Figure Studies and Drapery

Drawings focusing on human figures and clothing, demonstrating mastery of form and movement in various poses and styles.

Kneeling Woman with a book in Hands, Anonymous, After Rafaël, 1500 - 1620 drawing paper. ink pen

Study of a standing young woman, and profil to the left ..

Kneeling Woman with a book in Hands, Anonymous, After Rafaël, 1500 - 1620 drawing paper. ink pen

Executioner Holding Up a Severed Head 1682-1754 Giovanni Battista Piazzetta Italian This drawing of an executioner holding up a head was possibly conceived by Piazzetta for his paiting with "The Martyrdom of Saint Paul" (Private collection, Italy), where a similar mustachioed executioner appears in a slightly different pose. Ugo Ruggeri was the first to point out that the figure in this drawing was copied in a small painting executed by the workshop of Piazzetta, "The Martyrdom of Saint Eurosia", in the Ca' Rezzonico, Venice (Ruggeri 1973). The painting is generally ascribed to the Venetian painter Giulia Lama (1681-1747), and Ruggeri was led to attribute the present drawing and another drawing in the collection of the Metropolitan Museum of Art (inv. 66.53.4) to this rather derivative artist. However, both our drawings display a vigor and authority that is absent in the graphic material presented by Ruggeri as the work of Giulia Lama. If she was indeed the painter of the Ca' Rezzonico

Drapery Study 17th century Anonymous, Italian, Florentine, second half of the 16th century Italian. Drapery Study 339982

A Young Boy Seen from Behind, holding a sword and cap. Artist: Matteo Rosselli (Italian, Florence 1578-1650 Florence). Dimensions: sheet: 16 1/4 x 9 3/16 in. (41.3 x 23.3 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Kneeling Youth Facing Left 1577-1660 Giacomo Cavedone Italian. Kneeling Youth Facing Left 338438

One of Niobe's Daughters. Dated: 1752/1756. Medium: black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Augustin Pajou.

Beggar with a Wooden Leg. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: Sheet: 4 7/16 × 2 5/8 in. (11.3 × 6.6 cm). Date: ca. 1630. Museum: Metropolitan Museum of Art, New York, USA. Author: Rembrandt (Rembrandt van Rijn).

Standing apostle. Draughtsman: Fra Paolino da Pistoia. Dating: 1500 - 1547. Measurements: h 287 mm × w 143 mm. Museum: Rijksmuseum, Amsterdam.

A red chalk drawing by Nicolas Lancret depicting a lady with a subject, highlighting figure posture, clothing details, and compositional arrangement.

Half-figure drawing by Gabriel Metsu of an old soldier begging for alms, executed with black chalk highlighted with white chalk on gray paper.

Drawing, St. Balbina from St. Peter's colonnade; Jean-Robert Ango (French, active in Rome 1759 -1770, d. 1773); After Giovanni Maria de Rossi; France; red chalk on paper

Drawing, Classical Figure; Designed by Minardi Tommaso (Italian, 1787 - 1871); Italy; graphite, white chalk on paper

Beggar, leaning on a stick: small plate. Mirror-image copy to the print of the same name from Rembrandt.

Running woman with a bowl above her head, Cigoli, 1570 - 1613 drawing paper. ink pen / brush

Kneeling writing ..

Woman in Toga verso. Dated: probably c. 1754/1765. Dimensions: Overall: 15 x 9 cm (5 7/8 x 3 9/16 in.) support: 21.5 x 15.6 cm (8 7/16 x 6 1/8 in.). Medium: graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: Hubert Robert.

Drapery study of progressive woman.

Domenichino, Sorrow. Photo reproduction of drawing in 'The Reveley Collection of Drawings at Brynygwin', Fig. 15.

Feeling, Christian Bernhard Rode, 1778 print paper etching feeling (one of the five senses). crustaceans: lobster

Jacques Callot, Beggar with Bare Head and Feet, c 1622 Beggar with Bare Head and Feet

Saint Lucy; Fra Paolino (Paolo del Signoraccio) (Italian, about 1490 - 1547); Italy; about 1525 - 1530; Black and white chalk; 46 x 27.1 cm (18 1,8 x 10 11,16 in.)

An apostle holding a staff facing left. Artist: Possibly by Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510-1563 Venice). Dimensions: sheet: 4 1/2 x 3 1/8 in. (11.5 x 8 cm). Date: ca. 1540-60. Museum: Metropolitan Museum of Art, New York, USA.

Benched woman with raised hand, draughtsman: anonymous, Netherlands, c. 1600 - c. 1699, paper, h 257 mm × w 185 mm

Coal drawing by an anonymous artist depicting a figure sitting facing to the right.

Tartar woman, 1569 Tartar wife, walking to the left, slip of the veil in the left hand. Part of the costume book entitled 'Omnium Fere Gentium Nostrae Aetatis Habitus, Nunquam Ante Hac Aediti', Venice 1569. Re -issue from 1569 of the first edition from 1563. paper engraving fashion plates Tartari

Standing Pilgrim Friar. ca. 1705-20 Alessandro Magnasco Italian. Standing Pilgrim Friar. 372535

Study for two apostles and a hand; Sketch sheets with figure studies. .

Standing man with bag from side, Willem Drost (attributed to), 1640 - 1660, draughtsman: Willem Drost, (attributed to), draughtsman: Rembrandt van Rijn, (rejected attribution), 1640 - 1660, paper, pen, h 104 mm × w 83 mm

Denis, Maurice (n.1870-11-25-D.1943-11-13), two young women's studies, one seat, the other kneeling. Study for Dutuit dome (main title), 1925. charcoal and white chalk enhancement on gray paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Beggar leaning on a Stok.a Beggar or Seen Aside, Leaning on a Stick.

Design for a title page with putti and a canvas for a window, Pierre Adrien Pâris, 1760 - 1819 drawing Design for a title page: A cloth is draped for a window, with putti. paper. ink. pencil. chalk pen / brush anthropomorphic ornament. cupids: 'amores', 'amoretti', 'putti'

Study of a Kneeling Youth and of the Head of Another 1500 Perugino (Pietro di Cristoforo Vannucci) Italian. Study of a Kneeling Youth and of the Head of Another 340467

Study for a kneeling figure.

Seated Ecclesiastic ca. 1662 Etched by Stefano della Bella Italian. Seated Ecclesiastic. Etched by Stefano della Bella (Italian, Florence 1610-1664 Florence). ca. 1662. Etching. Prints

Standing Man with a Putto. Artist: Attributed to Jacques Bellange (French, Bassigny () ca. 1575-1616 Nancy). Dimensions: Sheet: 9 5/8 × 5 1/4 in. (24.4 × 13.4 cm). Date: ca.1575-1616. Museum: Metropolitan Museum of Art, New York, USA.

The Virgin Annunciate. Date/Period: Ca. 1769. Drawing. Black chalk with touches of white on green-blue paper. Height: 470 mm (18.50 in); Width: 315 mm (12.40 in). Author: Francisco Bayeu y Subias.

Hugo van der Goes brown ink drawing around 1500 depicting an adored angel, showing figure details, posture, and drapery in preparatory study.

Man Pulling a Curtain Aside. Artist: Étienne Parrocel (French, Avignon 1696-1776 Rouen). Dimensions: 21 1/8 x 15 in. (53.7 x 38.1 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

One-eyed beggar woman. Etching with engraving by Jacques Callot, ca. 1622.

Standing, writing man, David Pièrre Giottino Humbert de Superville, 1780 - 1849 drawing paper. ink pen handwriting, writing as activity

A bearded beggar dressed in rags holding a staff in his right hand. Etching with engraving possibly after J. Callot.

Female Figure with a Tibia, and Ornamental Studies (recto); Ornamental Studies (verso). Attributed to Raphael (Raffaello Sanzio) (Italian, 1483 - 1520)

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), geography game. Armenia. Eighteenth issue of a series of 52 pieces. (A. de Vesme 577; Dutuit 117) (Main title), 1644. Eau-tie. Petit Palais, Museum of Fine Arts of the City of Paris.

George Romney, 1734-1802, British, Seated Peasant Girl, undated. Graphite on meidium, slightly textured, cream laid paper.

Chalk drawing with white highlights on blue paper by Girolamo Siciolante da Sermoneta depicting a kneeling man in a coat, showing body posture and gesture.

A Youthful Attendant ofBacchus, Red chalk, sheet: 17.5 × 7.4 cm (6 7/8 × 2 15/16in.), Made in France, French, 18thcentury, Works on Paper - Drawings andWatercolors

A Peasant Woman Carrying a Jug; Sebald Beham, German, 1500 - 1550; Germany, Europe; about 1520; Pen and brown ink over black chalk; 10.6 x 5.9 cm (4 3/16 x 2 5/16 in.)

Allegory on the sculpture, Giovanni David, 1753 - 1790 print Allegory on the sculpture. A female figure with a hammer next to a sculpted bust. Italy paper etching piece of sculpture, reproduction of a piece of sculpture. 'Sculptura', symbolic representations, allegories and emblems ~ sculpture; 'Scoltura' (Ripa)

Kneeling Mother Embracing Child. Attributed to Michelangelo Anselmi; Italian, c. 1492-1556. Date: 1548-1552. Dimensions: 156 x 143 mm (max.). Black chalk heightened with white chalk, on brown laid paper, laid down on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Two Bishops (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) 19th century Isidore Pils French. Two Bishops (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) 339614

Jacques Callot, Beggar with Bare Head and Feet, c 1622 Beggar with Bare Head and Feet

A woman in a highly fucked up robe, in a thin to the man, rushing ni; Thoma, Hans (1839-1924); 1880-1900 (1880-00-00-1900-00-00);

Study for the monk Placidus that is saved from the water, Nicolas de Plattemontagne, 1655 - c. 1656 drawing Study of a monk: scene from the life of Saint Benedictus paper. chalk monk(s), friar(s)

A drawing by Rudolf Weyr showing a standing girl facing right, capturing posture and proportions.

Peasants Going to Work Made 1863 France. Etching from a portion of the plate on ivory laid chine . Jean François Millet

Design for a tapestry, Aurora, draughtsman: Simon Vouet, 1600 - 1659, paper, h 230 mm × w 195 mm

Francisco Bayeu / 'Male Figure and Garment Study'. XVIII century. White chalk, Black chalk on green paper. Museum: Museo del Prado, Madrid, España.

Kneeling Draped Figure. Sir Edward Burne-Jones; English, 1833-1898. Date: 1860-1875. Dimensions: 273 × 261 mm. Graphite and red crayon on ivory wove paper, laid down on board. Origin: England. Museum: The Chicago Art Institute, Chicago, USA. Author: SIR EDWARD BURNE-JONES.

Study sheet by Baldassare Franceschini with drapery study for a floating angel and a female half-figure, executed in red chalk and white highlights on gray paper with ink blots below.

Mozes, Cornelis Pronk, after Abraham Bloemaert, 1701 - 1759 drawing paper. pencil brush .

Woman leaning on a stick, from the front, Harmen ter Borch, c. 1652, draughtsman: Harmen ter Borch, Zwolle, c. 1652, paper, h 51 mm × w 39 mm

Beggar Leaning on a Stick, Facing Left. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1625-1635. Dimensions: 85 x 47 mm (plate); 88 x 50 mm (sheet). Etching on ivory laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Rogier van der Weyden brown and gray ink drawing around 1480 depicting the three Marys from the life of Christ, showing figures, drapery, and composition.

Study of a woman in a wide mantle (recto); Fragments of studies(verso). Artist, attributed to: Abraham Bloemaert, Dutch, 1566-1651

Giovanni Battista Cipriani, A Turk (recto) A Turk recto

Drawing, Kneeling Man; Designed by Domenico Gargiulo; Italy; black chalk, pen and ink on paper

A drawing by the Brügger Künstler depicting the apostle John, created around 1440 using gray-brown ink and black pen, emphasizing figure, posture, and composition.

Gambaspeler .

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), game of fables. Mercury. Twelfth number of a suite of 52 pieces. (A. de Vesme 531; Dutuit 116) (Main title), 1644. Etch. Petit Palais, Museum of Fine Arts of the City of Paris.

On the stool sitting on the back. Verso traces of black chalk inched with white chalk.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Standing man with hand on back, seen from behind, draughtsman: Simon Andreas Krausz, 1770 - 1825, paper, h 101 mm × w 68 mm

A young man with stick looking for something in his basket, Young farmer The small figures (series title), print maker: Frederick Bloemaert, intermediary draughtsman: Abraham Bloemaert, Utrecht, after 1635 - 1669, paper, engraving, h 130 mm × w 80 mm

Francisco de Goya y Lucientes / 'It is well pulled up'. Ca. 1797. Red chalk on paper. Museum: Museo del Prado, Madrid, España.

Verso: vertical view of a soldier with an extended sword; and in horizontal direction from bottom to top are three soldiers who appear to be fighting. Date: probably 1864. Charcoal, white chalk on blue-green wove paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

In despair, Olympia throws herself on the bed, illustration for Canto X, verse 27, of Lodovico Ariostos “Orlando Furioso”. Artist: Jean-Honoré Fragonard, French, 1732-1806

Lucretia. Lorenzo Pasinelli; Italian, 1629-1700. Date: 1649-1700. Dimensions: 193 x 84 mm. Red chalk on ivory laid paper, laid down on cream wove card. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA. Author: Lorenzo del Pasinelli.

Saint James Major holding a staff and a book facing right, from 'Christ and the Apostles' ca. 1548-50 Andrea Schiavone (Andrea Meldola) Italian. Saint James Major holding a staff and a book facing right, from 'Christ and the Apostles' 396476

Study of a kneeling man, probably a founder.

Rhine, Rembrandt van, A Pole, leaning on his stick: to the left, verso lower left - stamped, print, prints, height 81 mm, width 43 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1630 - 1634, second quarter 17th century, paper, etching, etchings, plate tone, Work conception, after own design by

Kneeling toward the right. The friar is in the middle ground at right. Framing graphite line. Parts of outline are deeply impressed. Graphite on paper. Date: 1820-1850. Museum: Cooper Hewitt, Smithsonian Design Museum.

Saint Peter. Artist: Lukas Stipperger (Austrian, Vienna 1755-1806 Vienna). Dimensions: sheet: 12 1/2 x 7 5/8 in. (31.8 x 19.4 cm). Date: 1799. Museum: Metropolitan Museum of Art, New York, USA.

Model Resting,1870. James A McNeill Whistler (d.1903) .

Head of a Turkish man, looking left downstairs, and head of a Turkish woman; Collection of different scribbles and etchings; Recueil De Divers Griffonements & Preuves d'eau forte ..

Hands that hold the button of a (walking) stick, 1710 - 1772 Leaf 96 Recto from a sketchbook with 105 sheets. paper. chalk hand. walking-stick, staff

Woman Kneeling before a Man, draughtsman: Ferdinand Bol, Amsterdam, c. 1640, paper, pen, brush, h 105 mm × w 81 mm

Standing woman, right, with a cloth overlooked.

Figure study for Clovis, Charles Joseph Natoire, 1736 - 1737 drawing paper. chalk riding a horse, ass, or mule; rider, horseman. equestrian statue

A red chalk drawing by Cecco Bravo showing a seated woman turned to the right with her feet outlined in front.

Studie voor een figuur in de wolken. Schetsbladen met figuurstudies (series title). Draughtsman: anonymous. Draughtsman: Pietro Bernardi (attributed to). Dating: 1610 - 1630. Place: Verona. Measurements: h 290 mm × w 191 mm. Museum: Rijksmuseum, Amsterdam.

Study of a nymph or goddess sitting in the clouds. Draughtsman: Dionys van Nijmegen (possibly). Dating: 1715 - 1798. Measurements: h 330 mm × w 205 mm. Museum: Rijksmuseum, Amsterdam.

Jacques Callot (1592-1635). "Les Gueux, La Borgnes. Fourteenth number of a suite of 25 pieces" (Lieure 492, Meaume 699). Etching. 1622-1623. Museum of Fine Arts of the City of Paris, Petit Palais. 99603-13 Etching, engraving

Wey and shepherds down the stairs; Scholtz, Julius (1825-1893); around 1850 (1845-00-00-1855-00-00);

Young Man Viewing a Painting. 1656 - 1657. Rosa, Salvator, 1615-1673. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Saint Roch, kneeling on a stone, seen from the side with his dog behind him and a townscape in the background at left 1620-30 Giuseppe Caletti, called Cremonese. Saint Roch, kneeling on a stone, seen from the side with his dog behind him and a townscape in the background at left. Giuseppe Caletti, called Cremonese (Italian, active Ferrara, 1600-1660). 1620-30. Etching; first state of three. Prints

Skating boy seen on the back, draughtsman: François Joseph Pfeiffer (II), 1788 - 1835, paper, h 205 mm × w 116 mm

Gray man with half raised hand. Draughtsman: Hendrick Goudt. Dating: c. 1580 - c. 1648. Measurements: h 160 mm × w 105 mm. Museum: Rijksmuseum, Amsterdam.

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