Figurative Sketches and Studies

A collection of figurative sketches capturing human forms in various poses, emphasizing movement and emotion through loose lines and tonal variations.

Reading. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1887. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Taking a Bow, plate eight from Yvette Guilbert. Henri de Toulouse-Lautrec (French, 1864-1901); printed by Westminster Press (English, 20th century); published by the Ernest Brown & Phillips (English, 20th century). Date: 1898. Dimensions: 296 × 242 mm (image); 350 × 267 mm (primary support); 497 × 371 mm (secondary support). Lithograph (crayon with scraper) in olive-green on cream wove paper hinged at top corners to gray-brown wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Two Nude Figures: Woman with a Guitar and Boy with a Cup. Pablo Picasso; Spanish, 1881-1973. Date: 1909. Dimensions: 130 x 110 mm (primary support; trimmed within platemark); 327 x 252 mm (secondary support). Drypoint on copper in black with black crayon and scraping and burnishing on ivory wove paper, laid down on ivory wove paper (discolored to cream). Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Reading. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1887. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

1892 Art Work - Enigma - Odilon Redon.

Woodcut by Franz Marc depicting the birth of wolves, printed on Japanese paper, 1913.

Study to Nel Wouters, sitting in an armchair, Rik Wouters, 1892 - 1916 drawing paper brush sitting figure - AA - female human figure

Adam en Eva, Else Berg, c. 1910 - in or before 1931 print Sitting female naked looking at a snake in a tree, behind her a man; stylized. Japanese paper (handmade paper). printing ink Adam and Eve in paradise (before the Fall)

Lender de dos, dansant le boléro dans Chilpéric , Dancers, Singers. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Head of a Girl 1882 United States. Pen and brown ink with scraping on cream laid paper laid down on ivory board . James McNeill Whistler

Hanno's Death. Horst Janssen, (German, 1929-1995); printed by Kupferdruckerei Schneider & Co., Berlin; published by Pantheon Presse, Agno, Switzerland. Date: 1973. Dimensions: 220 x 149 mm (image); 223 x 150 mm (plate); 412 x 308 mm (sheet). Etching on white wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Korenveld surrounded by trees, with a kneeling ashes star, Armand Seguin, 1894 on the left print paper etching / drypoint gleaning. field filled with a crop

Untitled. Marcel Jean; French, 1900-1993. Date: 1940. Dimensions: 137 × 92 mm (plate); 326 × 217 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Piano Player Fred Becker American Published by WPA 1935-40

Study to Woman of Rik Wouters, sitting in an armchair. .

At the Moor 1895 Germany. Etching with brown Ink on cream wove paper . Fritz Overbeck

Figure I. Jasper Johns (American, born 1930); printed by Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 233 x 166 mm (image); 446 x 325 mm (sheet). Lithograph from one stone in black on ivory-white linen handmade paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Marathon, from Protuberences and Cardiaques. Kurt Seligmann; American, born Switzerland, 1900-1962. Date: 1933. Dimensions: 320 x 241 mm (plate); 501 x 381 mm (sheet). Etching and aquatint on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Woman with linen hat, Gerard Jan Bos, c. 1878 - in or before 1884 print Antwerp (possibly) paper etching / drypoint head-gear: cap (+ women's clothes)

Nude Study. Georges Braque; French, 1882-1963. Date: 1907-1908. Dimensions: 275 × 197 mm (plate); 480 × 325 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Susanna, anonymous, after Hendrick Goltzius, 1583 - 1596 print Susanna, depicted in half in an oval. The hands folded, gaze oriented to heaven. Susanna is prayed in the background on the left, while she is spied on by the elders. Copy in mirror image to engraving by Hendrick Goltzius from 1583. Reconstructed from two fragments. Northern Netherlands paper engraving female persons from the Old Testament (with NAME) (not in biblical context). the elders spying upon Susanna

8, from 0-9. Jasper Johns (American, born 1930); printed by Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 400 x 310 mm (image); 515 x 395 mm (sheet). Lithograph from two stones in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Hanno's Death. Horst Janssen, (German, 1929-1995); printed by Kupferdruckerei Schneider & Co., Berlin; published by Pantheon Presse, Agno, Switzerland. Date: 1973. Dimensions: 218 x 138 mm (image); 223 x 140 mm (plate); 388 x 279 mm (sheet). Etching on gray wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Fantasy landscape with sun, moon and insects, Léon Becker, 1869 print Fantasy landscape with sun, moon and insects. A hand and a face can be recognized in the plants on the left. paper etching insects. sun as celestial body. moon as celestial body

Resurrection, Albrecht Dürer, 1512 print paper engraving Christ, usually holding a banner, arises from the grave; often combined with sleeping and/or frightened soldiers

Roche, Pierre (n.1855-D.1922-01-18), Le Poulpe (main title), 1912. Gypsography, black draw .. Petit Palais, Museum of Fine Arts of the city of Paris.

Three monkeys on a tree stump, Theo van Hoytema, 1898 print Hilversum paper. monkeys, apes

Dead Sapper at his Post, from War. Otto Dix (German, 1891-1969); published by Verlag Karl Nierendorf/Galerie Nierendorf (German). Date: 1924. Dimensions: 200 x 142 mm (plate); 475 x 353 mm (sheet). Etching on cream laid paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Abstract composition, Erich Wichmann, 1920 print paper Abstract, Non-representational Art

Writing woman, seen on the back. .

Washed -up bones, Anthonie van den Bos, after Hendrik Hoogers, 1809 - 1810 print Bones that were washed up to a dyke breach near Loenen during the flood of 1809 in which large parts of the central Netherlands flooded. paper etching bones in general (human body) South-Holland. Gelderland

A Dell, Helmingham Park, Suffolk. David Lucas (English, 1802-1881); after John Constable (English, 1776-1837). Date: 1830. Dimensions: 178 × 225 mm (plate); 305 × 465 mm (sheet). Mezzotint in black ink on heavy ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Etching by Wenzel Hablik titled 'Creating Forces; I Love the Sun, So She Loves Me!', created in 1909, depicting abstract forces and sun imagery.

Nude girl with arms raised , Nudes. James McNeill Whistler (1834-1903). Lithographs

Nissance de Vénus; Jasi Ski, Feliks Stanis AW (1862-1901), Botticelli, Sandro (1444 cars 1445-1510), Wittmann ch., Imprimérie (couples 1902); 1893 (1893-00-00-1893-00-00);Hory (mitol.), Musées et salons (publishing series - Paris - Fl. Ca 1884-1893), Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972) - collection, Venus (iconogr.), Wiors (Personification), Zefir (mitol.), French (culture), French graphics, Polish graphics, reproductive graphics, mythology, sea, shells, publishing prints, Poland (culture), purchase (provenance)

Painted Bronze, from 1st Etchings, 2nd State. Jasper Johns (American, born 1930); printed by Donn Stewart (American, 1921-1986); published by Universal Limited Art Editions (American, founded 1955). Date: 1967-1969. Dimensions: 124 x 104 mm (plate); 662 x 505 mm (sheet). Open-bite over photoengraving in black on handmade ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Evening. Armand Séguin; French, 1869-1904. Date: 1894. Dimensions: 231 × 229 mm (image); 231 × 229 mm (plate); 539 × 402 mm (sheet, with folds). Etching, aquatint and roulette printed in dark brown on cream laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Print, The Dance of Salome; Pablo Picasso (Spanish, 1881 - 1973); France; black ink on gray paper; Platemark: 40.6 × 34.6 cm (16 in. × 13 5/8 in.) H x W: 46.7 × 41.6 cm (18 3/8 × 16 3/8 in.)

Lydé , Goddesses, Leda Greek deity. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Goddess 1000. Louise Nevelson; American, born Russia, 1899-1988. Date: 1952-1954. Dimensions: 372 x 452 mm (plate); 450 x 538 mm (sheet). Etching in black on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Pablo Picasso / 'Figuras en traje de baño con tiempo nublado', 1933, Aguafuerte sobre cobre, 17 x 17,3 cm. Museum: PRIVATE COLLECTION.

Sepia Odalisque I. Eldzier Cortor; American, 1916-2015. Date: 1998. Dimensions: 501 x 348 mm (Image/plate); 760 x 562 mm (sheet). Etching and aquatint with flat bite on cut plate in brown-black on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Tree in a hilly landscape with more, Lodewijk Schelfhout, 1913 print In the background a settlement on a lake with sailing ships. Paris paper drypoint trees. lake. sailing-ship, sailing-boat

Woman in a Landscape, Matthijs Maris, c. 1881 - c. 1884 print London paper etching Womanhood

La Mise Au Sépulcre; Jasi Ski, Feliks Stanis AW (1862-1901), Mantegna, Andrea (Ca 1431-1506), Porcabeuf, Alfred (1867-Ca 1946); 1932 (print); 1900 (p tta) (1900-00-00-1932-00-00);Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972)-collection, folding to the grave (iconogr.), Polish graphics, Poland (culture), purchase (provenance)

Woman's Bath. Max Beckmann (German, 1884-1950); published by Verlag R. Piper and Company (German). Date: 1922. Dimensions: 436 × 287 mm (plate); 539 × 402 mm (sheet). Drypoint on ivory Japanese paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

The piano , Pianists, Pianos. James McNeill Whistler (1834-1903). Lithographs

Woman with a child on her arm on a bridge, Richard Nicolaüs Roland Holst, 1912 print In the foreground there are circles in the water, possibly due to precipitation. In the background a kneeling figure in the water. The air is involved. paper. mother and child(ren), woman and child(ren) (family group). carrying a person. bridge. rain

Ia orana Maria (Hail Mary) 1894-1895 France. Transfer zincograph on coarse-grained transfer paper, in dark-blue ink on thin ivory wove paper (an imitation Japanese vellum) . Paul Gauguin

Enigma; Enige. A figure with a hood on and a branch of a plant for his chest.

Seated Nude Seen from Behind 1889 Berthe Morisot French. Seated Nude Seen from Behind. Berthe Morisot (French, Bourges 1841-1895 Paris). 1889. Drypoint on wove paper. Prints

Sadness; Hulewicz, Jerzy (1886-1941); 1934 (1934-00-00-1934-00-00);

In the Studio, from Paroles Peintes. Alberto Giacometti; Swiss, 1901-1966. Date: 1965. Dimensions: 211 x 164 mm (image); 255 x 195 mm (plate); 380 x 275 mm (sheet). Etching on white wove paper. Origin: Switzerland. Museum: The Chicago Art Institute, Chicago, USA.

Portret van Karel Dujardin, Anonymous, After Karel du Jardin, 1834 print Portrait Ten Halven by the artist Karel Dujardin (1626-1678). Different parts not yet completed: head with her in middle separation, white open collar with akers, his hands and the wide outstanding cuffs. print maker: Low Countriesafter painting by: Amsterdam paper steel engraving portrait, self-portrait of artist

Your fish Dessus le contour vaporeux d'Une formous Humaine; La Maison Hautée, 6 litho's wrap title sheet; The haunted house, "La Maison Hantée", illustrations for text by Bulwer-Lytton, translated by René Philipon in French. Upstairs I saw the blurry contours of a human form

Costume de Raoul, joue par Jansenne.…. Artist: Paul Gavarni, French, 1804-1866

Krijgsman, Anonymous, 1947 - 1972 print A warrior in armor with a sword in the hand. Netherlands paper engraving knight. private soldier

Pencil and violet ink studies by Hans Canon showing various composition studies focused on allegories, including figures and symbolic elements, around 1880.

A long doll the color of blood, Odilon Redon, 1889 print At the entrance of a temple lies a creature with a cocoon -like body and the head of a woman dressed in a jet wreath. The head laid on a column, the eyes closed. Second print of six from the second series of illustrations for Gustave Flauberts the temptation of Saint Antonius. print maker: Franceprinter: Paris . temptations of St. Antony Abbot. monsters of mixed human and animal shape; 'Mostri' (Ripa)

Etching by Käthe Kollwitz from 1911 depicting death and a woman surrounding a child.

Man and woman in green. Naked man with angel at head, standing at tree in the shape of a naked woman.

Untitled. Marcel Jean; French, 1900-1993. Date: 1940. Dimensions: 73 × 62 mm (plate); 174 × 97 mm (sheet). Etching on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

La Symphoni, PL.20; Vallotton, Félix (1865-1925), Maison Moderne (Paris 1897 (block); 1899 (edition) (1897-00-00-1897-00-00);Cortot, Alfred Denis (1877-1962)-iconography, France, Leykam-Lewińska, Aleksandra (1882-1927)-collection, Poland, PartaGe Plus, Sert, Misia (1872-1950)-iconography, Vuillard, Edouard (1868-1940 ) - iconography, gift (provenance), painters, modernism (style), portraits, portraits of artists, men's portraits, symphony, music

The Fat Whore. Edvard Munch; Norwegian, 1863-1944. Date: 1897. Dimensions: 250 x 200 mm (image); 554 x 454 mm (sheet). Woodcut with gouges, chisel and fretsaw on heavy, cream wove paper. Origin: Norway. Museum: The Chicago Art Institute, USA.

Etching on copper plate by Edvard Munch from 1902 titled 'The Big Cod,' depicting a large fish in a marine setting with detailed textures and compositional elements.

Man with Pig. Marc Chagall; French, born Belarus, 1887-1985. Date: 1922-1923. Dimensions: 463 × 323 mm (image); 616 × 482 mm (sheet). Lithograph on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Les Drames de la Mer. -- Une Descente dans le Maelstrom(Dramas of the Sea: Descent into the Maelstrom). Date/Period: 1889. Print. Zincograph on canary yellow paper. Height: 305 mm (12 in); Width: 443 mm (17.44 in). Author: PAUL GAUGUIN.

Decorative design with crowned w surrounded by people. .

Post-mortemportret van Bruno Marie Nicolas Edmond Picard, Auguste Danse, 1871 print paper etching death of a child Brussels

Neither do these, plate ten from The Disasters of War. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1810-1815. Dimensions: 125 x 191 mm (image); 148 x 216 mm (plate); 240 x 339 mm (sheet). Etching and burin on ivory wove paper with gilt edges. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Eka. Anders Zorn; Swedish, 1860-1920. Date: 1913. Dimensions: 84 x 113 mm (image); 89 x 119 mm (plate); 255 x 325 mm (sheet). Etching on ivory laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA. Author: Anders Zorn.

Water; Aqua; Four elements. Presentation of the element of water in the form of a naked woman with a leafy on the head, pours water from a large horny shell in a different shell. In the background a boat on the water and a number of fishermen with nets in the weather on a beach. In the undermaster a two-key Latin text. Reconstructed from two fragments.

Rock. Pierre (Pierre Henry Ferdinand Massignon, dit) (N.1855-08-02-D.1922-01-18), La Musique (La Chanson) (Main title), 1895. Gypsography, drawing in brown. Petit Palais, Museum of Fine Arts of the City of Paris.

Etching by Max Klinger from Tent (Rad. Opus XIV), Part I, titled 'The Bowl', created 1912-1915.

Corrido de Don Chepito (Ballad of DonChepito). Artist: José Guadalupe Posada, Mexican, 1852-1913

The Hair-Ribbon Made 1912 Sweden. Etching on ivory laid paper . Anders Zorn

$T \et d'ut barbu; Jasi Ski, Feliks Stanis Aw (1862-1901), 1908 (print); after 1894 (block) (1894-00-00-1908-00-00);Partage Plus, Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972)-collection, French (culture), French graphics, Polish graphics, Poland (culture), portraits, men's portraits, purchase (provenance)$

Axenfeld. James McNeill Whistler; American, 1834-1903. Date: 1859-1860. Dimensions: 227 x 152 mm (plate); 380 x 237 mm (sheet, sight, bound). Drypoint, with drypoint cancellation, in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Kop van a man slanted to looking at the top right, Leo Gestel, 1930 - 1941 drawing Kop from a man diagonally to looking at the top right. paper. ink. pencil brush head (human)

Sara la baigneuse , Composers, Berlioz, Hector, 1803-1869. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Triton blows on his horn sitting on a dolphin, Anonymous, 1600 - 1699 drawing paper. chalk Triton blows on a twisted sea shell to raise or calm the waves

She Draws From Her Bosom a Sponge, Perfectly Black, and Covers it With Kisses, plate 8 of 24 Made 1896 France. Lithograph in black on ivory China paper laid down on ivory wove paper . Odilon Redon

Stunt Rider. Marino Marini; Italian, 1901-1980. Date: 1951. Dimensions: 497 × 319 mm (image); 564 × 384 mm (sheet). Color lithograph on ivory wove paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Adam and Eva. Adam and Eve stand for the tree of knowledge in paradise. Eva just takes the apple from the snake. On the ground for Adam and Eva a dog and a hedgehog. In the background a deer and a lion. In the undermaster a two-key Latin text. Copy in mirror image to engraving from Hendrick Goltzius from 1585. Reconstructed from three fragments.

Sitting, veiled women, Marius Bauer, 1889 print A group of sitting, veiled women. At the bottom the number 38 is printed in mirror image. paper etching veil

Mountain landscape. Design for a print.

Cord dancer, trapezer artist and Pierrot, Lodewijk Schelfhout, 1934 print A naked woman walks over a cable that is stretched over a circus track. Next to her, a half -naked man waves a trapeze. In the foreground a pierrot. paper drypoint Circus input (inside). ~ Circus acrrobat. Types in 'Commedia dell'arte': Pierrot

Cain and Abel. Odilon Redon; French, 1840-1916. Date: 1886. Dimensions: 185 × 121 mm (plate); 330 × 225 mm (sheet). Etching and drypoint on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Lath-Makers. Louis Auguste Lepère (French, 1849-1918); published by A. Desmoulins (French, active c. 1908-1910). Date: 1888. Dimensions: 75 × 96 mm (image); 183 × 209 mm (sheet). Wood engraving in black on cream laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

W.Krzysztof; Skoczylas, W Adys Aw (1883-1934); 1915 (1915-00-00-1915-00-00);

Honger Hunger (title on object). Draughtsman: Emile de Vries. Dating: c. 1944. Place: Amsterdam. Measurements: h 293 mm × w 230 mm. Museum: Rijksmuseum, Amsterdam.

Self-Portrait in a Flat Cap (Winter), first state. Jim Dine (American, born 1935); printed by Alan Uglow (English, 1941-2011) and Winston Roeth (American, born 1945); published by Petersburg Press. Date: 1974. Dimensions: 270 x 330 mm (image/plate); 800 x 620 mm (sheet). Etching in black on ivory handmade paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Design for a vase. .

Portrait of Anna Bili Bili Ska-Bohdanowiczowa, Anna (1854-1893); 1883 (1882-00-00-1893-00-00);

Walkürenritt; Welti, Albert (1862-1912); around 1900 (1895-00-00-1905-00-00);Partage Plus, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Wagner, Richard (1813-1883). Nibelunga Ring, Walkirie (Mitol.), Illustrations, mythology, modernism (style), Opera (Theater)

Air, Jacques de Gheyn (II), After Karel van Mander (I), 1580 - 1596 print Presentation of the element of air in the form of a naked man with wings on the head, seated on clouds. In the background a number of falconers with their dogs busy hunting. In the lower margin a two -line Latin text. Reconstructed from two fragments. Amsterdam paper engraving air (one of the four elements)

Caricature of Leo Gestel and his wife with flowers in hand, Leo Gestel, 1891 - 1941 drawing paper. ink. pencil pen cut flowers; nosegay, bunch of flowers. portrait, self-portrait of artist. historical persons

Untitled, plate from Je regardais et je vis... 1896 France. Lithograph in black on light gray China paper laid down on white wove paper . Jean Caldain

The sciapods: keeping the head as low as possible, that is the secret of happiness, Odilon Redon, 1889 print A sciapode, a single -footed creature, stabbed up with the leg. Sixth print of six from the second series of illustrations for Gustave Flauberts the temptation of Saint Antonius. print maker: Franceprinter: Paris . temptations of St. Antony Abbot. 'Scopodes', 'Sciapodes', i.e. beings with one leg

On the Dish, plate ten from In Dreams. Odilon Redon; French, 1840-1916. Date: 1879. Dimensions: 244 × 163 mm. Lithograph on mounted ivory China paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

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