Figure Studies and Sketches

Various sketches depicting human figures in relaxed poses, emphasizing the anatomical study and artistic representation of the human form.

Edelfelt, Albert, work, Sketch book, drawing, 10 cm x 15 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Edelfelt, Albert, work, Sketch book, drawing, 10 cm x 15 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Reclining Woman Leaning on Her Arm (verso), 1855/60. Honoré Daumier (French, 1808-1879). Charcoal; framing lines in red chalk; sheet: 21.5 x 33.9 cm (8 7/16 x 13 3/8 in.).

Figures from Last Judgment, Jean-Robert Ango, French, active in Rome 1759 -1770, d. 1773, Michelangelo Buonarroti, Italian, 1475-1564, Red chalk on paper, Group of figures from left side of The Last Judgment by Michelangelo, France, ca. 1759-70, figures, Drawing, Drawing

A Dressing Room, Charles Shannon, 1863-1937, British, c.1895, Lithograph, Sheet: 5 15/16 x 4 11/16in. (15.1 x 11.9cm)

Study for a Seated Prelate (Saint Gregory the Great) 1685-86 Carlo Maratti Italian The drawing represents a study, with slight variations, for the seated figure of Saint Gregory the Great that appears at right on The Dispute of the Doctors of the Church over the Immaculate Conception’, painted by Carlo Maratti and installed as the main altarpiece of the Cybo chapel in the church of Santa Maria del Popolo, Rome. Maratti made several studies for this painting, which results completed and mounted on the altar in 1686. The Metropolitan Museum possesses two designs for the whole composition (inv. nos. 63.18 and 62.137), while a third one, made in pen and ink over red chalk, is in the Museum Kunst Palast, Düsseldorf (inv. FP 1131; see Sonja Brink et al., Auf Papier,’ 2009, no. 94). As proven by the first Museum's study (inv. 63.18) and a further drawing in Windsor Castle (Royal Library inv. RL 4096) - most likely the first ones of the series - the figure of Saint Gregory the Great was init

Ignudo from Sistine Chapel ceiling, Jean-Robert Ango, French, active in Rome 1759 -1770, d. 1773, Michelangelo Buonarroti, Italian, 1475-1564, Red chalk on paper, Ignudo (nude figure) between the scenes of God dividing light from darkness and of God creating the Earth, Sun, and Moon, on the ceiling of the Sistine Chapel, painted by Michelangelo., France, ca. 1759-70, figures, Drawing, Drawing

Sculpture by Rudolf Weyr of an angel, emphasizing spiritual themes, detailed wings, and human anatomy in representational form.

Arms and woman head. Hair, hands and a woman's head of the back. First of the bottom 27 numbered.

River deity. Bianchi, Federico (1638-1719), draughtsman, cartoonist

Two men carry a body away, Jean Grandjean, 1765 - 1781 drawing paper. chalk

St. Mary of Egypt from St. Peter's colonnade, Lazzaro Morelli, Jean-Robert Ango, French, active in Rome 1759 -1770, d. 1773, Red chalk on paper, Drawing after statue by Lazzaro Morelli of St. Mary of Egypt (S. Maria Egiziaca), located on the North Colonnade of St. Peter's. She raises and clasps her hands in front of her and looks to her left., France, ca. 1759-70, figures, Drawing, Drawing

Figures 1812-1822 England. Lithograph on ivory wove paper . John Flaxman

A pencil figure sketch by Emerich Alexius Swoboda, focusing on human form, posture, and anatomical study, created in 1892.

A red chalk drawing by Aristide Maillol from 1904-1912 showing a female figure viewed from the back, turning her head toward the viewer, with another standing woman behind bushes holding a chair.

Kidnapping of Europe, Pierre Prud'Hon, 1768 - 1823 print paper. etching Jupiter, usually in the shape of a white bull, abducts Europa and carries her across the water

Giovanni Battista Tiepolo, Bacchus and Ariadne, c 1745 Bacchus and Ariadne

Ernst Ludwig Kirchner, Dreaming Girl, 1906 Dreaming Girl

Nude Study. Dated: 1860s-1870s. Dimensions: sheet: 23.5 × 32.07 cm (9 1/4 × 12 5/8 in.). Medium: charcoal on wove paper. Museum: National Gallery of Art, Washington DC. Author: William P. Babcock.

Two naked woman studies for fortune

The holy Andreas, monogram miss FP (Italy; 16th century), after Parmigianino, c. 1500 - c. 1599 print Italy paper etching the apostle Andrew; possible attributes: book, X-shaped cross, fish, fishing-net, rope, scroll

Reclining Female Nude. Artist: Govert Flinck (Dutch, Cleve 1615-1660 Amsterdam). Dimensions: 10-11/16 x 16-1/8 in. (27.1 x 41.0 cm). Date: mid-17th century. Museum: Metropolitan Museum of Art, New York, USA.

Male torso (study) , Nudes. George Bellows (1882-1925). Prints and Drawings

Thomas Rowlandson, 1756-1827, British, Album Drawing, undated. Graphite and pen and ink on medium, slightly textured, cream wove paper.

Study of Seated Nude Figure, Louis Schaettle, American, 1867-1917, Charcoal on light brown paper, Seated female nude, right arm reaching downward, left arm extended to the right, head bent forward; study of drapery at right., USA, ca. 1900, figures, Drawing, Drawing

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

Reclining Nymph. Dated: c. 1752. Dimensions: overall: 22.7 x 39.8 cm (8 15/16 x 15 11/16 in.). Medium: black and white chalk on brown laid paper. Museum: National Gallery of Art, Washington DC. Author: Francois Boucher.

Child with flute, David Pièrre Giottino Humbert de Superville, 1780 - 1849 drawing paper. ink pen

Study of three women drapes with ancient Ary Renan (1858-1900). "Study of three women draped to ancient (Parris, H�l�ne)". Paris, museum of romantic life.

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Jean Louis Forain, In a Private Room (third plate), 1910 In a Private Room (third plate)

Jupiter and Antiope. Jupiter disguised as a satyr sneaks a glimpse between the legs of Princess Antiope. The eroticism of Rembrandts etching is far greater than that of Annibale Carraccis print, which served as his model. Rembrandt left out extraneous details and suggested more sexual abandon through Antiopes sensually parted lips and raised arms. The shadow cast by Jupiter on her buttocks and genitals make her all the more intriguing.

Jupiter and Antiope: Smaller Plate, Rembrandt van Rijn, c. 1631 print paper etching Jupiter, disguised as a satyr, approaches the sleeping Antiope; the eagle may be standing nearby

Honoré Daumier, The Prodigal Son The Prodigal Son

Sheet of Studies 1895-1905 France. Graphite, pen and brown ink, watercolor, and charcoal on paper . Henri Cros

Drawing, Thetis and Cupid Riding Fish; Fortunato Duranti (Italian, 1787 - 1863); Italy; graphite on paper; 30.7 × 21.8 cm (12 1/16 × 8 9/16 in.)

The Penitent Magdalene. Artist: Adriaen van der Werff (Dutch, Kralinger-Ambacht 1659-1722 Rotterdam). Dimensions: sheet: 4 1/2 x 6 5/16 in. (11.5 x 16 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Miguel Blay y Fábrega / 'Preparatory Study for the Monument to Vasco Núñez de Balboa in Panama City'. 1923 - 1924. Conté crayon on laid paper. Museum: Museo del Prado, Madrid, España.

Naked man in attitude of despair, Anonymous, After Baccio Bandinlli, 1510 - 1600 drawing paper. ink pen

Carl Bloch (1834-1890), Kristus i Gethsemane, (1880)

Caricature. Scholtz, Julius (1825-1893), draughtsman, cartoonist

Naked man in attitude of despair, after: Baccio Bandinelli, draughtsman: anonymous, 1510 - 1600, paper, pen, h 405 mm × w 268 mm

Study of a Young Girl Resting her Head on her Knee, Attributed to Thomas Barker, 1769-1847, British, undated, Brown chalk on moderately thick, slightly textured, cream wove paper, Sheet: 10 × 7 inches (25.4 × 17.8 cm), figures (representations), girl, resting

Cain kills Abel.

The Daughter of Men Becomes a Siren. Dated: c. 1824/1827. Dimensions: overall: 52.6 x 37 cm (20 11/16 x 14 9/16 in.). Medium: graphite on laid paper. Museum: National Gallery of Art, Washington DC. Author: William Blake.

Red chalk drawing by Ignaz Unterberger depicting Amor, focusing on figure, gesture, and expression.

unknown, Hubrecht, Bramine, Young woman and older man reading, verso - stamped, Sitting next to each other are an older man and a young woman to his right. The man has a book on his lap, the woman is reading along., print, prent, prints, prenten, height 199 mm, width 137 mm, Dutch, 1855-07-21 - 1913-11-05, print maker, 1892 - 1913, paper, papier, pencil, inkt, chalk, schokka, opaque, etching

Man and naked woman sitting or naked woman lying Jean-Achille Benouville (Said Achille Benouville) (1815-1891). Man and naked woman sitting or naked woman lying down. Graphite pencil and black stone.

Vicente Salvador Gómez / 'Venus in her Carriage'. XVII century. Pencil on laid paper. Museum: Museo del Prado, Madrid, España.

Evangelist Looking Upward Artist's working dates 1652-1705 Italy. Red chalk on ivory laid paper, prepared with a red chalk wash on paper . Luca Giordano

Reclining Satyr, Benedetto Luti, 1676 - 1724

Sitting woman. .

The Death of Lady Macbeth - Compositional Study, 1875. Artist: Dante Gabriel Rossetti

The Coiffure. Dated: c. 1891. Dimensions: sheet: 14.8 × 11.2 cm (5 13/16 × 4 7/16 in.). Medium: graphite with green watercolor and brown wash on wove paper. Museum: National Gallery of Art, Washington DC. Author: Mary Cassatt.

Prospero Watching Ferdinand and Miranda, Theodor von Holst, 1810-1844, British, ca. 1840, Graphite with black chalk and gray wash on medium, moderately textured, cream laid paper, Sheet: 8 5/8 × 7 1/8 inches (21.9 × 18.1 cm), cell, cloak, correctional institution, curtains, daughter, drapery, father, figure study, gesture, hood, literary theme, lovers, men, nudes, plays by William Shakespeare, prison, sash, spying, steps, The Tempest, Act III, Scene I, watching, woman

Study of a Madonna with child, draughtsman: anonymous, France, 1800 - 1900, paper, pen, h 110 mm × w 89 mm

Whim - Academic meeting. Capricho - Reunion academica. Madrid, Prado museum. Author: FRANCISCO DE GOYA. Location: MUSEO DEL PRADO-DIBUJOS. MADRID. SPAIN.

The Death of Cordelia, unknown artist, after Thomas Barker, 1769-1847, British, undated, Watercolor, gouache, red crayon, and graphite on moderately thick, slightly textured, beige laid paper, Sheet: 12 x 9 3/4 inches (30.5 x 24.8 cm), beard, carrying, cloak, daughter, death, dress, father, figure study, gesturing, grief, holding, king (person), King Lear, Act V, Scene III, King Lear, play by William Shakespeare, literary theme, man, murder, play, plays by William Shakespeare, princess, sadness, sash, woman

Schjerfbeck, Helene, work, Two naked women, 1877-1878, marker and pencil on paper, drawing, 9.7 cm x 12.3 cm, Helena Sofia Helene Schjerfbeck 1862 - 1946, Finnish modernist painter, known for her realist works, self-portraits, landscapes and still lifes, finland.

Study of a Female Nude. Drawing. Graphite and black chalk, heightened with white chalk on medium, slightly textured, beige laid paper. Height: 256 mm (10.07 in); Width: 435 mm (17.12 in). Author: William Hogarth.

Carl Bloch (1834-1890), sleeping woman (Alma Bloch), Before 1890

Jean Baptiste Deshays, A Reclining Nude with Her Right Arm Raised over a Swift Composition Study (verso), c 1763 A Reclining Nude with Her Right Arm Raised over a Swift Composition Study verso

Winged female figure with decorative scroll, Jean-Robert Ango, French, active in Rome 1759 -1770, d. 1773, Red chalk on paper, Winged female figure holding a scroll, part of which extends out of the frame of the drawing. Her wings are spread and her legs are bent to her right., France, ca. 1759-70, figures, Drawing, Drawing

La Foire aux amours. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, circa 1880. Prints; etchings. Etching

Giovanni De Vecchi (1536-1615); Giuseppe Scolari (-); Tintoretto (1518-1594), Piet�, 1536-1615

Rembrandt van Rijn (Dutch, 1606 - 1669), Nude Man Seated on the Ground with One Leg Extended, 1646, etching

Study for the Judgement of Paris; Etude pour Le Jugement de Paris. Pierre-Auguste Renoir (1841-1919). Soft pencil on paper. 47 x 59cm.

Two women, one of which embraces a mans image. Design for a painting.

A drawing by François Boucher showing a reclining female figure on a bed, executed in black and white chalk between 1725 and 1770.

1893 Art Work - Study of a Woman - Henri de Toulouse-Lautrec.

Two sketches of a woman and a warrior ..

Sketches of Café Singers; Edgar Degas, French, 1834 - 1917; 1877; 26 x 34.9 cm (10 1/4 x 13 3/4 in.)

Study of a seated child, draughtsman: Jan Hoogsaat, 1664 - 1730, paper, h 151 mm × w 229 mm

Nude Figures for L'ge d'Or, Chteau de Dampierre n.d. Jean Auguste Dominique Ingres French. Nude Figures for L'ge d'Or, Chteau de Dampierre 337474

Seated Female Nude with Sketch of Hand and Sketch of Forearm. Louis de Boullogne, the elder; French, 1609-1674. Date: 1629-1674. Dimensions: 247 × 370 mm. Red and black chalk on tan wove paper, laid down on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Wiik, Maria, work, Lying youth, exercise for the painting 'Surutar', charcoal, drawing, 48 cm x 61.5 cm, Maria Catharina Wiik 1853 - 1928 a Finnish painter of still life, genre images, landscape paintings and portraits. Lived in Finland

Honoré Daumier, The Prodigal Son The Prodigal Son

Finch, Alfred William, work, Model exercise, seated woman, red chalk, drawing, 44 cm x 58.5 cm

Religious scene Jean-Achille Benouville (Said Achille Benouville) (1815-1891). Religious scene. Graphite pencil on paper.

Rembrandt van Rijn (1606-1669), Jupiter OG Antiope, About 1631

Study of a lying male nude, anonymous, 1587 - 1640 drawing paper. chalk lying figure

Two children with birds, Two naked children with a bird each on a string, child, birds, Jacob Hoolaart, Dordrecht, 1728 - 1789, paper, etching, h 85 mm × w 73 mm

Amor, Louis Marin Bonnet, after Charles Joseph Dominique Eisen, 1757 print A putto, seen from the side, lying on a cloud and struggling with its legs. France paper Cupids: 'Amores', 'Amoretti', 'Putti'

A Huguenot - Study of Figures, 1851-52. Artist: John Everett Millais

Femme Sur Le Dos from Elles Henri de Toulouse-Lautrec (French, 1864-1901). Femme Sur Le Dos from Elles, 1896. Lithograph printed in colors on wove paper, 15 3/4 x 20 9/16 in. (40 x 52.2 cm). European Art 1896

Repin, Ilja Jefimoviš, work, Exercise for the work 'Christ and the Devil', 1892, pencil drawing, drawing, 30 cm x 41 cm, Ilya Yefimovich Repin 1844 - 1930, Ukrainian-born Russian painter.

Benjamin West, An Angel An Angel

Venus andCupid. Artist, copy after: Luca Cambiaso, Italian, 1527-1585

Venus, Mars, and Cupid 18th century Anonymous, French, 18th century French. Venus, Mars, and Cupid 357222

Male Nude Seen from the Back 1733-1794 Italy. Black chalk with stumping, heightened with white chalk, on blue-gray laid paper . Domenico Maggiotto

Centauridy capture; Thoma, Hans (1839-1924); 1897 (1897-00-00-1897-00-00);

Auguste Rodin (1840-1917), two lovers, About 1880

Two allegorical figures - Sapienza and Giustizia - on the pedestal of the monument Pauli III Farnese in the basilica Piotr in the Vatican; verso: caricature of the husband, a woman in a p Ango, Jean-Robert ( -1773); before 1773 (1748-00-00-1773-00-00);Wisdom (personification), Paweł III (Pope-1468-1549), Smolikowski, Seweryn (1809-1897), Smolikowski, Seweryn (1850-1920)-collection, justice (personification), allegories, Basilica of St. Piotr (Rome), Dar (provenance), copies (imitation), monuments, tombstones, statues, French drawings, French exhibition 2009

SERT, Jos_ MarÕa (1874-1945). Dance of Love. Love and silence. 1910. Sketch of the scenery by Hein Keckroth. Romanticism. Drawing. Private Collection.

Drawing, Candelabrum as part of a decoration; Italy; pen, ink, brown watercolor, white heightening on red colored paper

Two Dancers 1873 Edgar Degas French This freely brushed drawing belongs to the stock of figure studies Degas executed in sepia wash on colored papers for his great rehearsal pictures of the mid-1870s. The dancers are posed to the left and right of the ballet master in The Dance Class (Musée d'Orsay, Paris), begun in 1873, and the one at right also appears, looking into a mirror, in the Metropolitan's version of 1874 (1987.47.1).. Two Dancers. Edgar Degas (French, Paris 1834-1917 Paris). 1873. Dark brown wash and white gouache on bright pink commercially coated wove paper, now faded to pale pink. Drawings

Mary Magdalene Artist's working dates 1618-1688 France. Red and black chalk on cream laid paper . Claude Mellan

Assorted pen and pencil sketches by George Minne examining human figures, postures, and compositional balance, 1888.

of 3