Floral Textile Designs

Vibrant textile patterns featuring floral motifs and geometric shapes, with colors ranging from warm earth tones to bright floral hues, suitable for fabrics.

Beautiful abstract art of Ebru marbling painting techniques on water with paints

Leaf with tibaries with flowers and fruits with hunting scenes, Johann Michael Munck, 1730 - 1760 brocade paper Leaf with tendrils in a curl with flowers and fruits with hunting scenes (hunter bluntly on hunting horn, hunting dog and deer). Used as a cover. Augsburg paper. paint (coating) relief printing ornament derived from plant forms. hunting, chase

Drawing, Textile Design: Harlekin (Harlequin); Designed by Dagobert Peche (Austrian, 1887-1923, active Vienna, 1911-1923); Made for Wiener Werkstätte (Austria); Austria; brush and gouache on paper; 6.7 × 20.3 cm (2 5/8 in. × 8 in.) Mat: 31.8 × 45.1 cm (12 1/2 × 17 3/4 in.)

Martin Partyka, Bandbox, 1935 1942 Bandbox

Drawing, Textile Design: Zwinger; Made for Wiener Werkstätte (Austria); brush and gouache on paper; 6.7 × 20.6 cm (2 5/8 × 8 1/8 in.) Mat: 31.8 × 45.1 cm (12 1/2 × 17 3/4 in.)

Beautiful abstract art of Ebru marbling painting techniques on water with paints

Textile with Aquatic Birds and Recumbent Animal. Culture: Eastern Central Asia or North China. Dimensions: 11 1/4 x 24 1/2 in. (28.6 x 62.2 cm)Mount: 15 1/2 × 28 1/2 in. (39.4 × 72.4 cm). Date: 13th century.The free arrangement of animals on a rhythmic background of geometric leafs is typical of Eastern Central Asian textiles of the eleventh to the thirteenth century. The design is also seen on Chinese tapestries of the period. A similar example was excavated from the burial pagoda of a Buddhist monk, Haiyun (1203-1257), in Beijing, attesting to the strong ties between Chinese and Central Asian textiles at the time. Museum: Metropolitan Museum of Art, New York, USA.

Beautiful abstract art of Ebru marbling painting techniques on water with acrylic paints

Textile (Indonesia); cotton

Suzani, 19th century, 104 x 82 1/2 in. (264.16 x 209.55 cm), Silk, cotton, linen; continuous-thread couching, chain stitch, open chain stitch, Uzbekistan, 19th century

Advertisement of art dealer Meijer W. Goudeket. Twice the text 'Meijer W. Goudeket, trader in contemporary visual arts, Tulpstraat 9 Amsterdam' surrounded by flowers, leaves and other plant motifs.

Album with 58 prints of Tortotel and Perrissin; Prime Minister Volume des Guerres de France Par Tortorel et perissin. Album with 58 prints of Jacques Tortotel and Jean Perrissin with images of the events from the French religious wars between the 1559-1570. Some plane plates present and / or in copy. Without a title page. In the front of a command to the reader. The prints collected and bound in an album with marbled paper on front and back, corners and back covered with brown leather. With a French title in gold print on the back.

Morocco Fès Attarin Medersa Plate 65. Swaan, Wim. 1967 or earlier Photographic production materials for Morocco: Marrakesh, Fez, Rabat Photographs of architecture were selected and digitized from these materials. Portraits, ethnographic images, and images of museum objects were excluded. Digital images are arranged geographically, first by country, then by city, then by site complex or monument, with all names in alphabetical order. Location names are derived from the Getty Thesaurus of Geographic Names (TGN)®, Library of Congress subject headings, and scholarly publications. Published images are followed by unpublished images. Versos of prints and slide mounts were not digitized. The information in any handwritten identifications found on these surfaces was incorporated into the metadata for individual images. All digital images are cropped to the edge of the frame and are not color-corrected. Photographic production materials for Morocco: Marrakesh, Fez, Rabat is a small portion of t

Greek Ornament and Etruscan Ornament

Mola textile by Kuna Indian artist, with an abstract pattern. From the San Blas Archipelago, Panama. Reverse applique design worn on female blouse.

DP Jones, Painted Chest, 1942 Painted Chest

Stencil with Pattern of Maple Leaves on Water 19th century Japan The pattern of maple leaves floating in water evokes the Tatsuta River often featured in poetry, its waters brightened with scarlet leaves.. Stencil with Pattern of Maple Leaves on Water 69223

Ceiling paintings in the tomb of Nes-pa-nefer-her, Sheikh Abd el-Qurna, Thebes, Egypt, (1928). '1090 B.C...Nes-pa-nefer-her flourished at the time of Hrihor (1098-1085 B.C.)'. After Gustave Jequier. Plate XII, fig 36, from "An Encyclopaedia of Colour Decoration from the Earliest Times to the Middle of the XIXth Century" with explanatory text by Helmuth Bossert. Ernst Wasmuth Ltd., Berlin, 1928

Taiwan, Hualien District, Xien-Chen, Naive painting at the Xie-An temple

Fragment, 17th century; silk

Textile with Peonies Japan. Textile with Peonies. Japan. Resist-dyed and painted plain-weave silk. Edo period (1615-1868). Textiles-Dyed

Tile 16th-17th century Spanish, Seville. Tile 187897 Spanish, Seville, Tile, 16th17th century, No dimensions recorded.. The Metropolitan Museum of Art, New York. Gift of Henry G. Marquand, 1894 (94.4.409)

Greek Ornament

Piece from a Kosode with Flowers, Leaves, and Water Japan. Piece from a Kosode with Flowers, Leaves, and Water. Japan. Resist-dyed silk satin damask (rinzu), embroidered with silk and metallic thread. Edo period (1615-1868). Textiles-Dyed and Embroidered

Study for Proposed Portfolio "Decorated Chests of Rural Pennsylvania". Dated: 1941. Dimensions: overall: 35.6 x 45.9 cm (14 x 18 1/16 in.). Medium: tempera on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Marqueteria. Circulo del Liceu. Barcelona. Author: ALEXANDRE DE RIQUER.

Floral motifs on a yellow fond. Design for a pottery decoration.

Floor mosaic, Basilica di Sant' Anastasia, ca. 1290, Italian Gothic, Verona with medieval old town, Italian Gothic, ca. 1290, Veneto, Italy, Verona, Veneto, Italy, Europe

Two sheets with flowers and fruits with point stock, Johann Wilhelm Meyer, 1740 - 1780 brocade paper Two sheets with the same pattern of flowers and fruits with point stock. Augsburg paper. paint (coating) relief printing ornament derived from plant forms

Interspersed. Mark Tobey (1896-1976). Gouache on black paper. Signed and dated 1970. 100 x 70cm.

Zwei Kleine Aquarellen Paul Klee. (1879-1940). Watercolour, 1916.

Elongated scarf of silk crepe georgette batikt in brown, orange, green and beige with a stylized floral motif, Ragnhild d'Ailly, c. 1920 - c. 1929 Elongated scarf of silk cree georgette batoted in brown, orange, green and beige with a stylized floral motif. The scarf is provided on both short sides with a flat hem with fils-tirés and on one long side a rolling soap, on the other side the self-side. Pattern: A number of arabesks from a central double shield -shaped motif, which form the connection with a leaf motif that contains a thistle. Netherlands whole: Silk. whole: ink Elongated scarf of silk cree georgette batoted in brown, orange, green and beige with a stylized floral motif. The scarf is provided on both short sides with a flat hem with fils-tirés and on one long side a rolling soap, on the other side the self-side. Pattern: A number of arabesks from a central double shield -shaped motif, which form the connection with a leaf motif that contains a thistle. Netherlands whole: Si

Woven Coverlet. Dated: 1935/1942. Dimensions: overall: 28 x 22.9 cm (11 x 9 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Martha L. Lanscher.

Fragment from Book of Textiles, 1700s. China, Qing dynasty (1644-1911). Silk; overall: 26.2 x 26.6 cm (10 5/16 x 10 1/2 in.).

Drawing, Textile Design: Sylvester; Designed by Felice Rix-Ueno (Austrian, 1893-1967, active Japan 1935-1967); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 6.4 × 19.7 cm (2 1/2 × 7 3/4 in.) Mat: 31.8 × 45.7 cm (12 1/2 in. × 18 in.)

Drawing, Textile Design: Alpenkönig (King of the Alps); Designed by Gertrude Weinberger (Hungarian, active Austria, 1897 - 1920); Made for Wiener Werkstätte (Austria); brush and gouache, graphite on paper; 6.7 x 20.5 cm (2 5/8 x 8 1/16 in. )

MOSAICO BIZANTINO - SIGLO VIII. Location: MEZQUITA OMEYA. DAMASKUS.

Patterned Leaves II 1996 John Bunker (20th C. American) Mixed Media On Board

Kosode (Kimono) Fragment with Abstract Tortoiseshell Pattern, Plum Blossoms, and Waves. Japan, late Momoyama (1573-1615)-early Edo (1615-1868) period, Keicho (1996-1615)-Kan'ei (1624-1644) era. Costumes; principal attire (entire body). Silk figured satin (rinzu), tie-resist dyed (kanoko shibori), with silk and gilt-paper-wrapped-silk thread embroidery, and stenciled metallic leaf

Panel. France. Date: 1732-1734. Dimensions: 60.9 x 55.2 cm (24 x 21 3/4 in.)Warp repeat: 29.8 cm (11 3/4 in.). Silk and silver-gilt-strips-wound-around-silk-fiber cores warp-float faced 7:1 satin weave of two color complementary ground wefts, with supplementary binding warps tying supplementary brocading wefts and self-patterning ground wefts in twill interlacings;. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Stencil Japan. Stencil 70036

Wallpaper Design, Brush and gouache, graphite on heavy white paper, A dado is shown at the bottom, an entablature on top. The panel is decorated with horizontal rows of great petal discs. Small petal rosettes and flower boughs are in the wedges. A vine garland is on top; its upper part is shown against a gray background., Austria, 1835-50, wallpaper designs, Drawing, Drawing

Piece 18th-19th century Japan. Piece 65843

Portrait Of A Lady 1917-1918 Klimt, Gustav(1862-1918 Austrian) Oil On Canvas

Piece from a Kosode with Partial Chrysanthemum Japan. Piece from a Kosode with Partial Chrysanthemum. Japan. Resist-dyed silk satin damask (rinzu), embroidered with silk. Edo period (1615-1868). Textiles-Dyed and Embroidered

Poelzig Hans (1869-1936): Sketchbook F1

Azulejos type of tinglazed ; Ceramic tiles used in the church of St. Augustine ; Portuguese architecture ; Ornamental art ; Unesco world heritage site ; Old Goa ; Velha Goa ; India

Drawing, Textile Design: Samtente; Designed by Lotte Frömel-Fochler (Austrian, 1884 - 1972); Made for Wiener Werkstätte (Austria); brush and gouache on paper

Valentine 1850-70 Anonymous. Valentine. Anonymous. 1850-70. Cameo-embossed open-work lace paper, colored paper, gilt scraps, printed motto

Closeup detail of old Portuguese glazed tiles.

Textile, Edison; Designed by Dagobert Peche (Austrian, 1887-1923, active Vienna, 1911-1923); Made for Wiener Werkstätte (Austria); silk; Height: 19.4 cm (7 5/8 in.) Width: 14 cm (5 1/2 in.)

Drawing, Textile Design: Alpenveilchen (Cyclamen); Designed by Felice Rix-Ueno (Austrian, 1893-1967, active Japan 1935-1967); Made for Wiener Werkstätte (Austria); Austria; brush and gouache on paper; 13.5 × 17.8 cm (5 5/16 in. × 7 in.) Mat: 31.8 × 45.1 cm (12 1/2 × 17 3/4 in.)

Untitled (Textile design no V), circa 1925, England, by Frances Hodgkins.

Medieval ornament

Demonstration, Reitser, Lia Yakovlevna (1902-1988)

Section of a Tile Panel

Drawing, Textile Design: Zaunkönig (Wren); Designed by Reni Schaschl-Schuster (Austrian, 1895 - 1979); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 5.1 × 20 cm (2 in. × 7 7/8 in.) Mat: 31.4 × 45.2 cm (12 3/8 × 17 13/16 in.)

Marble floor Galleria Umberto I in Naples

Watercolor illustration of portuguese ceramic tiles pattern. Single square tile.

Sleeve Panel, 19th-20th century, 12 x 7 3/4 in. (30.48 x 19.7 cm), Cotton, embroidery, China, 19th-20th century

Closeup detail of old Portuguese glazed tiles.

Romania, Bucharest. Ceausescu's lavish Parliament Palace (aka Palatul Parlamentului or Casa Poporului), 2nd largest building in the world, interior.

Lazio Frosinone Anagni Chiesa2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abstract #15, by Marilee Whitehouse-Holm (born 1949), Private Collection

Arabesques : incrustations en stuc sur pierre (du XVIe. au XVIIIe. siècle). Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Drawings. 1877. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, Islamic, Architecture , Egypt , Cairo, Art , Egypt , Cairo, Art, Islamic, Islamic decoration and ornament, Decoration and ornament, Islamic, Arabesques, Inlays

Print sample on IInen Unknown, Wiener Werkstätte

Fragments, 2002, John Bunker (20th C. American), Watercolor & metallics

Fragment 17th-18th century Italian. Fragment 230093

Border, Medium: linen Technique: cut-fabric work with needle lace fillings, Wide scrolling floral center with a smaler scrolling band at the top and bottom., Italy or Spain, 16th-17th century, lace, Border

Leaf with treings with flowers and fruits, anonymous, 1750 - 1850 brocade paper Leaf with tibaries with flowers and fruits. paper. paint (coating) relief printing ornament derived from plant forms

Cloth (tzute), 1975-1980, 74 1/4 x 31 3/4 in. (188.6 x 80.65 cm), Cotton; supplementary weft patterning, Guatemala, 20th century

abstract pattern with red flower on head scarf hand painted silk batik - abstract pattern with red flower and black curved lines on white cloth of head scarf ,property released Copyright: xZoonar.com/ValeryxVoennyyx 10059762 ,model released, Symbolfoto ,property released

Fruit Offering 2001 Leslie Xuereb (b.1959/French)

Study for Proposed Portfolio "Decorated Chests of Rural Pennsylvania". Dated: 1941. Dimensions: overall: 35.5 x 45.8 cm (14 x 18 1/16 in.). Medium: tempera on paper. Museum: National Gallery of Art, Washington DC. Author: American 20th Century.

Stencil, Abstract Shibori Effects; Japan; mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu)

Rozental Museum, staircase, Alberta Strasse 12

Wall mosaics of the 12th century from Monreale Cathedral, Sicily. Handcoloured lithograph by Cordes after an illustration by Wilhelm Zahn from his Ornament of All Classical Art Eras, Ornamente aller klassischen Kunst-Epochen, Reimer, Berlin, 1834.

Drawing, Textile Design: Robinson; Designed by Maria Likarz-Strauss (Austrian, b. Poland, 1893-1971); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 5.4 × 20.3 cm (2 1/8 in. × 8 in.) Mat: 31.9 × 45.1 cm (12 9/16 × 17 3/4 in.)

Assyrian and Persian Ornament

Drawing, Textile Design: Palme; Designed by Dagobert Peche (Austrian, 1887-1923, active Vienna, 1911-1923); Made for Wiener Werkstätte (Austria); Austria; brush and gouache on paper; 6.7 × 20.3 cm (2 5/8 in. × 8 in.) Mat: 31.8 × 45.1 cm (12 1/2 × 17 3/4 in.)

Composition XX, Jacoba van Heemskerck, 1918 print An abstract composition with a wavy line at the top. transparent paper color woodcut Abstract, Non-representational Art

Print sample on IInen Unknown, Wiener Werkstätte

Coffee Thyme II. Sam Gilliam; American, born 1933. Date: 1981. Dimensions: 788 x 1,038 mm (sheet). Color intaglio with lithography, rubber stamp and debossing on paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Drawing, Design for a Woven Fabric, Fragment; France; yellow, beige, red, and black gouache on oily tracing paper, mounted; 9.6 × 10.3 cm (3 3/4 × 4 1/16 in.)

Eikbladkammar in multiple colors, Anonymous, 1700 - 1850 marbled paper Eikbladkammar in multiple colors. Used as a cover. paper. paint (coating)

Fantasy or loop marble in blue, red and pink, anonymous, 1800 - 1950 marbled paper paper. paint (coating) phantasy marbled paper

Connoisseur's Book of Silk Fragments late 19th century Japan A late nineteenth-century connoisseur, who valued the art of Japanese textile design and the techniques they embodied, assembled a collection of fragments in these traditionally bound books.. Connoisseur's Book of Silk Fragments 65615

Fabric design for a patterned print in mauve and white, Art Gout Beaute, 1924. Date: 1924

Roman mosaic with a cube pattern giving a three dimensional effect. Glyptothek. Munich. Germany.

Sample of printed IInen Unknown, Wiener Werkstätte

Sheet with figures in landscapes in red, purple, and yellow 18th century Anonymous. Sheet with figures in landscapes in red, purple, and yellow. Anonymous , German, 18th century. 18th century. Woodblock paste paper. Prints

Template with Monogram Chj, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 paper. pencil cutting / snipping magic mathematical figures; magic numbers, words, monograms

Book, Album of prints: Public Celebrations Given in Paris on the Occasions of the First and Second Marriages of Monseigneur le Dauphin in 1745 and 1747; Designed by Jean-Charles Delafosse (French, 1734-1791), Charles-Dominique-Joseph Eisen (French, 1720 - 1778), Charles-François Hutin (French, 1715 - 1776), René-Michel Slodtz (French, 1705-1764), Louis-Joseph Le Lorrain (French, 1715-1759), François Blondel; Print Maker: Jacques-Philippe Le Bas (French, 1707-83), Ouvrier Jean (1725 - 1784), Jean Jacques Flipart (Franch, 1719-1782), Martin Marvie (1713 - 1790), Pierre François Tardieu (French, 1711 - 1771); Published by Marguerite Caillou Chéreau (French, active 1729-1755); Calligrapher: Marie F. Lattré (French, active eighteenth century); France

Roadside sign announcing entrance into Chernobyl, Ukraine

France, Reunion Island, St-Pierre, Covered Market, Reunion-made wall hangings

Beautiful abstract art of Ebru marbling painting techniques on water with acrylic paints

PANEL DE AZULEJOS-MITO DE ACTEON DEL PALACIO DE SESSA Y ALTAMIRA-TORRIJOS-TOLEDO-TALAVERA HAC 1600. Author: LOAYSA HERNANDO DE. Location: MUSEE D'ARTS DECORATIFS. MADRID. SPAIN.

Laos, Luang Prabang. Mosaic depicting a tree, peacock, and other animals.

Stencil 19th century Japan. Stencil 69406

Petra James, contemporary modern artist, figures with blue dots 6. Striking art developed from modern art to postmodern art to contemporary art.

Arabian ornament

of 3