Figures in Landscape

Etchings and prints portraying figures interacting with nature, capturing various narratives through scenic settings and dramatic skies.

Landscape on the coast with thunderstorms, anonymous, after Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1709 print Landscape on the coast with thunderstorms. Under the show is a text in Latin. paper engraving thunderstorm. coast

Figures Crossing a River 1807 Johann Georg Primavesi German. Figures Crossing a River. Johann Georg Primavesi (German, Heidelberg 1776-1855 Kassel). 1807. Etching. Prints

The Sacrifice, chart 25, Brahms Fantasy, Op. XII. Klinger, Max (1857-1920), graphic artist

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), pleasant diversity of figures, conversation of lords and ladies sitting on the ground. Seventh number of a suite of 13 pieces (A. de Vesme 123. Dutuit 84) (Main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Collection of Prints by Notable Dilettanti, Print made by unknown artist, Annotated by James Chelsum, 1738-1801, British, c. 1780, Etching

Plate 7: Two noblemen seated in center, seen from behind, conversing with a noblewoman seated between them, a noblewoman and man seated to left in background and standing to right in background, from 'Various Figures' (Agréable diversité de figures) 1642 Stefano della Bella Italian. Plate 7: Two noblemen seated in center, seen from behind, conversing with a noblewoman seated between them, a noblewoman and man seated to left in background and standing to right in background, from 'Various Figures' (Agréable diversité de figures) 376404

Landscape on the coast with thunderstorms, anonymous, after Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1709 print Landscape on the coast with thunderstorms. Under the show is a text in Latin. paper engraving thunderstorm. coast

Honfleur, John Cousen, 1804-1880, British, after Joseph Mallord William Turner, 1775-1851, British, 1834, Line engraving, engraver's proof

Poole, Dorsetshire, George Cooke, 1781-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1814-1826, Etching and line engraving, 2nd state on moderately thick, moderately textured, cream, wove paper, Sheet: 11 1/2 × 16 inches (29.2 × 40.6 cm), Plate: 8 15/16 × 11 7/8 inches (22.7 × 30.2 cm), and Image: 5 15/16 × 8 11/16 inches (15.1 × 22.1 cm)

Robert Wallis, 1794-1878, British, Saumur, 1830. Line engraving, first published state on moderately thick, slightly textured, cream, wove paper, with gray, chine colle.

Max Klinger, Homage (Huldigung), 1878 1880 Homage (Huldigung)

Shipwreck of the apostle Paulus near Malta, Willem Basse, 1632 - 1634 print Shipwreck of the ship with the apostle Paulus at the island of Malta. Crew and passengers reach the mainland without a skin. Printed on the back with text in Dutch. . paper etching / engraving the shipwreck on the coast of Malta (Melita) ~ story of Paul. shipwreck

The Beach, December and the winter season, Pieter Nolpe, 1623 - 1653

Harlech, 1880. Francis Seymour Haden (British, 1818-1910). Mezzotint, etching and drypoint;

Two carts on a building site, presumably at the current Russell Square in London, John Linnell (II), 1806 drawing paper. chalk building-site Russell Square

Breakthrough of the Arkelse Dam near Gorinchem, 1820, Anonymous, 1820 print Dike breach of the Arkelse Dam near Gorinchem on January 26, 1820. To the left of the broken dike are people, on the right a man with an old woman flees on the back. Netherlands paper etching Dike-Break Gorinchem. Arkel

Nile Journey, Esneh, Egypt, 1890, black chalk on folded blue paper, sheet: 15.3 × 20.3 cm (6 × 8 in.), Elihu Vedder (artist) American, 1836 - 1923

Thomas Jeavons, ca. 1800-1867, British, Lyme Regis, Norfolk, 1836. Line engraving and etching, 3rd state on moderately thick, slightly textured, beige, wove paper.

Flood in Erichem, 1809, Reinier Vinkeles (I), After Cornelis van Hardenbergh, 1809 print print maker: Amsterdamafter drawing by: Netherlandspublisher: Amsterdampublisher: Amsterdam paper etching dike-break. death by drowning (non-violent). ruin of a dwelling, house, castle, etc. Erichem

James T. Willmore, 1800-1863, British, Winander-Mere, Westmoreland, 1837. Line engraving, 3rd state on moderately thick, slightly textured, cream, wove paper.

Thomas Goff Lupton, 1791-1873, British, Dover, 1826-1828. Mezzotint (Engraver's Proof c).

Salerno, Thomas Girtin, attributed, 1794-1800, United Kingdom, wash technique

The foam pulling the cord Charles-Fran�ois Daubigny (1817-1878). The foam pulling the cord.

L'Avalanche: Frontispiece du 'Triomphe de la Mort' , Trees, Rocks, Scythes, Alphonse Legros (1837-1911)

Print (France)

Babylon, John Cousen, 1804-1880, British, after Joseph Mallord William Turner, 1775-1851, British, 1835-1836, Line engraving, engraver's proof

W. R. Smith, active 1819-1851, Tynemouth, Northumberland, 1827-1838. Line engraving, engraver's proof.

Chateau d'Arc Near Dieppe, William Forrest, 1802-1889, after Joseph Mallord William Turner, 1775-1851, British, 1836, Etching and engraving, first published state

From Spenser's Fairy Queen. Dated: published 1811. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Thomas Hodgetts.

Capt. Thomas Hastings, 1778-1854, British, Hastings Beach, 5 November 1815, 1815. Graphite on thin, slightly textured, cream laid paper.

View of a cave, View of a cave through which four monks walk, cave, grotto, monk (s), friar (s), Martinus Antonius Kuytenbrouwer jr., 1831 - 1897, paper, drypoint, h 324 mm × w 230 mm

The Distant City, 1868. Rodolphe Bresdin (French, 1822-1885). Lithograph and roulette; sheet: 27.5 x 35.8 cm (10 13/16 x 14 1/8 in.); image: 9.9 x 18.3 cm (3 7/8 x 7 3/16 in.).

Askelon, 1842 - 1849, by David Roberts (1796-1864). Published in London by F.G. Moon. The work includes descriptions and travel accounts of the Middle East, presented with lithographs. It comprises 6 volumes in 4, containing illustrations, maps, and plates (partially colored). The physical dimensions are 33 x 48.5 cm

Fisher-folk and their methods of work. Engraving, c.1762, by Benard after Goussier.

The Fifth Plague of Egypt, plate 16 from LIber Studiorum. Joseph Mallord William Turner (English, 1775-1851); Engraved by Charles Turner (English, 1773-1857). Date: 1808. Dimensions: 180 × 258 mm (image); 207.5 × 288 mm (plate); 292 × 425.5 mm (sheet). Mezzotint and etching in brown on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Landscape with a view of Hoch-lets, Daniel Nikolaus Chodowiecki, After Rembrandt van Rijn, after Pieter de With, 1759 print paper etching landscapes Sint-Vituskerk. Hoch Elten

Sky; L AIR; Four elements. Sailing ships on a troubled sea near a coast with windmills. In the air cumulus clouds and a rain shower.

The Rising Moon, Print made by Samuel Palmer, 1805-1881, British, active in Italy (1837-39), 1857, Etching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper with beige chine collé, Sheet: 10 3/8 x 13 3/4 inches (26.3 x 35 cm), Plate: 5 13/16 x 8 3/4 inches (14.7 x 22.2 cm), and Image: 4 5/8 x 7 1/2 inches (11.7 x 19.1 cm), animal art, barrel, church, clouds, cypress, genre subject, hat, hills, horizon line, house, landscape, moon, moonlight, mountain, night, pond, sheep, shepherd, staff, tower (building division), trees, trough, village

Zanderij near Katwijk, Noah van der Meer (II), After Johannes le Francq van Berkhey, 1769 - 1779 print The sand excavation at Katwijk. There is a man with a kick on the floor. Two hunters with hunting dogs run above the excavation. Top right: pl. Ii. Amsterdam paper etching excavation ~ archaeology (+ variant). sand (soil type). hunter

Dogehoed from Venice on a sofa; Numismata virorum illustrium ex Barbadica Gente. A console with a sofa at which a Dogehoed is located. It is protected by an angel with a parasol. Rooms with the lion of Saint Marcus, the symbol of Venice. Down some bazing or trumpets. The print is part of an album.

L'averse , Storms, Alphonse Legros (1837-1911)

Rev. William Gilpin, 1724-1804, British, Landscape with Fisherman, between 1762 and 1783. Gray wash, yellow wash, graphite, pen and brown ink on moderately thick, moderately textured, beige laid paper.

Print made by David Lucas, 1802-1881, British, Hadleigh Castle, 1830 to 1832. Mezzotint on medium, slightly textured, cream laid paper.

Face of Muiderberg on Weesp, Muiden and Amsterdam, Wenceslaus Hollar, 1634 drawing Design for a print. paper. ink. pencil. watercolor (paint) brush / pen dune coast Muiderberg. Weesp. Muiden. Amsterdam. Zuiderzee

Vuur, Reinier Nooms, 1651 - 1662 print Sea battle, a warship fires guns, explodes another ship and is on fire. paper etching fire (one of the four elements). battle (+ sailing-ships)

Four large sailing ships in a bay, Reinier Nooms, 1651 - 1652 print A bay with four large sailing ships, a group of men on the coast near a rowing boat and two men with harpoons. paper etching / engraving gulf, bay. sailing-ship, sailing-boat

Spuhr vom Tachse.. Ridinger, Johann Elias (1698-1767). Prints, Illustrations, Scientific illustrations. 1740. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Animals, Hunting, Game & game birds

Rispah. Dated: published 1812. Medium: mezzotint and etching. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and Robert Dunkarton.

Samuel Palmer, The Early Ploughman, in or before 1861 The Early Ploughman

In the years 1775 and 1776, Anonymous, c. 1789 - c. 1810 drawing Flood in the years 1775 and 1776. Netherlands paper. ink pen / brush Dike-Break

Lulworth Cove, Dorset, William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1811-1812, Etching and line Engraving, engraver's proof on medium, slightly textured, beige, wove paper, Sheet: 7 × 10 3/4 inches (17.8 × 27.3 cm) and Image: 5 11/16 × 8 5/8 inches (14.4 × 21.9 cm)

The Perilous Situation of Major Mony, When He Fell into the Sea with His Balloon on the 23rd of July, 1785, Off the Coast of Yarmouth; Most Providentially Discovered and Taken Up by the Argus Sloop, After Having Remained in the Water During Five Hours June 24, 1789 John Murphy British This mezzotint depicts a dramatic incident of 1785, when Major Mony, a pioneering aeronaut, ascended in a hot-air balloon before 40,000 spectators in Norwich, a city northeast of London. A faulty valve prevented him from making a controlled landing and, after flying for nearly two hundred miles, he crashed just off the Isle of Wight, where he spent five hours in the water before being rescued. (The first manned balloon flight had taken place in France only two years before, and accidents, some fatal, were not uncommon.) Murphy, the engraver, who specialized in nighttime subjects, used the velvety qualities of mezzotint to enhance the drama of the scene. Here, the Major skillfully keeps himself afloat with

Ruisdael, Jacob Isaacksz van, The Cornfield, verso lower left - stamped, print, prints, verso lower middle - stamped, verso lower right - stamped, Klodepkast (), verso lower left - stamped (), height 98 mm, width 147 mm, Noord-Nederlands, 1629-06 - 1682-03-14, print maker, printmaker, 1648 - 1648, second quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Alphonse Legros, 1837-1911, French, active in Britain (1863-11), Un Orage. Drypoint.

Félix-Hilaire Buhot (French, 1847 - 1898), L'Orage (The Storm), 1879, drypoint and roulette with isolated areas of etching and possibly salt lift in black on cream laid paper

W. R. Smith, active 1819-1851, Longships Lighthouse, Lands End, 1836. Line engraving, 3rd state on moderately thick, smooth, cream, wove paper.

Mountain Valley with a Plateau ca. 1625-30 Hercules Segers Dutch Segers, one of the most idiosyncratic printmakers of the seventeenth century, employed traditional techniques towards expressive ends. He worked on each impression of a print as though he were creating a unique painting. He printed this etching in colored inks on paper that was already colored and subsequently painted the printed impression by hand. Such original techniques influenced his compatriot Rembrandt van Rijn.. Mountain Valley with a Plateau. Hercules Segers (Dutch, ca. 1590-ca. 1638). ca. 1625-30. Line etching, drypoint, and metal punch printed in blue-green, on a yellow-green ground, colored with brush; second state of two. Prints

Barque en péril , Bodies of water, Boats, Alphonse Legros (1837-1911)

The Deluge, Engraved by Joseph Mallord William Turner, 1775-1851, British, after Joseph Mallord William Turner, 1775-1851, British, between 1813 and 1823, Mezzotint; modern impression on moderately thick, slightly textured, cream wove paper, Sheet: 11 3/8 × 15 1/4 inches (28.9 × 38.7 cm), Plate: 8 7/8 × 11 3/4 inches (22.5 × 29.8 cm), and Image: 7 7/8 × 10 7/8 inches (20 × 27.6 cm), cave, cliff, death, destruction, dog, elephant (animal), flood, giraffe, horse, lightning, man, praying, rain, religious and mythological subject, storm, the flood and destruction of mankind ~ story of Noah (Genesis 7:10 - 8:17), tidal wave, tree, water, woman

View of Amsterdam from the IJ with ships, Johann David Schleuen (I), After Daniel Nikolaus Chodowiecki, 1765 - 1806 print paper etching harbour Amsterdam. Ij

Félix Hilaire Buhot, Un Vieux Chantier à Rochester (The Old Dock yard at Rochester) Un Vieux Chantier à Rochester (The Old Dock-yard at Rochester)

Sawrey Gilpin, 1733-1807, British, Observing Sailboats From the Shore, undated. Watercolor, gray wash and graphite on medium, moderately textured, beige, laid paper.

Marshal views the siege of La Motte, Abraham Bosse, 1634 print paper etching siege. city-view, and landscape with man-made constructions Champagne-Ardenne

New Weir on the Wye, Print made by Frederick Christian Lewis the Elder, 1779-1856, British, after Joseph Mallord William Turner, 1775-1851, British, 1825, Mezzotint; engraver's proof (b)

Rowing boat with figures on a bank, 1839 There is a dog in the grass on the waterfront. Page 27 Verso from a sketchbook with 37 sheets. paper. pencil pen landscapes with waters, waterscapes, seascapes (in the temperate zone). rowing-boat, canoe, etc.. anatomy (non-medical). shrubs. dog

The Cooper (Le tonnelier). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Etching by François Godefroy between 1763 and 1819 depicting water tables, showing constructed elements and their function related to water.

Netherlands, Berchem, Nicolaes Pietersz., France, Aliamet, Jacques, Le four à brique, Ice scene with a brick oven, verso - stamped, print, prints, height 327 mm, width 386 mm, French, 1726 - 1788, print maker, printmaker, 1755 - 1760, paper, papier, etching, etchings, engraving, engraving (printing process), Northern Netherlands, 1620 - 1683-02-18

Cambronne's Word. Charles François Daubigny; French, 1817-1878. Date: 1861. Dimensions: 137 × 187 mm (plate); 218 × 300 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Charles Francois Daubigny.

Hedging and Ditching, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by J. C. Easling, fl.1788-1815, after Joseph Mallord William Turner, 1775-1851, British, 1812, Etching and mezzotint, printed in brown ink First published state on medium, slightly textured, cream wove paper, Sheet: 11 1/2 × 17 3/8 inches (29.2 × 44.1 cm), Plate: 8 3/8 × 11 1/2 inches (21.3 × 29.2 cm), and Image: 7 3/8 × 10 3/8 inches (18.7 × 26.4 cm)

River landscape with anglers in boats. On the left on the bank two figures near a mill. A wooden bridge connects the bank to a river island on which is a gatehouse with a beacon. Numbered bottom left: 2. The numbered prints were published as a series of ten, Angling men in boats near a windmill and a beacon Figures in landscapes (series title), print maker: Jan van de Velde (II), publisher: Hendrick Hondius (I), (possibly), Northern Netherlands, 1627 and/or 1631, paper, etching, h 81 mm × w 166 mm

John Horsburgh, 1791-1869, British, Laugharne Castle, 1833. Line engraving, 1st state on thick, slightly textured, cream, wove paper, with cream, chine colle.

An 1870 landscape, from 'News of the day,' published in Le Charivari, December 10, 1870 December 10, 1870 Honoré Daumier. An 1870 landscape, from 'News of the day,' published in Le Charivari, December 10, 1870. 'News of the day' (Actualités). Honoré Daumier (French, Marseilles 1808-1879 Valmondois). December 10, 1870. Lithograph on newsprint; second state of four (Delteil). Prints

Le Verveux; from Magasin Pittoresque ca. 1852 Charles Jacque. Le Verveux; from Magasin Pittoresque. Charles Jacque (French, Paris 1813-1894 Paris). ca. 1852. Wood engraving. Prints

DijkBreuk, Cornelis van Hardenbergh, 1765 - 1873 drawing paper. pencil. ink. watercolor (paint) pen / brush Dike-Break

The Seine Before Honfleur. Karl Daubigny; French, 1846-1886. Date: 1865. Dimensions: 136 × 218 mm (image); 160 × 239 mm (plate); 319 × 454 mm (sheet). Etching, roulette and drypoint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Weymouth Bay. Artist: David Lucas (British, Northamptonshire 1802-1881 London); After John Constable (British, East Bergholt 1776-1837 Hampstead). Dimensions: Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm)Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm)Sheet: 8 5/8 × 12 3/8 in. (21.9 × 31.4 cm). Date: 1830.In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intention--to illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project. Museum: Metropolitan Museum of Art, New York, USA.

Amalfi, Print made by Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1830, Etching and line engraving on medium, slightly textured, cream wove paper

Drowning of Prince Johan Willem Friso, 1711; Prince Joan Willem Friso drowns. Johan Willem Friso, Prince of Orange-Nassau, drowned while crossing the Moerdijk as the boat runs into trouble during heavy weather on July 14, 1711.

Richter, Ludwig, Dresden, Bürkner, Hugo, Die Überfahrt am Schreckenstein, Company in a boat on the Elbe, in the background ruins of Schreckenstein, verso - stamped, print, prent, prints, height 351 mm, width 496 mm, German, 1818-08-24 - 1897-01-17, print maker, printmaker, 1881 - 1881, paper, etching, 1803-09-28 - 1884-06-19

Wonderful Fishing, Thomas Holloway, After J. Holloway, After Rafaël, 1824 print London paper. etching / engraving the miraculous draught of fishes (before the Resurrection) on the Lake of Gennesaret (Sea of Galilee); James and John helping to bring in the nets (Luke 5:1-11)

Au bord de la Seine, 1888. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

James and John helping to bring in the nets (Luke 5, 1-11), Schelte Adamsz. Bolswert, 1596 - 1659, paper, engraving

Charles Parrocel depicted an equestrian battle with a rock slope on the left using brown pen and gray-laved brushwork around 1740-1745.

The satyr Aristaeus who was a beekeeper sneaks up on Proteus in his cave. He ties him up and forces him to explain why his bees died. In the margin the title in French, English, German and Dutch. The scene is decorated with an ornamental border, Aristaeus captures Proteus, print maker: Bernard Picart, (workshop of), Bernard Picart, (mentioned on object), Amsterdam, 1733, paper, etching, engraving, h 250 mm × w 176 mm × h 350 mm × w 252 mm

Décret de la commune. Dated: 19th century. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: HONORÉ DAUMIER.

He goes well the ministry ... Auguste Desperet (1804-1865). Press cartoon. "He goes well the ministry ...". Board published in "caricature" of October 20, 1831. Lithography. Paris, House of Balzac.

Dzik shot in 1731 in the algeu of Oberndorff; Ridinger, Johann Elias (1698-1767); 1742 (1700-00-00-1750-00-00);

Straits of Dover, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Line engraving, engraver's proof

La Vallee de la Solle, 1890. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

David Lucas, A Mill Near Brighton, 1838, mezzotint on cream wove paper.

Barn in a landscape, Burning barn in a landscape located at the water. Figures are depicted around the barn, some of which carry a bucket, barn, open fire (in general), Cornelis van der Grient (mentioned on object), Netherlands, 1858, paper, drypoint, h 186 mm × w 217 mm

Boat with three fishermen, Arnoud Schaepkens, 1855 - 1904 print paper. etching / drypoint fisherman. rowing-boat, canoe, etc.

Wood's Holl sic, Falmouth, Mass. Wood's Holl sic, Falmouth, Mass

Island of Gozo, Malta. Fishermen on the cliffs. Engraving. Lemaitre direxit. History of Malta and Gozo, by Frédéric Lacroix. Panorama Universal, Spanish edition, printed in Barcelona, 1850.

Christ with the personalized soul in a rowing boat, Jan Luyken, 1714 print Amsterdam paper etching Christ and the Soul. rowing-boat, canoe, etc.

Cat and musicians. Grandville, Jean-Jacques (1803-1847), draughtsman, cartoonist

Breaking the Sint-Antoniesdijk near Houtewael, 1651, 1651 print The breaking of the Sint-Antoniesdijk or Diemerzeedijk near Houtewael on March 5, 1651. In the caption the first half of the legend A-f. Part of a large record consisting of four images and a text sheet with a verse. print maker: Northern Netherlandspublisher: Amsterdam paper etching Dike-Break Sint-Antoniesdijk

THE MIRAGE. Egypt, engraving 1879

Landscape with sun and two figures, Barbara Elisabeth van Houten, 1877 - 1950 print paper etching plain

Rotskust Nabij Trouville, Maxime François Antoine Lalanne, 1875 print print maker: Francepublisher: Paris paper etching / drypoint / engraving rocky coast Trouville-sur-Mer

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