Figure and Sketch Studies

A collection of artistic sketches featuring figure studies, landscapes, and profiles, emphasizing posture, anatomy, and naturalistic forms, in various mediums like chalk and etching.

Edelfelt, Albert, work, Sketch book, drawing, 8 cm x 12 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

A red chalk drawing by Johann Hans Reinhard von Marées around 1873-1874 depicting two figures, emphasizing posture, anatomy, and spatial relation between the figures.

Landscape, George Hendrik Breitner, 1884 - 1886 Page 60 from a sketchbook with 67 sheets made in Drenthe. Drenthe paper. chalk landscapes Drenthe

Walking Woman, Red chalk on brown paper, Woman seen from the back; left arm is somewhat raised; the points of the feet are unexecuted., Italy, 1725-50, figures, Drawing, Drawing

Edelfelt, Albert, work, Sketch book, drawing, 8 cm x 12 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Study. Page 14 From a sketchbook with 19 sheets.

Drapery Study of Sleeve, Daniel Huntington, American, 1816-1906, Graphite, black crayon on cream wove paper, Study of left sleeve and part of a cowl. Verso: Light sketch of a boy's head., New York, New York, USA, December 1, 1845, figures, Drawing, Drawing

Figure Study of Legs, Benjamin Robert Haydon, 1786-1846, British, undated, Graphite on medium, slightly textured, cream, wove paper, Sheet: 6 5/16 × 3 9/16 inches (16 × 9 cm), anatomical study, feet, knees, legs

Abklatsch of the chalk drawing on page 9, 1875 - 1934 Page 8 from sketchbook XLVIII with 62 pages. The Hague (possibly) paper

Drawing, Study: Hands; Italy; charcoal and white heightening on blue paper

Head of a Boy Seen from Behind. Dated: c. 1885. Dimensions: overall: 23.7 x 15.2 cm (9 5/16 x 6 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: PAUL CEZANNE.

Two studies of an arm, Giacomo Cavedone, 1588 - 1660 drawing Two studies of an arm, in a sleeve of a priestly robe. paper. chalk Drapery, Draped Garment, 'Graubarfings'. arms

Study of an arm and a hand in a ladies' portrait, Anonymous, 1610 - 1630 drawing Verona paper. chalk Drapery, Draped Garment, 'Graubarfings'. arms

Tadeusz Matuszewicz and Ignacy Potocki - an auxiliary track for the engraving of the "Orthodox of the Constitution of May 3" (fragment of the composition); Jasi Ski, Feliks Stanis AW (1862-1901), Matejko, Jan (1838-1893); 1892 (1892-00-00-1892-00-00);Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972)-collection, reproductive graphics, auxiliary matrix on celluloid, purchase (provenance)

Edelfelt, Albert, work, Sketch book, drawing, 22.5 cm x 30 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Picking young woman. Page 33 From a sketchbook with 19 sheets.

Drawing, Drapery Study of Sleeve; Daniel Huntington (American, 1816-1906); USA; graphite, black crayon on cream wove paper; 23.1 x 30.1 cm (9 1/8 x 11 7/8 in.); Bequest of Erskine Hewitt; 1942-50-130

Sketchbook Peter Frederick Rothermel (American, 1817-1895). Sketchbook, 1857. Graphite with ink and watercolor on cream, medium-weight, slightly textured wove paper, 5 11/16 x 8 5/8 x 3/8 in. (14.4 x 21.9 x 1 cm). This forty-two-page sketchbook contains drawings by the history painter Peter Frederick Rothermel of scenes in Genazzano, Italy, forty miles east of Rome. He documented the local architecture, sculpture, landscape, and people, while also including sketches for narrative subjects. The costumes and daily life of the townfolk are captured in several skillful figure studies, including this image of a man leaning against a stone wall. American Art 1857

Man met een pet.Standing man with a cap. Leaf 46 Recto from a sketchbook with 55 sheets manufactured in the Veluwe and in Northern Germany.

Study of a Male Nude, in a Laid out Position on the Floor, Benjamin Robert Haydon, 1786-1846, British, undated, Pen and brown ink on medium, smooth, ccream, wove paper, Sheet: 2 7/16 × 5 11/16 inches (6.2 × 14.4 cm), anatomical study, male, nude

Sketch of a farm wagon, Gerard Bilders, 1848 - 1865 drawing paper. pencil (farm) wagon, freight wagon, cart

Part of the upper body and head of a man, Dick Ket, 1912 - 1940 drawing paper. chalk head (human)

Pompeo Batoni, Sketches of Heads and Hands Sketches of Heads and Hands

Man met een mand.Man with a basket. Leaf 22 Verso from a sketchbook with 39 sheets, partially manufactured to Ulm and Leiden.

Nude Model Reclining (Nude Model Resting) 1893 James McNeill Whistler American. Nude Model Reclining (Nude Model Resting). James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). 1893. Transfer lithograph with stumping, drawn on fine-grained transfer paper; third state of three (Chicago); printed in black ink on cream laid paper. Prints

Forearms, a hand and a seated man next to a table. Leaf 86 Verso and 87 recto from a sketchbook with 105 sheets.

Standing woman in a cloak, seen on the back. Leaf 17 Verso from sketchbook LXIV with 29 sheets.

Heads of a man with a hat. Also a study of an eye. Leaf 78 Recto from a sketchbook with 83 sheets.

Francisco de Goya y Lucientes / 'Cruel tale of woe'. 1812 - 1814. Red chalk on grey laid paper. Museum: Museo del Prado, Madrid, España.

Draper Study; Thoma, Hans (1839-1924); 1860-1870 (1860-00-00-1870-00-00);

Untitled (study of hands) - preparatory drawing for 'The marriage at Cana' drawings, works on paper

Study of a standing farmer with hands on her back, and a detail of an arm, Thomas Simon Cool, c. 1841 - c. 1870 drawing paper. pencil

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Couples Out for a Stroll. Date: February-June 1886, Paris. Dimensions: 10.9 cm x 19.8 cm. Museum: Van Gogh Museum, Amsterdam.

A pencil drawing by Carl Schuch depicting a basket, emphasizing form, texture, and composition.

Figure in a jacket to the single. Leaf 26 Verso from a sketchbook with 37 sheets.

Self -impaver, c. 1880 Page 59 Verso and page 60 Recto from a sketchbook with 110 sheets meant during the expedition to Nova Zembla in 1880. New Zembla chalk family group, especially parents with their child(ren). adult man

A Standing Female Figure, George Romney, 1734-1802, British, undated, Graphite on medium, slightly textured, cream laid paper, Sheet: 5 1/4 x 2 3/8 inches (13.3 x 6 cm), female, figure study, standing

Portrait of an unknown woman. Possibly a maid. Page 27 and page 28 from a sketchbook with 38 sheets.

Drawing, Study of two hands reaching; Elihu Vedder (American, 1836 - 1923); USA; pencil, chinese white, on blue-gray paper; 13.3 x 17.2 cm (5 1/4 x 6 3/4 in.)

Man with spade, possibly a hutcher. Page 11 from a sketchbook with 49 sheets.

Sitting figure and an animal head. Page 15 from a sketchbook with 19 sheets.

Verona Sketchbook: Right arm and hand (page 49), 1760. Francesco Lorenzi (Italian, 1723-1787). Black chalk with white heightening ; sheet: 32 x 23 cm (12 5/8 x 9 1/16 in.).

Apen.Leaf 25 Verso from a sketchbook with 25 sheets.

Study of a Seated Figure, Benjamin Robert Haydon, 1786-1846, British, undated, Graphite on medium, slightly textured, brown, laid paper, Sheet: 7 11/16 × 4 15/16 inches (19.5 × 12.5 cm)

Three studies of the head of an old man, George Hendrik Breitner, c. 1882 Page 33 from a sketchbook with 31 sheets made in The Hague and Rotterdam. The Hague paper. chalk head (human). old man

A Young Man Asleep, George Lambert, 1700-1765, British, undated, Red chalk over graphite on medium, slightly textured, cream laid paper, Sheet: 4 1/2 × 7 1/8 inches (11.4 × 18.1 cm), genre subject, man, resting, sleeping

Zilcken, Philip, Croquis de mendiante, Portrait of a woman, verso - handwritten, print, prent, prints, height 108 mm, width 36 mm, 1857-04-20 - 1930-10-03, print maker, printmaker, 1890 - 1930, paper, papier, etching, etchings, plate tone

Incomplete black chalk study of drapery by Matthias Grünewald (1470 - 1528) a German Renaissance painter of religious works, who ignored Renaissance classicism to continue the expressive and intense style of late medieval Central European art into the 16th century.

Anton Domenico Gabbiani, Satyr Leaning on a Column Satyr Leaning on a Column

Study. Page 2 from a sketchbook with 81 sheets.

Beheads of John the Baptist, Rembrandt van Rijn, c. 1640 - c. 1641 drawing Amsterdam paper. ink pen the beheading of John the Baptist

Study of folded hands, for the portrait of Mrs. Ragazzi -van den Wall Bake, Jan Veth, 1874 - 1925 drawing paper. ink. chalk pen hand. historical persons

Torso of a Boxer. Jean Louis André Théodore Géricault; French, 1791-1824. Date: 1818-1819. Dimensions: 218 × 253 mm. Graphite, on cream wove paper, perimeter mounted on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Women's Head, 1875 - 1934 Page 6 Recto from sketchbook XXVIII with 17 sheets. The Hague paper. pencil head (human) - AA - female human figure

Algerian with a headscarf, seen from the front. Page 36 From a sketchbook with 32 sheets.

Paul Cézanne, Woman Leaning Forward, 1888 1891 Woman Leaning Forward

Drawing by Karl Agricola of a seated girl using coal, reddish highlights, white raised accents, and pencil on gray paper, focusing on posture and composition.

Two Greek Classical Figures. Dated: in or after 1797. Dimensions: overall: 14.7 x 19.1 cm (5 13/16 x 7 1/2 in.). Medium: graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: JOHN FLAXMAN.

Abklatch of the chalk drawing on leaf 8 recto. Leaf 7 Verso from sketchbook Liv with 18 sheets.

Figure with an object in his hands, George Hendrik Breitner, c. 1880 - c. 1906 Page 143 from a sketchbook with 81 sheets. Netherlands paper. chalk carrying something

Torso of Venus. Date: March-June 1886, Paris. Dimensions: 10.9 cm x 19.8 cm. Museum: Van Gogh Museum, Amsterdam.

Study of a hand, Isaac Walraven, 1727 drawing paper. chalk hand

Sir David Wilkie, 1785-1841, British, Child's Broken Cart and Fiddler's Wife's Arm, 1806. Graphite with red and white chalk on moderately thick, moderately textured, beige wove paper.

Drawing (Italy)

Sketch and legs; Makowski, Tadeusz (1882-1932); 1908-1910 (1908-00-00-1910-00-00);

Study. Leaf 94 Verso from a sketchbook with 105 sheets.

Point, Armand (n.1860 - D.1932-02), Study of arms tightening an object (recto) / Study of naked man (back) (main title). Blood on beige paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Madame Cézanne with her Head Lowered. Dated: 1893/1896. Dimensions: overall: 23.7 x 15.2 cm (9 5/16 x 6 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: PAUL CEZANNE.

The left hand of Charles from Mallery on its cloak ..

Illustration 'Home (22)' by Wilhelm Busch depicting Mr. and Mrs. Knopp, executed in brown feder on brownish paper with white portpaper and black-brown border, 1875-1877.

Drawing, Study for portrait; Harriet Blackstone (American, 1864 - 1939); USA; graphite on paper; 49 × 61 cm (19 5/16 in. × 24 in.)

Smoking woman in an armchair. .

Studies of "Fortitude" and "Purity" for the Mosaic "St. George and the Dragon". Artist: Sir Edward John Poynter (British (born France), Paris 1836-1919 London). Dimensions: Sheet: 9 1/2 × 10 3/4 in. (24.2 × 27.3 cm). Date: ca. 1869.Poynter made this drawing around 1869 as he prepared a mosaic centered on St. George for the Central Lobby of the Palace of Westminster. In the finished work, England's patron saint stands over a dragon, accompanied by female figures that represent Fortitude and Purity (Poynter also designed a St. David mosaic symbolizing Wales, but the Ss. Andrew and Patrick panels--relating to Scotland and Ireland--were not installed until the 1920s based on designs by Robert Anning Bell). This sheet of hand studies demonstrates the artist's exacting process, focussing on Fortitude with her emblemmatic club (a symbol inherited from Hercules), and Purity holding the edge of a helmet (derived from St. Paul's exhortation to believers in "Letter to the Ephesians" to "put on t

Two studies of a baby, George Hendrik Breitner, 1880 - 1882 Page 19 from a sketchbook with 29 magazines. The Hague paper. pencil infant, baby

Arthur-Joseph Guéniot (1866-1951). Anatomical study. Hands crossed and right hand stretched (front); Sketched hand (back). Black stone. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Drawing, Albert Gallatin, Two Left Hand Studies; Daniel Huntington (American, 1816-1906); Sitter: Albert Gallatin, Abraham Gallatin, Alfonse Gallatin; USA; graphite, white chalk on grey wove paper; 29.5 x 22.8 cm (11 5/8 x 9 in.); Bequest of Erskine Hewitt; 1938-57-1028

Poes Lola.Page 24 From a sketchbook with 25 sheets.

Sketchbook William Merritt Chase (American, 1849-1916). Sketchbook, 1872. Graphite and black, red and white Conté crayon on cream and tan medium-weight, slightly textured wove paper, 11 7/8 x 9 7/16 x 11/16 in. (30.2 x 24 x 1.7 cm). William Merritt Chases knack for realistic characterization is evident in these deftly executed informal portraits, possibly representing his fellow students at the Royal Academy in Munich. This sketchbook contains numerous other portraits, as well as figure studies from a life class, rendered with different approaches—the linear style seen here and a softer, tonal one used on other pages. American Art 1872

Sitting woman. Draughtsman: George Hendrik Breitner. Dating: 1898. Place: Amsterdam. Measurements: h 124 mm × w 194 mm. Museum: Rijksmuseum, Amsterdam.

The Fates - Male and Female Nude - Study for the Lovers, 1865.. Artist: Sir Edward Burne-Jones

Two studies of heads, by Fiori Federico known as Barocci (Baroccio), 16th Century, black pencil, white chalk on paper. Italy, Tuscany, Florence, Uffizi Gallery, Drawings and Prints Cabinet. Whole artwork. Studies head white black.

Study into a burial monument for a woman, Louis Joseph Greuse, after Germain Pilon (I), 1883 print paper etching grave, tomb. the corpse

Holmberg, Werner, work, Sketch book, drawing, 21.3 cm x 27.6 cm, Holmberg, Werner

Green album of 136 pages (68 leaflets) of blue paper Jean-Baptiste Carpeaux (1827-1875). Green album of 136 pages (68 leaflets) of blue paper, nineteenth century.

Sketch sheet with two figures.

Edelfelt, Albert, work, Sketch book, drawing, 22 cm x 30.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Parviainen, Oscar, work, Resting girl, etching, graphics, plate width 23.5 cm, plate height 10, 4 cm, leaf width 49.2 cm, leaf height 30.3 cm

Rock party in an aquarium, draughtsman: Gerrit Willem Dijsselhof, 1876 - 1924, paper, h 285 mm × w 235 mm

Hand, 1710 - 1772 The hand probably holds the button of a (walking) stick. Page 55 Recto from a sketchbook with 105 sheets. paper. chalk hand

Drawing, Study for "The Atlantic Cable Projectors"; Daniel Huntington (American, 1816-1906); Sitter: Peter Cooper (1883); USA; graphite, white chalk on blue wove paper; 35.5 x 25.3 cm (14 x 9 15/16 in.); Bequest of Erskine Hewitt; 1942-50-525

Studies for the Preaching of John the Baptist in the desert: man's head and drapery study of a seated figure. Draughtsman: Cornelis Kruseman. Dating: 1807 - 1857. Measurements: h 260 mm × w 390 mm. Museum: Rijksmuseum, Amsterdam.

Persépolis. Palais no. 8. (Bas-relief.) Takht-i-Djemchid Takht-i Jamshîd. Flandin, Eugène, 1809-1876. Flandin, Eugène (1809-1876). Prints. 1851 - 1854. General Research Division. Iran, Iran , Antiquities

Study of King Costume King Gambrinus; Thoma, Hans (1839-1924); 1886 (1886-00-00-1886-00-00);

Green album of 136 pages (68 leaflets) of blue paper Jean-Baptiste Carpeaux (1827-1875). Green album of 136 pages (68 leaflets) of blue paper, nineteenth century.

Girl with a Bonnet Reclining verso. Medium: pen and black ink over graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Paul Sandby.

Front part of rhino clara. Two mirrored studies of the front part of the rhino. Page 24 from a sketchbook with 158 pages.

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