Female Portrait Engravings

Engravings of women in exquisite attire, portraying various muses and figures, characterized by detailed line work and accomplished artistry from the 17th century.

Woman with a money pouch, Jacob Gole, after Cornelis Dusart, after Abraham Bloteling, 1670 - 1724 print A young woman with a money pouch in one hand and a spring in the other. Possibly Jan van Mieris' wife. print maker: Amsterdamafter design by: Haarlempublisher: Amsterdam paper engraving purse, money-bag

Eleonio engie Josofa, Eceladuine Von Östs.

Needham, Jane .

Kalliope, Charles David, after Hendrick Goltzius, 1605 - 1638 print Numbered in the bottom right: 1. print maker: Francepublisher: Paris paper engraving Calliope (one of the Muses); 'Calliope' (Ripa)

Woman with a money pouch, Jacob Gole, after Cornelis Dusart, after Abraham Bloteling, 1670 - 1724 print A young woman with a money pouch in one hand and a spring in the other. Possibly Jan van Mieris' wife. print maker: Amsterdamafter design by: Haarlempublisher: Amsterdam paper engraving purse, money-bag

Count, Christiane Elisabeth.

Portrait of Mrs. Nailer in the role of Hebe, William Dickinson, after Robert Edge Pine, 1770 print London paper (story of) Hebe (Juventas). predatory birds: eagle. night ~ landscape (sometimes titled 'Nox')

Herderin, known as 'De Schone Herderin', Jean Augustin Daiwaille, After Paulus Moreelse, 1820 - 1833 print Young woman as a shepherdin with bare breasts in open rug, flowers in the hair and shepherd's staff. Amsterdam paper. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. breasts - AA - female human figure

Lady Elizabeth Harriet Bulkeley (née Warren), Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Richard Cosway, 1742-1821, British, 1782, Stipple engraving on medium, moderately textured, cream, laid paper, Sheet: 12 × 9 1/8 inches (30.5 × 23.2 cm) and Image: 9 1/4 × 7 1/8 inches (23.5 × 18.1 cm)

Massard, Jean. The broken jug from Greuze Jean Massard. The broken jug from Greuze. Forte, 1773. Museum of Fine Arts in the city of Paris, small palace.

PortraT van Maria Elisabeth, Johann Ernst Gericke, After Lisiewsky, 1749 print Berlin paper engraving / etching historical persons - BB - woman. garden. fruits: orange. sculpture. heart symbolism - AA - female human figure

Erato, 1592 print A series of nine muses. Four lines of Latin from Franco Estius in margin under print. paper engraving Erato (one of the Muses); 'Erato' (Ripa)

Portrait of Lady Jane Gray, Cornelis Martinus Vermeulen, After Adriaen van der Werff, 1697 print Portrait of Lady Jane Gray, in an oval that is fixed by two crying putti. Under the portrait, referring an ax to her execution. Antwerp paper engraving Cupids: 'Amores', 'Amoretti', 'Putti'

Woman in a garden behind a table with flowers, anonymous, 1650 - 1800 print paper flowers. garden

Erato; The nine muses. A series of nine muses. With Latin text from Franco Estius in the margin under the print.

NELL GWYNNE

Peasant Woman from Around Ferrara 1734 Edmé Jeaurat French. Peasant Woman from Around Ferrara 394663

Copper engraving by Monogrammist AC showing Maria Magdalena, created in the first half of the 16th century.

Lavallière, Louise Duchess of.

Gouix, Elisabeth of.

THE WINTER EXHIBITION PALL MALL

Maria Theresia, Roman-German Empress Copper engraving by Giuseppe Camerata after paintings by Martin van Meyten

Copper engraving by Nicolas Beatrizet depicting Hippolyta Gonzaga, showing her facial features, attire, and 16th-century noble portrait conventions.

A series of nine muses. With Latin text by Franco Estius in margin below print., Erato The nine muses (series title), print maker: Hendrick Goltzius, (mentioned on object), Hendrick Goltzius, Franco Estius, (mentioned on object), Haarlem, 1592, paper, engraving, h 250 mm × w 168 mm

Thalia, anonymous, after Hendrick Goltzius, 1592 - 1667 print Thalia, the muse of the comedy and shepherd's poetry, is sitting with a foolish mask in her hand and a book at her feet. Her hair is braided. paper engraving / drypoint Thalia (one of the Muses); 'Talia' (Ripa)

Clio, Petrus Johannes Arendzen, After Hendrick Goltzius, 1863 print Netherlands paper engraving Clio (one of the Muses); 'Clio' (Ripa)

Artist: Hendrick Goltzius, Dutch, 1558-1617, The Nine Muses: Thalia, #2 in a series of9, Engraving, 9 3/4 × 6 1/2 in. (24.7 × 16.5cm), Made in The Netherlands, Dutch, 16thcentury, Works on Paper -Prints

Portrait of Adrienne Le Couvreur. Pierre-Imbert Drevet (French, 1697-1739); after Charles-Antoine Coypel (French, 1694-1752). Date: 1730. Dimensions: 413 × 293 mm (plate); 482 × 351 mm (sheet). Engraving on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Cleopatra, Jan Brouwer, 1652 - 1688 print Cleopatra, Queen of Egypt, puts an end to her life by being biting by a toxic snake. Two snakes in her hands. She decides to put the hand to herself because she does not want to be imprisoned by the Romans. Amsterdam paper engraving (story of) Cleopatra

Maria. Bust portrait of a woman with folded hands, depicted in an oval picture frame. A weapon under the frame.

A young woman with a mask in hand, Bernard Picart, 1683 - 1733 print A young woman dressed in a dress with a low -cut neckline. Light rays shine on her breasts. She holds a mask in her hand and makes a gesture. In the margin a five -line poem in French. paper etching / engraving courtesan, hetaera. mask

Vertumnus en Pomona, anonymous, 1660 - 1760 print Vertumnus, the Italian God and protector of gardens and orchards, and Pomona are at the stone gate of a garden. Vertumnus, in the form of an old woman, seduces Pomona. paper Vertumnus and Pomona

Summer; Aestas; The four Seasons. Young woman with a hat and ranger as a summer personification. In the hand she has a sickle and front rights to see some ears of corn.

Poetry, Jacob Gole, 1670 - 1724 print The Poesia personification is at a table with a writing spring in hand. She lets her foot rest on a pile of books. The print is part of a seven -part series about the Seven Free Arts. Amsterdam paper engraving symbolic representations, allegories and emblems ~ poetry; 'Poesia' (Ripa). quill. book

Portrait of Maria II Stuart, Queen of England and Scotland. Maria II Stuart, Queen of England and Scotland and wife of Stadholder-King Willem III, is on a terrace. She is wearing a shoulder and has flowers in her hand. On a pillow next to her the crown and a scepter. In the background a garden with a fountain.

Iron Age, Jacob Gole, 1670 - 1724, The Iron Age: a woman holding a shield and a sword. In the background fighting soldiers. The print refers to the mythologically inspired idea that during the Iron Age, man faced disaster, greed and wickedness. The goddess Justice leaves the world during this era. The print is part of a series on the four eras., print maker: Jacob Gole, (mentioned on object), publisher: Jacob Gole, (mentioned on object), Staten van Holland en West-Friesland, (mentioned on object), Amsterdam, 1670 - 1724, paper, engraving, h 248 mm × w 180 mm

The Nine Muses: Melpomene, #3 in a series of9. Artist: Hendrick Goltzius, Dutch, 1558-1617

The farewell of Mr. Antoinette to his family

Portrait of Maria II Stuart, Pieter Schenk (I), 1688 - 1711 print Portrait of Maria II. She is standing next to a table with a vase on it. Amsterdam paper

Mother with children; Charitas. A sitting woman with a blast with a child at a cradle in which a sleeping baby, as a person's personification (Caritas).

Boleyn, Anne .

At least be discreet (at least be discreet), Augustin de Saint-Aubin, 1789 print Possibly a portrait of the wife of Augustin de Saint-Aubin, Louise-Nicole Godeau. paper etching / engraving adolescent, young woman, maiden. historical persons. lovers; courting, flirting. 'décolleté'. putting a finger to the lips, 'Silentium'; 'Silentio' (Ripa)

Bassi, Laura Maria Caterina Publisher: Haid, Johann JaKoberticipation: Augsburg

Woman with nude upper body at a stove.

Portrait of Henriëtte Catharina, Princess of Orange. .

Seated Young Woman Holding an Open Book 1817 France. Lithograph in black on cream laid paper . Dominique-Vivant Denon

Thomas Watson, 1743-1781, British, Lady Bampfylde, 1779. Mezzotint on moderately thick, moderately textured, cream, laid paper.

Italian Girl. Wallerant Vaillant (Dutch, 1623-1677). Mezzotint;

Adams, Elizabeth .

Porträt von Adelaide-Marie-Émilie Filleul of Flahaut de la Billarderie (Madame de Souza)

Anna Maria de Koker "Me licet haud vincat Cytherea senecta colores / Quam cito, me febres et Libitina rapit!. Borch, Gerard ter, 1617-1681. 1670 - 1699. Bary, Hendrik, ca. 1640-1707. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Koker, Anna Maria de, ca. 1650-1698

Agrippina II. .

The Welprendhendheid, Louis Forthius Dubbourg, 1703 - 1775 drawing paper. ink. chalk pen / brush Eloquance; 'Eloquenza', 'Firmness & gravity of the oratione' (Ripa) (+ abstract concept reprified by female figures)

Duchess of Rutland, c. 1880-1923. Samuel Arlent-Edwards (American, 1862-1938), after Joshua Reynolds (British, 1723-1792). Mezzotint;

Ceres. Ceres sitting for a column. In her right hand she holds a bunch of grapes and her left hand rests on a cornucopia. In the margin a eighty poem in Latin.

. .

Portrait of Maria II Stuart, Queen of England and Scotland. Maria II Stuart, Queen of England and Scotland and wife of Stadholder-King Willem III, is on a terrace. She is wearing a shoulder and has flowers in her hand. On a pillow next to her the crown and a scepter. In the background a garden with a fountain.

Erato; The nine muses. The seated erato, the muse of the lyricie and love poetry, holds a globe and a passer in her hands. There is a book and a measuring status to her feet.

Charles Spooner, c.1720-1767, Irish, Miss Nelly O'Brien. Mezzotint on moderately thick, moderately textured, cream, laid paper.

Silver century; L'Aage d'Argent; The four eras. The silver era: a woman in a landscape with corners in hand and a sickle to her feet. The print refers to the mythologically inspired idea that during the silver century man got to do with the seasons. People now had to edit the land, search shelter in homes and protect themselves against the cold. There was also practicing the seven liberal arts for the first time. The print is part of a series about the four eras.

Print made by Charles Knight, 1743-c.1826, British, Miss Farren, 1791. Etching and stipple engraving (first state) on medium, slightly textured, cream laid paper.

Print made by Johann Jacobus Haid, 1704-1767, La petite musicienne, undated. Mezzotint on moderately thick, slightly textured, cream laid paper.

May: Young women with a flower wreath; Maius; The twelve months. For a gatehouse there is a young woman who holds a flower wreath in the making while picking a tulip. In the flower suspension, roses and asparagus flourish. The twins, the constellation of this month, embraces and kisses each other. Under the show a verse in Latin of twice four rules.

Geometry, Jacob Gole, 1670 - 1724 print The personification of Geometria (geometry) is at a table on which a leaf with geometric figures. She has a passer in hand. The print is part of a seven -part series about the Seven Free Arts. Amsterdam paper etching / engraving 'Geometry' (~ quadrivium); 'Geometry' (Ripa). Compasses

Architectura; The seven liberal arts (artes liberales). The personification of architectura (Architecture) is sitting on a corinthic capital and holds a model of a building in the hands. The print is part of a seven-part series about the seven liberal arts.

Bust van Germanicus in a landscape, Reinier Vinkeles (I), 1779 print Bust of the Roman general Germanicus, on a pedestal in a landscape with a classic ruin with a column row. There are two phases and a commandosta on the ground. paper engraving commander-in-chief, general, marshal

FEBRUARY Henri Bonnart (1642-1711). February. Water and chisel.

Woman Lighting a Sacrificial Fire n.d. Attributed to Claude Guy Hallé French. Woman Lighting a Sacrificial Fire 370561

Maria Elisabeth, Archdukezogin of Austria.

Caution, Crispijn van de Passe (I), After Maerten de Vos, 1580 - 1588 print The female personification of caution (Prudentia), one of the four cardinal virtues. In her hands she wears her personal attributes: the mirror and the snake. On the left in the background possible Daniel who proves the innocence of Susanna. On the right in the background Christ and the adulterous woman (John 8: 1-11). In the margin a two -way caption in Latin. Fifth print from a series with virtues. paper engraving Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues. the story of Susanna and the elders (in which the youth Daniel intervenes on behalf of Susanna) (Daniel 13). Christ points to or writes on the ground

Young woman with a letter, Theodorus de Roode, 1746 - 1793.

Sforza, Bianca Maria.

Minerva..

Stanislaus Augustus Poland and Mag. Lit. Stanislav August Poniatowski Marstaller, Gottlob Jakob (fl. 1743 1786), Albertrandy, Antoni (1733 1795)

Interior with a young woman sitting on a chair looking at two pigeons on a desk; Les Premieres Leçons de l'Amour. .

Marie Antoinette Queen de France

Bust of a Young Girl (Mlle. Dieterle), 1899. Pierre-Auguste Renoir (French, 1841-1919). Lithograph;

Hendrik Goltzius (Dutch, 1558-1617), Euterpe, probably 1592, engraving

Portret van Aelia Paetina, Giles Sadeler (2), after Titiaan, 1624 - 1650 print Aelia Paetina, second wife of Emperor Claudius. print maker: Praagpublisher: Venice paper engraving

John Dixon, ca. 1740-1811, Irish, Lady Mary O'Brien, 1774. Mezzotint on moderately thick, moderately textured, beige, laid paper.

Une Lecture 1822 France. Lithograph in black on paper . Pierre Paul Prud'hon

Lady with him, from the graphic portfolio die gallerie zu cassel in ihren meisterken nach den Originalgemalden von William Unger; E.-A.-SSEMANN-BUCH- und Kunstverlag (Leipzig; Publisher; 1858-1921-2008), SEEMANN, Ernst A. (1829-1904), Unger, William (1837-1932), Rijn, Rembrandt Van (1606 -1669); 1872 (1872-00-00-1872-00-00);

Female, Teresa

Woman in a Feathered Turban, Turned to the Right. Dated: 1649/1650. Dimensions: plate (oval): 9.9 x 7.4 cm (3 7/8 x 2 15/16 in.) sheet: 10.6 x 8.2 cm (4 3/16 x 3 1/4 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: STEFANO DELLA BELLA.

Kneeling Female Figure with Upraised Arms. Artist: Abraham Bloemaert (Netherlandish, Gorinchem 1566-1651 Utrecht). Dimensions: 10 3/8 x 7 1/16 in. (26.4 x 18 cm). Date: late 16th-mid-17th century. Museum: Metropolitan Museum of Art, New York, USA.

Lady Talbot, Valentine Green, 1739-1813, British, after Sir Joshua Reynolds RA, 1723-1792, British, 1782, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 26 1/8 × 16 7/16 inches (66.4 × 41.8 cm), Plate: 25 1/8 × 15 1/4 inches (63.8 × 38.7 cm), and Image: 23 7/8 × 15 3/16 inches (60.6 × 38.6 cm)

Mademoiselle du T... (Portrait of dancer Rosalie Duthé). Jean-François Janinet (France, Paris, 1752-1810). France, 1779. Prints; engravings. Color aquatint and crayon manner

Portrait of Wilhelmina van Pruisen, Jacob Houbraken, After Jacobus Buys, After Daniel Nikolaus Chodowiecki, 1767 - 1769 print Portrait of Wilhelmina van Pruisen in an oval medallion that is held by a putto with a torch. Amsterdam paper engraving torch

Girl with a candle.

Allegory of painting, Gerard de Lairesse, 1670 - 1680 print A woman and a child with a statue and a painting palette. Amsterdam paper 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa). palette

Hyde, Lady Henrietta .

Autumn, Jacob Gole, 1680 - 1724 In a departure there is a personification of autumn as a woman with a bunch of grapes in her hand. She is wearing a house gown with lace hat and headscarf. On the table next to her a basket with grapes. The print is part of a series with prints over the four seasons. Amsterdam paper engraving autumn, fall, 'Autumnus'; 'Autunno' (Ripa). dress, gown (+ women's clothes). head-gear: cap (+ women's clothes). veil (+ women's clothes). bunch of grapes

Personification of Fidelity. Oleszkiewicz, Józef (1777-1830), draughtsman, cartoonist

Power; Theological virtues; VIRTUTU THEOLOGICARU. Female Personification of Power (Fortitudo), one of the four cardinal virtues, with a helmet. She holds a broken column on her shoulder. Print from a series with theological virtues.

The Persian sibyl. Engraving by P. Fontana after J. Volpato after G.F. Barbieri, il Guercino.

Elizabeth, Duchess of Hamilton, Print made by John Faber the Younger, ca. 1695-1756, Netherlandish, active in Britain, after Gavin Hamilton, 1723-1798, British, active in Italy (1744-48 and 1756 on), 1753, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 21 × 15 1/4 inches (53.3 × 38.7 cm), Plate: 20 × 14 inches (50.8 × 35.6 cm), and Image: 19 × 13 7/8 inches (48.3 × 35.2 cm)

Stars, Lydia.

Recueil des modes de la cour de France, 'Femme de Marchand en deshabillé d'Esté'. Nicolas Arnoult (France, circa 1650-1722). France, Paris, 1687. Prints. Hand-colored engraving on paper

unknown artist, Portrait of a Lady, Facing Right, undated. Watercolor with black chalk and stumping over graphite on medium, slightly textured, beige laid paper.

Woman sitting for figures of Watteau modes Jean-Antoine Watteau (1684-1721). Woman sitting for figures of modes of watteau. Forte, 1710. Museum of Fine Arts in the city of Paris, small palace.

of 3