Figurative Etchings

Intricate etchings capturing human figures in various domestic and social settings, displaying movement and emotion in monochrome tones.

Girl sitting, seen from behind, print maker: Gerard Jan Bos, (mentioned on object), Antwerp, 1883, paper, etching, h 265 mm × w 200 mm

The Master-Smith Made 1907 Sweden. Etching on ivory laid paper . Anders Zorn

Sitting woman. Sitting woman on a chair to the left.

Le foyer , Alphonse Legros (1837-1911)

Woman with children, print maker: Charles Emile Jacque, (attributed to), France, 1823 - 1894, paper, etching, h 51 mm - w 37 mm

James McNeill Whistler, Reading in Bed, 1858 Reading in Bed

This is that reading Jose/Now thats reading; BOARD BOARD No. 29 FROM: LOS CAPRICHOS CAPRICES, ed. II, Madrid CA. 1855 Goya, Francisco de (1746 1828)

Portrait of actress Yvette Guilbert bending for the public; Yvette Guilbert Saluant Le Public; Yvette Guilbert: Série Anglaise. Portrait of actress Yvette Guilbert seen from behind while she bends to the audience on the stage of a theater.

The Return of Tibullus to Delia, Study for Delia, 1853 Dante Gabriel Rossetti (d.1882), 19th Century, Pencil, Sketch, Female, Seated

Girl sitting, seen from behind, print maker: Gerard Jan Bos, (mentioned on object), Antwerp, 1883, paper, etching, h 265 mm × w 200 mm

Lot and his daughters, Anonymous, After J. van der Werff, 1600 - 1699 drawing paper. chalk brush Lot's daughters make their father drunk

Company around De Haard, Cornelis Pietersz. Bega, 1642 - 1664 print paper etching open fire, fire-place, stove (in kitchen)

Sientje Mesdag -van Houten Reading at the table, Barbara Elisabeth van Houten, 1877 - 1950 print A chandelier hangs above the table, a lamp of which burns. On the right a curtain. paper etching reading. chandelier, candelabrum

Berit , Nudes, Sitting

Woman on Divan, Pieter Willem van Baarsel, 1928 print Sitting woman on a couch based on her elbow, with a letter in her other hand. paper. printing ink etching / drypoint

Woman removes water from a well, next to her a sitting child, Louis -Adolphe Hervier (attributed to), 1828 - 1879 print paper etching adult woman. well

Courtyard in Scutari, Marius Bauer, 1888 print A courtyard in Scutari, the Greek name for the current üsküdar in Turkey, with people in Eastern clothing. paper etching courtyard Scutari

Les acteurs de Grand Chemin , Actors, Alphonse Legros (1837-1911)

Reading girl (and profil), Willem de Zwart, c. 1886 print paper etching / drypoint reading. girl (child between toddler and youth)

The Little Cobbler, 19th-20th century, Auguste Brouet, French, 1872-1941, 4 3/16 x 4 in. (10.64 x 10.16 cm) (plate)4 7/8 x 4 1/4 in. (12.38 x 10.8 cm) (sheet), Etching, drypoint and plate tone, France, 19th-20th century

Study for the Virgin Annunciate. Camillo Boccaccino; Italian, 1504/1505-1546. Date: 1529-1530. Dimensions: 270 x 114 mm. Brush and brown and gray wash, heightened with lead white, on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA. Author: Camillo Boccaccino.

La Mort et le philosophe , Death, Skeletons, Philosophers, Alphonse Legros (1837-1911)

Jacob's Ladder, Rembrandt van Rijn, 1655 print paper etching / drypoint the dream of Jacob: while sleeping on the ground with a stone for pillow Jacob sees a ladder reaching from earth to heaven with angels going up and down; usually with God at the top of the ladder

Finette 1859 United States. Etching and drypoint in black ink on ivory laid paper . James McNeill Whistler

Still life with fruit and preservation bottle, Willem Adrianus Grondhout, 1888 - 1934 print paper etching foodstuffs; still life of foodstuffs

Coal drawing by August Xaver Karl von Pettenkofen depicting a medical or surgical operation, highlighted with white, 19th century.

St Jerome Reading in his Study, draughtsman: Willem Drost, (attributed to), draughtsman: Rembrandt van Rijn, (possibly), Amsterdam, c. 1650 - c. 1655, paper, pen, brush, h 147 mm × w 167 mm

The Visitor. Artist: Mary Cassatt (American, Pittsburgh, Pennsylvania 1844-1926 Le Mesnil-Théribus, Oise). Dimensions: plate: 15 5/8 x 12 1/8 in. (39.7 x 30.8 cm)sheet: 20 1/2 x 15 3/4 in. (52.1 x 40 cm). Date: ca. 1881. Museum: Metropolitan Museum of Art, New York, USA.

Amsterdam, Scheltema & Holkema's Boekhandel, Tresling & Comp., Netherlands, Bauer, Marius, The spirit of Sultan Soliman, Cartoon on the disintegration of the Turkish empire, in response to the uprising on Crete against the Turks in 1896. Sultan Süleyman the Magnificent, standing with his hand over his eyes, asks Allah what went wrong. In the background the city of Istanbul. Published in the supplement of 'De Kroniek' of February 28, 1897., print, prent, cartoon, prints, prenten, height 406 mm, width 305 mm, Dutch, 1867-01-25 - 1932-07-18, print maker, printmaker, 1897-02-28 - 1897-02-28, fourth quarter 19th century, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, publisher

Odilon Redon (French, 1867-1939), Et le diable qui les seduisait, fut jete dans l'etang de feu et de soufre, ou es la b ete et le faux prophete (And the devil thatdeceived them was cast into the lake of fire and brimstone, where the beast and the false prophet are), 1899, lithograph

The Chimera Gazed at all Things with Fear, from Night Made 1886 France. Lithograph in black on ivory China paper collÈ, laid down on white wove paper . Odilon Redon

Saint Philip early 16th century Parmigianino (Girolamo Francesco Maria Mazzola) Italian. Saint Philip 391604

Albert Besnard, Frontispiece for L'Affaire Clémenceau, 1905 Frontispiece for L'Affaire Clémenceau

Rembrandt van Rijn (Dutch, 1606-1669), The Spanish Gypsy "Preciosa", c. 1642, etching

Cul-de-jatte. Le vieux pauvre.. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Seated Arabian, c. 1860-62. Mariano Fortuny (Spanish, 1838-1874). Etching;

Hilaire-Germain-Edgar Degas, Les blanchisseusesle repassage (The LaundressesIroning), c. 1879-80, etching and aquatint in black on wove paper.

Le Nys, Amsterdam. Louis Auguste Lepère; French, 1849-1918. Date: 1901. Dimensions: 185 × 147 mm (image/plate); 261 × 200 mm (sheet). Drypoint on cream laid Japanese paper with two deckled edges. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

He Will Not Laugh ("Y el no se rie"). Artist: Leonardo Alenza y Nieto (Spanish, Madrid 1807-1845 Madrid). Dimensions: 7-1/4 x 5-1/4 in. (18.4 x 13.3 cm). Date: 1807-45. Museum: Metropolitan Museum of Art, New York, USA.

Spleen et Idéal. Dated: c. 1876. Dimensions: plate: 16.2 x 8.8 cm (6 3/8 x 3 7/16 in.) sheet: 31.4 x 22.9 cm (12 3/8 x 9 in.). Medium: etching, drypoint, and foul bite in black on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

Two Dancers in a Rehearsal Room. Artist: Edgar Degas (French, Paris 1834-1917 Paris). Dimensions: sheet: 9 7/16 x 8 1/16 in. (24 x 20.5 cm)plate: 6 1/8 x 4 5/8 in. (15.6 x 11.7 cm). Date: 1877-78. Museum: Metropolitan Museum of Art, New York, USA.

Monks in an interior; folio 33 from the Images of Spain Album 'F'. Artist: Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746-1828 Bordeaux). Dimensions: Sheet: 8-1/16 x 5- 5/8 in. (20.5 x 14.3cm). Date: ca. 1812-20. Museum: Metropolitan Museum of Art, New York, USA.

Alphonse Legros, Philospher (Le philosophe) Philospher (Le philosophe)

De rattengifverkoper: alleen de kop.Mirror-image copy to the Print of the same name from Rembrandt.

Lear with Cordelia dead in his arms, Act V, Scene iii, KingLear. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

James McNeill Whistler, The Dog on the Kennel The Dog on the Kennel

Anders Zorn, Albert Besnard and His Model, 1896 Albert Besnard and His Model

Saint Pierre et Saint Paul à la porte de M. Richard , Saints, Paul, the Apostle, Saint, Peter, the Apostle, Saint, Alphonse Legros (1837-1911)

The Woman at the Well, 1698

Rhine, Rembrandt van, The game of kolf, verso lower left, print, prints, Rembrandt f. 1654, lower left, height 94 mm, width 143 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1654 - 1654, third quarter 17th century, Oriental paper, etching, etchings, plate tone, Work conception, after own design by

Paul Valéry, Seated Man in an Interior, Leaning on a Table, etching and aquatint on wove paper.

Sitting old woman with strict onions on the wall, William James Smith, after Rembrandt van Rijn, 1824 print London Japanese paper etching old woman. (non-fruit) products of plants or trees: onion

The Little Forge (The Little Forge, Liverpool) 1875 James McNeill Whistler American. The Little Forge (The Little Forge, Liverpool). James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). 1875. Drypoint, printed in black ink on ivory laid paper removed from a book; seventh state of sixteen (Glasgow). Prints

Gate in an Ottoman city, Marius Bauer, 1889 print Two men in Eastern clothing walking for a gate. paper etching gate, entrance Ottoman Empire

Francisco de Goya (1746-1828), a gift for the Master, 1797-1798

Netherlands, Steelink, Willem (II), Huön and Almansaris, verso - stamped, The knight Huön finds Almansaris lying on a couch. After a scene from Oberon by Christoph Martin Wieland. At the bottom left in the margin the sprig of a thistle., print, prent, prints, prenten, height 175 mm, width 229 mm, 1856-07-16 - 1928-11-27, print maker, prentmaker, 1888 - 1888, paper, papier, chine collé, etching, etsen

Women at a Table in a Room (recto) / Nude Woman (verso). Dated: 1920. Dimensions: image: 25 x 31.2 cm (9 13/16 x 12 5/16 in.) sheet: 36.7 x 56 cm (14 7/16 x 22 1/16 in.). Medium: etching and drypoint with surface etching (recto) / graphite drawing (verso). Museum: National Gallery of Art, Washington DC. Author: ERNST LUDWIG KIRCHNER.

A stately Raven of the saintly days of yore flies in through an open window. Date: First publsihed: 1845

The Sleeping Herdsman ca. 1644 Rembrandt (Rembrandt van Rijn) Dutch. The Sleeping Herdsman 391761

The Hague, Nijhoff, Martinus, Arnhem, Thieme, Dirk Anthonie, Netherlands, Spanier & Zn, widow Elias, Schmidt Crans, Johan Michaël, Cartoon about the First Aceh Expedition, 1873, Cartoon about the failure of the First Aceh Expedition. Plate published in the weekly De Nederlandsche Spectator, no. 18, 1873., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, height 275 mm, width 215 mm, Dutch, 1830-04-30 - 1907-11-14, print maker, printmaker, 1873 - 1873, paper, papier, lithografie (techniek), printer, drukker, Publication (Event), Publicatie, 1830 - 1879, publisher, uitgever, 1826-12-26 - 1894-09-24

His Excellency is Not at Home ("No recibe in Excel.ª"). Artist: Leonardo Alenza y Nieto (Spanish, Madrid 1807-1845 Madrid). Dimensions: 7-1/8 x 5-1/8 in. (18.1 x 13.0 cm). Date: 1807-45. Museum: Metropolitan Museum of Art, New York, USA.

The Music Room. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 5 11/16 x 8 1/2 in. (14.4 x 21.6 cm)Sheet: 9 13/16 × 15 1/4 in. (25 × 38.7 cm). Date: 1859. Museum: Metropolitan Museum of Art, New York, USA.

Poppentheater, Vladimir Silovsky, 1901 - 1922 print Vienna paper puppet and marionette show

Pontus Fürstenberg and his wife (standing near Hasselberg's 'Frog') , Spouses, Sculpture, Art collectors, Merchants, Fürstenberg, Pontus, 1827-1902

Interior with sleeping woman in chair and woman, Édouard Vuillard, 1893 print A woman is sleeping in a chair with a pillow behind her back. The French title of the print suggests that she does an afternoon nap or recovers from illness. The other woman in the departure is cautiously bending over to look at her. France paper sleeping; unconsciousness. female sex; woman

Los Caprichos. Plate 32. Por que fue sensible (Because she was susceptible). prints, aquatints, works on paper

Paysanne des environs de Boulongne, dite 'La femme au panier.' , Peasants, Baskets, Alphonse Legros (1837-1911)

Prete-moi vingt francs,Guillemain…. Artist: Paul Gavarni, French, 1804-1866

Fleaping monkey with revolver; Entr'Acte; Sims resting hour. A monkey with a belt around his agent is steaming. There is a revolver next to him. On the wall behind it the shadow of bars.

Libische Sibille, Raffaello Schiambinossi, 1609 print The Libyan Sibille standing with a sheet of paper in hand. On the right a glimpse to a landscape. Title in the lower margin and numbered bottom left: 2. Italy paper etching sibyls

Jean Louis Forain, Dancer Tying Her Slipper, c 1891 Dancer Tying Her Slipper

Albert Besnard, After the Visit (Après sa visite), 1900 After the Visit (Après sa visite)

Juive d'Alger. Eugène Delacroix (France, Charenton-Saint-Maurice, 1798-1863). France, 1833. Prints; etchings. Etching

Jean Louis Forain, The Return of the Prodigal Son (third plate), 1909 The Return of the Prodigal Son (third plate)

Finale of the Flying Dutchman, second plate. Henri Fantin-Latour; French, 1836-1904. Date: 1885. Dimensions: 418 × 305 mm (image); 627 × 450 mm (sheet). Lithograph in black on off-white China paper laid down on off-white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Les poetes de mon temps mont couronnee de roses…. Artist: Paul Gavarni, French, 1804-1866

Etchings of Venice: St. Marks, 19th century. Otto H. Bacher (American, 1856-1909). Etching;

Rembrandt van Rijn, The Golf Player, 1654 The Golf Player

Ottoman women on a staircase, Marius Bauer, 1889 print Two women walk down a staircase in succession. paper etching flight of steps Ottoman Empire

La blanche Caroline. Buhot, Félix Hilaire (1847-1898)., 1874 - 1879., Etching and drypoint; state noted with standard reference number

The Eclipse Made 1869 France. Etching in brown on cream wove paper . Félix Henri Bracquemond

The Flight Into Egypt: A Night Piece, Rembrandt van Rijn, 1651 print paper etching / drypoint the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

Olandine , Nudes, Beds, Bedsheets

Scene from play Cssepoester, Charles Rochussen, 1865 - 1868 print In the foreground, Cinderella is in a dark room. At her feet lie wood blocks, a shovel and broom. In the background, Cinderella is crowned by the prince. On the left is a servant with a pillow on which the lost shoe from Cinderella stands. The prince and his wife are hailing on the right. print maker: Netherlandsprinter: Amsterdam paper tales and fairy tales (with TITLE). theatre, theatrical performance Stadsschouwburg

Woman at a Door Hatch Talking to a Man and Children (The Schoolmaster). Dated: 1641. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Rembrandt Harmensz van Rijn.

An old woman sits crouched with her foot on a tin. Etching. Ri.

Albert Besnard, Going to Bed (Le coucher), 1913 Going to Bed (Le coucher)

Artist in his studio, Jacobus Ludovicus Cornet, 1825 - 1882 print paper etching artist at work, in his workshop

Three Veiled Women (Trois femmes voilées). Dated: 1899. Dimensions: plate: 27 x 20.2 cm (10 5/8 x 7 15/16 in.) sheet: 32.7 x 25.5 cm (12 7/8 x 10 1/16 in.). Medium: etching in black on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: Albert Besnard.

Little Arthur. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 2 5/16 x 1 15/16 in. (5.9 x 4.9 cm)Sheet: 3 1/16 × 2 11/16 in. (7.8 × 6.9 cm). Series/Portfolio: French Set ("Douze eau-fortes d'apres Nature" 1858). Date: 1857-58. Museum: Metropolitan Museum of Art, New York, USA.

Le descañona /She fleeces him; board No. 28 from: Los Caprichos” Caprices, ed. II, Madrid ca. 1855 Goya, Francisco de (1746 1828)

Waiting girl. .

I Have Sometimes Seen in the Sky What Seemed Like Forms of Spirits, plate 21 of 24. Odilon Redon; French, 1840-1916. Date: 1896. Dimensions: 270 × 205 mm (image); 373 × 274 mm (sheet). Lithograph in black on light gray loose chine. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

L'Aile impuissante n'eleva point la bete en ces noirs espaces (The impotent wing did not lift the animal into that black space. Dated: 1883. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Odilon Redon.

1893 Art Work - Rehearsal at the Folies-Bergère, Emilenne DAlençon and Mariquita - Henri de Toulouse-Lautrec.

Mary Cassatt looks at paintings in the Louvre; Au Louvre, La Peinture. Two women like visitors in a museum room with paintings by the Louvre in Paris. The standing elegant women's figure with the hat and umbrella, seen on the back, can be identified as Mary Cassatt. The seated woman consults a booklet and looks at the paintings. Striking is the cut-out of the presentation with links part of the door post, as if the viewer looks into the room around the corner.

Mme Armand Dayot Made 1890 Sweden. Etching on ivory laid paper . Anders Zorn

Polin, from Treize Lithographies 1898 France. Lithograph on ivory laid paper . Henri de Toulouse-Lautrec

Francisco de Goya y Lucientes, What madness!, 1810-1820, etching and aquatint.

A bad night; Mala noche; Los Caprichos. Two women, prostitutes, are outside in a storm. Thirty-sixth print from the Los Caprichos series.

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