Figurative Studies and Vignettes

Intricate etchings and drawings that focus on figures in various contexts, often depicting emotion and narrative through detailed linework.

Play in the clock, Walter Rauch, 1958 print A arch decorated with animals and ornaments with a clock at the top. Under the bow, a man and a woman balance on a ball. paper etching clock. triumphal arch

Fra Angelico painting Madonna with the Child (Flatza drawing); unknown, Flatz, Gebhard (1800-1881); after 1859 (1859-00-00-1884-00-00);

Woman with a Scottish Hat 1865 Belgium. Etching from a steel plate on cream wove paper . Félicien Rops

Etching by Moritz von Schwind from 1833-1844, Vignette No. 21 in the Album for Smokers and Drinkers, depicting figures engaged in drinking and smoking with detailed composition.

Play in the clock, Walter Rauch, 1958 print A arch decorated with animals and ornaments with a clock at the top. Under the bow, a man and a woman balance on a ball. paper etching clock. triumphal arch

On the lands of the horizon; Siedlecki, Franciszek (1867-1934); 1902 (1902-00-00-1902-00-00);Jadwiga (Queen of Poland-1374-1399), Jadwiga (Queen of Poland-1374-1399)-iconography, Jagiellonowie (family), young Poland (Styl), Partage Plus, Sun, Witke-Jeżewski, Dominik (1862-1944), Witke -Jeżewski, Dominik (1862-1944) - collection, Władysław Jagiełło (Polish King - Ca 1351-1434), Władysław Jagiełło (Polish King - Ca 1351-1434) - iconography, gift (provenance), Polish graphics, fantastic landscapes, Poland (culture), portraits, women's portraits, men's portraits, portraits of rulers, symbolic scenes, symbolism (style), sunrise

Lydia looking toward the right; trees beyond.. Cassatt, Mary, 1844-1926. 1883. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Title Page for 'Douze Eaux Fortes d'après Nature' 1858 United States. Etching with foul biting in black ink on tan China paper laid down on ivory wove paper . James McNeill Whistler

Wife and man with top hat, Jan van de Kerkhove, 1832 - 1881 print paper etching adult man. adult woman. head-gear

French Revolution: Day of August 10, 1792: The Tuileries people. 1st arrondissement. (Dummy title)

Denis le Tyran. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Daumier, Honoré (1808-1879), draughtsman, cartoonist, Porcabeuf, Alfred (1867-ca 1946), printer of graphic prints

Raphaël et la Fornarina, from: "Séries 347", Picasso, Pablo (1881-1973)

Landscape with hunters at the hunting outdoors and a vase, Paul Emile Nicolié, 1871 print paper etching forest, wood. hunting trophies. hunter. vase ~ ornament. water-birds: swan

The Duke of Bordeaux in exile, test before any letter

The Forge. Charles Émile Jacque; French, 1813-1894. Date: 1848. Dimensions: 133 × 113 mm (image/plate/chine); 319 × 243 mm (sheet). Drypoint and roulette on cream China paper laid down on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Lambert Melisz. flight with his mother in a sled over the ice, 1574, Anonymous, 1661 print Lambert Melisz. From Westzaan flee with his mother in a sled over the ice to Hoorn, February 1574. In the background a church on fire and Spanish soldiers. Up to the top left: f. 28. paper etching / engraving sleigh, sledge (non-sport)

Etching and aquatint by Max Klinger from 1884, sheet 7 of the 'A Life' cycle, depicting allegorical human figures representing rivalry and conflict.

Two half -naked women, Félicien Rops, 1852 - 1898 print Two half -naked women sitting on a chair, one satisfies the other with her hand. paper etching / drypoint scabrous scenes, pornography. homosexual love - CC - homosexual love between women: lesbianism

Man behind a reading table, 1834 - 1898 print paper drypoint lectern ~ reading

Plot model for sculpture on the Palais du Louvre: "La Force" by Louis Léopold Chambard, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 4. Paris paper. photographic support salted paper print permanent exhibition, museum. piece of sculpture, reproduction of a piece of sculpture Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Figures in a street in Algiers, Philip Zilcken, 1883 print paper etching / drypoint street Algiers

La Petite Baigneuse - The Little Bather Made 1889 Sweden. Etching on ivory laid paper . Anders Zorn

La fruitière.. 1844. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Bookplate of Marie Rassenfosse. Bayros, Franz von (1866-1924), graphic artist, Verlag Dr. Rudolf Ludwig (Wiedeń ; wydawnictwo ; ca 1908-1914), publishing house

Gustave Doré (1832-1883). "The agricultural competition. The entrance. The opening day.". Bois, S.D. Museum of Fine Arts in the city of Paris, Petit Palais. Agricultural competition, eagerness, entrance, crowd, day, opening, wood

The Virgin with the instruments of the Passion. Bisson Frères (French, active 1840 - 1864)

Woman on Divan, Félicien Rops, 1895 print print maker: Francepublisher: Parisprinter: Paris paper etching female sex; woman. couch, sofa, settee

Audience at a concert, seen on the back, Xavier Mellery, 1855 - 1913 print paper etching listening to music. the audience ~ art performance

Man and wife lean over the edge of a balcony, Corneille Seghers, 1824 - 1869 print paper etching / drypoint balcony. leaning forward

Old man at the writing table scares a woman with the devil as shadow, Johann Daniel Laurentz, after Rembrandt van Rijn, 1758 print paper etching shadow sold to the devil - AA - female human figure. writer, poet, author. old man. human-shaped devils ~ handsome seducer

Stellina adores an idol, Barthélémy Joseph Fulcran Roger, after Pierre Prud'hon, c. 1799 print The idol consists of a god with lightning in his hand, sitting next to a battle. Scene from "La Tribu if" by Lucien Bonaparte. paper etching / engraving literary characters and objects. (story of) Jupiter (Zeus). Discordia (discord) as Roman personification. Disagreement, Discord; 'Discordia' (Ripa)

Mystical Conversation. Odilon Redon; French, 1840-1916. Date: 1892. Dimensions: 133 × 96 mm (image/chine); 441 × 306 mm (sheet). Lithograph in black on light gray chine on heavy ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Artist: Gustave-Marie Greux, French, 1838-1919, After: Nicolas Vleughels, French, born Flanders, 1668-1737, Le Villageois Qui Cherche sonVeau, Etching, platemark: 13.2 × 8.2 cm (5 3/16 × 3 1/4in.), French, 19thcentury, Works on Paper -Prints

Pierrot; Siedlecki, Franciszek (1867-1934); around 1905 (1901-00-00-1910-00-00);Young Poland (Styl), Partage Plus, Pierrot (iconogr.), Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, Commedia Dell`arte (theater), Polish graphics, Polish graphics, Poland (culture), symbolic scenes, symbolism (style)

Construction fragment; Etching by C. Springer. TirelPrent for the etchings of Cornelis Springer with the title on a construction clip in the grass.

Lithography by David Teniers the Younger depicting peasants playing music, showing figures, instruments, and rural interior.

Lithography by Robert Genin from the Sema folder titled 'At the Fountain,' created in 1912, depicting figures near a fountain.

Chinese wife of the imperial palace, sitting on a couch, François Boucher, after Jean Antoine Watteau, c. 1731 print Paris paper etching Chinese. sitting figure - AA - female human figure

An etching by William Unger depicting Maria with child, saints Katharina and Coelestin on the left, and Johannes d. Banger and Barbara on the right, created in 1886.

Soldiers in dying woman at the foot of a tree, Anonymous, After Daniel Nikolaus Chodowiecki, 1750 - 1849 print Germany paper etching the soldier; the soldier's life. mourning customs

The Chimaera with green eyes, screaming, rotating; ... La Chimère Aux Yeux Verts, Tournoie, aboie; Tentation de Saint-Antoine (1); Temptation of Saint Antonius. A fabulous being with a bull head, flying above a mountainous landscape. Seventh print of ten from the first series of illustrations for Gustave Flauberts The temptation of Saint Antonius.

Elf or Fee scatters flowers, in the background a couple, Célestin François Nanteuil, 1823 - 1873 print paper. fairy. elf. flowers. couple of lovers

Sans débrider, state III. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Meissonier, Jean-Louis-Ernest (1815-1891), painter

Holy Family; Czerski, Stanisław (1777-1833), Marcinowski, Antoni (Vilnius; Drukarnia; 1817-1862), Tyszkiewicz, Konstanty (1806-1868); 1822-1832 (1822-00-00-1832-00-00);

The Old Flirts, from Mélodies de Désiré Dihau. Henri de Toulouse-Lautrec; French, 1864-1901. Date: 1895. Dimensions: 232 × 196 mm (image); 384 × 282 mm (sheet). Lithograph on cream wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Portrait d'homme, state I. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Massijs, Quinten (1456-1530), painter, Chardon, Charles (Paryż ; drukarz ; fl. ca 1830-1890 ; st.), printer of graphic prints

Statue of an Angel Claude Mellan French. Statue of an Angel 392511

Childlish at the table; Makowski, Tadeusz (1882-1932); 1931-1932 (1931-00-00-1932-00-00);

Man with a flute and drum and man with a ironing instrument, Virgilius Solis, c. 1545 print paper etching musician at work - CC - out of doors. transverse flute - CC - out of doors. drum (musical instrument) - CC - out of doors. string instruments (bowed) - CC - out of doors

Skeletons on a boat and a horse with a car full of skulls, Marie Danse, after Pieter Brueghel, 1877 - 1909 print paper etching / drypoint Trionfo della death, 'Triumph of death'; "Carro della death '(Ripa). Death as Skeleton

Veranda. Edvard Munch; Norwegian, 1863-1944. Date: 1902. Dimensions: 183 x 265 mm (image); 195 x 280 mm (plate); 330 x 439 mm (sheet). Etching on cream wove paper. Origin: Norway. Museum: The Chicago Art Institute, Chicago, USA.

Flüchtlinge, Pl. 7. Wach, Aloys, 1892-1940. Prints. 1922. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Dance of death

Adam en Eva, anonymous, after Bartholomeus Spranger, after Hendrick Goltzius, 1585 - 1596 print Adam and Eva stand for the tree of knowledge in paradise. Eva just takes on the apple of the snake. On the ground for Adam and Eva a dog and a hedgehog. In the background a deer and a lion. In the lower margin a two -line Latin text. Copy in mirror image to engraving by Hendrick Goltzius from 1585. Reconstructed from two fragments. Northern Netherlands paper engraving Eve takes the fruit from the serpent (or the tree) in the presence of Adam (who may be trying to stop her)

Ruy Blas Act V, Scene III for the great scenes of Ruy Blas

Apothéose , Composers, Berlioz, Hector, 1803-1869. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

In a stable; Makowski, Tadeusz (1882-1932); 1925 (1925-00-00-1925-00-00);

Marriage of a prince, Antonio Casanova y Estorach, 1880 print paper etching / drypoint betrothal and marriage. prince

Reproduction from a print to a drawing of figures pointing to a man in bed, Anonymous, After Adolphe Martial Potémont, After Jean Honoré Fragonard, 1880 photomechanical print Scene from 'Le Gascon Puni' by Jean de la Fontaine. Reproduction of a proof with sketches in the margins. paper waking up

Salome receives the head of Johannes de Boper, William Unger, After Rembrandt van Rijn, After Carel Fabritius, After Willem Drost, 1847 - 1889 print print maker: Germanypublisher: Amsterdam paper. etching Salome is given the head of John the Baptist by the executioner

The Blacksmith. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 8 11/16 × 6 9/16 in. (22 × 16.7 cm)Sheet: 11 × 9 in. (27.9 × 22.9 cm). Date: 1895-96. Museum: Metropolitan Museum of Art, New York, USA.

Woman at a Wastobbe with a boy, Louis-Adolphe Hervier, 1847 print paper etching laundering

Lying nude, Félicien Rops, 1895 print print maker: Francepublisher: Parisprinter: Paris paper drypoint female sex; woman. the (nude) human figure; 'Corpo humano' (Ripa)

Landscape with draftsman on the water, seen on the back, Jan Toorop, 1895 print paper drypoint canal. draughtsman at work Haagse Bos

Sans débrider, state III. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Meissonier, Jean-Louis-Ernest (1815-1891), painter

Vase on pedestal decorated with female figures, putti and masks; placed in an interior with people all around

Wit Stwosz; Styfi, Jan (1839-1921), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

Naked woman with brush in hand, standing by a large book, Félicien Rops, 1895 photomechanical print Paris paper drypoint the painter and his muse. woman (showing herself) undressed, quasi-nude. brushes ~ implements of painter

Jules Bastien-Lepage, The Embroideress (La Brodeuse), 1858-1884, drypoint.

PortraT van C. Rudolphi, Johann Ernst Gericke, 1769 print Berlin paper etching historical persons. cupids: 'amores', 'amoretti', 'putti'. trees: olive-tree (+ branch, stick). trees: palm-tree (+ branch, stick). armorial bearing, heraldry. rocaille ornament. plants; vegetation

Winged figure with palette for a donkey with ornamental ranks, Marc Henry Meunier, 1883 - 1913 print paper etching fabulous beings with wings. palette

An etching by Max Klinger from 1884, sheet 3 of the cycle 'A Life', titled 'Dreams', showing figures in a dreamlike composition, third edition 1891.

Ottoman Women, Marius Bauer, 1889 print Three veiled women walk away from a gate. paper etching veil Ottoman Empire

Reading men by candlelight. Three men in winter clothing around a table with one burning candle on it. One of them reads a book, another newspaper. The third man stares for himself.

For the Sexes: The Gates of Paradise, Plate 14, 'Does thy God O Priest take such vengeance as this', Print made by William Blake, 1757-1827, British, 1826, Etching and line engraving on moderately thick, slightly textured, cream wove paper, Spine: 13 3/4 inches (34.9 cm), Sheet: 13 3/8 x 9 3/8 inches (34 x 23.8 cm), and Plate: 2 1/2 x 2 3/8 inches (6.4 x 6 cm), beard, cell, correctional institution, imprisonment, jail, literary theme, men, nudes, religious and mythological subject, sitting, text

An Old Song, plate five from Yvette Guilbert Original 1898 France. Lithograph (crayon with scraper) in olive-green on cream wove paper hinged at top corners to gray-brown wove paper . Henri de Toulouse-Lautrec

Vandrig; Officers and soldiers from the bodyguard of Emperor Rudolf II. A man with a banner over his left shoulder (a standard bearer), for feet, seen on the right. In the background a hilly landscape in which a junk soldiers marches. In the undermaster a two-key Latin text. Reconstructed from two fragments.

Feuille composée de quatre croquis de sujets de danses , Dancers. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

An Old Song, plate five from Yvette Guilbert. Henri de Toulouse-Lautrec (French, 1864-1901); printed by Westminster Press (English, 20th century); published by the Ernest Brown & Phillips (English, 20th century). Date: 1898. Dimensions: 295 × 242 mm (image); 349 × 268 mm (primary support); 497 × 371 mm (secondary support). Lithograph (crayon with scraper) in olive-green on cream wove paper hinged at top corners to gray-brown wove paper. Origin: France. Museum: The Chicago Art Institute, USA.

Max Beckmann's 1911 lithograph 'Christ and the Disciple' depicts two biblical figures, emphasizing gesture, posture, and narrative composition.

Channel in Rotterdam; Schönleber, Gustav (1851-1917); 1900-1901 (1900-00-00-1901-00-00);

The Spanish gypsy 'Preciosa', 1733 - 1797 print Paris paper etching Preciosa. wandering communities: Romani or Roma

Plate 59 from 'The Disasters of War' (Los Desastres de la Guerra): 'What is the use of a cup' ( De qué sirve una taza) 1811-12 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 59 from 'The Disasters of War' (Los Desastres de la Guerra): 'What is the use of a cup' ( De qué sirve una taza) 381377 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 59 from 'The Disasters of War' (Los Desastres de la Guerra): 'What is the use of a cup' ( De qu sirve una taza), 181112 (published 1863), Etching, burnished aquatint and lavis, Plate: 6 8 in. (15.3 20.3 cm) Sheet: 9 13/16 13 1/2 in. (25 34.3 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 (22.60.25(59))

DANSEUR ESPAGNOL.. Artist: Paul Gavarni, French, 1804-1866

Woman gets help with climbing a horse, Coenraad Hamburger, after Nicolaas Pieneman, 1822 - 1863 print She is helped by two men. paper. riding a horse, ass, or mule; rider, horseman. saddling and bridling

Craftsman Lady, Auguste Danse, 1876 print paper etching / drypoint (other forms of) needlework, e.g.: crocheting, knitting, embroidering

W.Sebastian; Skoczylas, W Adys Aw (1883-1934); 1915 (1915-00-00-1915-00-00);Saint. Sebastian

Sketches for a Cavalry Battle and a Mounted Officer 1813-1814 France. Pen and brown ink with brush and brown wash, over graphite, on cream wove paper, perimeter mounted on ivory laid paper . Jean Louis André Théodore Géricault

Piste of Circus Fernando and naked woman at door in her room, Edgar Degas, 1879 print Leaf with two performances: on the left the slope of the Circus Fernando in Paris with a performance by a man with dogs, a naked woman standing on the right near a door in her bedroom. Both performances were transferred from monotype to stone, the interior is worked out on the stone in Krijt and the artist has applied texture with scratches. . circus. the show; fair and circus performers. female sex; woman. the (nude) human figure; 'Corpo humano' (Ripa). bedroom

Bar in de Folies -Bergère, Henri Charles Guérard, after Edouard Manet, 1882 - 1897 print paper etching inn, coffee-house, public house, etc. (+ waiter, waitress, etc.) Paris

The first intermezzo, pl. 6, saving the victims of Ovid, op. II; Theo. Stroefers Kunstverlag (Publisher; Munich-Normberg; 1877-1958), Stroefer, Theodor (1843-1927), Klinger, Max (1857-1920); 1879 (1879-00-00-1879-00-00);

Katharina Prestel after Adriaen Pietersz van de Venne, Peasant with Country Fair Singers, 1780 Peasant with Country Fair Singers

For the Sexes: The Gates of Paradise, Plate 13, 'Aged Ignorance', Print made by William Blake, 1757-1827, British, 1826, Etching and line engraving on moderately thick, slightly textured, cream wove paper, Spine: 13 3/4 inches (34.9 cm), Sheet: 13 3/8 x 9 3/8 inches (34 x 23.8 cm), and Plate: 2 7/8 x 2 1/2 inches (7.3 x 6.4 cm), angel, beard, branches, children, leaf, literary theme, men, nudes, religious and mythological subject, scissors, shears, sun, text, trees, wings

De koning van Missisipi King of Mississippi. 1686 - 1725. Allard, Abraham, 1676-1725. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Man leans from a tower window and blows on a trumpet, Rombertus Julianus van Arum, 1822 - 1883 print Amsterdam paper tower (of house or building). horn, trumpet, cornet, trombone, tuba

Kop of a young woman, Otto Rasch, 1888 print Weimar paper etching / drypoint adolescent, young woman, maiden

Putto with a winch and an arrow. .

Two putti spinning, Hyacinthe Louis Victor Jean Baptiste Aubry-Lecomte, After Pierre Prud'Hon, 1848 print Paris paper. spinning (manufacture of yarn). cupids: 'amores', 'amoretti', 'putti'

Umbria Perugia Spoleto S. Maria Assunta, Cathedral0. Hutzel, Max 1960-1990 Exterior views: facade (12th century) with details of the rose window, blind gallery, classicizing architectural sculpture, portal with jambs of inhabited vinescroll, campanile with reused relief fragments (7th-8th centuries), and painting of Christ Blessing flanked by St. John and Virgin Mary (1207). Interior views: pavement in geometric patterns; apse frescoes by Fra Fillipo Lippi (1469) with scenes from the Nativity; fresco of the Pieta by Pinturicchio in the Cappella Eroli (1497); frescoes in the Cappella del'Assunta of Saints Jerome, Michael and Lucy, and ceiling frescoes of Noah, Adam and Melchisedek; paintings, cruicifixes, marbles busts of the Cardinal Eroli and Lippi in the Cappella delle Reliquie; marble statues of Kings David and Solomon in the baroque Cappella della SS. Icone; 14th and 15th century frescoes and a baroque frieze in the Cappella S. Anna; and perhaps a marble statue by Bernini in the wo

Redon, Odilon (n.1840-04-22-D.1916-07-06), here is the good-gover, the ideen of the mountains, (Mellerio 148) (main title), 1896. Lithography on China Applied on Vell strong. Petit Palais, Museum of Fine Arts of the City of Paris.

The Heart and Het Vernuft, Reinier Vinkeles (I), After Jacobus Buys, 1792 print The personifications of the heart and the ingenuity have a conversation. Illustration in the story 'The heart and ingenuity' from 'fables for the Dutch youth'. Amsterdam paper etching Heart Symbolism. Intellect, intelligence; 'Intelletto', 'Intelligence' (Ripa) (+ Personification). Cupids: 'Amores', 'Amoretti', 'Putti'

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