Figurative Portraits and Studies

A collection of etchings and sketches featuring figures in various poses, displaying emotion and character through line work and shading in monochrome tones.

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Figure study for Castle of the Maidens, from The Quest of the Holy Grail (a series of fifteen paintings for the Boston Public Library, completed in1901), Black and white chalks, Light brown laid, 62 × 46.5 cm (24 7/16 × 18 5/16in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Mr. Gardner Cassatt reading the paper.. Cassatt, Mary, 1844-1926. 1883. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Bibi Lalouette 1859 United States. Etching and drypoint with foul biting in black ink on ivory laid paper . James McNeill Whistler

Wife and a horse body, George Hendrik Breitner, 1884 - 1885 Page 6 Recto from a sketchbook with 9 sheets. The Hague paper. chalk adult woman. horse

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Figure study for Castle of the Maidens, from The Quest of the Holy Grail (a series of fifteen paintings for the Boston Public Library, completed in1901), Black and white chalks, Light brown laid, 62 × 46.5 cm (24 7/16 × 18 5/16in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Artist: Alphonse Legros, French, 1837-1911, Le Philosophe (ThePhilosopher), Drypoint, platemark: 14.8 × 9.8 cm (5 13/16 × 3 7/8 in.), French, 19thcentury, Works on Paper -Prints

Woman, seen on the back, Philip Zilcken, 1867 - 1890 print paper drypoint adult woman

Henri de Toulouse Lautrec, May Belfort Bowing (Miss May Belfort saluant), 1895 May Belfort Bowing (Miss May Belfort saluant)

The Model Resting (Draped Model). Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: image: 8 1/8 x 5 1/8 in. (20.7 x 13 cm)sheet: 13 1/8 x 7 7/8 in. (33.4 x 20 cm). Date: 1870. Museum: Metropolitan Museum of Art, New York, USA.

Pencil study by Jules Pascin of a woman seated at a window, from a 1900-1905 sketchbook.

Series of pencil studies by Ferdinand Georg Waldmüller between 1826 and 1829 depicting figures, landscapes, and objects for compositional exploration.

The Long Engagement - Compositional Sketch and Sketch of Clasped Hands / Study of a reclining Woman,1854-1859. Arthur Hughes (d.1915) .

Yvette Guilbert: Sur la scène, 1898. Henri de Toulouse-Lautrec (French, 1864-1901). Lithograph;

Fumette, Standing. James McNeill Whistler; American, 1834-1903. Date: 1859. Dimensions: 347 x 221 mm (image/plate); 383 x 241 mm (sheet). Drypoint with plate tone in warm black on cream Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Portrait of Saar Wouters, Pieter Willem van Baarsel, 1889 - 1944 print A woman dressed in a skirt with a letter sitting in her hand sitting on a couch. transparent paper etching letter, envelope. couch, sofa, settee. sitting figure - AA - female human figure

Lugné-Poe et Bady, dans Au-dessus des Forces Humaines , Actors, Actresses, Lugné-Poe, 1869-1940. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

James McNeill Whistler, The Draped Figure, Seated, 1893 The Draped Figure, Seated

The Singer ca. 1895 Edouard Vuillard During the early 1890s, Vuillard immersed himself in the world of Parisian theater and performance. Here, the artist captures Miss May Belfort, an Irish star of the café-concert, known for her distinctive childish dress with puffed sleeves and an oversized bonnet. Toulouse-Lautrec also immortalized the entertainer in numerous prints. Vuillard's energetic ink line vigorously conveys the singer's movement on stage.. The Singer. Edouard Vuillard (French, Cuiseaux 1868-1940 La Baule). ca. 1895. Pen and ink (recto); pen and brush and ink (verso). Drawings

Henri de Toulouse Lautrec, Bowing to the Audience (Saluant le public), 1898 Bowing to the Audience (Saluant le public)

En Visite. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching and drypoint

Florence Leyland. James McNeill Whistler; American, 1834-1903. Date: 1874. Dimensions: 203 x 148 mm (plate); 272 x 179 mm (sheet). Drypoint in black ink on cream Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Standing male model, Mariano José Maria Bernardo Fortuny Y Carbó, 1848 - 1874 print Rome paper etching artist's model, sitter. standing figure. (showing oneself) undressed, quasi-nude

Arrestation de Schlomé Fuss , Law enforcement, Jews. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

In the Hanneton 1898 France. Lithograph in black on ivory wove paper . Henri de Toulouse-Lautrec

Apollonius. Dated: 1896-1900. Dimensions: sheet: 24.45 × 28.89 cm (9 5/8 × 11 3/8 in.). Medium: brush and black ink on buff wove paper. Museum: National Gallery of Art, Washington DC. Author: Odilon Redon.

Truffier and Moreno, in Les Femmes Savantes Made 1893 France. Lithograph on cream wove paper . Henri de Toulouse-Lautrec

Portrait of Mrs. Ostrowski. Krzyżanowski, Konrad (1872-1922), draughtsman, cartoonist

Portrait of the singer Jeanne Bloch, Henri Gabriel Ibels, 1893 print Paris paper historical persons. portrait of actor, actress

Captive or Dejected Woman: Possibly Andromache. Drawing. Brown ink with graphite on medium, moderately textured, beige laid paper. Height: 518 mm (20.39 in); Width: 318 mm (12.51 in). Author: GEORGE ROMNEY.

Study for Armid Ary Renan (1858-1900). "Study for Armide". Paris, museum of romantic life.

Cléo de Mérode 1898 Henri de Toulouse-Lautrec French. Cléo de Mérode 334744

Diana, Viscountess Crosbie after 1779 England, after Sir Joshua Reynolds British. Diana, Viscountess Crosbie. England, after Sir Joshua Reynolds (British, 18th century). after 1779. Pen and brush and brown ink. Drawings

Mrs Cotton II Made 1901 Sweden. Etching on ivory laid paper . Anders Zorn

In the Hanneton. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1898. Dimensions: 352 × 266 mm (image); 475 × 355 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

A pencil sketch by Emerich Alexius Swoboda depicting a figure wearing a wide coat, emphasizing posture and garment detail.

F. R. Leyland's mother , Mothers, Sitting. James McNeill Whistler (1834-1903). Lithographs

A Parisian view of front Norbert Goenuette (1854-1894). A Parisian view of front. Dry tip.

Edelfelt, Albert, work, Sketch book, drawing, 22 cm x 30 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Man in Eastern clothing at a balustrade, 1874 - 1876 drawing Rotterdam paper. chalk. pencil Asiatic races and peoples. beard. balustrade

Dancer at Rest, c. 1895. Edgar Degas (French, 1834-1917). Charcoal; sheet: 42.5 x 32.9 cm (16 3/4 x 12 15/16 in.).

The Draped Figure, Seated James McNeill Whistler American Publisher André Marty French 1893

Schjerfbeck, Helene, work, Sketch book, ca. 1880-1882, drawing, 11.2 cm x 19.3 cm, Schjerfbeck, Helene, part: Sewing woman, marked: Paris - 1882, ca. 1880-1882, Helena Sofia Helene Schjerfbeck 1862 - 1946, Finnish modernist painter, known for her realist works, self-portraits, landscapes and still lifes, finland.

Drapery Study for Sainte Clotilde (middle register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858). Artist: Isidore Pils (French, Paris 1813/15-1875 Douarnenez). Dimensions: 18 7/16 x 11 15/16 in. (46.8 x 30.3 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Study of a naked woman, seen on the back, Emile Auguste Carolus -Duran, 1848 - 1917 drawing France paper. standing figure - AA - female human figure

The Relief Fund in Lancashire (for "Once a Week") July 26, 1862 After James McNeill Whistler American In 1862 Whistler designed four wood engravings for the London periodical "Once a Week." Many of his Pre-Raphaelite friends were illustrating poems and short stories at this moment and the decade proved to be the start of a new flowering of British illustration. Founded in 1859, "Once a Week" supported the movement and was known as a "journal of the younger men." Whister here responds to an article titled "The Relief Fund in Lancashire: A Commendation" with a related verse concerning th flight of the Lancashire weavers. This is a proof for a wood engraving published July 26, 1862.. The Relief Fund in Lancashire (for "Once a Week") 372888

EmmaRasmussen. Artist: Anders Zorn, Swedish, 1860-1920

II. Dans la Glu. Artist: Henri de Toulouse-Lautrec (French, Albi 1864-1901 Saint-André-du-Bois). Dimensions: 20-1/8 x 15-1/8 in. (51.1 x 38.4 cm). Series/Portfolio: Yvette Guilbert. Date: 1898. Museum: Metropolitan Museum of Art, New York, USA.

Writing woman and mill on the water ..

Woman Seated on a Chair, unknown artist, after Thomas Barker, 1769-1847, British, undated, Graphite on very thick, slightly textured, cream wove paper, Sheet: 9 × 6 1/2 inches (22.9 × 16.5 cm), chair, figure, figure study, genre subject, rustic, woman

Study of the Forearms and Hands of a Woman ca. 1665 Sir Peter Lely (Pieter van der Faes) Dutch, British. Study of the Forearms and Hands of a Woman 459387

Simone Wearing a Dark Floppy Hat, c. 1904. Mary Cassatt (American, 1844-1926). Drypoint;

The Piano. Dated: 1875. Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Girl leaning on a balustrade. Draughtsman: Jacob Maris. Dating: 1847 - 1899. Measurements: h 123 mm × w 74 mm. Museum: Rijksmuseum, Amsterdam.

Métella. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, 1870. Prints; etchings. Etching and drypoint

Standing young woman with folded hands, draughtsman: Domenichino, 1591 - 1641, paper, h 245 mm × w 163 mm

Anna Held , Singers, Held, Anna, 1877-1918. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Handicling girl, to the right, David Pièrre Giottino Humbert de Superville, 1780 - 1849 drawing paper. pencil (other forms of) needlework, e.g.: crocheting, knitting, embroidering

James McNeill Whistler, Study Maude Seated, 1878 Study: Maude Seated

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Study of back of a seated man in XV century costume, for a Shakespeareanscene., Pen and ink, Composition board, 28.7 × 14.3 cm (11 5/16 × 5 5/8in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Unidentified illustration for Oliver Goldsmiths The Deserted Village (London and New York: 1902). Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

The Fur Cloak. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Study of a naked woman, seen from the back, draughtsman: Emile Auguste Carolus-Duran, France, 1848 - 1917, paper, h 188 mm × w 105 mm

Lender in Chilpéric, Full Face. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1895. Dimensions: 373 × 267 mm (image); 551.5 × 419 mm (sheet). Color lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Brandès et le Bargy, dans 'Caboutins' , Actors, Actresses, Le Bargy, Charles, 1858-1936, Brandès, Marthe, 1862-1930. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Two women in an interior, George Hendrik Breitner, c. 1900 - 1923 One of them may play piano. Page 25 from a sketchbook with 39 sheets. Amsterdam paper. chalk interior of the house. adult woman (+ two persons). grand piano

Franz Alt created multiple pencil sketches between 1855 and 1867, exploring landscapes, figures, and architectural elements in a sketchbook.

The Little Hat. James McNeill Whistler; American, 1834-1903. Date: 1887. Dimensions: 99 x 66 mm (image, trimmed within plate mark); 101 x 66 mm (sheet). Etching and drypoint in brown ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Anna Held, from Portraits dActeurs & Actrices: Treize Lithographies (Portraits of Actors and Actresses: Thirteen Lithographs). Artist: Henri de Toulouse-Lautrec, French, 1864-1901

Oskar Schlemmer 1931 lead drawing on paper showing six figures, emphasizing spatial composition, proportion, and arrangement.

Effet de Nuit III. Anders Zorn; Swedish, 1860-1920. Date: 1897. Dimensions: 301 x 200 mm (image/plate); 433 x 318 mm (sheet). Etching on ivory laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA.

Effet de Nuit III. Anders Zorn; Swedish, 1860-1920. Date: 1897. Dimensions: 300 x 197 mm (image/plate); 425 x 280 mm (sheet). Etching on ivory laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA.

A coal drawing by Cecil van Haanen depicting a seated girl, showing posture, form, and figure composition.

A woman to Scholtz, Julius (1825-1893); 1865-1866 (1865-00-00-1866-00-00);Fryderyk Wilhelm III (King of Prussia - 1770-1840) - iconography, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Scholtz, Hanna (Fl. Ca 1912) - Dar, Wrocław (Lower Silesian Voivodeship), German drawings , studies for paintings, character studies, figural sketches

Thomas Haden of Derby, 1864. Francis Seymour Haden (British, 1818-1910). Etching and drypoint;

Henri Matisse, Henri Emile Benoit Matisse (born 31 December 1869, died 3 November 1954 in Cimiez), French painter, graphic artist, draughtsman, classical modernist. Here his work:, Danseuse debout, acoudée (1925-1926), Standing Dancer, leaning on her elbow, Painting, Reproduction of the painting, Work of art, Historical, Black and white sketch of a ballet dancer who seems pensive

This 1917 drypoint (Caltnadel) by Carl Anton Reichel, titled 'Girls in Unterleid' (op. 233), depicts multiple female figures, showing posture, interaction, and composition.

A pencil drawing by Josef Engelhart depicting a bear dancer, capturing movement, posture, and costume details in the figure study.

Lola de Valence Made 1863 France. Etching and aquatint, with roulette, in black on cream laid paper . Édouard Manet

Yahne and Antoine, in L'Age Difficile. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1895. Dimensions: 366 × 278 mm (image); 551 × 415 mm (sheet). Color lithograph on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Polaire. Dated: 1897. Medium: lithograph in black on velin paper. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.

Henri de Toulouse Lautrec, Anna Held, 1896 Anna Held

Seated woman and head study, draughtsman: Pieter van Loon, 1842, paper, h 246 mm × w 111 mm

The Plumed Turban. Albert Besnard; French, 1849-1934. Date: 1901. Dimensions: 240 × 182 mm (plate); 360 × 280 mm (sheet). Etching and drypoint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Effet de Nuit III Made 1897 Sweden. Etching on ivory laid paper . Anders Zorn

The Fan. James McNeill Whistler; American, 1834-1903. Date: 1879. Dimensions: 205 x 160 mm (image); 263 x 187 mm (primary support); 383 x 275 mm (secondary support). Transfer lithograph in black on cream chine, laid down on off-white plate paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Luce Myrès, de profil ,. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

A coal study by Anton Kolig of a Rococo-style female figure (rococodame), highlighting form, posture, and figure study, created in 1923.

A Krabber, Anthon Gerhard Alexander van Rappard, 1868 - 1892 drawing paper. ink pen crafts and industries

James McNeill Whistler, The Little Nude Model, Reading, 1889 1890 The Little Nude Model, Reading

Print, Two Putti; Designed by François Boucher (French, 1703-1770); Print Maker: Jacques-Gabriel Huquier (French, 1730 - 1805); Published by Jacques-François Chéreau (French, 1742 - 1794); France; etching on laid paper

Girl Carrying a Tray with Four Heads ca. 1876 William Bell Scott British, Scottish. Girl Carrying a Tray with Four Heads 364053

Romeo and Juliet: Confiding in the Night. Henri Fantin-Latour; French, 1836-1904. Date: 1888. Dimensions: 226 × 152 mm (image); 308 × 213 mm (sheet). Lithograph in black on ivory China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Sleeping woman, Théo van Rysselberghe, circa 1880-1890, drawing, Belgian Art

A Maja standing against a dark background 1859 Goya (Francisco de Goya y Lucientes) Spanish. A Maja standing against a dark background 333866

Standing Draped Female Figure 1612-75 Micco Spadaro (Domenico Gargiulo) Italian. Standing Draped Female Figure 338840

Female, Drapery Study, background figure for St Theophilus and the Angel Sir Edward Burne-Jones, Drawing, Pencil, Textiles, Sketch, Pre-Raphaelite, Female, Full-length

Yvette Guilbert Taking a Bow, from Yvette Guilbert. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1898. Dimensions: 324 × 265 mm (image); 541 × 387 mm (sheet). Lithograph with beige tint stone, on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Sitting Moroccan woman. Draughtsman: Pieter de Josselin de Jong. Dating: 1871 - 1906. Measurements: h 342 mm × w 250 mm. Museum: Rijksmuseum, Amsterdam.

Kunisada, B, C, work, Actors Kamezo, Onoe Kikugoro IV and Ichikawa Kodanji IV in the play Sugawara denju tenarai-kagami (Proselytization according to the teachings of Sugawara), dating : 1857, colored woodcut, graphics, Photo no. 32106.270, original photography: 2003-09-18, photographer: Nurminen, Jenni, photo type: lakadia, keywords: acting, Japan,

Old man shades his eyes with his hand.

Old man shades his eyes with his hand.

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