Figurative Engravings

Engravings depicting women in elaborate dresses and symbolic poses, exploring themes of pride and nature in classical art styles.

French crown, Paris, Langlois, François, Bosse, Abraham, Costumes of the French nobility, Le Jardin de la Noblesse Françoise, French noblewoman with veil, dressed according to the fashion from ca. 1630, verso - stamped, French lady with black veil over her face, a folding fan in her right hand. Landscape in the background., costume print, prints, height 140 mm, width 95 mm, French, 1602 - 1676-02-14, print maker, printmaker, 1629 - 1629, paper, etching, etchings, engraving, engraving (printing process), stipple work, Work conception, after own design of, Publication (Event), Publication, 1589-05-12 - 1647-01-14, publisher, granter of privilege

Sibille van Erythrae, Christoffel van Sichem (I), in or before 1608 print Sibille van Eythrae, standing for a passage in a rock wall. She holds a rolled piece of paper in her hand. Six verse lines in Latin under the print. Amsterdam paper engraving Erythraean sibyl

French crown, Paris, Langlois, François, Bosse, Abraham, Costumes of the French nobility, Le Jardin de la Noblesse Françoise, French noblewoman with veil, dressed according to the fashion from ca. 1630, verso - stamped, French lady with black veil over her face, a folding fan in her right hand. Landscape in the background., costume print, prints, height 140 mm, width 95 mm, French, 1602 - 1676-02-14, print maker, printmaker, 1629 - 1629, paper, etching, etchings, engraving, engraving (printing process), stipple work, Work conception, after own design of, Publication (Event), Publication, 1589-05-12 - 1647-01-14, publisher, granter of privilege

Copper engraving of Jeremiah by Meister der Propheten und Sibyllen around 1470, showing the prophet in robes holding a scroll with expressive gestures.

Hoogmoed (Superbia), Jacob Matham, after Hendrick Goltzius, 1593 print Personification of the vanity or pride, depicted as a richly dressed female figure looking in a mirror. paper engraving Pride; 'Superbia' (Ripa) ~ personification of one of the Seven Deadly Sins

Woman picks flowers in the field, Jan Luyken, 1704 print Amsterdam paper etching picking flowers

Charity, Heinrich AldGrever, 1552 print Personification of charity. Woman with child on her left arm, in her right hand a banner with therefore an image of a dog. At the top of a coat of arms with the lioness who blows her dead boy air on top of a lamb. Under the show a two -line text in Latin. Sixth print from a series of seven. paper engraving Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues

Pride, pl. 3 of 9 from the series Virtues andVices. Engraver: Zacharias Dolendo, Dutch, 1561 - ca.1604 Publisher: Jacques de Gheyn II, Dutch, 1565-1629

Caution (Prudence), Jacob Matham, Franco Estius, 1593

Hannah, Jacob Matham (attributed to), after Hendrick Goltzius, 1588 print The prophetes Hannah, standing in a landscape. Haarlem paper engraving female persons from the Old Testament (with NAME) (not in biblical context)

Solomon Worshipping False Gods. Dated: 1501. Dimensions: sheet (trimmed to plate mark): 18.5 x 15.7 cm (7 5/16 x 6 3/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Master MZ.

Edelman with hat in hand, seen on the right, Anonymous, After Jacques Callot, 1630 - 1690 Standing Lord, dressed in a cape trimmed with fur, shoes with rosettes at the feet, a hat with a wide edge pressed against the chest, making a bow to the right. A walled garden in the background. This print is part of a series of 12 prints with noblemen in costumes that were worn in Lorraine in the first quarter of the 17th century; Half of the series concerns men's costumes, the other half shows ladies' costumes. print maker: Netherlandspublisher: Amsterdam paper etching clothes, costume (+ men's clothes). nobility and patriciate; chivalry, knighthood. shoes, sandals (+ men's clothes). head-gear: hat (+ men's clothes). cape (+ men's clothes). fashion, clothing (+ fur used for clothes). head bent forward; bowing. trousers, breeches, etc. (BREECHES) (+ men's clothes). gloves, mittens, etc. (+ men's clothes). Lorraine

A late 15th-century copper engraving by Martin Schongauer showing the fifth of the clever virgins, highlighting Gothic details, expressive figures, and devotional elements.

Reverse copy of Neapolitaine, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved etched by F. Ravenet), plate 2 18th century After Simon Francis Ravenet, the elder French. Reverse copy of Neapolitaine, from Recueil de diverses fig.res étrangeres Inventées par F. Boucher P.tre du Roy et Gravées par F. Ravenet (Collection of Various Foreign Figures, Devised by F. Boucher, Painter of the King and Engraved etched by F. Ravenet), plate 2 413639

Luxuria, or Shamelessness, Additional, Immodesty, 1500 - 1550, Engravings, 3 1/4 x 2 1/16 in. (8.2 x 5.2 cm), Paper / Sheet 3 1/4 x 2 1/16 in. (8.2 x 5.2 cm), Cream wove

Sibille of Samos, Philips Galle, After Anthonie Blocklandt, 1575 print Sibille from Samos is on a rock. A book is open next to her. The print has a Latin caption and is part of a ten -part series about the Sibillen. print maker: Antwerpafter design by: Low CountriesAntwerppublisher: Antwerp paper engraving Samian Sibyl

Allegorical emblem at the Peace of Rijswijk, 1697, Anonymous, 1697 drawing Emblem with on the left a woman with a book, yardstick and caduceus standing next to a tree. On the right a fleeing warrior, the weapons falling, with a broken tree. Inscription: Fugiat Mars, Arsque Resurgat, / Arte Vigent, Quae Marte Rigent. Design for a decoration at the celebration of the Peace of Rijswijk in 1697. Northern Netherlands paper. ink pen / brush festivities on events of national importance (+ festive decoration ~ festive activities). the liberal arts, 'Artes Liberales'. specific aspects, allegorical aspects of Mars; Mars as patron

Virgin and Child Crowned by Two Angels 1518 Albrecht Dürer German. Virgin and Child Crowned by Two Angels 391227

Allegorical Figures of the Four Continents. Artist: Teodoro Viero (Italian, 1740-1819). Dimensions: sheet: 10 3/8 x 7 1/4 in. (26.4 x 18.4 cm). Date: 1783. Museum: Metropolitan Museum of Art, New York, USA.

David tears his cloak, Heinrich Aldegrever, 1540 print King David sitting on his throne, tears his cloak with both hands. He thinks all his sons are killed. His brother Sima stands next to him and explains that only Amnon was killed. At the top left a cartouche with text in Latin. Seventh print from a series of seven with the story of Amnon and Tamar. paper engraving David is told of Amnon's death; he rends his clothes

Limiers, Henri Philippe de, Picart, Bernard, Amsterdam, Title page for: Jean-Pierre de Crousaz, La logique, 1720, Logica, verso lower left - stamped, The female personification of Logica, one of the seven liberal arts. She thinks and teaches a putto. In the foreground all kinds of books. In the margin a four-line poem in French., print, title page, prints, height 142 mm, width 84 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1720 - 1720, first quarter 18th century, paper, engraving, engraving (printing process), etching, Work conception, after own design by, writer

Allegory on the vanity (young lady with mirror and putto). Vanitas performance in the form of a woman, dressed in precious clothing, admiring himself in a hand mirror, on her lap a dog, a monkey at her feet. On the table next to her jewelry and a board game. Due to the window behind the lady, a putto climbs inside with a banderole on which 'Vanitas vanitatum, Est Omnia Vanitas'. Under the show two lines text in Latin.

Kunigunde The Holy, Roman-German Empress.

The Gift of Counsel ca. 1710-62 Johann Georg Bergmüller. The Gift of Counsel. Johann Georg Bergmüller (German, Türkheim 1688-1762 Augsburg). ca. 1710-62. Etching. Prints

Lucas van Leyden, Jezebel Promising Naboth's Vineyard to King Ahab, 1516 1519 Jezebel Promising Naboth's Vineyard to King Ahab

Matigheid (temperance), Jan Saenredam, after Hendrick Goltzius, 1593 print Female figure that pours water from a can in a glass, standing in a niche, as a personification of moderation. Northern Netherlands paper engraving Temperance, 'Temperantia'; 'Temperanza' (Ripa) ~ one of the Four Cardinal Virtues

. In the middle the seated personification of speech, dressed in a dress on which the alphabet and two ears. In her shot a skull. A putto stands next to her and puts a finger on his lips, the sign for silence. A stone with the title of the book work behind him. In the foreground an oval medallion with the portrait of Pythagoras. Birds fly in the air. Two of birds carry a long stick. A turtle has bitten into this stick. Left against the wall The portraits of Solomon, the Apostle Jacobus and Erasmus.

Taste; GVSTVS; The five senses. Female taste personification. She is half naked and wears some fruit and vegetables in her left hand. With her right hand she holds an apple against her mouth. Taste is accompanied by a monkey, which is chained to a fruit basket. The print has a Latin caption. The print is part of a series about the five senses.

Urania, anonymous, after Hendrick Goltzius, 1592 - 1667 print The sitting Urania, the muse of astronomy, holds a globe in her hand. Next to her are an Armillarium and a book. paper engraving / drypoint Urania (one of the Muses); 'Urania' (Ripa)

. In the foreground a dancing couple. In the background two musicians with a violin and a viola da gamba. The print has a German caption of four rules about the sense of sense.

Pallas, from 'Game of Mythology' (Jeu de la Mythologie) 1644 Etched by Stefano della Bella Italian. Pallas, from 'Game of Mythology' (Jeu de la Mythologie) 376722

Amsterdam, Laar Mahuet, Jean Louis van, Northern Netherlands, Kobell, Jan (I), Allegory of the death of Vice-Admiral Zoutman, 1793, verso - stamped, Allegory of the death of Vice-Admiral JA Zoutman, May 7, 1793. The Dutch Virgin weeping at a grave monument for Zoutman. On the monument a representation of the Naval Battle of Dogger Bank against the English on August 5, 1781. With eight-line verse in caption., print, prent, prints, prenten, Frederik Muller Historieplaten, height 326 mm, width 238 mm, Noord-Nederlands, 1757 - 1833-07-16, print maker, printmaker, 1793 - 1793, paper, papier, etching, etchings, engraving, engraving (printing process), mezzotint, stipple work, writer, Publication (Event), Publicatie, publisher

Woman holding a chalice mid 18th-19th century Copy after Wenceslaus Hollar Bohemian. Woman holding a chalice 411468

Simson and Delila. Delila cuts the hair from the sleeping Simson, the Philistines are waiting remotely.

Lord and lady seated in a landscape. Man and woman seated in landscape, man hands a cup to the woman.

Wenzel von Olmutz after Master of the Housebook, The Lovers, c 1490 The Lovers

Maria met kind en vogel.Sitting Maria with the Christ child on lap and a bird in her hand. She is in an interior with a balustrade in the foreground and in the background an open pilot hall with a view.

Copper engraving by Sebald Beham, 1548, depicting the knowledge of God with allegorical figures, symbolic objects, and detailed composition.

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Baccio Baldini (1436-1487). "The prophets, Elisha". Ninth issue of a suite of 24 pieces (Bartsch 9). Chisel. 1450-1485. Museum of Fine Arts of the City of Paris, Petit Palais. 112279-2 XVEME XV XV 15th 15th 15 CENTURY, engraving

Urania; The nine muses. The sitting urania, the muse of the astronomy, holds a globe in her hand. Next to her are an armillarium and a book. Under the show two two-year verses in Latin.

Virgin on a Crescent with a Starry Crown. Artist: Albrecht Dürer (German, Nuremberg 1471-1528 Nuremberg); de Lumague. Dimensions: plate: 4 5/8 x 2 15/16 in. (11.8 x 7.5 cm)sheet: 4 11/16 x 2 15/16 in. (11.9 x 7.5 cm). Date: 1508. Museum: Metropolitan Museum of Art, New York, USA.

Death Appearing to a Wedded Couple from an Open Grave 1639 Rembrandt (Rembrandt van Rijn) Dutch. Death Appearing to a Wedded Couple from an Open Grave 391633

Lairesse, Gerard de, Portrait of Prince William III, Portrait bust to the right of the laureate William III, Prince of Orange-Nassau and King of England, dressed in armor. The portrait is set in a circular frame and is revealed by an allegorical female figure blowing the trumpet. To the left of the portrait lies a branch with apples of Orange and a plumed helmet. In the margin is a four-line ode in Dutch. This print is the pendant to the portrait of the Count of Monterey., print, prent, prints, prenten, height 236 mm, width 163 mm, Noord-Nederlands, 1641 - 1711, print maker, prentmaker, 1672 - 1672, paper, papier, etching, etsen

Woman and Death, Hans Sebald Beham, 1541 print Woman is surprised by death, displayed as a skeleton dressed in a costume of an jar with an hourglass. There is a flowering lily in a pot. The Latin inscription warns that beauty also cannot escape death: Omnem in Homine Venvstatem Mors Abolet. paper engraving personifications of Death; 'Morte' (Ripa). female sex; woman

May: Young women with a flower wreath; Maius; The twelve months. For a gatehouse there is a young woman who holds a flower wreath in the making while picking a tulip. In the flower suspension, roses and asparagus flourish. The twins, the constellation of this month, embraces and kisses each other. Under the show a poem in Dutch from Joost van den Vondel and a fresh in French.

The Virgin Crowned by TwoAngels. Artist: Albrecht Dürer, German, 1471-1528

Louis Petit after Jean Honoré Fragonard, La fiancee du roi de Garbe L'arbre La fiancee du roi de Garbe: L'arbre

A young woman in the studio of the artist sculptor unknown

Saint Barbara in a Landscape 1515 Anonymous, Swiss, 16th Century Swiss. Saint Barbara in a Landscape 335039

Minerva en Telemachus voor een tempel; Avonturen van Telemachus.Minerva points the kneeled telemachus on an angel that stands for a temple. In the air, a second angel blows the trumpet, lower flying diabolical figures. In a stone next to the warrior is carved: Telemaque.

Fountain with bust of jupiter; Johann Jacob Schüblers Neunzehende Ausgabe Seines Vorhabenden Werchs, Worons Vorgestellet became Unterschiedliche Modern Garten-Orgenues (...). In a garden there is an ornamented fountain under a round arch with bust of Jupiter with crown, lightning bolts and an eagle. On the right front of a hedge are an oramic couch and a vase. A five-line German text in the undermarge.

Woman meets a man dressed as a heath, Simon Fokke, After Jacobus Buys, 1764 print A woman put her hand in that of a man. The man pretends like an old Roma woman ("Heiden" was a contemporary name for the Roma). It is completely dressed in a large rug, only his face and shoes are visible. On the right behind a tree, a second man spies the couple. In the background along a high hedge the entrance to a garden. Amsterdam paper etching satyr play, farce. disguise. gripping someone by the hand or the wrist; clasped hands. wandering communities: Romani or Roma

Peasant Woman Going to Market. Dated: 1520. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Sebald Beham.

Allegory of sculpture and painting, Gerard de Lairesse, 1670 print The personification of painting is with a brush, painting stick and painting palette in her hands and paints the bust carved through sculpture. On the left, the personal sculpture watches a hammer in her hands how painting does her work. Amsterdam paper etching 'Sculptura', symbolic representations, allegories and emblems ~ sculpture; 'Scoltura' (Ripa). 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa)

Netherlands, Bolswert, Boëtius Adamsz., Bloemaert, Abraham, Amsterdam, Ad sacrum speculum patribus dat ales, Hermits, Cede sapor Nysibaenus Persica castra fuget, Saint James of Nisibis as hermit, verso bottom center - stamped, print, book illustration, prints, height 145 mm, width 90 mm, South Dutch, 1580 - 1633-03-25, print maker, printmaker, 1590 - 1612, fourth quarter 16th century, first quarter 17th century, paper, engraving, engraving (printing process), Work conception, North Dutch, 1566-12-25 - 1651-01-27, after design by, Publication (Event), Publication, South Netherlands, publisher

Utrecht, Water, Willem van de, Goeree, Jan, Amsterdam, Bestiering der tonge, Title page for Richard Allestree, Redeneering over de bestiering van de tong, 1714, Allegory on speech, In the middle the seated personification of Speech, dressed in a dress with the alphabet and two ears. In her lap a skull. A putto stands next to her and puts a finger to his lips, the sign for silence. Behind him a stone with the title of the book. In the foreground an oval medallion with the portrait of Pythagoras. In the air birds fly. Two of the birds carry a long stick. A turtle has bitten into this stick. On the left against the wall the portraits of Solomon, the apostle James and Erasmus., print, title page, prints, width 84 mm, height, 126 mm, 1670-10-20 - 1731-01-04, print maker, printmaker, 1714 - 1714, paper, engraving, engraving (printing process), Work conception, after a design by, Publication (Event), Publication, Northern Netherlands, publisher

A hunter kneels before a shepherdess, who stands before him with a hat decorated with flowers and a shepherd's staff over his shoulder., Hunter kneels before a shepherdess Title page for: F., Tristan L'Hermite, Plaintes D'Acante, 1633, print maker: Lucas Vorsterman (I), (mentioned on object), unknown, (mentioned on object), publisher: Hendrik Aertssens (II), Antwerp, 1633, paper, engraving, h 1801 mm × w 137 mm

Prophet Isaiah; ESAIAS; Paintings in the Sixtin Chapel. The prophet Isaiah sitting with a book. Two small figures behind the prophet. One of the prophets of Michelangelo's ceiling painting. Title in undermarge and numbered at the bottom right: 25.

Etching by Nikolaus Hogenberg from 1525 depicting Saint Barbara, including the saint, attributes, tower, gestures, and devotional scene.

Seated woman pointing to a vase in which plants sprout, Jan Luyken, wed. Pieter Arentsz (II), 1689

Libyan Sibille; Sibylla Libyca; Ten sibilles; Sibillaru decem. The Libyan Sibille standing with a sheet of paper in hand. On the right a look through a landscape. Title and line Latin text in undermarge. Numbered bottom left: 2.

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After Jacques Callot, Noble Man with Fur Plastron Noble Man with Fur Plastron

Chef des Eunuques (head of the Eunuchs), from the series "Caravane du Sultan à la Mecque..." (Caravan of a Sultan Going to Mecca) 1748 Joseph Marie Vien French. Chef des Eunuques (head of the Eunuchs), from the series "Caravane du Sultan à la Mecque..." (Caravan of a Sultan Going to Mecca) 386129

Femme Turque, qui fume sur le Sopha 1714-15 After Jean Baptiste Vanmour. Femme Turque, qui fume sur le Sopha. Plate 45; from "Recueil de cent estampes représentent differentes nations du Levant". After Jean Baptiste Vanmour (French, Valenciennes 1671-1737 Istanbul (Constantinople)). 1714-15. Etching and engraving. Jacques le Hay. Prints

Statue of a seated Agrippina the Younger with her son Nero. In the Vatican. Copperplate drawn and engraved by Giacomo Bossi from Pietro Paolo Montagnani-Mirabili's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

Jacques Firmin Beauvarlet after Jean Honoré Fragonard, Colin Maillard, 1760 Colin Maillard

Victory, Philips Galle, c. 1585 - c. 1590 print Standing woman with laurel wreath and palm branch. Her left foot rests on the globe. A snake crawls from the mouth of a fire -breathing dragon. Under the show two lines of text in Latin. The print is part of an album. print maker: AntwerpSouthern Netherlands paper engraving Victoria as Roman personification

Lady with impeller, right; Le Jardin de la Noblesse Français (...). Vettrien, Paris, 1629. Copy.

Juno, Jan Saenredam, after Hendrick Goltzius, 1596 - 1652 print The goddess Juno, with a crown on her head. Next to her a peacock, her attribute. The print is part of a three -part series with the three goddesses of the judgment of Paris and has a Latin caption. print maker: Northern Netherlandspublisher: Amsterdam paper engraving (story of) Juno (Hera). the Judgement of Paris (without Mercury). attributes of Juno (with NAME)

. A women's figure with a column over her shoulder as the personification of power (Fortitudo).

Plate 7 for Shakespeare's 'Macbeth'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1784. Prints; etchings. Etching, six per page

Brown pen drawing on parchment depicting Ceres, the Roman goddess of agriculture, showing figure, posture, and attributes.

Man shows different notes to a woman, Jan Luyken, wed. Pieter Arentsz & Cornelis van der Sys (II), 1711

The adulteress, Jan Saenredam, Balthasarus Schonaeus, Gerard Valck, 1661 - 1726

Saint Mary Magdalene Made 1728-1731 Italy. Etching on paper . Conte Pietro Antonio Rotari

Tiburtine Sibille, Frans Huys, 1546 - 1562 print The Tiburtine Sibille sitting with a violin and bow under a tree. In the background on the left a ruin. The print is part of a ten -part series about the Sibillen. Antwerp paper engraving sibyls (with NAME)

Socordia, from the series: allegorical figures; Aldegrever, Heinrich (Ca 1502-1555 cars 1561); 1549 (1st edition) (1549-00-00-1561-00-00);

Woman slides on the beach sand through her fingers, Jan Luyken, 1687 print Amsterdam paper etching beach

Leiden, Wandelaar, Jan, Trade label of silk manufacturers Rigail in Leiden, verso lower left - stamped, In the middle sits a woman with a bare breast and a pearl necklace, possibly Fortuna. In her left hand she holds a cornucopia filled with money. With her right hand she holds up a roll of cloth. Next to the roll sits a putto. On the right are packaged goods. One of the packages is marked '#o 101' and the monogram FR, probably François Rigail, a Leiden silk manufacturer. In front of the goods are spools and yarn. On the left in the background is Mercury with a money bag next to a ship model. In the middle is a coat of arms, consisting of a rooster, three stars and a crown. On the right is Faam floating on a cloud. Around the image is an ornamental frame with the name of the Rigail brothers in French and below their name in Spanish on a banderole., print, trade label, prints, height 126 mm, width 98 mm, Noord-Nederlands, 1690-04-14 - 1759-03-26, print maker, printmaker, 1756 - 1756, pa

. Allegory on love and impotence: a young couple embraces each other, while the woman gives glasses to an old man. In the margin a twelve-line poem in French and a ten-line poem in German, which explain the show.

Boet skill, Philips Galle, c. 1585 - c. 1590 print Standing woman with bare torso. In her right hand a scoop and in her left hand a water jug on a dish. The penalty not only disciplines, but also washes clean. Under the show two lines of text in Latin. The print is part of an album. print maker: AntwerpSouthern Netherlands paper engraving Penance, penance "; "Destruction '(Ripa) ~ Part of the confession

The personalification of philosophy has been supporting a globe in a book. Behind her shows a gray-born a boy in mind that hangs on a vellum above.

Artist: Hans Leonard Schaufelein, German, 1480-1538, TorchdancePartners, ca.1535, Woodcut, sheet: 28 × 23.7 cm (11 × 9 5/16in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Persons of the Austrian Netherlands and France; Title page for: Halma, François. The Groot Fransch and Nederduitsch Dictionary (...) 1761. In the middle is the personification of the Austrian Netherlands with a wall wreath and a liberty staff with hat. She holds a swamped book with the shortened title. At her feet is a lion with a arrows bundle. Left behind her plays a woman a harp and writes another woman in a book. On the other side of the open book is the personification of France with a crown, a scepter and a rooster at her feet. Behind them Mercury flies with his caduceus, an envelope and a key.

Justice 1636 Abraham Bosse French. Justice 386161

Quoy, Lover Transi, you're using a sleeve! .... ()

October, 1652 - 1711 print paper etching / engraving the twelve months (especially personifications); 'Mese in generale' (Ripa). October; 'Ottobre' (Ripa). fruits: pear

St. Barbara. Artist: Lucas Cranach the Elder (German, Kronach 1472-1553 Weimar). Dimensions: Sheet: 8 9/16 × 5 1/16 in. (21.7 × 12.8 cm). Museum: Metropolitan Museum of Art, New York, USA.

Earth element as a child with bowl with fruit and vegetables for corn field in oval; Terra; Four elements.

LITOGRAFIA-ISIDORO MAIQUEZ EN EL PAPEL OTELO. Author: JOSE RIBELLES (1778-1835). Location: MUSEO DEL ROMANTICISMO-GRABADOS. MADRID. SPAIN.

Sophonisba. Sophonisba, a noble woman from Carthago, is sitting at a table. In her hand the poison cup with which she will commit suicide. She decides to hit himself because they do not want to be imprisoned by the Romans.

Lady world and the personalized soul who is trying a rich apple, Jan Luyken, 1714 print Amsterdam paper etching 'Frau Welt'. the soul

. On a bordes for a castle is an elegantly dressed couple in French fashion of approx. 1620. There is a pumpkin plant with a pumpkin for them. The print is part of a series of six prints about costumes in Europe.

Jacques Callot, The Young Jesus The Young Jesus

Face, Willem van de Passe, after Crispijn van de Passe (I), 1607 - 1637 print The personification of the face. She is accompanied by a man who points to the mirror that Amor stops. In the foreground a cat that follows a mouse. In the margin a four -line caption, in two columns, in Latin. unknown paper engraving sight, looking (one of the five senses). fettered Cupid, 'Amor Cruciatus'. cat and mouse

Hearing (audit), a woman with a string instrument, Hendrick Hondius (Rejected Attribution), 1583 - 1650 print An elegant lady, sitting at a table in front of an open window, plays a string instrument. Bottom left the head of a deer. Personification of hearing, prints from a series of the five senses. The Hague paper engraving hearing, listening (one of the five senses)

Netherlands in Antique Prachts.

Lady and Lord at a tree, Jacques Callot, 1621 print A lady and a gentleman, seen on the back, standing in a landscape next to a tree. A city or village in the background. This print is part of a series of 48 prints (50 incl. Title page and dicing sheet) with various topics (including men and women in different postures, landscapes, buildings and festivities in Florence). These prints may have been intended as drawing examples. Nancy paper etching walking, hiking (recreation). couple of lovers. prospect of village, silhouette of village

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