianino, c. 1500 - c. 1599 print Italy paper etching the apostle Bartholomew; possible attributes: book, devil or dragon at feet, knife, scroll, flayed skin, staff

Roméo et Juliette. Confidence à la nuit , Composers, Berlioz, Hector, 1803-1869. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Monk at Prayer. Charles Émile Jacque; French, 1813-1894. Date: 1838-1848. Dimensions: 91 × 109 mm (plate); 111 × 135 mm (sheet). Drypoint and roulette on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Solitude , Pools, Goddesses, Daydreaming, Schumann, Robert, 1810-1856. Liederkreis, op. 39. Schöne Fremde. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Ceres a Stellio, Hendrik Bary, After Adam Elsheimer, 1657 - 1707 print Night scene with Ceres and Stellio for a house. Ceres drinks from a small bowl. Behind the two is an old woman with a torch. Under the performance one verse of two lines in Dutch. paper engraving a little boy (Abas, Ascalabus, or Stellio) laughs at Ceres, because she drinks too avidly while she is resting at an old woman's house

1892 Art Work - Frontispiece from Iwan Gilkin's Tenebres (Darkness) - Odilon Redon.

Good trip, Francisco de Goya, 1797 - 1799 print A devil with several devils on his back flies through the night. Sixty -four print from the Los Caprichos series. Spain paper etching devil(s) and demons

Der Arme Vetter (The PoorCousin). Artist: Ernst Barlach, German, 1870-1938

War of China and Japan, Marius Bauer, 1895 print Cartoon on the first Chinese-Japanese war in 1894-1895. Death was littered over the battlefield with corpses. Published in the addition of 'De Kroniek' of April 14, 1895. paper political caricatures and satires. personifications of Death; 'Morte' (Ripa) (+ Death with scythe) China. Japan

Woman of Smetse Smee on a chair in the kitchen, Félicien Rops, 1858 print Paris paper. etching old woman. kitchen-interior

Theme from "digging beets"; Wyczóżó Kowski, Leon (1852-1936); around 1911 (1911-00-00-1911-00-00);Young Poland (Styl), Ukraine, Wellsz, Leopold (1882-1972), Wellisz, Leopold (1882-1972)-collection, peasants, Polish graphics, rural landscapes, Poland (culture), village, purchase (provenance)

The Death of the Vagabond 1855-1877 France. Etching, aquatint and drypoint on cream wove paper . Alphonse Legros

Enckell, Magnus, Undressing model, 1922, lithography, graphics, sheet width 35.2 cm, sheet height 50.3 cm, image width 24.5 cm, image height 36.5 cm, Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

Turkish man with balanced head with turban; Collection of heads; Raccolta di test.

Francisco de Goya (1746-1828), misery! (48), 1810-1820

War of China and Japan. Cartoon on the first Chinese-Japanese war in 1894-1895. Death revised about the battlefield with corpses. Appeared in the attachment of 'De Kroniek' of April 14, 1895.

Paul Gauguin (French, 1848 - 1903), Manoa Tupapau (She is Haunted by a Spirit), 1894-1895, woodcut printed in black and gray by Pola Gauguin in 1921

Los desastres de la guerra,n.º 60: No hay quien los socorra, 1810 -1814, Francisco de Goya, primera impresión de 1863, realizada por la Real Academia de Bellas Artes de San Fernando de Madrid, convento de San Francisco, Santo Domingo de la Calzada, La Rioja, Spain.

The Merciful Knight. From the portfolio: The Work of E. Burne-Jones., 1863, Great Britain, by Edward Burne-Jones, The Berlin Photographic Company.

The Beds of Death, plate 62 from The Disasters of War Made 1812-1815 Spain. Despair and helplessness are symbolized by the central figure in this image, who mourns the dead and shrouded victims littering the enclosure.. Etching, lavis, drypoint, burin and burnishing on ivory wove paper with gilt edges . Francisco José de Goya y Lucientes

The Evening Star(Tannhauser). Artist: Henri Fantin-Latour, French, 1836-1904

Reading by Lamplight,1858. James A McNeill Whistler (d.1903)

The fool

The Widower, 1877. James Tissot (French, 1836-1902). Etching and drypoint;

El amor y la muerte. (Love and Death.), pl. 10 from the series Loscaprichos. Artist: Francisco Goya, Spanish, 1746-1828

Zittende Arabische Man, Mariano José Maria Bernardo Fortuny and Carbó, 1848 - 1874 print Numbered at the top right: N 7. paper etching sitting on the ground

Odalisque. Artist: Henry Weston Keen (British, 1899-1935 Walberswick, Suffolk). Dimensions: Image: 9 5/16 × 12 5/16 in. (23.7 × 31.2 cm)Sheet: 11 1/4 × 15 3/16 in. (28.5 × 38.5 cm). Date: 1925-30.Keen worked as a printmaker and illustrator in the 1920s and 1930s, creating unsettling symbolist images reminiscent of Aubrey Beardsley. Two significant commissions were designs for luxury editions published by The Bodley Head-a firm that had launched Beardsley in the 1890s-Oscar Wilde's "Picture of Dorian Gray" (1925) and John Webster's "The White Devil and The Duchess of Malfi" (1930). After Keen's early death from tuberculosis, The Twenty-One Gallery in London held a memorial exhibition. Museum: Metropolitan Museum of Art, New York, USA.

Francisco de Goya (1746-1828). Spanish painter and printmaker. Los Caprichos. Que se la llevaron... (She was taken...). Number 8. Aquatint. 1799. Reproduction by M. Segui i Riera.

Minne Playing with a Cat, from Le Bain de Minne. Jacques Gaston Duchamp Villon; French, 1875-1963. Date: 1907. Dimensions: 237 × 168 mm (plate); 324 × 230 mm (sheet). Etching, drypoint, aquatint and soft ground etching on cream, laid mulberry paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Print made by William Blake, 1757-1827, British, The First Book of Urizen, Plate 28 (Bentley 27), 1794. Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper.

Francisco De Goya (1746-1828), soignly forecast about what the future will bring (1), 1810-1820

Wiertz, Antoine Joseph, Fierlants, Edmond, Photographic reproduction of The things of the present versus the people of the future by Antoine Wiertz, recto - embossed, photograph, photo, reproduction, page, photos, photographically illustrated books, SOCIÉTÉ ROYALE BELGE DE PHOTOGRAPHIE, 69, RUE KEYENVELD, BRUXELLES, height 115 mm, width 156 mm, Belgian, 1819-06-20 - 1869-12-21, photographer, 1863 - 1868, photographic paper, photo paper, albumen print, albumine print, 1806-02-22 - 1865-06-18

Sitting man in the dark, Johannes Josephus Aarts, 1881 - 1934 print Leaf with two performances. Left: A bald man sits on the floor in a dark room. He bends over a pile of stones. Right: a sitting giant with a collection of standing, sitting and lying people on their lap and at his feet. paper darkness. sitting on the ground. giants, colossi. Littleness, Smallness. sitting in someone's lap

Tragala perro.. Goya, Francisco (1746-1828). Avery, Samuel Putnam, 1822-1904. Prints. 1799. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Satires (Visual works)

Maud, Standing, c. 1873, etching and drypoint with white chalk on laid paper, plate: 22.5 x 15.1 cm (8 7/8 x 5 15/16 in.), sheet: 27.7 x 19.5 cm (10 7/8 x 7 11/16 in.), MacDonald 2012, no. 169, state x/xvi, James McNeill Whistler (artist) American, 1834 - 1903

Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669, Jupiter and Antiope: smallerplate, ca.1631, Etching, 8.4 × 11.4 cm (3 5/16 × 4 1/2in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

L'arbre de salut , Bowing, Trees, Alphonse Legros (1837-1911)

There They Go Plucked (i.e. fleeced), plate 20 from Los Caprichos. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1797-1799. Dimensions: 198 x 133 mm (image); 218 x 152 mm (plate); 300 x 207 mm (sheet). Etching and aquatint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Umbria Perugia Bevagna Pinacoteca F. Torti8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Le penseur , Alphonse Legros (1837-1911)

Tristan et Iseult. Acte II. Signal dans la nuit , Composers, Wagner, Richard, 1813-1883. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Gustave Doré (1832-1883), designer and Adrien Lavieille (1818-1862), engraver. "Sad start of Madame de Bastarnay." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101789-27 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

Inda Maestra /Pretty Teacher; Board No. 68 from: Los Caprichos” Cafprices, ed. ii, madrid ca. 1855 Goya, Francisco de (1746 1828)

Frontispiece of the poem Lettre à l'élue by Dante Gabriel Rossetti. Dimensions: 19 cm x 13.5 cm, 18.5 cm x 12.9 cm, 15.4 cm x 10.5 cm. Museum: Van Gogh Museum, Amsterdam. Author: MAURICE DENIS.

The Proverbs: Wounds Heal Quicker Than Hasty Words, 1864. Francisco de Goya (Spanish, 1746-1828). Etching and aquatint;

Christ Crucified between the Two Thieves (The Three Crosses). Dated: 1653. Dimensions: sheet (trimmed to plate mark): 39 x 45.5 cm (15 3/8 x 17 15/16 in.). Medium: drypoint and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

THE EXPLORATIONS AT JERUSALEM

La prise de Troie. Acte III. Apparition d'Hector , Composers, Berlioz, Hector, 1803-1869. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Still life with poultry. .

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