Figurative Printmaking

This cluster features detailed prints depicting resting figures and landscapes, showcasing a blend of human forms and natural settings, rendered in various techniques including etching and lithography

Moissonneuses surprises par l'orage , Agricultural laborers, Storms, Trees, Alphonse Legros (1837-1911)

Rustende Bacchanten, Franz Erttinger, After Raymond de Lafage, 1652 - 1707 print Landscape with four resting baccians and a woman by a tree. There are three people in the background. print maker: Paris (possibly)after drawing by: Francepublisher: Netherlands paper etching / engraving veneration of Bacchus

Edge of a Brook (Bord de ruisseau). Medium: drypoint in brown. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Baigneuses , Bathing, Nudes. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Saint Jerome written under a willow Harmensz van Rijn Rembrandt (1606-1669). Saint J�r�me writing under a willow (B 103 - 2nd state), 1648.

Woman with an Infant Satyr, from the Vari Capricci, Giovanni Battista Tiepolo, Italian, 1692 - 1770, Etching on laid paper, Second state, Italy, 1750-1760, Print, Print

Moissonneuses surprises par l'orage , Agricultural laborers, Storms, Trees, Alphonse Legros (1837-1911)

Deux cavaliers, tenant chacun une femme en croupe, font boire leurs chevaux dans une rivière. 1601 - 1700. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Le mendiant , Beggars, Alphonse Legros (1837-1911)

Etching by Simone Cantarini da Pesaro depicting Jupiter, Neptune, and Pluto paying homage to the coat of arms of Cardinal Barberini, created between 1630 and 1648.

No se convienen (They Do Not Agree), Plate 17 from Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

The Death of Saint Peter Martyr. Dated: 1739. Medium: chiaroscuro woodcut in black trial proof. Museum: National Gallery of Art, Washington DC. Author: John Baptist Jackson after Titian.

Repos pendant la fuite enEgypte. Artist: Adolphe Marie Timothée Beaufrère, French, 1876-1960

The Last Drop (from McGuire Scrapbook) Emanuel Leutze German American Leutze is best known for his large-scale history paintings such as "Washington Crossing the Delaware". He was interested in American Indian subjects throughout his career, and in this sketch he imagines a lone figure drinking from a forest pond. The Indians pose recalls the Hellenistic sculpture known as the "Dying Gaul" (Museo Capitolino, Rome). This classical reference reinforces the impression of the contemplative Indian as a “noble savage,” a popular Romantic concept during the mid-nineteenth century.. The Last Drop (from McGuire Scrapbook). Emanuel Leutze (American, Schwäbisch Gmünd 1816-1868 Washington, D.C.). American. Iron gall ink and graphite on thin green wove letterpress paper

Woman on clogs is resting under a tree, Félicien Rops, 1875 photomechanical print Paris paper resting - BB - out of doors. adult woman. ploughing

Landscape with Jacob Sleeping 1560-1609 Annibale Carracci Italian. Landscape with Jacob Sleeping. Annibale Carracci (Italian, Bologna 1560-1609 Rome). 1560-1609. Pen and two tones of brown ink, brush and gray-brown wash, over traces of leadpoint or black chalk. Drawings

The Rocks. Alphonse Legros (French, 1837-1911). Etching;

In the Open Air. Artist: Anders Zorn (Swedish, Mora 1860-1920 Mora). Dimensions: Plate: 6 1/8 × 4 5/8 in. (15.6 × 11.8 cm)Sheet: 15 9/16 × 9 7/16 in. (39.5 × 23.9 cm). Date: 1890. Museum: Metropolitan Museum of Art, New York, USA.

Paul and Virginia watch the sun. In a garden, Paul and Virginia watch a bush to the sun from behind. Illustration with the story 'Paul et Virginie', about the love between a white girl and a Caucasian boy who grow up in a French colony at the beginning 18th century.

In the Open Air Made 1890 Sweden. Etching on ivory laid paper . Anders Zorn

Beek, 1858 Page 17 Recto from a sketchbook with 47 sheets. paper. watercolor (paint). pencil brush brook

Against rock -sleeping woman, Hermanus Fock, 1815 print A rocky landscape with a sleeping woman. In the background a ruin among dark clouds with lightning. Illustration used for the title page of De Berggeest or the Steenen Bridal Bed, by A. Cramer, Amsterdam, 1815. Amsterdam paper etching sleeping; unconsciousness - BB - out of doors

Temple of Jupiter in Island of Aegina, plate 77 from Liber Studiorum Artist's working dates 1795-1851 England. Etching on off-white wove paper . Joseph Mallord William Turner

Rowing boat at the passage in the rock. A rowing boat with three people sails in the water in a passage in a dense rocking party.

Mercury's flute puts Argus to fall asleep, Hendrick ten Oever, 1649 - 1716 drawing Perhaps intended as a design for the painting of the lid of a harpsichord with the presentation of Mercury that Argus puts asleep with his flute game. paper brush Mercury lulls Argus into sleep by making music. Mercury lulls Argus into sleep by making music

Free Negroes in Hayti (from Confederate War Etchings) 1861-63 Adalbert John Volck American. Free Negroes in Hayti (from Confederate War Etchings) 421363

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Design for a print, The Bather and Death, draughtsman: Rodolphe Bresdin, France, 1855 - 1857, tracing paper, pen, h 103 mm × w 76 mm

Un coin de forêt en Bourgogne , Forests, Carts & wagons, Alphonse Legros (1837-1911)

Woman with Horse by Hek under Great Boom, Egbert van Drielst, 1755 - 1818 drawing paper. chalk brush

Artist: Ker Xavier Roussel, French, 1867-1944, Nymphs etFaunes, Etching and soft ground etching, platemark: 11.8 × 15.2 cm (4 5/8 × 6 in.), French, 19thcentury, Works on Paper -Prints

Lepère, Auguste (n.1849-11-30-D.1918-11-20), end of the day (IFF 169) (main title), 1908. Wood engraving in two colors on laid paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Fishing; History of Tobias. Tobias has caught a fish. The angel Rafael asks him to cut the fish into pieces and keep the guts. Tobias will use the bile of the fish later to heal his fathers blindness. In the undermaster a four-line Latin text.

Enckell, Magnus, work, Sketch book, 1894 - 1895, drawing, 30 cm x 23 cm, Enckell, Magnus, part: Cover. The text has become indistinct. Marking: 1894, 1894 - 1895, Knut Magnus Enckell 1870 Hamina - 1925 in Stockholm, a Finnish painter. Member of the Septem group of colorist painters. In Finland, Enckell is considered an influential symbolist artist.

Rocking party. .

On the Hudson River, 1798, pen and black ink on laid paper, image: 14.45 × 21.91 cm (5 11/16 × 8 5/8 in.), sheet: 22.07 × 29.21 cm (8 11/16 × 11 1/2 in.), Alexander Robertson (artist) American, 1772 - 1841

Alphonse Legros, Donkey Upset by Storm (L'ane renverse par la foudre) Donkey Upset by Storm (L'ane renverse par la foudre)

Rijn, Rembrandt van, Baders, verso lower left, print, prints, Rembrandt f. 1651, lower left, verso middle lower, J.Fred.B. (in a rectangle), oS or aS(), height 110 mm, width 137 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1651 - 1651, third quarter 17th century, paper, papier, etching, etchings, Work conception, after own design by

Les faiseurs de fagots , Woodcutters, Fuelwood, Alphonse Legros (1837-1911)

Study for an Oval Ceiling Design: "Apollo, Strength, and Love". Date/Period: 1760-89. Drawing. Pen and brush and black ink, gray wash, black chalk on off-white laid paper. Author: FEDELE FISCHETTI.

Jason. Turner, J. M. W. (Joseph Mallord William) (1775-1851). 1807. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Formation of Guerrilla Bands (from Confederate War Etchings). Artist: Adalbert John Volck (American (born Germany), Augsburg 1828-1912 Baltimore, Maryland). Dimensions: Image: 4 5/8 x 6 5/8 in. (11.8 x 16.8 cm)Sheet: 7 13/16 x 6 1/2 in. (19.8 x 16.5 cm). Date: 1861-63. Museum: Metropolitan Museum of Art, New York, USA.

A 1607 etching by Giovanni Lanfranco showing Moses standing before the burning bush, depicting flames, Moses, and the surrounding landscape.

Alphonse Legros, The Prodigal Son, 4th plate (L'enfant prodigue) The Prodigal Son, 4th plate (L'enfant prodigue)

Der eseltreiberunter bäuten; Reinhart, Johann Christian (1761-1847); 1805 (1805-00-00-1805-00-00);

Se aprovechan (They Make Use of Them), pl. 16 from Los desastres de la guerra (The Disasters ofWar). Artist: Francisco Goya, Spanish, 1746-1828

Paysanne se lavant les pieds , Peasants, Bodies of water, Trees, Alphonse Legros (1837-1911)

Moissonneuses surprises par l'orage , Agricultural laborers, Storms, Trees, Alphonse Legros (1837-1911)

Le mort du vagabond , Death, Tramps, Trees, Alphonse Legros (1837-1911)

Les fagottiers , Laborers, Fuelwood gathering, Alphonse Legros (1837-1911)

Judgment of Paris. In a forest landscape, Pallas, Juno and Venus are opposite Paris with a shepherd's staff and a RAM next to itself. Above them, Amor floats that with Arrow and Arch focused on Paris. On the right, Mercury is hiding in a tree. In the undermaster a four-line Latin text. Reconstructed from two fragments.

Etching by Johann Elias Ridinger from 1718-1767 depicting a lion hunt, showing lions, hunters, weapons, and landscape elements.

Abraham's Sacrifice. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1654-1655. Dimensions: 156 x 131 mm (image/plate); 158 x 135 mm (sheet). Etching and drypoint on ivory Japanese paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Rest on the Flight into Egypt, Jan van Noordt (1623-1676) (attributed to), 1642 print Joseph, Mary with the Christ child and the donkey at night resting under a tree. paper etching the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

The Bull, 1865. Jules de Goncourt (French, 1830-1870). Etching;

Aquarium with lobsters, Gerrit Willem Dijsselhof, 1876 - 1924 drawing paper. chalk aquarium. crustaceans: lobster

Studium pni starych wierzb. Cegliński, Julian (1827-1910), draughtsman, cartoonist

Le Canon. Bisson Frères (French, active 1840 - 1864)

Face from the Sint Pietersberg on the eastern Maasvallei, Alexander Schaepkens, c. 1859 print paper. etching rock-formations Sint-Pietersberg

La Sainte Famille (The Holy Family) 19th century Rodolphe Bresdin French. La Sainte Famille (The Holy Family) 429801

Bartholomeus Breenbergh, Grotto with Friars, 1640 Grotto with Friars

Up You Hieronim repentance; Cranach, Lucas (1472-1553; st.); 1509 (1509-00-00-1509-00-00);

Etching by Pierre Alexandre Aveline from 1730 depicting the kidnapping of Europe, showing figures, posture, gestures, and composition.

Bleigriffel drawing by Coloman Felner depicting the mythological figures Luna and Endymion, dated around 1778-1779.

La passerelle(Footbridge). Artist: Alphonse Legros, French, 1837-1911

Frame with a print maker, Girolamo Prepiani, 1862 print Frame with a print maker bent over a workbench at the top, a sheet press in the background. Next to him is a man who supports his head with his right hand and has a pipe with his left. Below that a Prentalbum with prints that whirl down. On the left a man with a parasol whose stick may propose an etching needle with tools from a print maker underneath. At the bottom five putti busy making prints. In the empty space in the middle a remarque consisting of three faces. paper etching / drypoint engraver, etcher. print, e.g.: engraving, etching, lithograph. tools, implements of graphic artist. cupids: 'amores', 'amoretti', 'putti'

Landscape with cave Jean-Achille Benouville (Said Achille Benouville) (1815-1891). Landscape with cave. Graphite pencil and white chalk rehaught on paper.

Putto in a boat and putto near a temple, Reinier Vinkeles (I), 1751 - 1816 print Amsterdam paper etching / engraving cupids: 'amores', 'amoretti', 'putti'. temple, shrine ~ Greek religion. rowing-boat, canoe, etc.

Navires en Chargement (Loading Ships). Artist: Rodolphe Bresdin (French, Montrelais 1822-1885 Sèvres). Dimensions: Mount: 13 3/8 × 9 1/2 in. (33.9 × 24.2 cm)Sheet: 3 1/16 × 2 13/16 in. (7.7 × 7.2 cm). Date: 1841. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with a large tree in the middle, at the foot a rod, 1614 On the Landweg on the right a rider and a running man. The path leads to a few houses. On the left a river with a high left bank. paper etching On the Landweg on the right a rider and a running man. The path leads to a few houses. On the left a river with a high left bank. paper etching

The Nest Robber 1780-1789 France. Hubert Robert began drawing red chalk landscapes as a student in Italy and continued to do so throughout his life, drawing from nature and from his imagination. This charming drawing from his mature career offers a Rococo amorous theme favored by Robertís predecessors Antoine Watteau and FranÁois Boucheróthat of bird-catching. The inscription on the rock is from Virgil and translates to ìSo you not for yourselves build nests, O birds,î a call to be unselfish with oneís creations.. Red chalk, with touches of orange chalk, with touches of pen and brown ink, on cream laid paper, incised with a compass, laid down on blue wove board . Hubert Robert

Route de Versailles, 1886. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

F.c. Scholten (1750-1800), landscape with figures, 1742

Figures on a path at a puddle. A house in the background. Leaf 28 Recto from a sketchbook with 95 sheets.

Le Paradis et la Péri. Finale , Fictitious characters, Angels, Supernatural beings, Schumann, Robert, 1810-1856. Paradies und die Peri. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

L'homme au fourrage , Laborers, Trees, Alphonse Legros (1837-1911)

ZIN-MU-TEN-WOO lands on Kii, Henri Philippe Heidemans, After Anonymous, 1832-1852 print Keizer Zin-Mu-Ten-Woo lands. It is protected against the sun by a servant with a parasol. The residents of the country kneel before him. The print is numbered at the top left: Nippon III and top right: tab. III. paper emperor. being welcomed ~ travelling. mooring-buoy, bollard Japan

Death 19th century Alphonse Edouard Enguérand Aufray de Roc'Bhian. Death. Alphonse Edouard Enguérand Aufray de Roc'Bhian (French, Paris 1833-1887). 19th century. Etching. Prints

The shepherd and his family.

Trees on the Mountain, original impression 1856, printed in 1921. Jean Baptiste Camille Corot (French, 1796-1875). Cliché-verre; sheet: 20.3 x 17.2 cm (8 x 6 3/4 in.); image: 18.5 x 15.5 cm (7 5/16 x 6 1/8 in.).

Man with Pijp watches a field plowed with a team pulled by two horses, Lambert Jacquelart, 1830 - 1910 print paper etching ploughed field. agricultural implements: plough. ploughing. pipe ~ tobacco

Jungle on Java, Wijnand Otto Jan Nieuwenkamp, 1915 print In the foreground three bathing women in the water. On the right a road between trees with four women who were wearing their heads. paper etching jungle. taking a bath - AA - in the open air. carrying something on the head or on the shoulders Java

Peasant Woman Seated near a Hedge. Alphonse Legros (French, 1837-1911). Drypoint;

La Mort et le bûcheron (2nd plate) , Death, Skeletons, Woodcutters, Fuelwood, Alphonse Legros (1837-1911)

Etching by Johann Elias Ridinger depicting Adam admiring creation, created between 1730 and 1760, showing natural elements and human figure.

View of an Eastern city in a valley, Marius Bauer, 1877 - 1932 print A face on a city with a mosque with two minarets, located in a valley. In the foreground a group of figures with two camels for a steep slope. Japanese paper (handmade paper) etching city-view, and landscape with man-made constructions. temple, shrine ~ Islam, Mohammedanism. hoofed animals: camel

A draft for a ceiling image by Christian Winck showing the Glory of a Pilgrim, executed in pencil and brown pen.

Park Monceau in Paris; Le Parc Monceau; Aux Champs Elysées. The Monceau park at the Champs Elysées in Paris with children playing and a bird in a tree. This is a test pressure for a book illustration on which Bonnard arranged changes with pencil.

Etching by Heinrich Friedrich Füger depicting Apollo with a lyre at a temple in Thessaly, alongside the court in the K.K. Hoftheater near the castle, created between 1783 and 1818.

Chailli: End of a Storm (Effet d'orage). Alphonse Legros (French, 1837-1911). Drypoint;

An etching by Franz Gabet from 1785-1847 depicting a rural landscape with an antique ruin and a family of farmers in the foreground, illustrating agricultural life and historic architecture.

Cache-cache (2nd state). Corot, Jean-Baptiste-Camille (1796-1875). 1853 - 1874. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Trees, Running

Rock. Pierre (Pierre Henry Ferdinand Massignon, dit) (N.1855-08-02-D.1922-01-18), Aphrodite (Venus) (main title), 1915. Gypsography, black and brown draw. Petit Palais, Museum of Fine Arts of the City of Paris.

Sterbender Wanderer, from the series Radierte Skizzen n.d. Max Klinger German. Sterbender Wanderer, from the series Radierte Skizzen 384458

Les fagottiers , Laborers, Fuelwood gathering, Alphonse Legros (1837-1911)

Cháteau des revenants , Trees, Hills, Buildings, Bodies of water, Boats, Alphonse Legros (1837-1911)

Le voyageur étendu sur le gazon , Trees, Travelers, Alphonse Legros (1837-1911)

Isabella at the table at Karel VI, Jacob Joseph Eeckhout (attributed to), 1803 - 1861 print Isabella is sitting at Karel VI at the table. Behind the table is a figure that symbolizes madness. paper. etching king. queen

Satyr and Nymph in a Swamp. Dated: 1790s. Dimensions: plate: 26.4 x 17.8 cm (10 3/8 x 7 in.) sheet: 28.6 x 19.9 cm (11 1/4 x 7 13/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Carl Wilhelm Kolbe.

W. R. Smith, active 1819-1851, Hannibal passing the Alps (vignettes), 1830. Etching; open etching on medium, slightly textured, cream wove paper.

Fishing Spot 1839-1885 France. Pen and black ink over traces of graphite, on buff wove card, laid down on cream laid paper . Rodolphe Bresdin

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