Figure Studies and Genre Scenes

Sketches depicting various human figures in dynamic poses, showcasing fashion trends and emotional expressions from the early 17th century.

Beggar in A High Hat, Leaning on a Stick, Rembrandt van Rijn, c. 1629 print paper etching Begin

Young man with a hat in hand. Figure study of a standing young man with the left hand on the hip. It is dressed according to the fashion of the noble stand around 1615-1620.

Red chalk and white grown drawing by Baldassare Franceschini depicting St. Stephanus kneeling to the left, shown from the back on gray paper.

La Gueux Appuye sur son Baton (The Beggar Leaning on his Cane), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons) ca. 1623 Jacques Callot French. La Gueux Appuye sur son Baton (The Beggar Leaning on his Cane), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons). Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1623. Etching; first state of two (Lieure). Prints

Saint Pierre et Saint Paul à la porte de M. Richard , Saints, Paul, the Apostle, Saint, Peter, the Apostle, Saint, Alphonse Legros (1837-1911)

LAreugle et son Chien (The Blind Man and his Dog), from Les Gueux. Artist: Unknown After: Jacques Callot, French, 1592-1635

Standing Pilgrim Friar. Artist: Alessandro Magnasco (Italian, Genoa 1667-1749 Genoa). Dimensions: sheet: 8 3/4 x 5 13/16 in. (22.3 x 14.8 cm). Date: ca. 1705-20. Museum: Metropolitan Museum of Art, New York, USA.

Drinking man. Draughtsman: Lambert Doomer. Dating: c. 1670 - before 1676. Measurements: h 390 mm × w 230 mm. Museum: Rijksmuseum, Amsterdam.

Man Walking Using a Long Staff, unknown artist, (J. H.), after unknown artist, (J. H.), 1755, Etching on medium, smooth, beige wove paper, Sheet: 5 9/16 x 3 13/16 inches (14.2 x 9.7 cm) and Image: 5 9/16 x 3 13/16 inches (14.2 x 9.7 cm), beard, boots, cane, gaze, genre subject, gesturing, homeless person, man, old, peasant, staff, walking

De Heilige Petru, Paolo Phasin, 1534 - 1606 print Saint Peter standing with book and keys. paper etching the apostle Peter, first bishop of Rome; possible attributes: book, cock, (upturned) cross, (triple) crozier, fish, key, scroll, ship, tiara

Beggar in A High Hat, Leaning on a Stick, Rembrandt van Rijn, c. 1629 print paper etching Begin

Standing man with long jacket and hat; Figures Dessinées d'après Nature du Bas Peuple à Rome. Standing man with long jacket and hat. Part of a series of prints with figure studies of residents of Rome.

Peasant with his hands behind his Back, Rembrandt van Rijn, 1629 print paper etching adult man

Study of standing man and right arm. Draughtsman: Jan Josef Horemans (I). Draughtsman: Jan Josef Horemans (II). Dating: 1692 - 1759 and/or 1724 - 1790. Measurements: h 330 mm × w 177 mm. Museum: Rijksmuseum, Amsterdam.

Woman with wool in hand, Harmen ter Borch, 1652, draughtsman: Harmen ter Borch, (mentioned on object), Zwolle, 2-Feb-1652, paper, h 103 mm × w 80 mm

Classical Figure, Minardi Tommaso, Italian, 1787 - 1871, Graphite, white chalk on paper, Young man in classical attire with walking stick, raising his right hand., Italy, 1850-1900, figures, Drawing, Drawing

An Old Turk Seated on a Stone ca. 1662 Stefano della Bella Italian. An Old Turk Seated on a Stone 375787

Beggar with a wooden leg, Rembrandt van Rijn, 1807 - 1808 The print is part of an album. Paris paper etching The print is part of an album. Paris paper etching

Polander Standing with Arms Folded 1630-40 Rembrandt (Rembrandt van Rijn) Dutch. Polander Standing with Arms Folded 391617

Drawing, Sketch of a Woman seen from Behind; Italy; black and white chalk on grey paper

Caricature portrait of the painter Theophile de Bock (1851-1904), hiding in rainwear (south-western and wide cape), Caricature portrait of the painter Theophile de Bock., draughtsman: Elchanon Verveer, (mentioned on object), 1870 - 1899, paper, brush, h 557 mm × w 400 mm

Chimney sweep, David Teniers (II), 1620 - 1690 drawing paper. pencil handicrafts ~ maintenance and repair. chimney-piece, mantelpiece. standing figure

Bliżej Kultury Norblin, Jan Piotr (1745 1830)

Caspar. Date/Period: 1610/1619. Etching. Width: 16.8 cm. Height: 29.2 cm (sheet). Author: Jacques Bellange.

Beggar on Crutches Wearing a Hat, plate four from The Beggars 1617-1627 France. Etching on paper . Jacques Callot

Reverse Copy of La Mendiante a La Sébille (The Female Beggar with The Begging Bowl), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons) 17th century Anonymous. Reverse Copy of La Mendiante a La Sébille (The Female Beggar with The Begging Bowl), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons). Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons. Anonymous. 17th century. Etching. Prints

Peasant with his hands behind his Back, Rembrandt van Rijn, 1629 print paper etching adult man

Elsje Christiaens Hanging on a Gibbet. Artist: Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). Dimensions: 6 1/4 x 3 1/8 in. (15.8 x 8.0 cm). Date: 1664. Museum: Metropolitan Museum of Art, New York, USA.

Bliżej Kultury Norblin, Jan Piotr (1745 1830)

A Fisherman Leaning on an Oar. Artist: Jean Honoré Fragonard (French, Grasse 1732-1806 Paris). Dimensions: 19 7/8 × 15 1/16 in. (50.5 × 38.3 cm). Date: 1774.In 18th century France, many aspiring young artists were given the opportunity to study in Italy, but Fragonard had the rare privilege of returning at the height of his powers as part of a year-long voyage underwritten by collector and financier Pierre-Jacques Onésyme Bergeret de Grancourt. In the Spring of 1774, at the southernmost point of their tour, the traveling party spent two months installed at lodgings at the edge of the bay of Naples. In between their sightseeing jaunts and social engagements, Fragonard clearly relished making drawings of local types, including fishermen and their wives.Drawn on an unusually large scale, this pair of studies (see also 2006.353.1) embodies the accomplishment and confidence of Fragonard's mature manner. Red chalk is used not only to delineate form, but to lay in areas of light and shadow th

Study of the Merit; verso, a study of a woman, feet studies; Willmann, Michael (1630-1706); 1692 (recto); 1682 (Verso) (1682-00-00-1692-00-00);Maria (Mother of Jesus Christ), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Sternberg -Manderscheid, Franz Josef von (1763-1830) - collection, Assumption (iconogr.), Apostles, Men, Men's studies

Polish bearing sword and stick (Bartsch 141) Rembrandt Harmenszoon van Rijn (1606-1669), Dutch painter. Polish bearing sword and stick (Bartsch 141). Floor on European paper, 1632.

Woman sitting on a cushion, from behind, Harmen ter Borch, c. 1650, draughtsman: Harmen ter Borch, Zwolle, c. 1650, paper, h 90 mm × w 71 mm

17th century Dutch hurdy-gurdy man in tall cap and cape. The organ grinder, 1647. Copperplate engraving by David Deuchar after an original by Adriaen van Ostade from A Collection of Etchings after the most Eminent Masters of the Dutch and Flemish Schools, Edinburgh, 1803.

Waterende man.

Red chalk drawing by Raffaello Santi depicting Saint Joseph striding to the right, showing figure, posture, and drapery, study for Madonna del Divino Amore, circa 1515.

Le Vielleur (Bartsch 8) Adriaen van Ostade (1610-1685). Picart-Gole publishers (18th century). The Vieller (Bartsch 8). Floor, red ink, in 1647

Study of a Seated Woman. Artist: Pietro Longhi (Pietro Falca) (Italian, Venice 1701-1785 Venice). Dimensions: 11 7/16 x 8 5/16in. (29.1 x 21.1cm). Date: 1702-85. Museum: Metropolitan Museum of Art, New York, USA.

Shows a Gil Blas scene in chalk by August Xaver Karl von Pettenkofen, featuring figures, clothing, gestures, interior and exterior settings, architecture, and compositional elements.

Man with Staff Seen from Behind. 1656 - 1657. Rosa, Salvator, 1615-1673. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Kneeling man, seen from behind. Draughtsman: Guillaume Anne van der Brugghen. Dating: 1821 - 1891. Measurements: h 170 mm × w 100 mm. Museum: Rijksmuseum, Amsterdam.

Figure on the back seen with hands in the pockets, Jan Gillisz. van Vliet, 1635 print Leiden paper etching standing figure (+ back view). hand in the pocket - AA - both arms or hands (+ back view)

A Dignitary Holding a Document. Artist: Pietro Longhi (Pietro Falca) (Italian, Venice 1701-1785 Venice). Dimensions: 9 13/16 x 6 11/16 in. (25 x 17 cm). Former Attribution: Luca Carlevaris (Italian, Udine 1663/65-1730 Venice). Date: ca. 1722-42. Museum: Metropolitan Museum of Art, New York, USA.

Running man with vast arm, Salvator Rosa, c. 1656 - c. 1657 print A running man with hat and vast right arm. He holds a book under his left arm. Italy paper etching / drypoint book. head-gear: cap

Chimney sweep, David Teniers (II), 1620 - 1690, draughtsman: David Teniers (II), , 1620 - 1690, paper, h 157 mm × w 132 mm

Bust of an Eastern man, Samuel van Hoogstraten, 1648 - 1678 print Bust of a man with a turban with a spring. paper etching head-gear: turban

Studies of a Costume, Sleeve, and Hand, c. 1747. Pietro Longhi (Italian, 1702-1785). Black chalk (costume) and red chalk (sleeve and hand); sheet: 24.7 x 18.4 cm (9 3/4 x 7 1/4 in.); secondary support: 35 x 27.4 cm (13 3/4 x 10 13/16 in.).

Draped Figure, 17th-18th century, Unknown Italian, 17th century; Artist: Formerly attributed to Domenichino Zampieri, Italian, 1581-1641, 11 1/4 x 7 1/2 in. (28.58 x 19.05 cm) (sheet), Black chalk heightened with white on laid paper, Italy, 17th-18th century

Study sheet showing a woman's head with headscarf, print maker: Louis Bernard Coclers, Louis Bernard Coclers, unknown, 1756 - 1817, paper, etching, h 92 mm × w 61 mm

Two farmers in Ovaal, David Teniers (II) (Possible), 1620 - 1690 drawing paper. pencil. chalk farmers

Stefano Della Bella, Pole Holding a Hatchet with His Left Hand Pole Holding a Hatchet with His Left Hand

Ragged peasant with his hands behind him, Rembrandt van Rijn, c. 1630 print paper etching / drypoint

Antonio González Ruiz / 'Holy Bishop in Ecstasy / Study of a Knight's Jacket'. XVIII century. Black chalk on grey paper. Museum: Museo del Prado, Madrid, España.

. A man puts a jug to his mouth, while he is on a ton.

Bedgamer with crutches, seen on the back, Jacques Callot, 1622 - 1623 print Man, dressed in rags, seen on the back, walking with the help of two crutches. This print is part of a series of 25 prints with beggars and tramps, such as Callot who probably saw in Italy. Nancy paper etching beggar. crutches

Standing farmer with his hand in his cloak, Anonymous, After Adriaen van Ostade, 1646 - 1745 print The man hand and arm in his cloak is a copy to a print by Adriaen van Ostade. The figure is displayed mirror -traffic and placed in the foreground of a village scene. The etching plate had many irregularities that left their spurs in pressure. paper etching / drypoint male sex; man. coat (+ men's clothes)

Boy with hoop, Willem Cornelis van Dijk, 1856 print paper etching (bowling a) hoop

Le Perruquier fatigué (The Tired Wig-maker). Dated: 1775. Dimensions: plate: 24.1 x 16.7 cm (9 1/2 x 6 9/16 in.) sheet: 38.2 x 26.6 cm (15 1/16 x 10 1/2 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giovanni David.

Figure sitting on a low chair, seen on the back. Draughtsman: Cornelis Dusart. Dating: 1670 - 1704. Measurements: h 149 mm × w 131 mm. Museum: Rijksmuseum, Amsterdam.

Sitting, reading man, David Pièrre Giottino Humbert de Superville, 1780 - 1849 drawing paper. pencil reading

Black chalk drawing of a seated farmer holding a drinking jug in his hand by Adriaen Brouwer, European 17th century.

Bust of a smiling farmer. The bust of a smiling farmer has a pendant with a similar representation of a smiling farmer's. It is shown from a different point of view so that the heads are used to each other.

Kneeling Shepherd. Dimensions: overall: 19.8 x 12.6 cm (7 13/16 x 4 15/16 in.). Medium: pen and brown ink and brown wash on laid paper, with touches of white gouache, squared for transfer. Museum: National Gallery of Art, Washington DC. Author: JACOPO LIGOZZI.

A standing veiled woman, Study for a Maria at her wedding, draughtsman: Giovanni Lanfranco, 1592 - 1647, paper, h 402 mm × w 357 mm

Standing Woman Holding a Muff, Turned Slightly to the Left (recto), Studies of Heads (verso); Pietro Longhi, Italian, 1701 - 1785; Italy, Europe; about 1755 - 1760; Black and white chalk (recto); black chalk (verso); 28.6 x 22.5 cm (11 1/4 x 8 7/8 in.)

Benjamin West, 1738-1820, American, active in Britain (from 1763), Costume Study for the Portrait of a Lady, undated. Black chalk with white chalk; verso: graphite on medium, moderately textured, beige laid paper.

Study, Print made by John Chalon, 1738 - 1795, after Rembrandt van Rijn, 1606-1669, Dutch, 1789-1790, Etching on medium, slightly textured, cream laid paper, Sheet: 3 1/16 x 2 3/16 inches (7.7 x 5.6 cm), Plate: 2 5/8 x 1 13/16 inches (6.6 x 4.6 cm), and Image: 2 5/8 x 1 13/16 inches (6.6 x 4.6 cm), beard, bottle, cutting, eating, feather, figure study, food, fork, dinner, fruit, genre subject, hat, knife, man, middle-aged, plate, pub, shelf, smiling, table, tavern

Old man with beard, Andreas Bernardus de Quertmont (attributed to), 1760 - 1835 print paper etching old man. beard

Portrait of Mieszko III Old according to the image in the paten chalice from the Kalisz collegiate church; Lesser, Aleksander (1814-1884), 1830-1884 (1830-00-00-1884-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Mieszko III Old (Polish prince - Ca 1126-1202), Mieszko III Old (Polish prince - Ca 1126-1202) - iconography, gift (provenance), copies, personalities, Polish personalities, portraits, male portraits, men's portraits, crafts, rulers

A red chalk drawing by Jan Josef Horemans depicting a kitchen maid seated, peeling carrots, with minor dirt marks in places.

A drawing by Roelant Savery showing a young man standing and facing left.

Man pours himself into a glass of drink, Gerrit Konsé, after Jan Havicksz. Steen, 1761 - 1826 print Amsterdam paper engraving glass of beer. farmers. pouring

Peasant with Hands behind hisBack. Etcher: Unknown After: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669

Femme du marché , Baskets, Alphonse Legros (1837-1911)

The Drunken Lot. Date/Period: 1630. Width: 189 mm. Height: 253 mm (Complete). Author: HARMENSZOON VAN RIJN REMBRANDT.

Peter on clouds. Draughtsman: anonymous. Draughtsman: Giovanni Antonio Pellegrini. Draughtsman: Corrado Giaquinto. Dating: 1600 - 1699. Measurements: h 278 mm × w 180 mm. Museum: Rijksmuseum, Amsterdam.

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Bust of Boer with hat and pipe, and Profil, Joannis Jacobus Bijlaert, 1749 - 1809 print Leiden paper etching pipe ~ tobacco

Seated man, Jurriaan Cootwijck, after Rembrandt van Rijn, 1724 - 1798 print A man is in a niche. He supports his head with one hand. He holds his hat in his other hand. Amsterdam paper sitting figure (+ adult male (human being))

Red chalk figure study by François Le Moyne showing a seated man, circa 1723.

Holy. Draughtsman: Jacob Maris. Dating: 1847 - 1899. Measurements: h 125 mm × w 74 mm. Museum: Rijksmuseum, Amsterdam.

Peasant Family on the Tramp, c. 1652, Rembrandt Harmensz. van Rijn, Dutch, 1606-1669, 4 7/16 x 3 5/8 in. (11.2 x 9.2 cm) (plate), Etching, The Netherlands, 17th century, A myth about Rembrandt is that he etched so many beggarsmore than thirty etchings in allbecause he felt alienated from society himself. It is true that he once portrayed himself as a beggar, but he was more attracted to the expressive faces, tattered clothing, and crumpled gait of these 'low' subjects. Unusual for the time, Rembrandt gave his beggars real emotions and individualized faces, seemingly with a view toward stirring compassion in his viewers.

Man with hat and a drailer. .

Femme du marché , Baskets, Alphonse Legros (1837-1911)

A Stout Man in Large Cloak, Léopold Flameng, After Rembrandt van Rijn, 1859 print paper etching coat

Sitting old woman, J. Moxser, 1791.

Figure Studies; Adolf von Menzel (German, 1815 - 1905); 1872; Carpenter's pencil; 37.9 × 26.3 cm (14 15,16 × 10 3,8 in.)

Vendor woman by a stall. Andrieux, Clément-Auguste (1829-1881), draughtsman, cartoonist

Hands holding the button of a (walking) stick. Leaf 96 Recto from a sketchbook with 105 sheets.

Le chemineau , Tramps, Alphonse Legros (1837-1911)

Draped figure, poignant to the left. Draughtsman: Polidoro da Caravaggio (possibly). Dating: 1502 - 1543. Measurements: h 202 mm × w 118 mm. Museum: Rijksmuseum, Amsterdam.

A Young Peasant Holding a Jar; Sebald Beham (German, 1500 - 1550); Germany; about 1520; Pen and brown ink over black chalk; 10.6 x 5.9 cm (4 3,16 x 2 5,16 in.)

Jacques Callot, Noble Man with Fur Plastron, c 1620 1623 Noble Man with Fur Plastron

Marskramer; Standing figures. A nozzle with a box, which he wears with a band over the shoulder.

Peasant Holding Fish Net 18th century After François Boucher French. Peasant Holding Fish Net 414108

Standing Vaandrig, Charles Parrcel, 1735 - 1745 drawing paper. ink pen / brush standard-bearer, flag-bearer

France, French Crown, Paris, Langlois, François, Bella, Stefano della, Recueil de diverses pieces servant à l'art de portraiture, Drawing examples for portraits, Head of an old soldier with beard and helmet, looking up to the left, verso - stamped, print, prints, height 88 mm, width 71 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1647, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, granter of privilege

Portrait Marie-Lambertine Coclers, Louis Bernard Coclers, c. 1776 - 1817

Cleric with Raised Arms (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) 19th century Isidore Pils French. Cleric with Raised Arms (lower register; study for wall paintings in the Chapel of Saint Remi, Sainte-Clotilde, Paris, 1858) 339635

St Stephen Artist's working dates 1450-1491 Germany. Engraving on paper . Martin Schongauer

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