Flemish Engravings

Historical copper engravings with religious themes and mythological motifs, showcasing detailed narrative scenes from the 16th to 17th centuries.

This etching by Cornelis Schut, created between 1615 and 1655, depicts the Godfather with a Holy Spent pigeon and the return of the Holy Family from Egypt, showing figures, birds, and landscape elements.

Copper engraving and etching by Frans Floris, 1552-1568, depicting Bacchus, showing mythological figures, wine, and classical motifs in mid-16th-century European style.

Copper engraving by Jan Wierix depicting the themes of Innocence and Piety, created between 1570 and 1620, exemplifying Flemish religious engraving and detailed symbolic representation.

Copper engraving by Hans Collaert d. Ä. showing the biblical Escape to Egypt and the Rest on the Escape, created in 1576.

Copper engraving by Hieronymus Wierix created between 1573 and 1619 depicting Saint Roch, showing human figure, gestures, and religious narrative in late 16th- and early 17th-century style.

This etching by Cornelis Schut, created between 1615 and 1655, depicts the Godfather with a Holy Spent pigeon and the return of the Holy Family from Egypt, showing figures, birds, and landscape elements.

Etching by Romeyn de Hooghe depicting various individuals on a deathbed, created between 1665 and 1708.

The 1596 copper engraving and etching by Matthäus Greuter depicts the triumphs of love and chastity, showing allegorical figures, gestures, attire, and symbolic elements in European print.

Johann Georg Willes etchings (1730-1808) depict Landsknechte and a rider, showing military figures, attire, weapons, and movement in European printmaking.

Etching by Francesco la Marra depicting Haman before execution and the approval of Lazarus, created between 1730 and 1780.

This copper engraving and etching by Harmen Jansz. Muller from 1568 to 1638 depicts the seven planets, showing symbolic celestial figures and planetary attributes.

Copper engraving by Antonie Wierix II, created between 1576 and 1604, depicting the death of Mary, showing her surrounded by figures in a religious scene.

Etching by Giulio Cesare Venenti depicting King Mithridates, created between 1665 and 1697, showing a historical figure in a detailed composition.

Copper engraving by Crispin van de Passe depicting labor in Florence and a representation of virility and honor, produced in 1596.

Etching by Gérard Audran from 1640-1703 depicting Scipio demonstrating authority over prisoners, showing figures, gestures, and a classical architectural setting.

Copper engraving by Hans Collaert the Elder depicting allegories of the risen Christ overcoming evil and as a source of life, created between 1540 and 1590.

Copper engraving and etching depicting the biblical scene of the sacrifice of Isaac, created by Heinrich Ulrich in 1609.

Copper engraving by Petrus Clouwet, created between 1645 and 1700, depicting a title cartridge for Trisagion Marianum with detailed religious symbols and figures.

An etching by Bernhard Rode created between 1776-1790 showing mythological figures and scenes, illustrating gods, heroes, and symbolic narratives.

Copper engraving by Jan Collaert the Younger, created between 1590 and 1595, showing a title leaf depicting women from the Old Testament, including biblical figures and scenes.

Etching by Orazio Farinato dated 1575-1616 depicting the Virgin Mary with the Christ child and John the Baptist as a boy, showing figures, gestures, and devotional setting.

Etching and copper engraving by Dirck Volkertszoon Coornhert, 1551, depicting Susanna confronted by elders with figures, gestures, and a garden setting.

Copper engraving by Jan Pietersz. Saenredam, 1604, depicting Adam naming the animals and Adam and Eve with figures in a biblical narrative composition.

Copper engraving by Theodor Galle, 1591-1612, depicting the death of Duke Ugolino and figures of Pallas Athena and Vulcan in narrative mythological scenes.

Copper engraving by Philipp Galle around 1572 depicts the reward for work and diligence, showing figures engaged in labor, gestures, and symbolic representations of effort and reward.

Copper engraving by Jan Wierix depicting scenes from the story of Judith, created between 1570 and 1620.

Copper engraving by Claude Mellan created between 1620 and 1688 depicting Diana in her sky chariot as the moon goddess and the mythological scene of Perseus and Andromeda, showing celestial and heroic figures.

Copper engraving by Christoffel van Sichem I from 1546-1624 illustrating virtues as allegorical figures, showing 16th- and early 17th-century European stylistic elements.

Etching by Giovanni Battista Franco showing the Holy Family with Mary, Joseph, and Christ child in a devotional religious composition with surrounding figures.

Copper engraving and etching by Philipp Galle depicting the story of John the Baptist, showing figures, gestures, clothing, and religious iconography. Created in 1564.

Copper engraving by Hendrick Goltzius depicting Passion scenes, created between 1596 and 1599, showing figures, narrative, and compositional arrangement.

Etching by Pierre Brebiette from 1618-1650 illustrating mythological representations with gods, legendary figures, and narrative scenes on paper.

Lithography by Ferdinand Piloty the Elder depicting a cover illustration with Pomone and the Temptations of Christ, created between 1800 and 1855, showing figures and religious narrative.

"Etching and copper engraving by François Denis Née depicting the prediction of the Sibyl of Cumae, including Caesar, Pompeia, and Calpurnia, showing figures, gestures, and classical composition in 1780."

Etching by Giovanni Battista Franco from 1530-1561 depicting an ancient male figure holding a circle and book, with a Roman soldier standing before a woman, illustrating gestures, posture, and classical composition.

Copper engraving and etching by Dirck Volkertszoon Coornhert depicting a recent court and the six works of mercy, created in 1552.

Harmen Jansz. Muller created a copper engraving and etching in 1566 illustrating the four temperaments, showing symbolic human figures and characteristics.

The etching by Barthélemi Weiss from 1750-1820 depicts a young woman crying with a letter, various other scenes, and Leda with the swan, illustrating figures, gestures, and narrative composition.

Etching by Matthäus Merian the Elder, 1631, showing Old Testament events with detailed figures, landscapes, and symbolic elements.

Etching by Léon Davent depicting two nude women with Cupid and the mythological scene of the Abduction of Europe, created between 1545 and 1547.

Etchings by Stefano della Bella from 1630-1664 depicting coats of arms, friezes, and various scenes, showing heraldic symbols and decorative composition.

Copper engraving from the 17th century showing various mythological figures, including gods, goddesses, and symbolic elements from classical mythology.

Etching by Pierre Brebiette showing a mythological frieze with classical figures and decorative elements, created between 1618 and 1650.

A 1630-1690 copper engraving and etching by Frederick Bloemaert depicting the five senses of humans within rural scenes, showing figures, gestures, and domestic or agricultural activity.

Etching by Pietro Testa depicting Chiron teaching Achilles on the lyre and the abduction of Proserpina, produced between 1628 and 1691.

Etching by Pierre Brebiette showing a decorative frieze with scenes from ancient mythology, created between 1618 and 1650, illustrating mythological figures and narrative motifs.

Etching by Nikolaus van Hoy depicting Apollo and the Muses, created in 1660, illustrating classical mythological figures and artistic symbolism.

A 16th-17th century copper engraving and etching by Wolfgang Kilian illustrating The Fall and the expulsion from Paradise, showing biblical scenes and figures.

Etching from 1631 by Matthäus Merian the Elder depicting a narrative scene from the Old Testament with biblical figures, architecture, and action.

Etching by Daniel Nikolaus Chodowiecki from 1783 illustrating Siegfried von Lindenberg from Müllers work, showing a literary scene with figures in period attire.

Copper engraving by Georges Reverdy from 1549-1565 depicting multiple biblical scenes with figures, gestures, and narrative compositions.

Copper engraving and etching by Dirck Volkertszoon Coornhert depicting the praise of a virtuous woman, created in 1555.

Print, Heraldic Achievement Designs; Print Maker: Nicolas Guérard (French, ca.1648 - 1719); France; etching on laid paper

Etching by Matthias Scheits, 1671, depicting the four elementsearth, water, air, and fireillustrated symbolically with human and natural forms.

Aquatint by François Philippe Charpentier created between 1750 and 1797 depicting figures titled Grabmonucent and Grador in detailed 18th-century European print style.

Aquatint by Stefano Mulinari depicting Adam and Eve, an angel, and a Roman soldier with a cross in front of a prison, created between 1760 and 1796.

Etching by Dirck Volkertszoon Coornhert depicting the Annunciation to Mary and the Adoration of the Shepherds, created between 1540 and 1590, showing angelic figures, Mary, shepherds, and early Northern Renaissance style.

Etching by Romeyn de Hooghe depicting various allegorical figures, created between 1665 and 1708.

Copper engraving and etching by an unknown engraver, created around 1590, depicting the Holy Family with musicians, including figures, instruments, and scene composition.

Copper engraving by Jan Wierix, 1573-1575, depicting the miracle of bread and fish and the resurrection of the widow's son from Naïn.

Etching by Philip Lambert Spruyt depicting church equipment in Mechelen, including apostles and the scene of the miraculous catch of fish, created between 1742 and 1801.

Photo production of an engraving of the Last Judgment by Cornelis Visscher II, after the painting by Peter Paul Rubens, Jean Louis Bargignac, after Cornelis Visscher (II), after Peter Paul Rubens, c. 1853 - in or before 1858 photograph Brussels photographic support albumen print comprehensive representation of Last Judgement: Christ (with sword and lily), often surrounded by elders and sometimes accompanied by Mary and John the Baptist, appears in the sky with trumpeting angels (and sometimes angels holding the instruments of the Passion); after the resurrection of the dead the blessed are led to heaven by angels, and the damned are dragged into hell by devils

Etching by Arnold Houbraken showing allegorical personifications and symbols, created between 1675 and 1719.

Etching by an unknown artist showing King Midas with a group of figures, created between 1628 and 1752, depicting classical mythology with detailed engraving.

Photo production of an engraving of the entry of Jüloch by Jean-Marc Nattier, to the painting by Peter Paul Rubens, Descamps, etc., After Jean-Marc Nattier, After Peter Paul Rubens, c. 1859 - in or before c. 1864 photograph photographic support albumen print victory ~ armed conflict. queen Jülich

Copper engraving and etching by Lambert Lombard from 1535-1570 depicting the control of the apostle Paul, showing detailed gestures, figures, and composition in a biblical scene.

Etching by Pierre Brebiette (1618-1647) depicting the martyrdom of Saint Katharina of Alexandria with figures and instruments of martyrdom.

This copper engraving and etching by Carl Gustav Amling depicts Otto von Wittelsbach with Greek representatives, created in 1699, illustrating historical figures and diplomatic encounter.

A copper engraving by Hieronymus Wierix depicting Jonah being released from the whale, his resentment, and Gods response, created in 1585.

An etching by Philip Lambert Spruyt from 1742-1801 depicting Boreas abducting Oreithya, showing a mythological scene with figures in motion.

Copper engraving and etching by Jean Le Blond I depicting a title leaf related to antique cults, created between 1630 and 1666.

Etching by Antonio Tempesta illustrating scenes from Ovid's Metamorphoses, featuring mythological transformations, figures, and narrative episodes, created between 1606 and 1620.

A copper engraving by Louis de Châtillon depicting Christ and the adulteress, created between 1659 and 1734.

A copper engraving by Johann Sadeler the Elder depicting the personifications of West and North, created between 1570 and 1600, illustrating allegorical representations of cardinal directions.

Copper engraving by Jan Collaert the Younger depicting the hunting of wild birds, fish, and elephants, created between 1596 and 1670.

Copper engraving and etching from around 1600 depicting religious motifs with symbolic figures, gestures, and iconography.

Copper engraving by Theodor Galle depicting Veturia and Volumnia requesting peace from Coriolanus, and the Vestal Claudia, created in 1595.

17th-century copper engraving and etching by Melchior Küsel showing an allegorical composition featuring saints of the Jesuit order in symbolic arrangement.

Etching by Bernhard Rode from 1774 depicting portrait medals with allegorical accessories and personifications in detailed compositions.

Detailed etching by Melchior Küsel from the 17th century illustrating stories from the Old Testament with biblical figures and narratives.

Copper engraving by Francesco Brizio illustrating the Rest on the Flight into Egypt, created between 1600 and 1623, depicting the Holy Family in repose.

Copper engraving by Adriaen Collaert depicting the life of Jesus, created around 1598. The work shows biblical figures, events, and composition details.

Copper engraving by Antonie Wierix II from 1584 depicting the flight to Egypt and a rest scene, showing figures, gestures, and biblical context.

Etching by Karl Russ showing Isis instructing the Egyptians alongside other mythological representations, created between 1809 and 1815.

Frans Floris's 1552 etching 'Victory Surrounded by Prisoners and Trophies' depicts the allegorical figure of Victory amidst vanquished captives and war trophies. This work, his only known etching, was inspired by his earlier painting for a triumphal arch celebrating the Habsburg victory over the Turks. The etching reflects Floris's study of Roman friezes and Michelangelo's Sistine Chapel frescoes during his 1540s Italian trip.

Copper engraving by Jan van der Straet depicting a silkworm and staphes, created in 1591, showing the insects, plant material, and scientific observation.

Etching by Jean Le Pautre from 1625-1682 depicting an ornamental frame with paintings, showing decorative motifs, intricate detailing, and symmetrical design.

Nebuchadnezzar accuses Sadrach, Mesach and Abednego; History of Sadrach, Mesach and Abednego; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Two men report to King Nebuchadnezzar that Sadrach, Mesach and Abednego do not want to bend for the golden image that the king has had. On the left the golden statue and a human mass adore the image. Sadrach, Mesach and Abednego remain. In the background a burning oven, in which everyone refuses to worship the image will be thrown. Under the show an explanatory text in Latin. Print is part of an album.

Bas -relief with the Sabinian virgin robber, 1636 - 1647 print Bas-relief with the Sabine Virgin robbery. On the left, a soldier grabs a Sabine Virgin. Right fighters with horses. In the middle of the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. rape of the Sabine women: they are carried off by Romulus and his men during a feast

Etching by Orazio Borgianni depicting scenes from the Bible, located in the loggias of the Vatican, created in 1615.

Copper engraving by Philipp Galle depicting hunting and animal scenes on a title leaf dedicated to Cosimo I, Grand Duke of Tuscany, produced 1578-1580.

Daniel in the lion's owl; History of Daniel, bell and the dragon; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Daniel is trapped in the lion's owl with seven lions. An angel brings the prophet habakkuk to the lion's owl. Habakuk has taken food for Daniel at the request of God. Under the show an explanatory text in Latin. Print is part of an album.

Bas -relief with the Sabinian virgin robber, 1636 - 1647 print Bas-relief with the Sabine Virgin robbery. In the middle of the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving piece of sculpture, reproduction of a piece of sculpture. rape of the Sabine women: they are carried off by Romulus and his men during a feast

Copper engraving and etching by Hendrick Goltzius depicting a penitent Mary Magdalene, created between 1607 and 1620.

A woodcut by Hans Schäufelin from the late 15th to 19th century depicting profane scenes, showing figures, gestures, attire, and social context.

Catalogue raisonne et figure de ses tableaux, La Galerie Électorale de Düsseldorf, Pigage, Nicolas de, 1723-1796, Red crayon, or pen, ink and watercolor, 1770-1778

Romeyn de Hooghe's etching from 1665 to 1708 presents a series of allegorical figures, reflecting his mastery in conveying symbolic narratives through art.

Copper engraving by Pieter de Jode depicting the Passion of Christ, created between 1580 and 1630.

Vertumnus en Pomona / Dood van Pentheus / Jupiter, Love en Venus Monogrammist MP, 1680 - 1800 print Three performances on a leaf. Above: Vertumnus and Pomona. Vertumnus approaches Pomona in the form of an old woman. Next to Pomona a basket with fruits. Middle: Three bacchanants including his mother torn Pentheus and tackle him with vines. He misses an arm. This was the punishment that Bacchus gave him because he didn't want to honor Bacchus. Below: Jupiter looks from the clouds to Amor, who stands with an open book with a sacrificial column. Venus is on the right next to her car. paper engraving Vertumnus, in the guise of an old woman, wooing Pomona. death of Pentheus: during a Bacchic orgy he is torn to pieces by his mother Agave and other women. Venus and Cupid (Cupid not being mere attribute). (story of) Jupiter (Zeus)

Copper engraving by Philippe Trière showing Hercules accompanied by Venus, Athena, and Chronos, created between 1776 and 1815, illustrating mythological figures in classical composition.

Hans Springinklees woodcut (16th-18th century) depicts Saint George as the patron saint of Emperor Maximilian, illustrating religious iconography and early modern European woodcut techniques.

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