Figural Studies and Drawings

Artistic sketches and studies of figures in various poses. These pieces highlight movement and drapery using different media, from chalk to ink.

Man in 17th-century dress with hat, apron and knife, Hendrik van Velthoven (attributed to), 1738 - 1770, draughtsman: Hendrik van Velthoven, (attributed to), 1738 - 1770, paper, h 287 mm × w 197 mm

Jan Joseph Horemans, 1714-c.1790, British, Study of a Man, undated. Red chalk on medium, slightly textured, cream laid paper.

Standing forward inclined man seen from behind, draughtsman: anonymous, Netherlands, c. 1700 - c. 1799, paper, h 184 mm × w 127 mm

Seated lute playing angel, with plaque correction on which the left leg has been improved and the drapery has been sketched separately, Seated lute playing angel, draughtsman: Simon Vouet, France, 1600 - 1649, paper, h 402 mm × w 260 mm, h 245 mm × w 195 mm

Recueil de morceaux d'architecture et de divers fragmens de monumens antiques fait en Italie par Marie Joseph Peyre architecte du Roy ancien pensionnaire de Sa Majesté à Rome, Peyre, Marie-Joseph, 1730-1785, pencil, ink, pen, wash, black and red chalk, watercolor, 1786, Album of architectural drawings with sketches and some fully realized drawings includes drawings of architectural fragments and details (some with measurements), two views, ancient and Baroque sculpture, urns and coffers, and designs for fountains and buildings.

Hubert Robert, Kneeling Figure in a Hooded Robe (verso), probably c 1754 1765 Kneeling Figure in a Hooded Robe verso

Hand and possibly an animal. Page 3 From a sketchbook with 24 sheets.

Emperor Wilhelm I; Scholtz, Julius (1825-1893); XIX (1800-00-00-1900-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, Scholtz, Hanna (Flow. Ca 1912) - Dar, Wilhelm and (German Emperor - 1797-1888), riders, horse portraits, German drawings, studies for paintings, ruler

Standing Saint (Apostle) ca. 1700-1750 Attributed to Pedro Duque Cornejo For the attribution of this drawing to the sculptor Pedro Duque Cornejo, see M. García Luque, 'Dibujos de Duque Cornejo en el Álbum Jaffe (I): la colección del Metropolitan Museum of Art’, Philiostrato. Revista de Historia y Arte, no. 3, 2018, cat.no.28.. Standing Saint (Apostle) 336530

Drapery Study (recto); Study of a Nude Man (verso); Andrea del Sarto (Italian, 1486 - 1530); Italy; about 1517; Red chalk; 27.9 × 15.2 cm (11 × 6 in.)

Man in 17th-century dress with hat, apron and knife, Hendrik van Velthoven (attributed to), 1738 - 1770, draughtsman: Hendrik van Velthoven, (attributed to), 1738 - 1770, paper, h 287 mm × w 197 mm

James McNeill Whistler, Draped Figure, Standing, 1891 Draped Figure, Standing

Drapery Study (recto); Study of a Nude Man (verso). Andrea del Sarto (Italian, 1486 - 1530)

Abraham Bloemaert, A Standing Apostle, c. 1623, Red chalk on paper.

Pencil sketch sheet by Rudolf Weyr depicting figures and architectural forms with detailed lines and composition.

Want to burn with a hat in the right, shown from you, verso: Ro Lin studies; Scholtz, Julius (1825-1893); 1865-1866 (1865-00-00-1866-00-00);Fryderyk Wilhelm III (King of Prussia - 1770-1840) - iconography, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Scholtz, Hanna (Fl. Ca 1912) - Dar, Wrocław (Lower Silesian Voivodeship), German drawings , studies for paintings, character studies, painting sketches, figural sketches

Standing man in toga, Jean Grandjean, 1765 - 1781, draughtsman: Jean Grandjean, 1765 - 1781, prepared paper, h 441 mm × w 256 mm

Sketch of an Allegorical Statue, Melchiorre de Gregorio, Italian, 1777 - 1840, Pen and sepia on paper, Vertical rectangle. A female figure holding the tablets of the law with both hands., Recto: two sketches with black crayon above the upper part of a man raising something with the left hand, below, a sitting nude. Above at right, traces of a sketch which has been cut away., Italy, 1825-1850, classicism, Drawing, Drawing

Drawing, Seated figure with tablet; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); France; red chalk on paper

A Woman Wearing a Cape - Arms Crossed, John Phillip (Aberdeen, Scotland, 1817 - 1867)

Self-portrait from Leendert Overbeek ..

A Young Woman, Full Length, with Her Left Arm Outstretched ca. 1770 Paul Sandby British. A Young Woman, Full Length, with Her Left Arm Outstretched. Paul Sandby (British, baptized Nottingham 1731-1809 London). ca. 1770. Red chalk and red and brown wash. Drawings

St. Nicholas of Tolentino from St. Peter's colonnade, Jean-Robert Ango, French, active in Rome 1759 -1770, d. 1773, Nicola Artusi, Red chalk on paper, Drawing after statue by Nicola Artusi of St. Nicholas of Tolentino on North Colonnade of St. Peter's. He wears a friar's robe and rests his left hand to his chest. His right is held out and to his side. A cross is suspended from his belt., France, ca. 1759-70, figures, Drawing, Drawing

Le Mendiant a la Tête Découverte et aux Pieds Nuds (The Beggar with the Uncovered Head and Bare Feet), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons) ca. 1623 Jacques Callot French. Le Mendiant a la Tête Découverte et aux Pieds Nuds (The Beggar with the Uncovered Head and Bare Feet), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons). Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1623. Etching; first state of two (Lieure). Prints

Saint Catharina, Pasquale Ottini (attributed to), 1600 - 1699 drawing Verona paper. chalk the mystic marriage of St. Catherine of Alexandria with the infant Christ: the Christ-child puts a ring on her finger. kneeling figure - AA - female human figure

Young man with hat sitting on a chair or stool, draughtsman: Cornelis Pietersz. Bega, (circle of), c. 1650 - c. 1675, paper, h 250 mm × w 169 mm

James McNeill Whistler, Draped Figure, Standing, 1891 Draped Figure, Standing

Study for the Figure of Saint Peter ca. 1545 Daniele da Volterra (Daniele Ricciarelli) Italian This sculptural, carefully rendered study of the standing figure of Saint Peter (identified by the keys in his hand at left) is a rare early drawing by Daniele da Volterra, datable to the mid-1540s, when the artist had renounced the relatively provincial vocabulary of his early training in Volterra and Siena in favor of the bold, grand manner of the Roman school, then dominated by the aging Michelangelo and the pupils of Raphael (who had died in 1520). The style and technique of the drawing resemble those of two studies in black chalk connected with the Ulignano Altarpiece (Museo Diocesano d'Arte Sacra, Volterra) -a monumental picture that includes a figure of Saint Peter at left, though of a rather different design, and is dated 1545 by the artist himself on the steps of the Madonna's throne. As seen here, Daniele's chalk drawings of the 1540s were inspired by the graphic techniques of Miche

Sitting blindfolded man, next to an urn, Pieter Bartholomeusz. Barbiers, 1782 - 1837 drawing paper. graphite (mineral)

Piping man with stab, anonymous, c. 1700 - c. 1799 drawing Netherlands paper. chalk

Blanchissage a Cologne. Date: 1858. Pencil on white paper. Origin: United States. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Saint Pierre et Saint Paul à la porte de M. Richard , Saints, Paul, the Apostle, Saint, Peter, the Apostle, Saint, Alphonse Legros (1837-1911)

Monk (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858). Artist: Isidore Pils (French, Paris 1813/15-1875 Douarnenez). Dimensions: 18 5/16 x 11 7/8 in. (46.5 x 30.2 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Seated man with bare feet. .

Page of a drawing book; Elderly man in classical attire, Brush, bistre on paper, Vertical rectangle. Section of a page in a drawing book. Man is standing, obliquely shown, turned toward right, with the head raised and turned backwards. The right hand is raised in an indistinct gesture., Netherlands, ca. 1590, figures, Drawing, Drawing

Study of a man inrobe. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Man Wearing a Cloak recto. Dated: 1852/1858. Dimensions: overall: 40.6 x 22.5 cm (16 x 8 7/8 in.). Medium: charcoal on wove paper. Museum: National Gallery of Art, Washington DC. Author: EDOUARD MANET.

The Garland Weavers, Drapery Study, 1866-1867 Artist: Edward Burne-Jones, Full length figure study, holding outline of musical instrument., Art Movement, Pre-Raphaelite, Drawing, Pencil, Works on Paper

A red chalk drawing by Jan Josef Horemans depicting a seated woman holding a tea cup, with minor dirt marks in some areas.

Study of a nymph or goddess sitting in the clouds ..

Standing Man. Artist: Johann Christian Reinhart (German, Hof 1761-1847 Rome). Dimensions: sheet: 6 5/16 x 3 3/4 in. (16 x 9.5 cm). Date: late 18th-19th century. Museum: Metropolitan Museum of Art, New York, USA.

Standing Male Figure with Left Arm Extended 18th century Charles Joseph Natoire French. Standing Male Figure with Left Arm Extended 337873

The Novel Girl Reading Made 1889 United States. Transfer lithograph in black on cream laid paper . James McNeill Whistler

Drawing by Rudolf Schick of a kneeling shepherd, executed in pencil and watercolor with highlights on blue paper, 1881

Charles Francois Mallet. Angelo Boucheron (French, 1779/80-after 1830); after Jean-Auguste-Dominique Ingres (French, 1780-1867). Date: 1804-1814. Dimensions: 252 × 211 mm (plate); 327 × 280 mm (sheet). Etching and drypoint on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Standing man in cloak, to the left, draughtsman: Johan Hendrik Koelman, 1830 - 1887, paper, h 297 mm × w 220 mm

Mascarille sitting, François Boucher, 1713 - 1734 drawing Mascarille, sitting; repeated the head again. paper. chalk literary characters and objects

Rijn, Rembrandt van, Beggar, with deformed hand, leaning on a stick, verso lower left - stamped, print, prints, height 90 mm, width 42 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1627 - 1631, second quarter 17th century, paper, etching, Work conception, after own design by

Standing figure of a young man with a cloak wrapped around him, Harmen ter Borch, 1651, draughtsman: Harmen ter Borch, (mentioned on object), draughtsman: Gerard ter Borch (I), (possibly), Zwolle, 15-Jul-1651, paper, h 215 mm × w 165 mm

Francisco Bayeu / 'The Virgin'. 1769. White chalk, Black chalk on grey paper. Museum: Museo del Prado, Madrid, España.

Kneeling monk, seen on the back, Domenico Ghirlandaio, 1460 - 1494 drawing prepared paper. ink pen / brush monk(s), friar(s)

Portrait of Elizabeth Siddal, 1854 Dante Gabriel Rossetti, Drawing, Furniture, Chair, Pencil, Pre-Raphaelite, Female, Seated

Sitting Jakobsritter to the right in front view depicted by Mirabello Cavalori using red chalk with remains of white increases on red-primed paper, showing figure, pose, and attire.

Landscape, possibly a dune landscape, George Hendrik Breitner, 1881 - 1883 Landscape, possibly a dune landscape. Page 33 from a sketchbook with 43 sheets. South-Holland paper. chalk landscapes. dunes (sea not visible); in the dunes

Lord George Villiers. Dimensions: overall: 38.5 x 19 cm (15 3/16 x 7 1/2 in.). Medium: black chalk heightened with white on blue wove paper. Museum: National Gallery of Art, Washington DC. Author: Allan Ramsay.

Mother and Child. Artist: Anonymous, Italian, Roman-Bolognese, 17th century. Dimensions: 14-1/8 x 10-3/4 in. (35.9 x 27.3 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Yvette Guilbert Made 1894 France. Color lithograph on ivory laid paper . Henri de Toulouse-Lautrec

Ma with a cup; Scholtz, Julius (1825-1893); 1850-1893 (1850-00-00-1893-00-00);Cover

Henri de Toulouse Lautrec, Benefit for Firmin Gémier, 1897 Benefit for Firmin Gémier

The Laundresses. Louis Auguste Lepère; French, 1849-1918. Date: 1894. Dimensions: 381 × 217 mm (image); 396 × 228 mm (plate); 436 × 252 mm (sheet). Soft ground etching with aquatint and roulette in tan and yellow ochre on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Saint Pascal Baylon. Date/Period: Between 1767 and 1769. Red chalk, light wash, heightened with white chalk, on blue paper Rötel, leicht laviert, mit weißer Kreide gehöht, auf blauem Papier. Height: 359 mm (14.13 in); Width: 282 mm (11.10 in). Author: Giovanni Battista Tiepolo.

The streetworks at the stall; Andrieux, Clément-Auguste (1829-1881); Ok. PO. 19th century (1801-00-00-1900-00-00);Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, women, bribery, French drawings, genre scenes, marketplaces

Woman with Lauwerkrans, Anonymous, After Jacques Callot, 1600 - 1699 print Woman, in full, seen on the right, with a laurel wreath on the head. France (possibly) paper etching trees: laurel

Praying woman. Orłowski, Aleksander (1777-1832), draughtsman, cartoonist

Standing man, seen frontally, looking at the right ..

Sitting woman with a flame in her right hand and a squirrel in her left, Personification of Speed or Agility (Prontezza), draughtsman: Lazzaro Tavarone, 1566 - 1641, chalk, h 403 mm × w 279 mm

Seated gentleman with book in left hand, Seated gentleman with book, draughtsman: Johann Wilhelm Böttner, 1762 - 1805, paper, h 263 mm × w 200 mm

Man in jacket with buttons, 1710 - 1772 Leaf 46 Recto from a sketchbook with 105 sheets. paper. chalk standing figure (+ right side visible; right - (r. hand, r. foot, etc.))

St George Series, Study of Female Attendant for 'The Princess led to the Dragon', 1865-1866 Artist: Sir Edward Burne-Jones, Art Movement, Pre-Raphaelite, Drawing, Works on Paper

A 1523 study by Albrecht Dürer showing John under the cross, drawn with lead-tin grip and highlighted with white chalk on green-primed paper with needle holes.

Lawyer. Dimensions: overall (approximate): 27.2 x 22.2 cm (10 11/16 x 8 3/4 in.). Medium: black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

Writing Holy Johannes on the clouds, Bernardino Lanino (Possible), 1522 - 1583 drawing paper. chalk brush

Sitting man with bare feet, draughtsman: anonymous, Netherlands, 1600 - 1699, paper, h 114 mm × w 80 mm

Etcher: Saint-Non (Jean-Claude-Richard, Abbé de), French, 1727-1791, After: Hubert Robert, French, 1733-1808, Cavalier napolitain voulant se donner un tonfrancois, Etching, platemark: 13.3 × 10.8 cm (5 1/4 × 41/4in.), Made in France, French, 18thcentury, Works on Paper -Prints

Study for "The Wise and Foolish Virgins". Dimensions: overall: 45 x 29.5 cm (17 11/16 x 11 5/8 in.). Medium: black chalk heightened with white on blue wove paper. Museum: National Gallery of Art, Washington DC. Author: Lord Leighton Frederic.

A Venetian Procurator of San Marco recto, black chalk heightened with white on gray paper, overall (approximate): 39.6 x 25 cm (15 9/16 x 9 13/16 in.), Pietro Longhi (artist) Venetian, 1702 - 1785, Alessandro Longhi (artist) Venetian, 1733 - 1813

Man sitting on chair with legs crossed, anonymous, 1700 - 1800, Man sitting on chair with legs crossed, hand on right knee., draughtsman: anonymous, draughtsman: Cornelis Troost, (rejected attribution), 1700 - 1800, paper, h 226 mm × w 300 mm

'Young Woman sitting, holding a Jug by her side', mid 18th century, (1928). Artist: Giovanni Battista Tiepolo.

Peasant Woman with a Shawl. Pablo Picasso; Spanish, 1881-1973. Date: 1906. Dimensions: 630 x 424 mm. Charcoal, with stumping, on cream laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Antykized female figure with a jug unknown

Standing figure with palm facing up, Jean-Robert Ango, French, active in Rome 1759 -1770, d. 1773, Red chalk on paper, Standing figure in heavy robes holds left hand out, palm facing upward, and holds robes with right hand. A sketch of something indeterminate on his right shoulder., France, ca. 1759-70, figures, Drawing, Drawing

Edelfelt, Albert, work, Sketch book, drawing, 9 cm x 15 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Thomas Daniell, 1749-1840, British, active in India, Boat Sketch, undated. Graphite on medium, moderately textured, cream laid paper; mountd on, moderately thick, slightly textured, cream, wove paper.

St. Nicolai, Berlin-Spandau: Perspective view of Maria and Johannes in the triumphal wreath (from: sketch and photo album 28)

Theology, plate 30 from Arts and Sciences. Master of the E-Series Tarocchi; Italian, active c. 1465. Date: 1460-1470. Dimensions: 180 x 100 mm (plate); 185 x 106 mm (sheet). Engraving in black on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

A coal drawing by Gianlorenzo Bernini of a standing bishop on gray-brown paper, highlighted with white, emphasizing posture and ecclesiastical garments.

Standing woman with jug, possibly Hebe, c. 1701 Page 14 Recto from a sketchbook with 63 sheets. paper. chalk Page 14 Recto from a sketchbook with 63 sheets. paper. chalk

Study for the Portrait of William Guise, Allan Ramsay, 1713-1784, British, ca. 1761, Black chalk and white chalk on medium, moderately textured, blue laid paper, Sheet: 19 1/2 x 12 inches (49.5 x 30.5 cm), cravats, figure study, men, portrait, ruffle, standing, studies (visual works)

Dryck, Anton van.

Iffland, August Wilhelm .

An Artist in His Studio. Rembrandt Harmensz. van Rijn (Dutch, 1606 - 1669)

Artist: Giovanni Battista Tiepolo, Italian, Venice, 1696-1770, Male figure carrying a tray, seen frombelow, ca.1740-50, Pen and brown ink and brown wash on white paper, 27.3 × 19.2 cm (10 3/4 × 7 9/16in.), Italian, 18thcentury, Works on Paper - Drawings andWatercolors

The Immaculate Conception; Bartolomé Esteban Murillo, Spanish, 1617 - 1682; Spain, Europe; about 1675 - 1680; Pen and brown ink over black chalk; 19.7 x 13.2 cm (7 3/4 x 5 3/16 in.)

Standing boy, seen from behind, Harmen ter Borch, 1648, draughtsman: Harmen ter Borch, (mentioned on object), Zwolle, 13-Sep-1648, paper, h 164 mm × w 130 mm

Figure with a lute and crowned with awreath. Thoma, Hans (1839-1924), draughtsman, cartoonist

Saint Stephen in Ecstasy, second third 1700s. Edmé Bouchardon (French, 1698-1762). Red chalk; sheet: 38.3 x 25.9 cm (15 1/16 x 10 3/16 in.).

Verona Sketchbook: Standing male with drapery (page 19), 1760. Francesco Lorenzi (Italian, 1723-1787). Black chalk with white heightening ; sheet: 32 x 23 cm (12 5/8 x 9 1/16 in.).

Brown pen drawing by Moritz von Schwind depicting Austrian baritone Johann Michael Vogl, friend of Franz Schubert, 1825-1827.

Antonio González Ruiz / 'Standing Bishop / Study for a Genius of the Arts'. XVIII century. White chalk, Black chalk on grey paper. Museum: Museo del Prado, Madrid, España.

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