Figurative Etchings and Lithographs

This collection features expressive figurative works showcasing human forms in dynamic poses, utilizing a muted color palette and various printmaking techniques.

La messagere du diable (The devil's messenger), 1880, Paris, by Félicien Rops.

The Little Forge, Liverpool. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1875. Prints. Drypoint reworked with pen and brown ink

La messagere du diable (The devil's messenger), 1880, Paris, by Félicien Rops.

The Bath, 1905. Charles Hasslewood Shannon (British, 1863-1937). Lithograph;

Jupiter and Antiope, Rembrandt van Rijn, c. 1631 print paper etching Jupiter, disguised as a satyr, approaches the sleeping Antiope; the eagle may be standing nearby

Odilon Redon, Cain and Abel, 1886 Cain and Abel

Fountain with Satyr and Putto (recto); Punchinello (verso) 1700-1799 Italy. Pen and brown ink, over graphite (recto), and graphite (verso), on ivory laid paper .

Study for a Lunette. Dated: 1890/1897. Dimensions: sheet: 11.6 × 18.9 cm (4 9/16 × 7 7/16 in.). Medium: graphite on tan wove paper. Museum: National Gallery of Art, Washington DC. Author: Charles Sprague Pearce.

Study for ceiling painting with a sacrificed boy.

Vision, 1895. Henri Fantin-Latour (French, 1836-1904). Lithograph;

John Flaxman, Comfort the Afflicted, c 1790 Comfort the Afflicted

A 1920 hand-colored lithograph by Rudolf Grossmann depicting a boxer, illustrating early 20th-century athletic portraiture and printmaking.

Lovis Corinth, The Embrace (The Kiss), 1921 The Embrace (The Kiss)

Howard Visiting a Prison, George Romney, 1734-1802, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 x 7 1/4 inches (12.7 x 18.4 cm), bodies, correctional institution, dark, historical subject, prison, sublime

Sphinx with lifeless man. A sphinx, with women's head, wings and tail, holds a naked man with her hands around his neck.

Prometheus chained. Prometheus is closed to a rock and an eagle pockets its liver. Prometheus received this sentence of Jupiter because he stole the gods and gave it to the people.

The mythology scene: Agawe Agaue in a bacon frenzy tears his son Penteusz. Hensel, Wilhelm (1794 1861)

Three Young Witches, George Romney, 1734-1802, British, undated, Brown wash over graphite on medium, slightly textured, cream laid paper, Sheet: 13 5/8 x 17 1/2 inches (34.6 x 44.5 cm), figure study, genre subject, nudes, witches, women

George Romney, 1734-1802, British, Howard Visiting a Prison, undated. Graphite on medium, slightly textured, cream wove paper.

Naked woman with her hands in her, Leo Gestel, 1891 - 1941 drawing chalk female sex; woman (+ nude human being)

Lying feminine nude. Leaf 16 Recto from sketchbook XII with 19 sheets.

Arthur B Davies, Torment, 1919 1920 (published 1929) Torment

Study of a lying female nude.

Prince Hoare, 1755-1834, British, Prometheus, undated. Black chalk on thin, smooth, cream laid paper.

Study for a door top of the Lannoy Hotel Wealth Fair: Midi

A Belioz (grande planche) , Composers, Supernatural beings, Trumpets, Berlioz, Hector, 1803-1869. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Etching and copper engraving by Matthys Pool from 1690-1732 depicting the mythological scene of Venus and Adonis, showing figures, interaction, and setting.

The Lovers. Jean François Millet; French, 1814-1875. Date: 1846-1850. Dimensions: 352 × 223 mm. Black crayon, on buff wove paper with blue fibers. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Jean Francois Millet.

Henri Fantin-Latour (French, 1836 - 1904). La Damnation de Faust; Apparition de Maguerite, 1888. Lithograph.

Woman Bathing her Feet at a Brook 1658 Holland. Etching on buff paper . Rembrandt van Rijn

'Death the Wooer', c1895, (1923). Artist: Alphonse Legros.

A brown pen drawing by Rudolf Weyr depicting a figural representation, showing human posture, anatomy, and drapery in detail.

Simson und Delila. Liebermann, Max (1847-1935), graphic artist

Rosa, Salvator, work, Five river gods, (1000 - 2000), technique text: line etching, graphics, plate width 21.1 cm, plate height 9.4 cm

Ernst Ludwig Kirchner, Acrobat on a Horse (Voltigeuse zu Pferd), 1913 Acrobat on a Horse (Voltigeuse zu Pferd)

Pencil drawing by Hans Makart on yellowish tracing paper around 1871 depicting a female nude and a putto, based on the painting 'Nymph and Faun on the hunt', showing figures, posture, and composition.

Plate from l'Assommoir (woman lying on floor) 1878 France. Drypoint and plate tone on ivory laid paper . Gaston La Touche

Hercules and the Nemean Lion, c. 1898. Henri-Arthur Lefort des Ylouses (French, 1846-1912). Gypsograph; sheet: 59.8 x 26.2 cm (23 9/16 x 10 5/16 in.); image: 59.6 x 25.7 cm (23 7/16 x 10 1/8 in.). Lefort des Ylouses used a combination of techniques to achieve the rich surface and variety of textures seen in Hercules and the Nemean Lion. Some lines, including outlines of forms, were bitten very deeply on the plate so that when printed, the paper was embossed for a three-dimensional, sculptural effect. The pattern on the rock beneath Herculess feet was obtained by putting a roughly textured paper on top of the etching ground and running the plate through the press, while the fine parallel lines in the sky are engraved. After the plate was inked, the artist carefully wiped its surface, leaving some areas dark brown and others pale beige. The Nemean lion was a vicious monster in Greek mythology. It survived because its golden fur was impervious to attack and its claws were exceedingly sh

After the Bath III, 1891-92. Edgar Degas (French, 1834-1917). Lithograph; image: 24.9 x 23 cm (9 13/16 x 9 1/16 in.); sheet: 37.3 x 30.9 cm (14 11/16 x 12 3/16 in.).

Study of several characters (p.54 from the album). Jean-Baptiste Carpeaux (1827-1875). Study of several characters (p.54 from the album). Drawing between 1870 and 1875.

Hymen; Mehoffer, Józef (1869-1946); 1913 (1913-00-00-1913-00-00);Hymen (mitol.), Young Poland (Styl), PartaGe Plus, Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, balls, gift (provenance), Polish graphics, Poland (culture), symbolic scenes, symbolism (style), courtship (iconogr.)

Nine fantastic female figures, Johannes Josephus Aarts, 1897 print Bottom left a woman with wings, to the right of the middle a gorgin, a woman with snakes instead of her. Above the middle a woman on a throne. Japanese paper (handmade paper) Gorgons. woman (showing herself) undressed, quasi-nude. fabulous beings with wings

Attributed to Auguste Rodin, Studies of Nude Dancers, French, 1840-1917, c. 1900-1905, graphite and watercolor

La damnation de Faust, apparition de Marguerite. Dimensions: 32.3 cm x 25.2 cm, 23.3 cm x 15.6 cm. Museum: Van Gogh Museum, Amsterdam. Author: HENRI FANTIN-LATOUR.

Print, Two Boys, ca. 1769-1770; Print Maker: Francesco Bartolozzi (Italian, 1727-1815); After Giovanni Francesco Barbieri (called Guercino) (Italian, 1591 - 1666); Italy; engraving in brown ink on beige paper; 30 × 22.1 cm (11 13/16 × 8 11/16 in.); Bequest of George Campbell Cooper; 1896-3-251

Henri Fantin-Latour (French, 1836 - 1904). Truth (La Verité), 1900. Lithograph on China paper. Second state.

Nuit de printemps , Poets, Hugging, Schumann, Robert, 1810-1856. Liederkreis, op. 39. Frühlingsnacht. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

An Idyll, 1905. Charles Hasslewood Shannon (British, 1863-1937). Color lithograph;

Co-drinking, study according to the image of Paul Cezanne; Pankiewicz, Józef (1866-1940), Cézanne, Paul (1839-1906); 1910 (1910-00-00-1910-00-00-00 ); Was downloaded from the Muse of the National Museum in Warsaw; drawing / crayon, drawing / pen, drawing / ink; products from Wzkien / Paper; height 21 cm, width 25.9 cm; Fig. Pol944 MNW; all; rights reserved.Young Poland (Styl), Partage Plus, Waydel-Dmochowska, Jadwiga (1893-1962), Waydel-Dmochowska, Jadwiga (1893-1962)-collection, acts, male acts, French (culture), copies (imitation), bath, bath, Poland (culture), Polish drawings, paintings, purchase (provenance)

Fortuna en Amor, Bartolommeo Coriolano, After Guido Reni, c. 1609 - 1676 print Fortuna as a naked woman, standing on a big sphere. She holds an empty coat of arms in her vast hand. Next to her is Amor, with his bow in her hand and looking up to the weapon. paper Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Aurea fortune', 'Good luck', 'peaceful luck overo Clemente', 'fate' (Ripa). (Story of) Cupid, Amor (Eros)

Fight between Tritons with Nereids on their backs, Andrea Mantegna, 1473 - 1477 print Italy paper engraving triton(s). Nereids, daughters of Nereus; sea-nymphs. non-combatants on the battle-scene

Studies for the Cadaver of Acron ca. 1810-12 Jean Auguste Dominique Ingres French. Studies for the Cadaver of Acron 337343

A pencil, brush, and watercolor drawing by Auguste Rodin depicting two female figures in a comprehensive study, positioned to the right, circa 1900.

La comtesse se peigne (Esmérée). Dimensions: 45.9 cm x 31.1 cm, 33.1 cm x 20 cm. Museum: Van Gogh Museum, Amsterdam. Author: EMILE BERNARD.

Jules Pascin drew a harem scene using ink pen, surrounded on all sides.

Casts from Antique Sculpture: The Parthenon, proof. Dated: 1892. Dimensions: image (irregular): 11.43 × 10.48 cm (4 1/2 × 4 1/8 in.) sheet: 24.13 × 15.24 cm (9 1/2 × 6 in.). Medium: offset lithograph in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: James Henry Moser.

Allegory of June; Thoma, Hans (1839-1924); 1880-1900 (1880-00-00-1900-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, allegories, June (allegories), illustrations, calendars, months (allegories), young men, landscapes, riverside landscapes, seasons (personification), projects, projects of illustration

Eva, Heinrich Aldegrever, after Albrecht Dürer, 1512 - 1560 print Eva in paradise, naked and standing by the tree that contains the snake, the forbidden fruit in her left hand. Behind her a big deer. Together with a print with Adam, forms a representation of the fall. Germany paper engraving Eve (alone) holding the fruit

Nine studies of a lying female nude, Thomas Simon Cool, 1841 - 1870 drawing paper. chalk

ARTE S. XVIII. ESPAÑA. GOYA, Francisco (Fuendetodos, 1746-Burdeos, 1828). Pintor y grabador español. "QUIEN LO CREYERA! ". Aguafuerte que perteneece a la colección de 84 grabados titulada "CAPRICHOS" de temática satírico-fantasmagórica, editados en el año 1799. Reproducción de M. Seguí i Riera.

A Young Man Seated, Bent over a Reclining Figure. Artist: Jean-François Millet (French, Gruchy 1814-1875 Barbizon). Dimensions: sheet: 7 3/8 x 10 3/16 in. (18.8 x 25.9 cm) (trimmed at top to form an arch). Date: ca. 1845-50. Museum: Metropolitan Museum of Art, New York, USA.

Drawing by Hans Makart showing a deceased mother with crying children, executed in black feder and gray lavated on paper.

Two children playing with a lamb, Anton Maria I Zanetti, 1725 print Two children, possibly Christ and John the Baptist, playing with a lamb. Italy paper Christ-child together with others. John the Baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff. lamb

Jean Louis Forain, Christ Stripped of His Clothes, 1909 Christ Stripped of His Clothes

Allegory of the winter.

Giulio Romano's drawing depicts the head of Venus held by Adonis, a cardboard fragment for the Villa Palatina frescoes in the Bibbiena cardinal's bathroom, created in black chalk with repeated interventions around 1516-1517.

Woman After Her Bath, Degas, Edgar, 1903.

Prison Scene, George Romney, 1734-1802, British, undated, Brown wash and graphite with pen and brown ink on medium, moderately textured, cream laid paper, Sheet: 11 1/8 x 18 1/4 inches (28.3 x 46.4 cm), baby, children, correctional institution, figure study, genre subject, men, nudes, prison, women

Henri Fantin-Latour, Sieglinde and Siegmund from Act I of "The Valkyrie", French, 1836-1904, lithograph

Vénus et l'Amour (petite planche) , Goddesses, Gods, Venus Roman deity, Cupid Roman deity. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Two Women Bathing 1890-1900 France. Etching on tan wove paper . Pierre-Auguste Renoir

Sheet of studies for "Ex Libris Victor Graf von Rex". Artist: Otto Greiner (German, Leipzig 1869-1916 Munich). Dimensions: sheet: 12 15/16 x 17 13/16 in. (32.9 x 45.3 cm). Date: 1900. Museum: Metropolitan Museum of Art, New York, USA.

In the garden from the portfolio: Xięga idolatry SCHULZ, Bruno (1892 1942)

Studies of a lying girl. Draughtsman: Jozef Israëls. Dating: 1834 - 1911. Measurements: h 208 mm × w 310 mm. Museum: Rijksmuseum, Amsterdam.

Naked man, half extended (MCB 80) Pierre Puvis de Chavannes (1824-1898). Naked man, half extended (MCB 80). Charcoal on paper put to the tile glued right on cardboard.

Print, Sampson and Delilah; Max Liebermann (German, 1847 - 1935); printed black ink on paper; Platemark: 21.5 x 28.4 cm (8 7/16 x 11 3/16 in.) 30.5 x 46 cm (12 in. x 18 1/8 in.)

The First Book of Urizen, Plate 5 (Bentley 12), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm) and Plate: 6 1/8 x 4 inches (15.6 x 10.2 cm), beard, literary theme, men, nudes, water

Drawing, Philactetes Applies the Torch of Hercules to the Funeral Pyre; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash on light blue laid paper; 17.5 x 20.8 cm (6 7/8 x 8 3/16 in.)

Otio en Poverta, Anonymous, after Pietro Testa, c. 1650 - c. 1750 print On the left a naked woman (otio), lying against pig. On the right a sitting naked man (Poverta). Italy paper etching the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure. pig

Arthur B. Davies, Nocturne, American, 1862 - 1928, 1918-1919, softground etching in black on green wove paper

Baigneuses (moyenne planche) , Bathing, Nudes. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Bliżej Kultury Hanfstaengl, Fr.

Nude Man Seated on the Ground with One Leg Extended 1646 Holland. Etching on ivory laid paper . Rembrandt van Rijn

Woman Washing--The Toilet, plate five from Elles. Henri de Toulouse-Lautrec (French, 1864-1901); published by Gustave Pellet (French, 1859-1919); probably printed by Auguste Clot (French, 1858-1936). Date: 1896. Dimensions: 525 × 405 mm. Color lithograph on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Le beau Narcisse. Honoré Daumier (France, Marseilles, 1808-1879). France, 1842. Prints; lithographs. Lithograph

Design for a monument; verso: Architectural sketches. Artist: Pieter Verbruggen the Younger (Flemish, Antwerp 1648-1691 Antwerp). Dimensions: sheet: 6 7/16 x 6 7/16 in. (16.4 x 16.3 cm). Former Attribution: Formerly attributed to Anonymous, Flemish, 17th century; Formerly attributed to Michiel van der Voort (Flemish, 1667-1737) (). Date: late 17th-early 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Roma Subiaco Monastery of S. Scolastica Archaeological Museum0. Hutzel, Max 1960-1990 Antiquities: Views of antiquities in museum, including sarcophagi, plates, vases, coins. General Notes: Hutzel guide says we have negatives, but we cannot find them. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

A pencil drawing by Peter Fendi depicting a mother with children on a sheet from the Liechtensteinalbum, showing family interaction and human figures.

Copper engraving by Claude Mellan from 1647 depicting Adam and Eve at the foot of the cross, showing biblical figures, the crucifixion, and surrounding landscape.

Two Nude Male Figures Struggling Together 1709-10 Nicolas de Largillierre (or Largillière) French. Two Nude Male Figures Struggling Together 337539

Leaving the Bath 1879-80 Edgar Degas French. Leaving the Bath 350283

Two naked women with skull and hourglass, Ludwig Krug, 1500 - 1532 print Germany paper engraving female sex; woman. hourglass

Depicts the figure Idris by Carl Anton Reichel, created in 1914 using etching and aquatint, showing figure composition, detail, and visual representation.

La Foire aux amours. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching

Triomphe de la Mort: La Mort chez une famille de marins , Death, Sailors, Grief, Alphonse Legros (1837-1911)

Luna. From the portfolio: The Work of E. Burne-Jones., 1872-1875, Great Britain, by Edward Burne-Jones, The Berlin Photographic Company.

Cupid and Anacreon. Date/Period: 1806. Width: 17.9 cm. Height: 19 cm (Complete). Author: Bertel Thorvaldsen.

Study for 'The Morning Glory', Elihu Vedder, American, 1836 - 1923, Pastel on green-brown wove paper, Recto: Female figure seated turned toward the right. Drapery swirls in the background, with the rays of sunlight rising beyond it. Verso: Nude torso of a young female figure, with arms raised above her head., USA, ca. 1899, figures, Drawing, Drawing

Study of women of a public house Constantin Ernest Adolphe Hyacinthe Guys (1802-1892), draftsman and French painter. Study of women from a public house. Faded pencil, gray wash.

Adam von Bartsch, Flying Angel, 1787, soft-ground etching in black on paper.

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