Figure Studies and Compositional Views

Graphite and pencil drawings illustrating human figures in various contexts, focusing on movement, anatomy, and scene composition.

Deucalion en Pyrrha, c. 1650 - c. 1799 Deucalion and Pyrrha pick up stones from the ground that they will throw over their shoulders. Also figure studies. Page 32 From a sketchbook with 72 pages. Italy (possibly) paper. pencil. ink brush stones turning into men: stones thrown by Deucalion and Pyrrha, as directed by the oracle of Themis, turn into men (Ovid, Metamorphoses X 400)

A drawing by Carl Goebel using pencil, pen in brown, and reddel showing Spanish robbers in a rocky landscape with figures and terrain.

Sawrey Gilpin, 1733-1807, British, Hunting Sketch: Gone to Earth, undated. Graphite on thin, moderately textured, laid paper.

Group of Peasants with Man on Horse 1789-1843 England. Graphite on tan wove paper . William Henry Pyne

Wall Paintings, Attributed to John Carter, 1748-1817, British, between 1793 and 1799, Graphite on medium, slightly textured, white laid paper, Sheet: 7 5/8 × 12 1/4 inches (19.4 × 31.1 cm), architectural subject, City of Westminster, England, London, Palace of Westminster, United Kingdom

Men Going out to Fight, with a Crowd of Cowering Women Behind, George Romney, 1734-1802, British, undated, Graphite; verso: gray wash and black ink on medium, slightly textured, cream laid paper, Sheet: 5 1/2 x 7 3/4 inches (14 x 19.7 cm), figure study, men, movement, women

A collection of pencil figure sketches by Blasius Höfel from 1844-1846 showing human forms in various poses and compositions.

Purgatorio X, Sandro Botticelli (Florence, Italy, 1445 - 1510) 1887

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Figuurstudies, mogelijk vissersvrouwen.Page 34 from a sketchbook with 37 sheets.

Deucalion en Pyrrha, c. 1650 - c. 1799 Deucalion and Pyrrha pick up stones from the ground that they will throw over their shoulders. Also figure studies. Page 32 From a sketchbook with 72 pages. Italy (possibly) paper. pencil. ink brush stones turning into men: stones thrown by Deucalion and Pyrrha, as directed by the oracle of Themis, turn into men (Ovid, Metamorphoses X 400)

Bleigriffel drawing by Christian Wilhelm Ernst Dietrich depicting an Arcadian landscape with dancing shepherds, showing figures, landscape, and composition.

Emanuel Gottlieb Leutze, Study for Westward the Course of Empire Takes Its Way, c 1862 Study for Westward the Course of Empire Takes Its Way

Hell, George Romney, 1734-1802, British, undated, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 3/4 x 9 3/8 inches (14.6 x 23.8 cm), bodies, hell, religious and mythological subject

Scene from Shakespeare's, Romeo and Juliet, Robert Smirke, 1752-1845, British, and / or Mary Smirke, 1779-1853, British, undated, Graphite on medium, slightly textured, cream, wove paper, mounted on thick, smooth, brown, wove paper, Sheet: 6 9/16 × 9 9/16 inches (16.7 × 24.3 cm) and Mount: 10 × 14 3/8 inches (25.4 × 36.5 cm)

Standing Female Figure with Cupid; Figure of Cupid 18th century Anonymous, French, 18th century French. Standing Female Figure with Cupid; Figure of Cupid. Anonymous, French, 18th century. 18th century. Graphite. Drawings

A red chalk figure study by Paul Troger, emphasizing anatomy, posture, and gesture in a single figure composition.

Swoboda's pencil draft for a monument showing proposed design and compositional planning.

A pencil drawing by August Xaver Karl von Pettenkofen showing a scene from Gil Blas.

Drinking at the Dis, Henk Henriët, c. 1930 - c. 1939 drawing Three men half with a glass in their hand. paper. pencil drinking

Battle cart pulled through, among others, Anarchy and Boljewiki, Democracy and Freedom, Johan Braakensiek, c. 1868 - c. 1940 drawing Possibly a design for a print. paper. pencil. chalk political caricatures and satires

Design for an allegory on the suppression of Commerce and Arts by Mars, and the hope established on Louis Napoleon, Design for a decoration or painting., Jurriaan Andriessen, c. 1752 - c. 1819, paper, ink, graphite (mineral), brush, h 257 mm × w 355 mm

Capt. Thomas Hastings, 1778-1854, British, Sketch of Two Men in a Boat and a House on the Shore, undated. Graphite on medium, slightly textured, cream wove paper.

John Singleton Copley, Study for The Defeat of the Floating Batteries at Gibraltar, 1783 1786 Study for The Defeat of the Floating Batteries at Gibraltar

Italy, Billy, Nicolo, Testa, Pietro, Man with cross lying against rock, surrounded by angels, verso - stamped, print, prints, height 194 mm, width 275 mm, Italian, 1612 - 1650, intermediary draughtsman, after a drawing by, 1650 - 1750, paper, papier, etching, etchings, print maker, printmaker

Apollo, the muzen and Mercurius ..

Copy, James Ensor, circa 1860-1949, drawing, Belgian Art

'Im Vorzimmer seiner Hoheit', mid-late 19th century, (c1924). Creator: Carl Spitzweg.

Brown ink drawing with lavated brush by an anonymous artist from the 17th century depicting eight winged putti pulling vessels and leading a goat.

Detail from the painting the Battle of Waterloo ..

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Henry William Bunbury, 1750-1811, British, The Balloon, undated. Graphite and watercolor on moderately thick, slightly textured, beige laid paper.

Hell. Date/Period: 1749/1802. Graphite on medium slightly textured beige wove paper. Width: 22.5 cm. Height: 12.7 cm. Author: GEORGE ROMNEY.

The Rape of Proserpine. Artist: Sir Edward Burne-Jones

Drapery Study; Two Figures Pulling a Pole, 1785-86. John Singleton Copley (American, 1738-1815). Black chalk heightened with white chalk; sheet: 35.5 x 56.7 cm (14 x 22 5/16 in.).

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Unidentified composition- Study for VillageScene, Graphite, Wove, 22.6 × 28.9 cm (8 7/8 × 11 3/8in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

A study by Rudolf Weyr focused on human figures, examining posture, proportions, and anatomical details.

This 1838 pencil and watercolor sketch by Friedrich Gauermann at Monte Baldo depicts a woman with a spindle and woolen ball, waves in the surf, and a man in traditional costume, emphasizing human figures, activity, and landscape elements.

Edelfelt, Albert, work, Sketch book, drawing, 14.5 cm x 25 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Drawing, Two Sketches for a Wall Mural; Francis Augustus Lathrop (American, 1849 - 1909); USA; graphite on paper; 19.8 × 26.3 cm (7 13/16 × 10 3/8 in.); 1914-38-247

A Mother and Children: Two Studies. Drawing. Graphite on medium slightly textured cream laid paper. Height: 111 mm (4.37 in); Width: 175 mm (6.88 in). Author: GEORGE ROMNEY.

Bliżej Kultury Rembrandt van Rijn (1606 1669), H. Kleinmann & Co Haarlem

An Elegant Hunting Party Resting by a Fountain, 1685, graphite on laid paper, overall: 24.4 x 37.6 cm (9 5/8 x 14 13/16 in.), Peeter Bout (artist) Flemish, 1658 - 1719

Arrenslede, Johannes Taventrate, 1840 - 1880 drawing Sketch magazine with horse sleigh and skaters. paper. pencil horse-sleigh. skates (winter sports)

Jupiter and Juno in a landscape, c. 1701 The couple is under a tree, is partially undressed and focuses the faces towards each other. The eagle is next to Jupiter. Page 27 Recto from a sketchbook with 63 sheets. paper. chalk The couple is under a tree, is partially undressed and focuses the faces towards each other. The eagle is next to Jupiter. Page 27 Recto from a sketchbook with 63 sheets. paper. chalk

The Rest on the Flight into Egypt (recto); The Arch of Titus, Camp Vaccino (verso). Artist: Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5-1682 Rome). Dimensions: sheet: 7 7/8 x 10 3/8 in. (20 x 26.4 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Edward Francis Burney, 1760-1848, British, The Arts, undated. Pen and black ink and gray wash on medium, slightly textured, beige laid paper.

Sketchbook, Preziosi, Amadeo, 1816-1882, pencil, gray wash, white heightening, 1875, The sketchbook by Maltese artist Preziosi comprises drawings of sites and cultural monuments in Paris, Versailles, Saint-Cloud, Fontainebleau, Marseilles, Messina, and London, with views of Trafalgar Square, St. Paul's Cathedral, Hampton Court, Westminster Abbey, and the British Museum.

Bading Women by Men Spied, Charles de Ligne, After Guercino, 1774 - 1792 print Three bathing women are spied on by two men in the bushes. paper etching washing and bathing. peeping, voyeur

A drawing by Rudolf Weyr on transparent paper using brown and black pen and pencil, depicting a frieze with putti, showing ornamental and sculptural details.

Family Group, John Vanderbank, 1694-1739, British, undated, Graphite with pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 11 9/16 × 7 7/8 inches (29.4 × 20 cm)

Studies of Arabian warriors - Rozsers from the composition "Maorow for Filip III" (Verso); Horse study in gallop (recto); Chlebowski, Stanis AW (1835-1884); 1852 (1852-00-00-1852-00-00);Arabs, Olszyński, Andrzej, Olszyński, Andrzej - collection, orient, riders, horses, painting, lenses, orientalism, warriors, army, purchase (provenance), animals

Rinaldo Rescued from Armida. Artist: Benjamin West (American, Swarthmore, Pennsylvania 1738-1820 London). Dimensions: Sheet: 7 9/16 × 12 1/8 in. (19.2 × 30.8 cm). Date: 1766-1800.West's sketch illustrates "Jerusalem Liberata," an epic poem by Torquato Tasso published in 1581. The story tells of the crusader knight Rinaldo kidnapped by Armida, a sorceress, who takes him to a magical island where the two fall in love. Eventually, the knight's companions Carlo and Ubaldo find him, break the spell, and enable Rinaldo to return to battle. Here, the knight's friends urge him to board a skiff as Armida desperately tries to persuade him to stay. Museum: Metropolitan Museum of Art, New York, USA.

Sawrey Gilpin, 1733-1807, British, Studies of Figures on Horseback, undated. Graphite on medium, slightly textured, cream laid paper.

Etienne Aubry, Mother and Children, 1755-1781, pen and black ink over pencil on paper.

Two Sketches for a Wall Mural, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Two horiztonal rectangular compositions. Above, enthroned figure at right, many figures to the left, with notes on sizes. Below, female figure seated with two standing figures on either side., USA, ca. 1895, mural designs, Drawing, Drawing

Study sheet with sitting and standing figures; Study magazines with figures and horses; Delineatees Nonnullae Hominum, Equorum Equitum. .

Figure studies, George Hendrik Breitner, 1880 - 1882 Page 51 from a sketchbook with 29 sheets. The Hague paper. pencil adult man. adult woman

The death of Saint Pellegrino surrounded by many putti 1700-1800 Anonymous, 18th century. The death of Saint Pellegrino surrounded by many putti. Anonymous, 18th century. 1700-1800. Etching. Prints

Via Crucis; Christ Falling Beneath the Cross (recto) Sketch of Male Nude (verso) 1560-1570 Italy. Pen and brown ink over traces of black chalk, on ivory laid paper . Follower of Luca Cambiaso

Study of the Resurrection of Lazarus, Benjamin Robert Haydon, 1786-1846, British, undated, Pan and brown ink on medium, slightly textured, cream, laid paper, Sheet: 8 3/8 × 9 5/8 inches (21.3 × 24.4 cm), Christianity, figures, halo, kneeling, miracle, New Testament, praying, religious and mythological subject, standing, the raising of Lazarus ('Lazarus, come out')

Cecil van Haanen pencil and brown chalk studies showing figure sketches and design exploration, emphasizing line, form, and proportion.

This drawing by Karl Rahl the Younger is an unknown illustration executed in brown ink, emphasizing line, form, and compositional structure.

Seated Artist, Domenico Gargiulo, called Micco Spadaro, Italian, 1609 - 1675, Pen and ink on paper, lined, Seated artist sketching a putto and skull., Italy, 1635-1650, figures, Drawing, Drawing

A Black Leg Detected Secreting Cards (a Study). Drawing. Pen and brown ink on medium, slightly textured, blued white, laid paper. Height: 87 mm (3.42 in); Width: 135 mm (5.31 in). Author: Thomas Rowlandson.

Study leaf with an old man with his dog, two standing girls and a man's head, Matthijs Maris, After 1849 - Before 1917 drawing paper. ink pen dog

Reconciliation of the Romans and the Sabines (recto), c. 1632/35. Peter Paul Rubens (Flemish, 1577-1640). Pen and brown ink and brush and gray and brown wash; framing lines in brown ink; sheet: 19.9 x 49.2 cm (7 13/16 x 19 3/8 in.).

Circe and Ulysses, pen and brown ink with gray wash on laid paper, overall: 44.5 x 60.2 cm (17 1/2 x 23 11/16 in.), French 19th Century (artist)

John Flaxman, Sheet of Studies Sheet of Studies

Photo production of the engraving kidnapping by the sea monster by Albrecht Dürer, Anonymous, After Albrecht Dürer, c. 1910 - c. 1940 photograph paper. cardboard gelatin silver print print, e.g.: engraving, etching, lithograph. monsters of the sea. merman

Sketches of Dancers and Heads of Putti. Dated: 1748. Dimensions: overall: 13.7 x 20.6 cm (5 3/8 x 8 1/8 in.). Medium: pen and black ink with gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Gabriel Jacques de Saint-Aubin.

Arson of sea deities pitched in the form of Arabesia; Thoma, Hans (1839-1924); 1870-1900 (1870-00-00-1900-00-00);

The Great War: the effort and ideal of Great Britain represented in a series of lithographs. Tree transport Sir William Rothennstein (1872-1945). "The Great War: the effort and ideal of Great Britain represented in a series of lithographs - transport of trees". Lithograph, 1914-1917. Museum of Fine Arts of the city of Paris, small palace.

The Sabbath Round Paul-Henri Regeau, French painter. The Round of Sabbath. Pencil and ink on paper. 1885. Paris, Victor Hugo House.

Purgatorio XX, Sandro Botticelli (Florence, Italy, 1445 - 1510) 1887

Drawing, Seated Artist; Designed by Domenico Gargiulo; Italy; pen and ink on paper, lined

Jacques Louis David, Studies of Classical Women, with Eros, 1775 80 Studies of Classical Women, with Eros

Resting After Work, chart 16 from the portfolio Pro memoria. The Prussian in Poland (1915-1918)". Cotty, Jan (Warszawa ; drukarnia i zakład litograficzny ; 1863-1939), lithography atelier, Rapacki, Józef (1871-1929), graphic artist, Tygodnik Ilustrowany (Warszawa ; wydawnictwo ; 1859-1939), publisher

Woman leaning on a fence and putti, c. 1840 - c. 1860 Page 15 Verso from a sketchbook with 38 sheets. Low Countries paper. pencil fence, wall, paling. standing figure - AA - female human figure. cupids: 'amores', 'amoretti', 'putti'

Inferno XIX, Sandro Botticelli (Florence, Italy, 1445 - 1510) 1887

Edelfelt, Albert, work, Poltettu kylä, composition sketch, sketch 1879, marker, drawing, HISTORY; Mace War; SCENE; war; exhaust, 22 cm x 33.5 cm, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Two riders, draughtsman: Louis Moritz, 1783 - 1850, paper, pen, h 159 mm × w 228 mm

Interiors with figures sitting at a table, 1854 - 1914 Page 2 Recto from a sketchbook with 43 sheets. paper. chalk. pencil interior of the house. sitting figure. table

Drawing; Felice Giani (Italian, 1758-1823)

Study for a Ceiling Panel 18th century Anonymous, Italian, Roman-Bolognese, 18th century. Study for a Ceiling Panel 340179

Natives Hauling a Boat, George Chinnery, 1774-1852, British, undated, Pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 4 × 6 3/4 inches (10.2 × 17.1 cm), boat, figure study, marine art, workers

Preparing for the March. Dated: 1862. Dimensions: sheet: 7.8 × 14.8 cm (3 1/16 × 5 13/16 in.). Medium: graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Winslow Homer.

Botanicus, Cornelis Brouwer, After Gerbrand van den Eeckhout, 1780 - 1787 drawing Some men study plants at a table. The old sitting man writes in a book. On the left, a man wears a basket with plants. Through the windows view of a garden and a country house. The transpress drawing is loose in an album, see page 43. Amsterdam paper. chalk. ink brush botany. enjoying nature ~ plants, herbs and flowers

The Leech and His Patient, Illustration for The Scarlet Letter Felix Octavius Carr Darley (American, 1822-1888). The Leech and His Patient, Illustration for The Scarlet Letter, ca. 1878. Brown-black ink with graphite underdrawing on cream, thick, very smooth, highly calendered wove paper., Image: 12 x 16 5/16 in. (30.5 x 41.4 cm). Executed in the spare linear style that characterizes the work of F. O. C. Darley, this ink drawing portrays a scene from Nathaniel Hawthornes Scarlet Letter (originally published in 1850), in which Roger Chillingworth, a physician and Hester Prynnes long-lost husband, tries to convince the Reverend Arthur Dimmesdale, her lover, to confess the secret affair. Notwithstanding the economy of his line, Darley used body language and richly detailed period costume and setting to dramatize the story. For example, Chillingworths crooked pose reflects his bent for revenge, and Dimmesdales gesture of clutching his heart alludes to the scarlet A (for “adulteress”)

Studies to Figures. Studies to figures in the Petrarca and Cicero illustrations by Hans Weiditz.

Two Seated Figures, George Romney, 1734-1802, British, undated, Graphite with pen and brown ink on medium, slightly textured, cream laid paper, Sheet: 4 5/8 x 6 5/8 inches (11.7 x 16.8 cm), figure study, figures, seated

Andriessen, Jurriaan, Two variants of symbols relating to the VOC, drawing, teken, drawings, tekeningen, height 96 mm, width 250 mm, Noord-Nederlands, 1742-06-12 - 1819-07-31, draughtsman, tekenaar, 1752 - 1819, paper, papier, graphite (mineral), grafiet

Sheet of Studies. Dimensions: overall: 15.5 x 29.9 cm (6 1/8 x 11 3/4 in.). Medium: graphite. Museum: National Gallery of Art, Washington DC. Author: JOHN FLAXMAN.

George Romney, 1734-1802, British, Sketchbook Drawing, ca. 1793. Graphite on moderately thick, slightly textured, cream wove paper.

Pastoral scene with two figures, c. 1652 drawing Zwolle paper. chalk

George Romney, 1734-1802, British, Prison Scene, undated. Graphite on medium, slightly textured, cream wove paper.

Sitting woman, 1898 drawing Amsterdam paper. chalk sitting on an elevation - AA - female human figure

View of the Waterloo Bridge in London, Willem Witsen, c. 1888 - c. 1891 Page 35 from a sketchbook with 27 magazines. London paper. chalk bridge in city across river, canal, etc.. church (exterior). ships (in general) Waterloo Bridge. Thames. Saint Paul's Cathedral

Drawing, Study for "Zodiac"; Francis Augustus Lathrop (American, 1849 - 1909); USA; charcoal, brush and wash, graphite on paper mounted to board; 40.8 × 48.2 cm (16 1/16 in. × 19 in.); 1914-38-56

Study of the group of Zygmunt Stary and Jerzy Hohenzollern to the painting "Ho D Prussian", version; Matejko, Jan (1838-1893); 1882 (1880-00-00-1882-00-00);

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