Frescoed Tales

Images of faded frescoes and murals depicting religious and historical themes, showcasing the intricacies of medieval art and architecture.

Lazio Frosinone Ausonia Santuario di S. Maria del Piano45. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Narni S. Agostino6. Hutzel, Max 1960-1990 Medieval: Architecture (13-14th century). Post-medieval: Sculpture, painting, frescoes (15-17th century) General Notes: Conservation: pressure-sensitive tape German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Latina Priverno S. Antonio Abate0. Hutzel, Max 1960-1990 Medieval: Architectual sculpture (14th century) sculpture. Post-medieval: Architecture; fresco cycles (13-15th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Subiaco Rocca Abbaziale8. Hutzel, Max 1960-1990 Distant and close range exterior views of castle, portals, papal crests. Interior views of entry hall, chapel, Appartamento dei Colonna, Appartamento di Pio VI, and Camara di Pio VI, with many detail views of ceiling and wall frescoes. General Notes: Views 1-7 extracted and filed separately under General views. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Basilicata Matera Matera S. Lucia alle Malve5. Hutzel, Max 1960-1990 Medieval: Architecture, rock-cut church (9-10th century); frescoes (1250) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Frosinone Anagni Palazzo Comunale4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, architectural fragments, fresco fragments. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Serravalle di Chienti S. Martino8. Hutzel, Max 1960-1990 Post-medieval: Architecture; frescos (15th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Frosinone Ausonia Santuario di S. Maria del Piano45. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--NEGATIVES PROCESSED, PRINTS FILED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Tolentino Chiesa della Carita1. Hutzel, Max 1960-1990 Exterior views of this deconsecrated 13th-14th century church focus on the facade rose window and unique main portal (c. 1250). Interior views show a wooden coffered ceiling, various frescoes, altar paintings, a marble mantelpiece and a holy water stoup. Object Notes: Hutzel photo campaign dates: December 27, 1984 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Civita S. Donato2. Hutzel, Max 1960-1990 General Notes: These print numbers correspond to the Hutzel guide, which includes all monuments in Civita in a single numerical sequence. Duplicates of five prints are stored in Medieval core collection; three views are stored only in Medieval. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Orvieto S. Giovenale53. Hutzel, Max 1960-1990 Medieval: Architecture (15th century), architectural sculpture Object Notes: Original church ancient German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Civitaretenga S. Egidio5. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (ruins), frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Ventaroli S. Maria in Foro Claudio9. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bolsena S. Francesco6. Hutzel, Max 1960-1990 Medieval: 13th century architecture (restored mid-20th century). Post-medieval: 15th-17th century fresco fragments, sculpted portal (1548) in pietra rossa. Coverage of the exterior, with emphasis on the main portal. Interior views of the (damaged) frescoes, the nave, the crucifix. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Foligno Nunziatella0. Hutzel, Max 1960-1990 Post-medieval: 15th century architecture (b. 1494), paintings on canvas, frescoes. Church facade and interior altars and altar paintings. General Notes: Two sets of prints made from the same negatives have been fused into a single numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Tornimparte S. Panfilo, Parish church. Hutzel, Max 1960-1990 Exterior views of the restored church: grey piers, bell tower, romanesque portal and damaged frescoes on the porch (14th-15th centuries). Views of the Renaissance-baroque interior: organ-loft (17th century), ceiling frescoes, apse frescoes, altar frescoes, altarpieces, and statues. Fresco and painting subjects include: St. Cecilia, St. Francis with Brother Leo, Paradise, Christ Arrested, the Flagellation, the Deposition, the Resurrection, the Annunciation, Madonna and Child, and God the Father surrounded by music-making angels (in the apse). Two views of the side portal are found in the Medieval core collection. Roman gravestone in the front yard. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the

Lazio Viterbo Viterbo S. Maria della Verita, Cloister33. Hutzel, Max 1960-1990 Extensive coverage of 12th c. church, renovated between 14th and 15th c. Exterior views of facade, flank and portal. Interior views of altar, gothic transept, ciborium. Views of Cappella Mazzatosta, its ceramic floor and frescoes by Lorenzo da Viterbo. Comprehensive coverage of gothic structure, including views of garden, well, and portico where antiquities are stored. Single print stored in Hutzel a duplicate of one in Medieval. Antiquities: Sarcophagi; sculpture; architectural fragments General Notes: Two sets of prints fused into single numerical sequence. Cloister has separate numerical sequence and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of t

Abruzzo L'Aquila Celano Museum29. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Acquasparta Palazzo Cesi4. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Piedipaterno sul Nera Romitorio0. Hutzel, Max 1960-1990 Post-medieval: Architecture; fragments of votive frescoes by Umbria School artist (15th century, 17th century); pascal candle; pulpit German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Tuscania S. Maria del Riposo7. Hutzel, Max 1960-1990 Post-medieval: Renaissance architecture (1495) with sculpted portal (1522); paintings on panel and canvas; sculpture (ceramic); 15th-16th century frescos; sculpture in wood; architectural sculpture. Views of the adjacent cloister of the Convento Francescano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Narni S. Domenico2. Hutzel, Max 1960-1990 Medieval: 1965 photos, 29 Architecture, architectural sculpture (12th century); Wall painting (13-16th century); Mosaic, cosmati style pavement (c. 1200) 1986 photos, 44 Architecture, architectural sculpture, cosmati pavement, sculpture. Post-medieval: 1965 photos, 56 Frescoes, painting (13-16th century); sculpture (14-16th century) 1986 photos 167 Frescoes, painting, sculpture, metalwork Antiquities: 1986 Weaponry Object Notes: Church deconsecrated and modified for use as museum, 1970 General Notes: Bibliographic material sent, Getty Center library () German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissa

Marches Macerata Visso S. Maria, Collegiate Church3. Hutzel, Max 1960-1990 Detailed views of the 14th century exterior architecture of the church, including portals, and details of columns and capitals. There are general interior views, with detailed photos showing the paintings, both on the screen behind the main altar and behind side altars. There are also many photos of painting fragments from the late Medieval and early Renaissance periods. Sculptural photos include a wooden crucifix and basins or altars (perhaps antique) with human face motifs. Object Notes: Hutzel photo campaign date: June 30, 1984. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissan

Umbria Perugia Vallo di Nera S. Maria33. Hutzel, Max 1960-1990 Medieval: Exterior, architecture and architectural sculpture (12th-13th centuries). Post-medieval: Fresco painting, partially destroyed after 1973 earthquake (12th-17th centuries) General Notes: Hutzel sent sheet from earlier photo campaign of same site, comprising 92 prints. Sheet indicates mainly painting material. Able to locate only 3 prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Carpineto Romano S. Pietro0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Albano Laziale Santa Maria della Rotonda7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Passera7. Hutzel, Max 1960-1990 Exterior views of apse, flank and facade of 13th c. church, built on top of 8th c. church, now a catacomb. Interior views of altar with detail views of 14th c. apse frescos. Antiquities: Views of lunette relief and gravestone. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Frosinone Anagni Chiesa2. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, cosmati pavement, fresco fragments. Views of the exterior and interior, especially of the (damaged) frescoes and mosaic floors. Owner: chiesa dei cappuccini German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Trevi S. Maria di Pietrarossa8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Salerno Nocera Inferiore Museo dell'Agro Nocerino1. Hutzel, Max German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Collescipoli S. Nicolo1. Hutzel, Max 1960-1990 Post-medieval: Architecture (15-16th century); sculpture, choirstall (16th century); frescoes (16-17th century); painted wooden organ loft (17th century); silk altarcloth (14th century) Object Notes: Two Hutzel photo campaigns dated 1970 and 1971. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Sant'Anatolia di Narco S. Maria delle Grazie. Hutzel, Max 1960-1990 Exterior views of this 16th century church are found in the Medieval core collection. Views of the romanesque interior focus mainly on the apse frescoes. In the sacristy are wooden crucifixes and two paintings of interesting iconograhpy: one of a female saint with a knife in her neck next to a dragon (perhaps St. Lucy or St. Martha), and one of a young Christ asleep on a cross in front of Joseph and Mary. He is amidst objects such as a skull, dice, a knife and ear, carpentry tools, Veronica's veil, and perhaps Judas' silver. Object Notes: Hutzel photo campaign date: February 7, 1982 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Rom

Umbria Perugia Schifanoia S. Michele Arcangelo1. Hutzel, Max 1960-1990 Medieval: Architecture (14th century); pavement. Post-medieval: Frescos (14th-16th centuries) Object Notes: Undocumented Hutzel name. According to his notes, Schifanoia is a part of Narni. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Casperia Chiesa dell'Annunziata5. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, painting. Church was built in 1609 by Girolamo Saraceni. Painting by Sassoferrato depicting the Annunciation above main altar. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Ponticelli S. Maria del Colle. Hutzel, Max 1960-1990 Medieval: 13th century architecture (much restored) with small campanile; frescos. Post-medieval: Frescos; funerary sculpture Object Notes: Location of negatives is unknown. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Frosinone Alatri S. Francesco3. Hutzel, Max 1960-1990 Medieval: late 13th c. architecture. 13th century with a facade articulated by a gothic-arched doorway and a rose window. Post-medieval: Sculpture, fresco, painting, stucco decoration, redecorated in the 18th century, 14th, 15th c. frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Ferrara Ferrara S. Antonio in Polsine4. Hutzel, Max 1960-1990 Medieval: Architecture (15th century). Post-medieval: Frescoes (15th century); Baroque interior, choir loft, sculpture (15th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rignano Flaminio SS. Vincenzo e Anastasio6. Hutzel, Max 1960-1990 Medieval: Architecture. Post-medieval: 16th century architecture and architectural sculpture, including stucco decoration; 16th century wooden crucifix; sculpted marble altars and tombs; frescos; paintings on canvas; stoup (1578) Antiquities: Fragments of architectural sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Montalcino S. Agostino4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century). Post-medieval: Frescoes (12th century) depicting saints, life of S. Agostino, the resurrection General Notes: When these negatives were sent there was confusion with identifying these prints and negatives and those of S. Antimo. Some intermingling MAY still exist. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Foligno Palazzo Trinci3. Hutzel, Max 1960-1990 Post-medieval: 14th century architecture (1389-1407), 19th century facade (1841-47), paintings on canvas, paintings on panel, frescoes, minor arts Object Notes: pinocoteca is on second floor (no neg.s to date) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Celano Museum06. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Vetralla General views. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Viterbo S. Maria della Verita, Cloister32. Hutzel, Max 1960-1990 Extensive coverage of 12th c. church, renovated between 14th and 15th c. Exterior views of facade, flank and portal. Interior views of altar, gothic transept, ciborium. Views of Cappella Mazzatosta, its ceramic floor and frescoes by Lorenzo da Viterbo. Comprehensive coverage of gothic structure, including views of garden, well, and portico where antiquities are stored. Single print stored in Hutzel a duplicate of one in Medieval. Antiquities: Sarcophagi; sculpture; architectural fragments General Notes: Two sets of prints fused into single numerical sequence. Cloister has separate numerical sequence and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of t

Campania Caserta Roccamonfina Santuario di Maria SS. dei Lattani8. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (15th century). Post-medieval: Architecture, architectural sculpture, frescoes, painting German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rignano Flaminio SS. Vincenzo e Anastasio5. Hutzel, Max 1960-1990 Medieval: Architecture. Post-medieval: 16th century architecture and architectural sculpture, including stucco decoration; 16th century wooden crucifix; sculpted marble altars and tombs; frescos; paintings on canvas; stoup (1578) Antiquities: Fragments of architectural sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Albano Laziale Santa Maria della Rotonda01. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Sermoneta S. Michele Arcangelo3. Hutzel, Max 1960-1990 Post-medieval: Interior architecture (11th century) painting, frescoes, General Notes: No documentation provided for this site German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Castel San Felice S. Felice di Narco0. Hutzel, Max 1960-1990 Extensive coverage of surrounding town and exterior church facade, including portal, windows, and bell tower. Interior views of altars and paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Caporciano S. Pietro in Valle3. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (12th century) Ciborium, sarcofagus, altar with frescos, stoup (12th cent.) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Barete S. Paolo1. Hutzel, Max 1960-1990 Medieval: Stoups made from Romanesque column capitals. Post-medieval: Frescos of the local school; sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Clemente1. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture, fresco painting General Notes: Situated about 300 meters from the Coloseum, it takes the name of Pope Clemente, third successor to S. Peter. Although the photos are filed as "medieval", there has been some renovation in the interior dating from the Baroque period, and examples of later painting. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Teramo Campli S. Francesco4. Hutzel, Max 1960-1990 Exterior views of the Medieval architecture; interior views include Medieval frescos and Renaissance altarpieces. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Carinola Cathedral03. Hutzel, Max 1960-1990 Medieval: 11th c. architecture, architectural sculpture, sculpture, mosaics, cosmati tiling, fresco paintings. Post-medieval: Fresco painting, paintings, sculpture Antiquities: Sculpture, sculptural relief German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Sulmona Badia Morronese5. Hutzel, Max 1960-1990 Views of baroque interior under restoration. Most views are of fresco cycles from the life of Christ (14th century). All the prints in the Medieval section are views of the tomb of Restaino Caldora-Cantelmo (1412) in the gothic chapel, Cappella Caldora. S. Spirito German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Viterbo S. Maria della Verita, Cloister9. Hutzel, Max 1960-1990 Extensive coverage of 12th c. church, renovated between 14th and 15th c. Exterior views of facade, flank and portal. Interior views of altar, gothic transept, ciborium. Views of Cappella Mazzatosta, its ceramic floor and frescoes by Lorenzo da Viterbo. Comprehensive coverage of gothic structure, including views of garden, well, and portico where antiquities are stored. Single print stored in Hutzel a duplicate of one in Medieval. Antiquities: Sarcophagi; sculpture; architectural fragments General Notes: Two sets of prints fused into single numerical sequence. Cloister has separate numerical sequence and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of th

Lazio Viterbo Tuscania S. Francesco5. Hutzel, Max 1960-1990 Medieval: 14th century architecture. Post-medieval: Fresco Object Notes: Two sets of prints, mostly duplicates German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Aquila San Vittorino S. Michele1. Hutzel, Max 1960-1990 Two prints of the 16th-century restored interior. Prints of frescoes from the 13th century show Christ in a mandorla, various saints, angels, a Crucifixion and graffiti. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Borgo Velino S. Maria extra moenia7. Hutzel, Max 1960-1990 Medieval: Architecture and architectural sculpture (5th-12th centuries). Post-medieval: Frescos (15th century) Antiquities: Pavement with Roman inscription German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Pale Eremo di S. Maria Giacobbe4. Hutzel, Max 1960-1990 Post-medieval: Architecture, fresco wall decoration. This structure was partly sculpted out of the rocks on the hillside and its interior is completely covered with frescoes dating from the 14th and 15th centuries. Above the main altar is a representation of S. Maria Giacobbe, by Lattanzio di Nicolo (1507). Object Notes: 2 sets of prints: earlier set does not have any negatives. Most prints from the second set are duplicates of the first. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, cit

Lazio Roma Arsoli S. Rocco1. Hutzel, Max 1960-1990 Post-medieval: Architecture, sculpture, fresco paintings. Views of the frescoes damaged by grafitti. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Tagliacozzo Palazzo Ducale2. Hutzel, Max 1960-1990 Exterior views of the renaissance palace built in the 14th and 15th centuries by the Orsini family, with much attention to windows. Interior views of a loggia (15th century) with poorly preserved frescoes by Lorenzo da Viterbo. More impressive is the Orsini chapel with its coffered ceilings and Viterbo's frescoes of the Redemption, Annunciation, Adoration of the Magi, Baptism and Crucifixion. (See view in H-29 for a possible self-portrait among the Magi) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by

Tuscany Siena Montalcino S. Francesco6. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile5. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Lazio Roma Velletri S. Clemente, Cathedral85. Hutzel, Max 1960-1990 Medieval: Architecture (4th c., rebuilt c. 1300, reconstructed 1659-62); architectural sculpture and mosaic (13th century); Roman urn (1-2nd c. A.D.); wall painting; includes reused Roman and 8-11th century fragments). Post-medieval: Architecture, architectural sculpture, frescoes, sculpture Object Notes: Bibliographic material housed in Center library. Hutzel photo campaign date: October 30, 1982. There was another photo campaign previous to 1982, possibly 1962. There is one set of prints and a second "A" set with the same numbers and ideally the negatives would correspond to each set; however, they are commingled to a certain extent (particularly the later numbers of those in the Medieval core collection, whose print sequence fits into the "A" set, but whose negatives are filed under the other set). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death.

Lazio Latina Bassiano S. Nicola6. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Ponzano Romano Abbey of S. Andrea in Flumine3. Hutzel, Max 1960-1990 Exterior views of abbey and church, originally built in fifth c., restored in 1959 and 1980. Interior views of apse frescos and apse arch decoration. General Notes: The nine exterior views stored in Hutzel collection were part of coverage commissioned by Getty. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Aquila San Sebastiano S. Sebastiano9. Hutzel, Max 1960-1990 Medieval: Architecture (12th-13th centuries): very primitive--probably built by local inhabitants; early Romanesque interior; frescos (13th-15th century) ; fragments of architectural sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Vetralla S. Pietro2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Saba. Hutzel, Max 1960-1990 Principle views of church exterior, interior, and Oratorio di S. Silva (basement level) in Medieval collection. Views remaining with Hutzel collection are of the portico, where medieval relief fragments are displayed along with antiquities, and of frescoes from the church interior. Antiquities: Sarcophagi, stele, relief fragments. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Tuscania S. Francesco3. Hutzel, Max 1960-1990 Medieval: 14th century architecture. Post-medieval: Fresco Object Notes: Two sets of prints, mostly duplicates German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Grosseto Montemerano S. Giorgio2. Hutzel, Max 1960-1990 Post-medieval: 15th century architecture; baroque additions to interior; wall and ceiling frescos; paintings on canvas and panel; polychrome wooden altar; wooden sculpture; tabernacle. Object Notes: Hutzel photo campaign date: November 29, 1984. There are two sets of notes with different numbering systems, indicating the possibility of two campaigns. However, the photos are virtually identical. The numbered series (undated) was originally matched to the negs. The "A" series (dated 1984) was renumbered, more negs. have been found and the series has been integrated into the undated series. General Notes: Apse and transept date to the 14th century, but they are not illustrated in these photographs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art histori

Lazio Latina Bassiano S. Nicola7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Amelia S. Monica7. Hutzel, Max 1960-1990 Post-medieval: Original church 14th century, rebuilt 17th century after an earthquake. Architecture; Baroque interior; painting; fresco fragments; organ loft German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile44. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Emilia-Romagna Ferrara Ferrara S. Antonio in Polsine5. Hutzel, Max 1960-1990 Medieval: Architecture (15th century). Post-medieval: Frescoes (15th century); Baroque interior, choir loft, sculpture (15th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Basilicata Matera Matera Chiesa del Peccato Originale6. Hutzel, Max 1960-1990 Medieval: Architecture, frescoes German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Corchiano S. Biagio4. Hutzel, Max 1960-1990 Medieval: Early Romanesque architecture (12th century); facade renovated in the 15th century. Post-medieval: Renaissance portal; frescos Object Notes: Unable to locate negatives for this site German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Caprarola Palazzo Farnese70. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Isola del Gran Sasso d'Italia S. Sebastian. Hutzel, Max 1960-1990 Post-medieval: 15th century architecture, architectural sculpture, frescoes, ciborium German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Latina Cori Annunziata4. Hutzel, Max 1960-1990 Two views of the church exterior and one of a holy water stoup. All remaining views are of the frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Casertavecchia (environs) S. Pietro ad Montes12. Hutzel, Max 1960-1990 Medieval: Architecture, frescoes Specific Location: Piedimonte di Casolla Object Notes: No information provided by Hutzel. See TCI, Campania, p. 251. General Notes: This monument is actually found in the village of Piedimonte di Casolla, but has been filed in the Hutzel collection under the city of Casertavecchia (environs). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Viterbo S. Maria della Verita, Cloister55. Hutzel, Max 1960-1990 Extensive coverage of 12th c. church, renovated between 14th and 15th c. Exterior views of facade, flank and portal. Interior views of altar, gothic transept, ciborium. Views of Cappella Mazzatosta, its ceramic floor and frescoes by Lorenzo da Viterbo. Comprehensive coverage of gothic structure, including views of garden, well, and portico where antiquities are stored. Single print stored in Hutzel a duplicate of one in Medieval. Antiquities: Sarcophagi; sculpture; architectural fragments General Notes: Two sets of prints fused into single numerical sequence. Cloister has separate numerical sequence and record. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of t

Lazio Roma Subiaco Monastery of S. Scolastica Second cloister. Hutzel, Max 1960-1990 Gothic portal (Medieval core collection) Sarcophagus and other antiquities. Views of frescoes in the cloister corridor. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Carpineto Romano S. Maria del Popolo0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Tolentino S. Catervo, Duomo3. Hutzel, Max 1960-1990 This church, erected in the 13th century, was completely renovated in 1830 in a neoclassical style. Exterior views are of the apse, an original bell tower and a medieval relief sculpture. Views of the vast baroque interior with its barrel-vaulted ceiling and numerous candelabra focus on the Cappella di S. Catervo--its frescoes and sarcophagus of S. Catervo and S. Settimia (14th century). Interior views also include a sculpture of the Pieta (14th century), wood intarsia choirstalls, a marble holy water stoup and a baptismal font. Object Notes: Hutzel photo campaign date: December 27, 1984 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as we

Umbria Perugia Castel San Felice S. Felice di Narco1. Hutzel, Max 1960-1990 Extensive coverage of surrounding town and exterior church facade, including portal, windows, and bell tower. Interior views of altars and paintings. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Collescipoli S. Nicolo6. Hutzel, Max 1960-1990 Post-medieval: Architecture (15-16th century); sculpture, choirstall (16th century); frescoes (16-17th century); painted wooden organ loft (17th century); silk altarcloth (14th century) Object Notes: Two Hutzel photo campaigns dated 1970 and 1971. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bolsena S. Francesco9. Hutzel, Max 1960-1990 Medieval: 13th century architecture (restored mid-20th century). Post-medieval: 15th-17th century fresco fragments, sculpted portal (1548) in pietra rossa. Coverage of the exterior, with emphasis on the main portal. Interior views of the (damaged) frescoes, the nave, the crucifix. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Rome S. Agnese fuori le Mura39. Hutzel, Max 1960-1990 Medieval: Architecture, architectural fragments, sculptural fragments, sculpture. Post-medieval: Architectural sculpture, fresco painting Object Notes: Erected in 342 by Costanza, daughter or niece of Constantine on the site of the catacombs holding the remains of S. Agnese. Marble staircase dates from 1590. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Roma Carpineto Romano S. Maria del Popolo3. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Spoleto S. Nicolo5. Hutzel, Max 1960-1990 Medieval: Architecture. 4 views of the facade and portal are found in the Medieval core colletion. Other exterior views of the arcade. Interior views focus on the polygonal apse which is perforated by a series of high double windows.. Post-medieval: Fresco painting and a detail of the portal lunette fresco. Object Notes: Included in part of a zone of late medieval urban expansion. Church has plan of simple rectangle with the four angles reinforced by robust buttresses. See xerox copy of descriptive information provided by Hutzel. General Notes: The apse of S. Nicolo sits directly above the church, Santa Maria della Misericordia German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Et

Lazio Rieti Casperia S. Maria di Legarano1. Hutzel, Max 1960-1990 Medieval: Wooden crucifix dating from the 1400's or (14th century). Post-medieval: Painting, sculpture. In the lunette above the portal is a fresco of the Annunciation by Bartolomeo Torresani. A fresco of the Last Judgment, by Bartolomeo Torresani, on walls of a chapel to the left of the atrium. Painting of S. Sebastian and S. John the Baptist of the school of Antoniazzo Romano. In a niche, representation of the Wedding of the Virgin, fresco attributed to Alessandro Torresani. Nativity scene in polychromed terracotta by an Abruzzi artist from the 15th century. Behind the main altar, a polychromed wood statue of the Virgin and Child signed by Carlo dell'Aquila (1489). Antiquities: Architecture and sculpture. Remains of "opus reticulatum" walls (church built on the site of a roman villa), a "colossal god" sculpture from 1 B.C. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early

Lazio Roma Albano Laziale Catacombe di S. Senatore2. Hutzel, Max 1960-1990 Antiquities: Interior views: fragments of architectural sculpture, some with inscriptions; wall painting (4-9th century) Object Notes: Catacombs beneath church church of S. Maria della Stella German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Rovine di Castro General views. Hutzel, Max 1960-1990 Views of remains of monuments of city dating from at least 8th c. A.D., razed in 1649. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Sulmona Museo Civico3. Hutzel, Max 1960-1990 Museo Civico Treasures: these objects (Tesoro del Pio Istituto della SS. Annunziata and Tesoro della Cattedrale) are now housed in the security vault of a bank, not in the Museo Civico, as noted in Hutzel's photo campaign notes of August 1984. Views of the treasures include: a silver processional cross (14th century); gold, silver and enamel chalice (13th century), gold and silver crosier with sculpted figures depicting the Annunciation (13th century), a silver and gold reliquary with glass (13th century), a silver diadem (13th century), and a box-like silver and gold reliquary (15th century). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as wel

Cambodia Angkor Angkor Wat Unpublished image 9. Swaan, Wim. 1966 or earlier Photographic production materials for Lost Cities of Asia: Ceylon, Pagan, Angkor Photographs of architecture were selected and digitized from these materials. Portraits, ethnographic images, and images of museum objects were excluded. Digital images are arranged geographically, first by country, then by city, then by site complex or monument, with all names in alphabetical order. Location names are derived from the Getty Thesaurus of Geographic Names (TGN)®, Library of Congress subject headings, and scholarly publications. Published images are followed by unpublished images. Versos of prints and slide mounts were not digitized. The information in any handwritten identifications found on these surfaces was incorporated into the metadata for individual images. All digital images are cropped to the edge of the frame and are not color-corrected. Photographic production materials for Lost Cities of Asia: Ceylon, Pag

Lazio Viterbo Nepi Oratorio di S. Biagio7. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture, portal contains Roman spolia; ambo, altar (1170); cofanetto (12th century). Post-medieval: Frescoes (14-15th century). Viewsn of damaged frescoes and small crypt. Antiquities: Holy water font with Roman spolia German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo L'Aquila Paganica Santuario della Madonna d'Appari1. Hutzel, Max 1960-1990 Post-medieval: Architecture (13-15th century); exterior views of facade, with details of portal and window; interior details of 16th century frescoes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tuscany Siena Poggibonsi S. Lucchese7. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Abruzzo Aquila Rocca di Cambio S. Lucia, Abbey church. Hutzel, Max 1960-1990 All exterior views of this 13th c. church stored in Medieval. Views in Hutzel collection are of interior frescoes (14th c.). German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia Cesi S. Antonio1. Hutzel, Max 1960-1990 Exterior views of church, including portals. Interior views of church. Sculptures of the Crucifixion, Saints Peter and Paul, Saint Onofrio and Dead Christ. Renaissance paintings. Frescoes of Madonna and Child with Saints and Crucifixion. Object Notes: Hutzel shot this campaign in 1982. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

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