Figures in Discussion

Etchings showcasing figures engaged in conversation. Scenes involve men and women in various settings, with an emphasis on facial expressions and interactions.

Rijn, Rembrandt van, The Adoration of the Shepherds: with the Oil Lamp, verso lower left, print, prints, Rembrandt f., bottom center, verso bottom center, verso bottom right, height 105 mm, width 129 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1652 - 1656, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Small plate etching by Rembrandt van Rijn depicting Jesus among the scribes, created in 1630, showing figures in discussion.

Harmensz van Rijn Rembrandt (1606-1669). "Jesus discussed with the doctors of the law: the small board", (B 66 - 3rd state), 1630. Museum of Fine Arts of the city of Paris, Petit Palais. 26997-15 Bible, discuss, doctor of the law, new will, engraving

Three conversing figures; Composition with three figures. Two women sit on a wooden bench. One of them looks at a standing man, who gestures with his hands.

Men, women and children at a tree, Johannes Josephus Aarts, 1881 - 1934 print A group of men, women and children, possibly Roma, arrives at a tree. A man with two crutches runs right in the foreground. Behind the group an open landscape that is bordered by hills paper. chalk. pencil etching wandering communities: Romani or Roma. crutches

The Agony in the Garden ca. 1652 Rembrandt (Rembrandt van Rijn) Dutch. The Agony in the Garden. Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606-1669 Amsterdam). ca. 1652. Etching and drypoint, some plate tone; first of three states. Prints

Rijn, Rembrandt van, The Adoration of the Shepherds: with the Oil Lamp, verso lower left, print, prints, Rembrandt f., bottom center, verso bottom center, verso bottom right, height 105 mm, width 129 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1652 - 1656, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Marcus Curius Dentatus refuses the gifts of the Samnites. Draughtsman: anonymous. Intermediary draughtsman: Gerbrand van den Eeckhout. Dating: 1635 - 1700. Measurements: h 148 mm × w 161 mm. Museum: Rijksmuseum, Amsterdam.

Pen and brush drawing by Christian Wilhelm Ernst Dietrich on violet-primed paper from 1731/32 depicting the biblical story of Hagar, showing figures, gestures, and narrative composition in black and gray.

The Archangel Raphael in the House of Tobit. Draughtsman: Rembrandt van Rijn (copy after). Dating: after c. 1650. Place: Amsterdam. Measurements: h 187 mm × w 143 mm. Museum: Rijksmuseum, Amsterdam.

The Goggles Merchant (Bartsch 29) Adriaen van Ostade (1610-1685). The glasses merchant (Bartsch 29). Forte, 1647-1652.

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Steen, Jan Havicksz., Interior with a kneeling man, verso - stamped, A man kneels before a seated man. Behind him a man pulls a woman by her apron., print, prints, height 141 mm, width 123 mm, print maker, printmaker, 1635 - 1729, paper, papier, etching, etchings, Noord-Nederlands, 1626 - 1679-02

Dentist, Jan van Somer, after Jan Both, 1655 - 1700 print For an inn, a quack (dentist) treats a man. The patient has bald his fists. A group of bystanders is around the spectacle. paper (barber as) dentist. quack extracting teeth or molars

Dentist, Jacob Gole, After Cornelis Pietersz. Bega, 1670 - 1724 print A farmer shows a dentist's wide open mouth. Two children and his wife, who are sitting on the ground on the left, watch anxiously. Amsterdam paper (barber as) dentist. quack extracting teeth or molars

Hermit by two figures visited.

Drawing, Mary with the Child; Attributed to Donato Creti (Italian, 1671-1749); Italy; graphite, pen and ink on paper

Jacob and Laban - the three oriental figures Harmensz van Rijn Rembrandt (1606-1669). Jacob and Laban, called the three oriental figures, 2nd state, around 1641.

Seated Woman with a Torch, and Other Figures, plate 2 from the Scherzi di Fantasia, Giovanni Battista Tiepolo, Italian, 1692 - 1770, Etching on laid paper, First state, before the number, Two old men, and one younger, watch a snake burning on an altar. Behind, them, a boy holding a sword; lower left, a seated woman, holding a torch, seen from the back., Italy, 1750-1760, figures, Print, Print

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Abraham and Isaac, Rembrandt van Rijn (Leiden, Netherlands, 1606 - 1669) 1645

Rembrandt van Rijn, Abraham Entertaining the Angels, Dutch, 1606-1669, 1656, etching and drypoint on japan paper

Charles of III Mander (1610-1670), Apollon Fleer Marsyas., 1609-1670

A Blind Hurdy-Gurdy Player and Family Receiving Alms, Rembrandt van Rijn, 1648 print paper counterproof / counterproof / etching / drypoint

Print, The Festival of Pan; Designed by Giovanni Benedetto Castiglione (Italian, 1609-1664); Italy; etching on paper; 22.9 × 18.6 cm (9 × 7 5/16 in.); 1896-31-49

La Mort et le bûcheron (4th plate) , Death, Skeletons, Woodcutters, Fuelwood, Alphonse Legros (1837-1911)

Seated Youth Leaning against an Urn, from Vari capricci (VariousCapriccios). Artist: Giovanni Battista Tiepolo, Italian, Venice, 1696-1770

Etching with a pinion by Rembrandt Harmensz. van Rijn from 1641 depicting the angel departing from the family of Tobias, showing expressive gestures, figures, and interior composition.

Zwerver gives NAP to sitting woman, Johann Andreas Benjamin Nothnagel, 1739 - 1804 print paper etching beggar. giving food

Bartholomeusnacht, 1572, David Bles, 1840 scene scene drawing Possibly a design for a print. paper. ink. pencil pen / brush historical events and situations. names of historical events and situations

An ill man reluctantly taking his medicine. Etching by W.H. Brooke after R. Dagley.

Abraham and Izaäk, Rembrandt van Rijn, 1807 - 1808 The print is part of an album. Paris paper etching The print is part of an album. Paris paper etching

Tibert de Kat Bijt de Pastoor, Allaert van Everdingen, 1665 - 1675 print Tibert de Kat bites, after he fell into the pastor's house, the pastor between his legs. The family comes to the aid of the pastor with Zwabbers. Netherlands paper etching fable of Reynard the Fox

Jozef introduces his father to Pharaoh, Ferdinand Bol, 1645 - 1652 drawing paper. ink. chalk pen / brush

The assignment in the temple. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 176 mm × w 147 mm. Museum: Rijksmuseum, Amsterdam.

Four figures with a mother with child, François Boucher, after Abraham Bloemaert, c. 1735 print publisher: ParisFrance paper etching mother and baby or young child. sitting figure. container made of plant material other than wood: basket

Napad na karawanę. Adam, Victor (1801-1866), draughtsman, cartoonist

Kiking children; The marble.

Tinkers, William Strang, 1859-1921, British, 1882, Etching, Plate: 6 15/16 x 8 7/8in. (17.6 x 22.5cm) and Sheet: 12 3/8 x 16 11/16in. (31.4 x 42.4cm)

Three musician men, Willem Basse, After Adriaen Brouwer, 1633 - 1672 print Three musician men sit in front of a fireplace. A man plays whistle, another violin, the third sings. Amsterdam paper etching / engraving one person playing string instrument (bowed). one person playing wind instrument. musician(s) accompanying singer(s)

Flute playing shepherd and spinster.

Rokende Man, Adalbert Engelsmet, 1802 - 1872 print A man with a hat and slippers, lights his pipe with a cabbage clamped between a tongs. A fire burns at his feet. Next to him is a woman with a jug in her arms. Haarlem paper etching pipe ~ tobacco

Etching 'Jakob Shown by the Bloody Rock of Joseph' by Rembrandt van Rijn, around 1633, depicting biblical figures with detailed expression, composition, and gestures.

God appears to Abraham or Moses (), Johann Georg Trautmann (possibly), 1723 - 1769, draughtsman: Johann Georg Trautmann, (possibly), 1723 - 1769, paper, brush, h 184 mm × w 132 mm

Three men, Salvator Rosa, c. 1656 - c. 1657 print A man sits on the left on a rock, leaning on a stick. On the right are two men, one of whom saw on the back. Italy paper etching / drypoint walking-stick, staff

Christ and the Woman of Samaria among Ruins Rembrandt (Rembrandt van Rijn) Dutch. Christ and the Woman of Samaria among Ruins 391551

In a poor interior, a man sitting on the ground is being disrobed by a woman. To their left a man looking into a jar and in the background a child. Woman disrobes a man, print maker: Charles Howard Hodges, (mentioned on object), Adriaen van Ostade, (mentioned on object), print maker: C. Holaert, (rejected attribution), Northern Netherlands, 1774 - 1837, paper, etching, h 187 mm × w 230 mm

Baillie, William, Rijn, Rembrandt van, Hundred Guilder print, Man in cloak, seen from the back, Fragment of cut plate of the Hundred Guilder print. The print is part of an album., print, album sheet, prints, height 143 mm, width 76 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1753 - 1810, paper, papier, pasting, etching, etchings, drypoint, dry needle, Irish, 1723-06-05 - 1810-12-22

Beggar Man and Woman behind a Bank. Dated: c. 1630. Dimensions: overall: 11.3 x 8.1 cm (4 7/16 x 3 3/16 in.). Medium: etching, drypoint and burin. Museum: National Gallery of Art, Washington DC. Author: Rembrandt Harmensz van Rijn.

Giovanni Battista Tiepolo, Seated Youth Leaning Against an Urn, published 1785 Seated Youth Leaning Against an Urn

Michał Elwiro Andriolli, `Pawlik`, for the `Pamiątki starego szlachcica litewskiego` Memories of an old Lithuanian nobleman; from: `Kłosy` 1884 no. 994, p. 43. Gorazdowski, Edward (1843-1901), engraver, Andriolli, Michał Elwiro (1836-1893), painter

Dungeon with three persons, Johann Georg Trautmann (possibly), 1723 - 1769, Joseph in prison explains the dreams of the cupbearer and the baker (). Dungeon with two prisoners and an entering figure wearing a turban., draughtsman: Johann Georg Trautmann, (possibly), 1723 - 1769, paper, brush, h 185 mm × w 132 mm

The Holy Family. This rustic’ Holy Family (Jesus, Mary and Joseph) belongs to a group of large chalk drawings with robust figures that occupies an exceptional place in the oeuvre of the silversmith Paulus van Vianen. One of these drawings was a design for a small silver plaque. That may also have been the function of this drawing; however no plaque with such a depiction has been preserved.

Drawing by Pierre Mignard between 1635 and 1656 showing the Holy Family with John the Baptist, executed in pen and gray-brown wash.

Berlin, Bette, Paul, Röhling, Carl, Bruckmann, Friedrich, Immo saves Hildegard in the street fight, Reproduction of a drawing of a scene from Die Ahnen by Gustav Freitag in which Immo saves Hildegard from a fight in the street, by Carl Röhling, recto - printed, photomechanical print, reproduction, page, photographs, photographically illustrated books, VIEELFÄLTIGUNG VORBEHALTEN., height 215 mm, width 164 mm, German, 1814 - 1898, photographer, 1877 - 1877, paper, papier, Woodburytypie, clichémaker, 1849-11-21 - 1922-10-25, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Rijn, Rembrandt van, Abraham en Isaak, Abraham and Isaac, verso - stamped, print, prints, height 132 mm, width 100 mm, print maker, printmaker, 1645 - 1645, paper, papier, etching, etchings, Work conception, Noord-Nederlands, 1606-07-15 - 1669-10-08

Prisoners in Kerker, Cornelis de Wael, 1630 - 1648 print The prisoners are chained to blocks. One of them talks to someone through the hatch in the door. Another looks out through the bars in the window. Italy paper etching prison, jail

Saint Pierre et Saint Paul à la porte de M. Richard , Saints, Paul, the Apostle, Saint, Peter, the Apostle, Saint, Alphonse Legros (1837-1911)

Banditti taking his post (no.4 from Fifteen Etchings dedicated to Sir Joshua Reynolds), John Hamilton Mortimer, 1740-1779, British, 1778, Etching, Sheet: 16 5/16 x 10 11/16in. (41.4 x 27.2cm)

Etching by Rembrandt van Rijn depicting Jesus among the scribes with pinion technique, created in 1652, showing biblical figures in discussion.

Adoration of the shepherds. Draughtsman: Pieter Cornelisz. van Rijck. Dating: 1578 - 1628. Measurements: h 229 mm × w 337 mm. Museum: Rijksmuseum, Amsterdam.

Spinster. A spinster at work for a house. In the background a man with a hat. Leged below numbered: 8.

Summer (L'ete). Medium: etching and drypoint in dark brown ink. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Low relief representing two shepherds, a cow and sheep (Hollstein 48) Berchem, Nicolaes Pietersz. "Low relief representing two shepherds, a cow and sheep (Hollstein 48)". Etching. Museum of Fine Arts of the city of Paris, small palace.

Depicts 'The Wandering Musicians' by Rembrandt van Rijn, created as an etching around 1635, showing figures, instruments, and street scene composition.

Farmers interior (second version), Jabes Heenck, after Adriaen van Ostade, c. 1767 - 1782 print Three figures at a table near an open window in a farming interior. paper etching / drypoint interior of the house. open window. dog. drinking

God appears to Abraham or Moses (), Johann Georg Trautmann (Possible), 1723 - 1769 drawing paper. chalk brush Genesis: the patriarchs. Exodus, Leviticus, Numbers, Deuteronomy, Joshua: from the bondage of the Israelites in Egypt to their settlement in Canaan

Drawing, Three Men; Designed by Domenico Gargiulo; Italy; red chalk, pen and ink, brush and watercolor on paper

Victimes d'incendie par des chemineaux , Fires, Alphonse Legros (1837-1911)

Two Figures of Evangelists Writing ca. 1700-1750 Attributed to Pedro Duque Cornejo For the attribution of this drawing to the sculptor Pedro Duque Cornejo, see M. García Luque, 'Dibujos de Duque Cornejo en el Álbum Jaffe (I): la colección del Metropolitan Museum of Art, Philiostrato. Revista de Historia y Arte, no. 3, 2018, cat.no. 17.. Two Figures of Evangelists Writing 336589

Joseph Recounting His Dreams. Dated: early 1640s. Dimensions: overall: 17.3 x 22.4 cm (6 13/16 x 8 13/16 in.). Medium: reed pen and brown ink with brown wash, heightened with white, on laid paper. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

Rijn, Rembrandt van, Hieronymus in prayer: plate with curved upper edge, verso lower left - stamped, print, prints, Rembrandt f. 1632, lower right, height 109 mm, width 81 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1632 - 1632, second quarter 17th century, paper, papier, etching, etchings, Work conception, after own design by

Hour of death. Hoveling retires for reflection in the garden of the palace. The skeleton of death is next to him. A Courtisan tries to seduce him but he does not matter to earthly lusts. He repent her to a clean life.

Three old women look at a painting of a cat, 1753 - 1808 print One of the women has a cat under her arm. On the wall is a portrait of an old woman and a performance with cards in an inn. Three other paintings lean against the leg of a donkey, in the foreground a child draws a cat on the floor. paper etching cat. picture, painting. old woman

Seated Soldier Leaning on His Shield. 1656 - 1657. Rosa, Salvator, 1615-1673. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Two standing boys, the first seen from the side, the second on the back, draughtsman: Isaac van Ostade, Netherlands, c. 1631 - c. 1649, paper, h 112 mm × w 120 mm

Schoolmaster surrounded by children, Arnoud Schaepkens, 1831 - 1904 print paper. etching / drypoint teacher and pupil

Interior with a letter -writing woman, a waiting man and two spectators, Gerard ter Borch (II), c. 1655 - 1665 drawing Deventer paper. chalk. ink

Paul Gavarni (aka Hippolyte-Guillaume-Sulpice Chevalier, French, 1804 - 1866). I express my condolences, Madame, widow of the world, ca. 1852. From Les Lorettes Vieillies, album 2; Masques et Visages. Lithograph.

Rijn, Rembrandt van, The rat-poison pedlar, verso bottom center, print, prints, RHL 1632, bottom right, verso bottom left, height 140 mm, width 125 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1632 - 1632, second quarter 17th century, paper, etching, etchings, burin, Work conception, after own design by

The generation of Eutychus, Pieter Fransz de Grebber (attributed to), 1610 - 1652 drawing paper. chalk

A borrowed old woman.

Pulchinello in conversation with two wizards, Giovanni Battista Tiepolo, in or before c. 1750 print Pulchinello in conversation with two wizards, they sit by an altar that a naked boy leans against. Italy paper etching Types in 'Commedia dell'Arte': Pulcinella

Four men in Conversation. 1656 - 1657. Rosa, Salvator, 1615-1673. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

A man sits on a tripod and holds a piece of cloth by a fire. In the background on the right a man leaning on a lower door for which a woman is standing. On the left two musicians, a man on a stool near a fire., print maker: Vincent van der Vinne van Lee, (signed by artist), Netherlands, 1808 - 1876, paper, etching, engraving, h 110 mm × w 96 mm

The musicians. .

Jacob and his Sons, Rembrandt van Rijn, c. 1641, draughtsman: Rembrandt van Rijn, Amsterdam, c. 1641, paper, pen, brush, h 176 mm × w 230 mm

Playing shepherd and spinster, nicolaes pietersz berchem, 1654 - 1662 print Netherlands paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. spindle. flute, aulos, tibia. one person playing an instrument

Liberation of Peter from prison, draughtsman: Carel Fabritius, (attributed to), 1640 - 1649, paper, pen, brush, h 167 mm × w 156 mm

The two old singers (Dutuit 6) Dusart, Cornelis. The two old singers (Dutuit 6). Etching. 1685-1685.

Christ at Emmaus: The Larger Plate, 1654. Rembrandt van Rijn (Dutch, 1606-1669). Etching, engraving and drypoint; sheet: 24 x 18.5 cm (9 7/16 x 7 5/16 in.); platemark: 21 x 16 cm (8 1/4 x 6 5/16 in.).

Interior of a butcher shop with one female and two male figures, draughtsman: Pieter van den Bos, 1623 - 1663, paper, h 281 mm × w 197 mm

Standing and sitting women and girls, Johannes Josephus Aarts, 1881 - 1934 print Ten women and girls are located, standing and sitting, in a landscape that grown with grass. Japanese paper (handmade paper) etching standing figure - AA - female human figure. sitting figure - AA - female human figure

Figure reproduction: Daniel Mikołaj Chodowiecki (1726-1801), des Künstelers Kinderstube; 19th century (1801-00-00-1900-00-00);

Boer and farmer's wife with baskets on the back, Jacques Callot, 1621 - 1624 print A farmer and a farmer's wife, both with a wicker basket on the back, rest on the side of a road. The farmer takes a bottle, the farmer's wife takes a bowl. This print is part of a series of 16 prints (15 according to Lieure; 17 resp. 16 incl. Title print) with men and women in various postures. These prints may have been intended as drawing examples. Nancy paper etching farmers. container made of plant material other than wood: basket

Francisco de Goya (1746-1828), they are of another race (61), 1810-1820

Adriaen van Ostade, Eyeglass Peddlar, probably 1646 Eyeglass Peddlar

Pietro Fancelli, Two Standing Courtiers, c 1820 Two Standing Courtiers

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Rembrandt's 'Abraham Speaking with Isaac' (1645) is an etching depicting the biblical figures Abraham and Isaac, highlighting gesture, posture, facial expression, and interaction in a narrative scene.

Two Tramps, a Man and a Woman. Rembrandt Harmensz. van Rijn (Netherlands, Leiden, 1606-1669). Holland, c. 1634. Prints; etchings. Etching and echoppe ()

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