Festive Garden Scenes

Etchings illustrating elaborate garden festivities, populated with elegantly dressed figures and detailed architectural elements, evoking an air of celebration.

Public fireworks, 1748, London, UK, 19th century engraving

An etching from 1668 by Teresa del Pò depicting the performance scene of the garden festival of Cardinal Chigi in Rome on August 15, 1768, honoring the Rospigliosi family.

An etching from 1668 by Teresa del Pò depicting the garden with guests during Cardinal Chigis festival in Rome on August 15, 1768, highlighting social activity and garden layout.

The Palace Gardens at Nancy Made 1625 France. Callot drew much of his inspiration directly from nature, but occasionally he altered its form according to artistic principles, personal knowledge of the locale, and his own fancy. This particular print represents Nancy, his native town in Lorraine.. Etching on paper . Jacques Callot

Huys Van Sint Annaland. Design for a print.

Jacques Callot (1592-1635). "The Caprices, the Place de l'Annonciade market in Florence. Forty-fourth number of the suite of 50 pieces engraved in Nancy" (Lieure 471, Meaume 855). Etching. 1621. Museum of Fine Arts of the City of Paris, Petit Palais. 99607-29 Etching, engraving

Print (France)

Jacques Callot, Solimano, Act IV, 1620 Solimano, Act IV

View from the amphitheater over the garden to Paleis Het Loo, 1702 print View from the amphitheater over the garden to Paleis Het Loo. Print is part of an album. paper etching French or architectonic garden; formal garden Palace Het Loo

Public fireworks, 1748, London, UK, 19th century engraving

The Shadow of Poinsinet 1773 Charles Michel Campion. The Shadow of Poinsinet. Charles Michel Campion (French, Marseille 1734-1784 Marseille). 1773. Etching. Prints

Untitled - Federation of Lille on June 6, 1790 Helman / Watteau de Lille (Fran�ois-Joseph Watteau, said). "Without title - Federation of Lille on June 6, 1790". Print.

Francesco I d'Este Builds the Palazzo di Sassuolo, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Artist: Bartolomeo Fenice (Fénis). Author: Domenico Gamberti. Dimensions: Sheet: 4 3/4 × 6 5/16 in. (12 × 16 cm)Plate: 4 3/4 × 6 1/8 in. (12 × 15.6 cm). Published in: Modena. Series/Portfolio: L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII .... Date: 1659.This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fen

Florence, Callot, Jacques, Illustration for the first act of the tragedy 'Il Solimano', verso lower left - stamped, On a square or wide street with large buildings stand three orientally dressed figures with short indications of their names at their feet (characters in the tragedy 'Il Solimano'), surrounded by many other actors, arranged in four blocks and two rows., print, prints, height 195 mm, width 274 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1619 - 1620, first quarter 17th century, paper, papier, etching, engraving, engraving (printing process)

Etching and copper engraving by Bartolomeo de Petri showing the second fireworks scaffolding for the Chinea festival in Rome on June 29, 1731, depicting Emperor Charles VI dedicating to Friedensbogen with figures and decorations.

Vreingvuren in The Hague after the announcement of the file, 1609, 1609 print View of the Buitenhof, the Vijverberg and the Praise Gate in The Hague where cannon shots are fired and bonfires are burning to celebrate the announcement of the file, April 21, 1609. Northern Netherlands paper etching proclamation of peace. bonfire, fire-works Buitenhof. Vijverberg. Gateway

Arrival of Willem V and Wilhelmina van Pruisen at the Haarlemmerpoort, 1768, Simon Fokke, 1769 - 1773 print Arrival of the procession with Stadholder Willem V and Princess Wilhelmina van Pruisen at the Haarlemmerpoort in Amsterdam, on 30 May 1768. With large groups of spectators on the quays and on the water. Part of a press series with title print and 14 records of the inducing the Prince and Princess in Amsterdam, 30 May - 4 June 1768. Northern Netherlands paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Haarlemmerpoort

Fountain in the Villa Borghese in Rome; Due fontane simili nel giardino del signor prencipe borghese (...); Le Fontane Ne Palazze E Ne Giardini di Roma; Fountains in the palaces and gardens of Rome. Numbered at the bottom right: 15. The print is part of an album.

Vreingvuren in The Hague after the announcement of the file, 1609, Simon Frisius, 1609 print View of the Buitenhof, the Vijverberg and the Praise Gate in The Hague where cannon shots are fired and bonfires are burning to celebrate the announcement of the file, April 21, 1609. paper etching proclamation of peace. bonfire, fire-works Buitenhof. Vijverberg. Gateway

Portrait of Joannes Clarisse. The portrait carries a gown and a BEF. His name under the portrait.

View of the gardens at the Duquent Palace in Nancy, Jacques Callot, 1625 print View of the ducal gardens in Nancy, in a nutshell perspective. On the right the palace, left bushes and a fountain, hikers, horsemen and gardeners here and there. In the foreground a lowered, fenced pleasure court, a higher garden in the background. Centrally in the foreground the ducal pair as spectators at a ball game. At the top of the performance a coat of arms worn by an eagle and two bander rolls; Below a six -line French verse. Nancy paper etching garden. palace Nancy

Northern Netherlands, Hooghe, Romeyn de, Entry of his majesty through the sea arch for 't hof, Entrance of the majesty through the arc of triumph which is behind the court, Entry of William III through the triumphal arch at the Buitenhof, 1691, Entry of the procession with stadtholder-king William III through the triumphal arch erected at the Buitenhof, 5 February 1691. In the foreground soldiers and public., print, picture, news print, book illustration, prints, Frederik Muller Historieplaten, height 335 mm, width 445 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1691 - 1691, fourth quarter 17th century, paper, etching, etchings

The Slave Market Artist's working dates 1612-1635 France. Etching on paper . Jacques Callot

View of the Garden of the Petersburg country estate, Daniël Stopendaal, 1790 print Text in Dutch and French in the lower margin. Numbered: 85. Print is part of an album. paper engraving / etching French or architectonic garden; formal garden. garden pond Nederhorst den Berg

States of Holland and West Friesland, The Hague, Beeck, Anna, Northern Netherlands, Vianen, Jan van, Series of sixteen small prints about the Huis ter Nieuburch in Rijswijk and the peace negotiations, 1697, The View of the Royal house at Ryswick from behind, View of the House ter Nieuburch in Rijswijk, back. In the caption the two titles in French and Dutch. Part (print 4) of the series of sixteen smaller prints about the House ter Nieuburch in Rijswijk and the peace negotiations held there resulting in the Peace of Rijswijk concluded on 20 September 1697., print, prints, Frederik Muller Historieplaten, height 137 mm, width 158 mm, Noord-Nederlands, 1680 - 1726, print maker, printmaker, 1697 - 1697, paper, papier, etching, etsen, Publication (Event), Publicatie, Nederlands, 1657 - 1717, publisher, uitgever, verlener, verlener van privilege

Carroussel in Florence met Hercules, Stefano della Bella, 1661 print A large Hercules figure that wears a large globe on his shoulders in the amphitheater in the Boboli gardens in Florence. Around men in costumes on foot and on horseback. Italy paper etching festivities. riding a horse, ass, or mule; rider, horseman. (story of) Hercules (Heracles) Florence

Image of a conductor of the N.S.

Le Parterre de l'Orangerie de Chantilly 1680s Adam Perelle French. Le Parterre de l'Orangerie de Chantilly 364923

Sutton Nicholls, active 1725, British, Charter-House Square for Stowes Surrey. Engraving.

The Carrière at Nancy Artist's working dates 1612-1635 France. Etching on ivory laid paper, glued along left margin to cream wove paper . Jacques Callot

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Amphitheater in the gardens in Versailles, Claude Lucas, c. 1715 print Amphitheater in Tuin in Versailles. Numbered in the bottom right: 15. Paris paper engraving / etching French or architectonic garden; formal garden. garden fountain. amphitheatre Garden of Versailles

Drawing by Jacques Rigaud showing the Cup of Chantilly from the elevation of the Vertugadin, executed with pen, pencil, and gray wash.

Wallestein; Van Het Huis Naer Het Agterste / Cabinet Te sien. "// Wallestein; looking from the house to / the last cabinet.

Poort en Vijver in the park of Enghien, Romeyn de Hooghe, 1685 print Walkers under the arch of a gate or triumphal arch that comes out on a pond, in which a structure of hedges floats. Under the show a Dutch -speaking and a French -speaking legend. This print is part of a series of 16 prints (17 incl. Title print) of the Park of Enghien (Edingen), where a pamphlet belongs. Print Maker: Haarlem Publisher: Amsterdam paper etching garden buildings. garden pond. public gardens, park. park Park of Enghien. Edingen

Soliman 2.e Acte (Soliman. 2nd Act), from Soliman 1620 Jacques Callot French. Soliman 2.e Acte (Soliman. 2nd Act), from Soliman. Soliman. Jacques Callot (French, Nancy 1592-1635 Nancy). 1620. Etching and engraving. Prints

Callot, Jacques, work, Third act - Adrasto, Mustafà and Ormusse, (1000 - 2000), technique text: line etching, graphics, plate width 27.8 cm, plate height 19.9 cm

Joseph II (German Emperor), Piranesi, Giovanni Battista, Germany, Augsburg, Probst, Georg Balthasar, Rome, Gesicht des Romanischen Campidolio, nebst der Stiegen so gegen der Araceli Kirchen geht, View of the Capitol in Rome, On the left the church Santa Maria in Aracoeli. In the middle the stairs to the Piazza del Campidoglio. Numbered at top right: 71. Numbered at bottom left: 6., print, prent, opticaprent, prints, prenten, opticaprenten, height 304 mm, width 400 mm, Publication (Event), Publication, German, 1732 - 1801, publisher, uitgever, 1742 - 1801, paper, papier, etching, etchings, print maker, printmaker, Work conception, Italian, 1720-10-04 - 1778-11-09, after print by, 1741-03-13 - 1790-02-20, granter of privilege

Bird's eye view of the ground floor garden of the Zorgvliet estate, The Hague. On the central axis the Catshuis (24), a large fountain (28) and the Orangery, Parterretuin op Zorgvliet Een der schoonste gesigten van 't vermaarde Perk van Sorgvliet Landgoed Zorgvliet, The Hague (series title), print maker: Johannes Jacobsz van den Aveele, (mentioned on object), Johannes Jacobsz van den Aveele, (mentioned on object), publisher: Covens & Mortier, (mentioned on object), print maker: Northern Netherlands, Northern Netherlands, publisher: Amsterdam, c. 1691 - in or before 1698 and/or 1721 - 1774, paper, etching, engraving, h 438 mm × w 485 mm

'T konings loo, 1690 - 1694 print View of Palace Het Loo and the surrounding area from a nutshell perspective, on 4 a fitted magazines. Above the image the weapon of Willem III with bandarolles and worn by putti. paper etching Palace Het Loo

Two views on one sheet. Top: View of the parterre with grass and bands of flowering plants on the south side of Zeist Castle, with the fountains on the left, from the northwest. Below: View through the foliage walkway around the garden behind Slot Zeist, of the northwest garden pavilion, from the southeast, View of the garden on the south side of Slot Zeist / View through the berceau of Slot Zeist The flower and grass parterre neffens the jumps / La Parterre d'herbe des fleurs avec la Fontaine / Gesigt par le green Berceaux na een de Cabinets / Veüe par le Berceau d'herbe par lequel on voit un des Cabinets Views of Slot Zeist (series title), print maker: Daniël Stopendaal, intermediary draughtsman: Daniël Stopendaal, publisher: Nicolaes Visscher (II), Amsterdam, 1682 - 1726, paper, etching, h 404 mm × w 264 mm, h 159 mm × w 212 mm × h 159 mm × w 209 mm

Jacques Callot, Solimano, Act II, 1620 Solimano, Act II

View of Utrecht from the west, (Plaat IV). Judge from 'View of Utrecht from the West' with a part of Utrecht. In the foreground a way on which different figures and two cars. In the background a part of the city with churches and mills. Full right some ship masts.

Etching titled 'Entrée triomphale des monuments des sciences et arts en France,' created in 1798. The artwork measures 24 x 32 cm and is printed on laid paper. It features a scene related to the history and revolution in France from 1789 to 1799, depicting processions and illustrating themes of dance. Inscribed in pencil in the lower right corner 'Entrée triomphale des monuments des sciences et arts en France le 9-10 Thermidor an 6 27 juillet 1798. État d'eau forte. Rare.'

View of a fire drawn on the new bridge / fire decoration (IT)

Print at the top right labeled: fol: 31.

. Wide face on the frozen River Maas in Rotterdam at the beginning of 1776 with all kinds of ice cream. Landscape south of the old-head gate, along the houses of the Haringvliet, with carriages on the ice, skating, sleds, cake and zopie etc. At the bottom of the titles in Dutch and French times of a vignette with the coat of arms of Rotterdam and River gods.

Leiden, Tangena, Johannes (16th and 17th century), Northern Netherlands, d' Arminianze schans tot Leyden, De arminiaanse schans te Leiden, 1618, verso - stamped, Sheet with an image of the Arminian fort in Leiden. The fort was erected on 5 October 1617 in the Breestraat near the town hall to protect the Remonstrant-minded council and innkeepers. The image shows the skirmishes that take place in the vicinity of the fort. In the plate, under the image, a French caption in four verses. Reissue of the print, now with the name of the publisher. A three-column Dutch caption, describing the events up to 20 October 1618 when the redoubt was demolished and explaining the letters in the representation, is printed on a separate piece of paper (see RP-P-OB-77.267a)., print, prent, nieuwsprent, prints, prenten, Frederik Muller Historieplaten, height 305 mm, width 368 mm, print maker, prentmaker, 1618 - 1618, first quarter 17th century, paper, papier, etching, engraving, graveren (drukprocedé), Publ

View of the Lange Vijverberg and the Hofvijver in The Hague, Cornelis Elandts, 1681 - 1728 print View of the Lange Vijverberg and the Hofvijver in The Hague, seen from the place. In the foreground walkers and carriages. On the left in front of the trees the green so (scaffold). In the background in the middle the short pondberg. The show is framed by a border with oak leaf motifs and a banderole with the title on it. The Hague paper etching street (+ city(-scape) with figures, staffage). pond, pool. scaffold (~ building activities) Vijverberg. Hofvijver. Green so. Place. Courtyard

Elderly facial face over the laetste comes, / ner has mountain.

A Reconstructed View of the Palace on the Palantine Hill. Artist: Jan Goeree (Dutch, Middelburg 1670-1731 Amsterdam). Dimensions: 6 7/16 x 8 3/8 in. (16.4 x 21.3 cm). Date: before 1704. Museum: Metropolitan Museum of Art, New York, USA.

Noordelijke Nederlanden, Luyken, Jan, Lyk staatie van Maria Stuart, Lijkstatie van koningin Maria II Stuart, 1695, Northern Netherlands, Small representation of the funeral procession of the late Queen Mary Stuart, held in London on 5 March 1695. Parts of the procession are numbered, but the legend is missing. Marked at top right: Fol. 121., print, prent, prints, prenten, Frederik Muller Historieplaten, height 190 mm, width 279 mm, Noord-Nederlands, 1649-04-16 - 1712-04-05, print maker, prentmaker, 1695 - 1695, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etsen

Summer house by Cunibert van Wenzelsberg, Jan van Ossbeeck, 1664 print View of the summer house of quartermaster and art collector Cunibert van Wenzelsberg. There are two images in the bare garden in front of the house. On the right is a couple with deer. Two riders and a shepherd with his cows wade a stream in front of the house. A little further on women do the laundry in the stream. Vienna paper etching / engraving hanging the wash to dry. ford. rural housing, e.g. country-house, villa, cottage

Amsterdam, Trop, JH, Schultsz, Johan Christoffel, Northern Netherlands, Three plates of the processions of the workers in Amsterdam, 1787, Solemn Procession by the Workers of the City Barge Makers' Yard in Amsterdam. On the Occasion of the Happy Turning of Affairs in the Year MDCCLXXXVII, Procession of the Workers of the City Boatmen's Yard, verso - stamped, Festive procession in the evening of the Orange-minded workers of the City Boatmen's Yard, in the months of October, November and December 1787. A long procession winds its way across the Kattenburgerplein, on the right the Lands Zeemagazijn, in the background the Kattenburgerbrug. The workmen carry axes and other tools, signs with the name of Prince William V, flags, badges and symbols and burning tar pots and lanterns with candles., print, prints, Frederik Muller Historieplaten, height 565 mm, width 673 mm, Dutch, 1749-11-06 - 1812-01-06, print maker, printmaker, 1787 - 1787, paper, papier, etching, engraving, engraving (printing

Print (France)

The Carnival of Venice (Peep-show), Martin Engelbrecht, German, 1684-1756, Engraving, brush and watercolor on paper, Scene with dancing figures. Palace of the Doges on right, library on left. Also the campanile of St. Marks, the Mint, and a church. Right edge of each section taped to folding cardboard mount of which parts g and h are cross members., Augsburg, Germany, 1730-50, toys & games, Print, Print

Gezicht van de Geeste verschijning op de Oude Schans den 8 en 9 Oct.r 1833 te Amsterdam.Appearance of spirits at the Oudeschans in Amsterdam, in the evening of 8 and 9 October 1833. The ghostly white shadows of women in long robes move along the quay. In the foreground and on the bridge the spectators collected. The 'ghosts' were produced by any students using magic lantern pictures.

Faithful representation of the casserole, which the French Bothschaffer Bernadotte caused April , in Vienna by , having held a three -colored fahn, Current in front of the French embassy in Vienna after having a tricolore, Anton Balzer -, Copper Engraver

Queen Mary II Stuart, 1695, Jan Luyken, Jan Claesz ten Hoorn, 1695

Fire Works after Aix la Chapelle, Henry Overton, 1675/6-1751, British, 1731-1748, Engraving

Parade in the Amphitheater. Dated: 1616. Dimensions: plate: 22.7 x 30.3 cm (8 15/16 x 11 15/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Jacques Callot, The Slave Market, 1629 The Slave Market

Callot, Jacques, Nancy, La Foire d'Impruneta, Fair at Impruneta near Florence, verso bottom center (2x) - stamped, Fair on October 18 at Impruneta, a village near Florence: a large crowd of stalls, traders and visitors on a square in front of a church. Bottom center the coat of arms of the Medici. Below the image a caption in Latin., print, prent, prints, prenten, height 421 mm, width 670 mm, French, 1592-08-21 - 1635-03-24, print maker, printmaker, 1622 - 1622, first quarter 17th century, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Decoration of the living room composed of transparencies. (IT)

The Royal Festin, January 21, 1782 Moreau the young (1741-1814). "The Royal Festin, 1782". Etching.

Entry of Cornelis Hop as ambassador to Paris, June 23, 1719, Adolf van der Laan, 1719 - 1720, Entry of Cornelis Hop (II) as ambassador to Paris, June 23, 1719. A long procession of carriages crosses the square. Design for a print., draughtsman: Adolf van der Laan, Northern Netherlands, 1719 - 1720, paper, h 137 mm × w 186 mm

Jacques Callot, View of the Festival, 1616 View of the Festival

Antwerp, Plantin, Christoffel, Croes, Jacques van, Maes, Joseph, Décoration, XVIIe Siècle, Reproduction of a print of the courtyard of the Rubens House in Antwerp by Jacques van Croes, recto - stamped, photomechanical print, page, reproduction, photographs, photographically illustrated books, DÉCORATION de la, recto - printed, LITT. D. - PL. 4, JJvY, height 237 mm, width 345 mm, photographer, 1875 - 1880, paper, papier, photolithography, fotolithografie, Belgian, 1838 - 1908, clichémaker, Work conception, Dutch, after print by, 1514 - 1589-07-01

Statue of Louis XIV slaughtered Place des Victories / 11 12. 13. August1792

Jacques Callot, Parade in the Amphitheater, 1616 Parade in the Amphitheater

The statue of Louis XIV, in the place Vendome, Paris, is pulled down by the mob in a gesture of anti-monarchism. Date: 11/12 August 1792

Louis XIV (king of France), Paris, Mariette, Pierre (II), France, Lepautre, Jean, Grottes et vues de jardins, Grottes et ueües de iardins, Title page: Grottes et vues de jardins, View of a garden, title on a banderole in the middle below., print, ornament print, title page, prints, ornament prints, height 167 mm, width 233 mm, Work conception, French, 1618-06-28 - 1682-02-02, after a design by, 1658 - 1716, third quarter 17th century, fourth quarter 17th century, first quarter 18th century, paper, papier, etching, etchings, print maker, printmaker, Publication (Event), Publication, 1634 - 1716, publisher, uitgever, 1638-09-05 - 1715-09-01, verlener van privilege

De Schelden in the Scheldt, 1585, 1649 - 1651 print The ship bridge laid out by the Duke of Parma in the Scheldt before Antwerp, 1585. In the caption De Legenda A-N in Latin. Rome paper etching pontoon bridge Antwerp. Scales

The fountain of Tiber at Fontainebleau. Etching by I. Silvestre.

Venice, Senate of Venice, Italy, Costa, Giovanni Francesco, Views of the River Brenta, Les delices de la Brenta, Le delicie della Brenta, Vedute della Piazza della Malcontenta del NH Foscar, Piazza della Malcontenta del NH Foscari on the Brenta, View of Piazza della Malcontenta del NH Foscari on the Brenta River. Numbered lower center: VIII and lower right: Tom: I. This print is part of an album., print, prent, prints, prenten, height 247 mm, width 332 mm, Italian - 1773, print maker, printmaker, 1750 - 1760, paper, papier, etching, etchings, verlener van privilege

Carousel makes the royal place in Paris V. VI. VII. April Mr. DC. XII.

The Dragon Fountain.

The Fair at Impruneta. Dated: 1620. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JACQUES CALLOT.

Fashionable visitors strolling in a garden with statues and elaborate topiary work. Etching, 18th century.

Print (France)

Amsterdam, Swaluw, Hartog Abrahams, View of the Ghost Appearance on the Oude Schans on 8 and 9 October 1833 in Amsterdam, verso - stamped, Apparition of ghosts on the Oudeschans in Amsterdam, in the evening of 8 and 9 October 1833. Along the quay move the ghostly white shadows of women in long robes. In the foreground and on the bridge the assembled spectators. The 'ghosts' were produced by some students with the aid of magic lantern slides., print, prints, Frederik Muller Historieplaten, height 115 mm, width 228 mm, Dutch, 1812-05-12 - 1839-09-28, print maker, printmaker, 1833 - 1833, paper, papier, lithografie (techniek)

View of Enghien park with putti in the sky carrying a banderole with the title and arms of Arenberg. Below the image is a Dutch-language legend corresponding to the letters and numbers in the image, View of the park at Enghien (Enghien) 't Vermaarde Park van Anguien , print maker: Romeyn de Hooghe, Romeyn de Hooghe, publisher: Nicolaes Visscher (I), (mentioned on object), print maker: Haarlem, publisher: Amsterdam, 1685, paper, etching, engraving, h 392 mm × w 481 mm

Funeral pump in honor of the martyrs of the day of 10, in the national garden on August 26, 1792 Helman / according to Monnet. "Funeral pump in honor of the martyrs of the day of 10, in the national garden on August 26, 1792". Etching.

French Revolution: The execution of Louis XVI, Place de la Revolution, Current Place de la Concorde, current 8th arrondissement, January 21, 1793. (TF)

Peep-show, Vue du Cours de Marseilles, No. 25, Engraving in ink and washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

Face on the Cour de la Fontaine from the Palais the Fontainebleau; Vue de Fontainebleau du Côté de la Cour des Fontaines. On the right a covered rowing boat with a number of figures on the water. Numbered: 113.

Revolutions of Paris - Henry IV at the New Bridge - Louis XIII Place Royale The revolutions of Paris - Henry IV at the New Bridge - Louis XIII Place Royale, August 11, 1792, the Parisians ... ". Print.

L'Arc de Triomphe. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Rigaud.

View of the Schloss Pillnitz, Anonymous, 1700 - 1799 print paper. watercolor (paint) etching / brush civic architecture; edifices; dwellings. garden Schloss Pillnitz

GRABADO-LONJA DE SEVILLA-I RECEPCION NIÑOS ESCLAVOS EN BERBERIA POR FDO CONTRERAS. Author: PEDRO TORTOLERO (1700-1766). Location: ARCHIVO MUNICIPAL. Sevilla. Seville. SPAIN.

Print (France)

Thomas Bowles, ca. 1712-died 1753, British, Ranelagh House & Gardens with the Rotunda at the Time of the Jubilee Ball. Hand-colored engraving on wove paper.

The Destruction of the Royal Statue at New York on July 9, 1776 after July 1776 After Franz Xavier Habermann Five days after the Declaration of Independence was signed in Philadelphia, a pro-revolutionary group known as the New York Sons of Liberty tore down a statue of George III standing at Broadway and Bowling Green. This imaginative recreation of that event correctly shows enslaved and free Black men performing most of the labor, but dresses them in fanciful Turkish attirea costume often worn by Black men in European art that refers to the legality of slavery in the Ottoman Empire. The Baroque architecture is more characteristic of a large European city from that era than Anglo-Dutch colonial New York, and the actual statue showed the king on horseback. Published in Paris, the print is based on a slightly earlier version in reverse etched in Augsburg, the replication demonstrating broad European interest in the dramatic events taking place across the Atlantic.. The Destruction of

Thomas Rowlandson, Place de Meir at Antwerp, 1797 Place de Meir at Antwerp

Fish ponds in the gardens of the villa d'Este in Tivoli; Veduta delle Peschiere E Giuochi d'Acqua Nel Piano del Giardino; Le Fontane del Giardino Estense in Tivoli; Fountains in the gardens of Villa d'Este in Tivoli. Numbered at the bottom right: 20. The print is part of an album.

France, Paris, Basset, View of a riding school in Vienna on horseback where S. Exell. Mgr. Joseph Compte de Par, Grand Master of SM the Dowager Emperor Amalie is riding a horse in Vienna in the fauxbourg St. Joseph, View of a riding school in a suburb of Vienna, On the left and right a number of women are sitting on chairs looking at a dozen men on horseback., print, optic print, prints, optic prints, height 278 mm, width 452 mm, Publication (Event), Publication, French, publisher, 1700 - 1799, paper, papier, cardboard, kaart, prepared paper, geprepareerd papier, watercolor (paint), waterverf, deck paint, dekverf, etching, etchings, brush, schilder, cutting, haken, perforating, perforateren, print maker, prentmaker

Corpse of Prince Willem IV in Delft, 4 February 1752.design for a print.

Etching by Hans Lautensack illustrating a foot tournament from Francolin's tournament book, created in 1560.

Prospect des Rennwegen before the Karntner Thor Rennweg, from, True and accurate illustration , Part , Fig, After, Salomon Kleiner -, Drawer, Johann August Corvinus , Copper Engraver, Johann Andreas d, Pfeffel -, publisher

The Doge Crowned on the Scala dei Giganti of the Ducal Palace. Dated: 1763/1766. Dimensions: plate: 44.3 x 56.1 cm (17 7/16 x 22 1/16 in.) sheet: 50.2 x 68.1 cm (19 3/4 x 26 13/16 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Brustolon after Canaletto.

On the right in the square a procession of carriages. Elements of the scene are numbered 1-7 and correspond to the legend below., View of St. Peter's Basilica in St. Peter's Square, Vatican City 'T Heerlyk gesigt van de Plaats van 't Vatican tot Romen, (...) (title on object), print maker: Gommarus Wouters, (mentioned on object), intermediary draughtsman: Gommarus Wouters, (mentioned on object), publisher: Nicolaes Visscher (I), (mentioned on object), print maker: Rome, publisher: Amsterdam, 1692 - 1706, paper, etching, h 386 mm × w 697 mm × h 56 mm × w 697 mm

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