Figural Sketch Studies

Sketches depicting various figures in conversation or action, highlighting the study of human anatomy and movement in art across different eras.

Death Giving Audience, 18th century, Giambattista Tiepolo (Giovanni Battista Tiepolo), Italian, (Venice), 1696-1770, 5 9/16 x 7 in. (14.13 x 17.78 cm) (plate), Etching, Italy, 18th century

Sketch sheet with studies of figures and a donkey, draughtsman: Andreas Schelfhout, 1797 - 1870, paper, h 159 mm × w 237 mm

No saben el camino. (They Do Not Know the Way.), pl. 70 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Les Glaneuses, 1800s. Alphonse Legros (French, 1837-1911). Sepia ink and wash on off-white paper, pastel down; sheet: 19 x 16.8 cm (7 1/2 x 6 5/8 in.).

Conversation at a drinking bowl, Adrien Joseph Verhoeven -Ball, 1834 - 1882 print Man and woman in conversation while they let their horses drink at a drinking bowl. paper etching / drypoint horse

Peasants midday; verso: sketches of figures. Andrieux, Clément-Auguste (1829-1881), draughtsman, cartoonist

They play another with the cape in an enclosure (Capean otro encerrado). Ríos, Ricardo de los (1847-1929), merchant employer, Goya, Francisco de (1746-1828), graphic artist, Calcograf'ia Nacional (Madryt ; 1789- ), publishing house, Agua, Perez (fl. ca 1905), printer

Rijn, Rembrandt van, Christ and the Scribes: small plate, verso lower right - pencil, print, prints, verso lower right, C. 11946, height 89 mm, width 68 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1630 - 1630, second quarter 17th century, paper, etching, etchings, Work conception, after own design by

Canoe with Three Men, Winslow Homer, American, 1836-1910, Graphite on paper, Sketch of a canoe containing three male figures and duffle bags, with slight indications of trees in the distance., USA, 1897, landscapes, Drawing, Drawing

Small Boat in Peril (Barque en peril). Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Death Giving Audience, 18th century, Giambattista Tiepolo (Giovanni Battista Tiepolo), Italian, (Venice), 1696-1770, 5 9/16 x 7 in. (14.13 x 17.78 cm) (plate), Etching, Italy, 18th century

De Doornenkroning, Leonaert Bramer, 1606 - 1674 drawing prepared paper brush the crowning with thorns: soldiers with sticks place a thorny crown on Christ's head and give him a reed (Matthew 27:27-31; Mark 15:16-20; John 19:2-3)

Florian gray and in ADYSTEM after the Battle of the Battle of Ploty in 1331 (), Copying Study; unknown, arrow, Wandalin (1855-1917); after 1875 (1875-00-00-1885-00-00);Florian Szary (ante 1310-Post 1331), intestines (coat of arms), Władysław Łokietek (Polish king-ca 1260-1333), XIV century (history), Battle of Płowce (1331), unknown (provenance), Poland (culture) , Polish drawings, legendary scenes, painting studies

Five Putti at Play 1715-1754 Holland. Pen and brown ink with brush and brown wash, heightened with lead white (partly discolored), on buff laid paper, tipped onto cream laid paper . Jacob de Wit

Shepherdess; Klass-Kazanowska, Maria (1857-1898); 1898 (1898-00-00-1898-00-00);

Studies of Figures. Drawing. Watercolor over graphite on medium, slightly textured, cream laid paper. Height: 143 mm (5.62 in); Width: 206 mm (8.11 in). Author: James Ward.

Perseus and Medusa, from 'Game of Mythology' (Jeu de la Mythologie) 1644 Stefano della Bella Italian. Perseus and Medusa, from 'Game of Mythology' (Jeu de la Mythologie) 412348

Alphonse Legros, Allegory of the Peasant and Fortune (Le paysan et la fortune Sujet allegorique Allegory of the Peasant and Fortune (Le paysan et la fortune: Sujet allegorique

Sawrey Gilpin, 1733-1807, British, Rough sketch of figures and horses, undated. Graphite and brown wash on medium, slightly textured, cream laid paper.

A pencil drawing by Franz von Pausinger, 1881, from a sketchbook, illustrating scenes from the Crown Prince Rudolf's orientation trip, with focus on figures, landscape, and architectural elements.

Por que sic? (Why?), Plate 32 from Los desastres de la guerra (The Disasters of War). Artist: Francisco Goya, Spanish, 1746-1828

Sitting woman and standing man, anonymous, 1700 - 1799 drawing Netherlands paper. ink pen / brush

Schevenings scene, Pieter van Loon, 1839 drawing paper. pencil harbour. ships (in general). sleeping; unconsciousness Scheveningen

Triomf van Bacchus, William Unger, After Franz von Stuck, 1847 - 1902 print print maker: Germanyafter painting by: Germanyprinter: Viennapublisher: Vienna paper. ETCHING / ROUCH Triumph of Bacchus; 'Carro di Bacco' (Ripa)

A group of drinking farmers sit at a table outdoors near a tree. One farmer falls off his stool, another urinates against the tree., Drinking farmers at a table, print maker: Andries Both, Andries Both, unknown, c. 1622 - c. 1642, paper, etching, h 68 mm × w 93 mm

Beach face in Scheveningen, Pieter Willem van Baarsel, 1889 - 1949 drawing paper. chalk beach Scheveningen

France, French Crown, Paris, Mariette, Pierre (I), Bella, Stefano della, Diversi capricci, Diverse voorbeelden, Peasant woman with two donkeys seen from behind, verso - stamped, print, prints, height 83 mm, width 103 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1632 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, 1596 - 1657, publisher, uitgever van privilege

Study of three women's heads. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 167 mm × w 149 mm. Museum: Rijksmuseum, Amsterdam.

France, French Crown, Paris, Mariette, Pierre (I), Bella, Stefano della, Diversi capricci, Diverse representations, Three riders on horseback, verso - stamped, print, prints, height 83 mm, width 100 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1632 - 1664, paper, papier, etching, etchings, Publication (Event), Publication, French, 1596 - 1657, publisher, uitgever van privilege

Monks at a ball game, James Ensor, circa 1880-1890, drawing, Belgian Art

Thomas Barker, Figures in a Landscape (recto) Figures in a Landscape recto

Giovanni Battista Tiepolo, Soldier Seated on a Tomb with Surrounding Figures, published 1785 Soldier Seated on a Tomb with Surrounding Figures

In Istanbul, Marius Bauer (The Hague, Netherlands, 1867 - 1932) 1875-1899

Company outside for an inn, Cornelis de Wael, 1613 - 1667 print A family eats around a ton for an inn. De Waardin runs through the gate with a tray in the hands. To the right is a young pair on a tree stump. paper etching inn, coffee-house, public house, etc.. (family) meal - CC - out of doors

Musicians with a swivel worker and a drum let dogs dance for the public, in the background a dromedaris with a monkey on the back, Pierre Jean Baptiste Leroy, 1794 - 1862 print paper etching monkeys, apes. training of performing dog. hoofed animals: dromedary. hurdy-gurdy player - CC - out of doors

Populacho. (Rabble.), pl. 28 from the series Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Chalk illustration by August Xaver Karl von Pettenkofen depicting a scene from Gil Blas, showing human figures, gestures, and narrative elements.

A drawing by Samuel van Hoogstraten showing Esther's meal, executed in brown ink with brown wash around 1660, depicting figures, table, and gestures.

Fortuna ship: the janus temple closure after the defeat of Marcus Antonius at Actium.

Giuseppe Bernardino Bison, A Convivial Gathering with a Man Playing a Hurdy Gurdy A Convivial Gathering with a Man Playing a Hurdy-Gurdy

Les Demoiselles du village 1869 Félix Bracquemond French. Les Demoiselles du village 384930

Le Drageoir aux épices by J. K. Huysmans: P. 73, 1929. Auguste Brouet (French, 1872-1941), J.K. Huysmans (French). Book containing 54 etchings; overall: 28.7 x 23.3 x 4.5 cm (11 5/16 x 9 3/16 x 1 3/4 in.).

L'Écurie 19th century John-Lewis Brown. L'Écurie. John-Lewis Brown (French, Bordeaux 1829-1890 Paris). 19th century. Etching. Prints

The Road to Emmaus (first plate). Dated: 1902/1907. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

The Monk in the Corn, by Rembrandt van Rijn, 1646, Dutch print, etching and drypoint on paper. This is one Rembrandt's few erotic works. It depicts a monk in his habit making love to a women in wheat field. In the background a harvester cuts the wheat with a scythe. The copper plate created by Rembrandt was printed in the workshop of Pierre Francois Basan c. 1750-1819 (BSLOC_2016_3_43)

In the Deluged Marsh - The Shepherd (Au marais inonde - Le berger). Dated: 1911. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.

Thomas Creswick, 1811-1869, British, Figures on the Shore, undated. Graphite on medium, smooth, beige wove paper.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), various figures and scratches. Three poor women including one having her child on her back. Twenty-first number of a suite of 23 pieces. (A. de Vesme 479; Dutuit 123) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Mephistopheles on a Horse 1827-33 Theodor Richard Edward von Holst Romantic literary and fantastic subjects predominate in Von Holsts oeuvre, derived from authors such as Virgil, Dante, Shakespeare, and Victor Hugo. He turned most often to Goethes Faust, and the present image of Mephistopheles echoes lines in Faust, Part I (4399-4404) where Faust and Mephistopheles are described as storming (Daherbrausend) along on black horses.Von Holsts precocious talent was recognized by Thomas Lawrence, who bought a drawing from the youth when the latter was ten years old. After taking lessons from Henry Fuseli, Von Holst entered the Royal Academy Schools at the age of fourteen in 1824. Fuseli remained a strong influence stylistically and the works of the two artists have been often confused. In 1959, an album assembled by John Welch Etherington Rolls (1807-1870) appeared at auction containing drawings by both artists, and subsequent research allowed a core group to be securely ascribed to Von H

One of the fishermen pokes a stick through a hole in the ice. Behind them a tent with figures and a skater. Frozen river with fishermen and tent Icelandic landscape, print maker: Leendert de Koningh, (mentioned on object), printer: Steuerwald & Co., (mentioned on object), Dordrecht, c. 1823, paper, h 270 mm × w 375 mm

A brown ink drawing by Hendrick Goudt depicting a group of people on a market scene on brown primed paper from the first half of the 17th century.

Le manège , Mills, Horses, Monks, Alphonse Legros (1837-1911)

Landscape with cornstuff and figures at a hay wagon. Drawing in a frame. Leaf 5 Recto from a sketchbook with 13 sheets.

A Crouching Man Defecating and a Standing Man Urinating 1612-75 Micco Spadaro (Domenico Gargiulo) Italian. A Crouching Man Defecating and a Standing Man Urinating. Micco Spadaro (Domenico Gargiulo) (Italian, Naples 1609/10-1675 Naples ()). 1612-75. Pen and brown ink, masking "corrections" in lighter brown ink. Drawings

Man looking at skaters, seen on the back, c. 1633 drawing Zwolle paper. ink. chalk brush skates (winter sports)

Jean-François Millet (French, 1814 - 1875). The Gleaners (Les Glaneuses), ca. 1855-1856. Etching printed in brown ink on chine collé. Plate: 189 mm x 252 mm (7.44 in. x 9.92 in.). First of two states.

The first five rows of the grandstand in the Madrid bullring. The bull, standing in the stands, has the mayor of Torrejon impaled on his horns. A group of people are trying to flee in panic. Numbered top right: 21., Death of the Mayor of Torrejon Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejon Bullfighting (series title) La Taureaumachie (series title) La Tauromaquia (series title), print maker: Francisco de Goya, publisher: Eugène Loizelet, print maker: Spain, publisher: Paris, 1876, paper, etching, drypoint, h 247 mm × w 353 mm

Woman Rust with her daughters in a landscape, Joseph Meganck, 1817 - 1891 print paper. ink etching / pen resting - BB - out of doors. mother and daughter(s) (family group). mountains

Various Figures and Landscapes: Women Watching Bathers along a River, 1649. Stefano Della Bella (Italian, 1610-1664). Etching;

Fire in the Hamlet (L'incendie du hameau), etching and drypoint, Bliss 1923, no. 509, Alphonse Legros (artist) French, 1837 - 1911

Francisco de Goya y Lucientes / 'Charity of a woman'. 1812 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.

C.w. Eckersberg (1783-1853), lot from the cylinder, seen from Soeen next to Moellleleje., 1829

Colin, Thou Kens't the Southerne Shepheard's Boye, James Clarke Hook, 1819-1907, British, c. 1857, Etching, Sheet: 3 7/8 x 5 3/4in. (9.8 x 14.6cm)

Francisco de Goya (Spanish, 1746-1828). He Defends Himself Well (Se Defiende Bien), 1810-1815, printed 1863. From The Disasters of War (Los Desastres de la Guerra). Etching and aquatint.

Classic landscape with reclining, standing and sitting nudes and a temple ruin, draughtsman: Adolphe René Lefèvre, 1844 - 1868, paper, brush, h 196 mm × w 149 mm

Frieze with a Sea-God, a Sea-Monster, and Three SeaHorses. Artist: Unknown

Company assisted by guides on a trip to Vesuvius. Schadow, Albert Dietrich (1797-1869), draughtsman, cartoonist

Notre Dame vue du Marché aux pommes , 1897. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

The artwork depicts people leading a donkey that carries baskets, alongside men on a boat where one man is steering with a pole. Additionally, there are individuals feeding hay to another donkey. This scene reflects country life in Great Britain and showcases clothing and dress from the British rural population. The piece is an etching created by George Morland in 1819, measuring 28 x 18 cm, and was published by M.A. Nattali in London

Three bathers with artist , Artists, Painting, Swimmers, Sunbathing. Charles H. Woodbury (1864-1940). Prints

Une loge de carrier. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Landscape with Travellers, Two Riding in a Carriage Driven by a Postilion and a Third on Horseback behind; Marco Ricci, Italian, 1676 - 1730; about 1720; Pen and brown ink with brown wash, over black chalk; 37.1 x 25.4 cm (14 5/8 x 20 5/8 in.)

The Mushroom Gatherers, James Clarke Hook (London, England, 1819 - 1907) c. 1879

Lunch hour, San Sebastian, 1924, by Edmund Blampied. Gift of Sir John Ilott, 1957.

Hercules Slaying Cacus.

Disparate desordenado (Disorderly Folly) or Disparate matrimonial (Matrimonial Folly), also known as La que mal marida nunca le falta que diga (She Who Is Ill Wed Never Misses a Chance to Say So, from the series Los disparates (Losproverbios). Artist: Francisco Goya, Spanish, 1746-1828

Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669, TheHog, Etching, platemark: 14.5 × 18.4 cm (5 11/16 × 7 1/4in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

In the stream in Montmartre (registered title) | In the Creek, in Montmartre, 1890 (dummy title)

A COW in A Shed, Rembrandt van Rijn, c. 1640 drawing Amsterdam prepared paper. deck paint. ink pen / brush cow. cow

Lorrain, Claude, Les Quatre Chèvres, Four goats, verso lower left - stamped, A goatherd sitting on a stone. Four goats are rearing up at each other., print, engraving, prints, engravings, height 200 mm, width 131 mm, French, 1600 - 1682-11-23, print maker, printmaker, 1630 - 1633, second quarter 17th century, paper, papier, etching, etchings, Work conception, after own design by

An Assembly of Learned Men. Giovanni Francesco Barbieri (called Il Guercino) (Italy, Cento, 1591-1666). Italy, circa 1625-1627. Drawings. Pen and brown ink and wash

Rock of Moses, Wady-El-Leja, Mount Horeb, 1842-1849, by David Roberts (1796-1864). Lithograph depicting the Rock of Moses in the Wady-El-Leja region of Mount Horeb. Published in London by F.G. Moon. The work is part of a collection that includes descriptions and travel accounts related to the Middle East, featuring themes of caravans, canyons, and the Sinai region. The extent of the work is 6 volumes in 4, comprising illustrations, maps, and plates, some of which are colored, with dimensions of 30 x 26 cm

Rhetoric procession with a horse-drawn cart with queen, 1620. Artist: anonymous. Draughtsman: S. van Zanten. Dating: 1800 - 1882. Measurements: h 316 mm × w 397 mm. Museum: Rijksmuseum, Amsterdam.

After Douai. Dated: probably 1918. Dimensions: overall: 31.5 x 48 cm (12 3/8 x 18 7/8 in.). Medium: brush and black ink and black (crayon) with watercolor on laid paper. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

Umbria Perugia Citta della Pieve SS. Gervasio e Protasio (Duomo)3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Man with a wheelbarrow, Anonymous, 1700 - 1799.

A drawing by Max Slevogt showing a grim, bearded old man climbing a wall, executed in gray ink with a pen and brush.

Seated Gypsy Mother and Child, with Dog Artist's working dates 1630-1664 Italy. Pen and brown ink, on ivory laid paper, laid down on cream laid paper . Stefano della Bella

unknown artist, Ariadne, undated. Graphite and gray wash with scratching out on medium, slightly textured, cream laid paper.

William Strang, 1859-1921, British, The Pilot's Boat. Etching on laid paper.

The famous Martincho putting flags to the bankruptcy /The Famous Martincho Plunges The Banderilla; Board No. 15 from: Bullfighting Bullfighting, ed. III, 1876 Goya, Francisco de (1746 1828)

L'Abreuvoir, 1866. Charles-Émile Jacque (French, 1813-1894). Etching;

Engraving illustrating the methods of beating rice and how women carry water in Egypt, created by Frederik Ludvig Norden in 1780. The image measures 27 x 45 cm and is published by Lockyer Davis in London. It depicts scenes related to Egyptian daily life, including rice processing, water carrying, and representations of peasants and cattle

Farmyard with Man and Cattle Artist's working dates 1830-1865 France. Black chalk, heightened with touches of white chalk, on blue laid paper with pink and blue fibers . Constant Troyon

Boy with hurdy-gurdy giving a puppet show Danse des marionettes , print maker: Martin Sylvestre Baptiste, (mentioned on object), Martin Sylvestre Baptiste, (mentioned on object), printer: Gottfried Engelmann, (mentioned on object), Paris, 1822 - 1839, paper, h 210 mm × w 283 mm

Séguin, F., Chez Fradin, end of the century hotel, rue Saint Denis. The first floor room (dummy title), 1898. Pierre Noire Rehaut de Gouache. Carnavalet museum, history of Paris. Men softened around tables

Ariadne. Drawing. Graphite and gray wash with scratching out on medium, slightly textured, cream laid paper. Height: 181 mm (7.12 in); Width: 248 mm (9.76 in). Author: UNKNOWN ARTIST.

Milkmaid of Boulogne, 1st plate (Laitiere a Boulogne). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Philip IV, after Velásquez (Philippe IV, d'après Velasquez). Dimensions: 51.3 cm x 37 cm, 35.1 cm x 24.3 cm, 31.3 cm x 19.8 cm, 31.3 cm x 19.8 cm. Museum: Van Gogh Museum, Amsterdam. Author: EDOUARD MANET.

The Anchorite Made 1869 Spain. Etching, aquatint, and drypoint on paper . Mariano Fortuny y Marsal

A 19th-century drawing by Ignaz Eissler depicting earthworks and fastening techniques with fascin, using ink, feather, and pencil on paper.

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