Frescoes and Sculptures

Photographs depicting historical frescoes and sculptures, illustrating the rich artistic heritage and documentation of architecture in Italy.

Campania Caserta Teano Cathedral74. Hutzel, Max 1960-1990 Medieval: Built 1116, remodelled by Andrea Vaccaro in 1630, restored in years following damage in second world war. Includes re-used Roman capitals. Architecture, architectural sculpture; sculpture including painted wooded crucifix (c.1330-31) and pulpit (13th century) with mosaic and relief. The Cripta di S. Paride acts as a small museum containing roman, medieval, and modern marble. Post-medieval: Choir stall (MCMLVII); paintings by Francesco de Mura in the Cappella di S. Paride; marble fragments from the Cripta di S. Paride Antiquities: spolia Object Notes: Originally dedicated to S. Terenziano, now dedicated to S. Clemente German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Et

Abruzzo L'Aquila Celano Museum27. Hutzel, Max 1960-1990 Medieval: Manuscripts: Miniature nella Marsica; Trasacco - Antifonario; Tagliacozzo - Messale; Avezzano - L'Ecultet Metalwork--processional crosses Post-medieval: Vestments, metalwork, painting, frescoes, sculpture German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Window of the Palace hall in Nieborów in the idea of Michał Piotr Radziwiłł; 1879-1900 (1879-00-00-1900-00-00), 1870-1900 (1870-00-00-1900-00-00);

Copper engraving and etching by Jean-Jacques Flipart from 1771 depicting a sailing ship navigating a storm under moonlight with detailed depiction of waves and rigging.

Umbria Terni Ferentillo S. Stefano0. Hutzel, Max 1960-1990 Small church with clock built into its facade. Square campanile with both brick & stone facings. Late Renaissance or Baroque interior with paintings in that style. Rich marbled columns. No negatives. Object Notes: No Hutzel photo campaign notes. Negatives are missing. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Caserta Palazzo Reale52. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Teano Cathedral74. Hutzel, Max 1960-1990 Medieval: Built 1116, remodelled by Andrea Vaccaro in 1630, restored in years following damage in second world war. Includes re-used Roman capitals. Architecture, architectural sculpture; sculpture including painted wooded crucifix (c.1330-31) and pulpit (13th century) with mosaic and relief. The Cripta di S. Paride acts as a small museum containing roman, medieval, and modern marble. Post-medieval: Choir stall (MCMLVII); paintings by Francesco de Mura in the Cappella di S. Paride; marble fragments from the Cripta di S. Paride Antiquities: spolia Object Notes: Originally dedicated to S. Terenziano, now dedicated to S. Clemente German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Et

Reproductory van Locuste tries, in the presence of Nero, the poison prepared for Britanicus Door Joseph-Noël Sylvestre, Charles Michelez, After Joseph-Noël Sylvestre, c. 1871 - in or before 1876 photomechanical print paper painting, drawing and the graphic arts

Emile Vernier, peintre et lithographe.. 1887. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Vernier, Emile Louis, 1829-1887

Anonymous, two views of the Chêne gallery in Hauteville House (dummy title), 1890. Maisons de Victor Hugo Paris - Guernsey.

Lazio Roma Rome S. Maria della Scala7. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, decorative arts (furniture, objects d'art), manuscripts. Pharmacy of art of herbal-cure dating from 16th century still exists today; many publications with wood-cut illustrations on healing plants and other artifacts. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Reproduction of La Tentation by Emile Auguste Carolus-Duran, Charles Michelez, After Emile Auguste Carolus-Duran, c. 1872 - In or Before 1877 photomechanical print paper painting, drawing and the graphic arts. painter working from nude model - CC - out of doors

Anefo photo collection. Assignment: Harry on the Laak. December 15, 1961

Lazio Rieti Stimigliano Palazzo Baronale. Hutzel, Max 1960-1990 Post-medieval: Architecture, painting. This structure, dating to the 16th century, was built by Enrico Orsini and was decorated with frescoes by the Zuccaris. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Fresco process , Processes & techniques. The Massachusetts WPA Federal Art Project Photograph Collection

Fischernetze auf Isola Bella. Artist: László Moholy-Nagy (American (born Hungary), Borsod 1895-1946 Chicago, Illinois). Dimensions: 17.5 x 23.5 cm. (6 7/8 x 9 1/4 in.). Date: ca. 1930. Museum: Metropolitan Museum of Art, New York, USA.

Lazio Latina Cori S. Oliva40. Hutzel, Max 1960-1990 Extensive coverage of exterior and interior including many views of Roman columns; many views of the renaissance frescoes and of the Renaissance cloister. General Notes: There were two sets of prints for this location; they have now been integrated into a single numerical sequence. There German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Room with cannon in the middle of bloated reproductions of engraving with large circular recesses; Herman Willem Daendels 1762 - 1818..

Etching by Jacques Fricquet from 1663-1716 depicting Securitas, allegorical figure representing security, showing gestures, attributes, and symbolic composition.

Lazio Viterbo Bagnaia Villa Lante130. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

13439. Irving, Washington (1783-1859). Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Detail of the AdamSpForte in the Dom van Bamberg, Anonymous, 1900 - c. 1920 photograph This photo is part of an album. Bamberg baryta paper gelatin silver print church (exterior) Bamberg stupid

Copper engraving and etching by N. Thomas showing men in a studio, created between 1770 and 1815, illustrating artistic workspaces and collaborative practice in the late 18th to early 19th century.

Textile Fragment, undetermined or possible Headcloth, Fragment Possibly Chimú. Textile Fragment, undetermined or possible Headcloth, Fragment, 1000-1532. Cotton, 25 3/16 × 29 1/2 in. (64 × 75 cm). Arts of the Americas 1000-1532

Lazio Roma Rome Episcopal Complex (S. Giovanni in Laterano, Baptistery, Cathedral, Cloister)8. Hutzel, Max 1960-1990 Exterior views of 5th c. baptistery, restored in the 17th c. Interior views of baptismal urn (16th c.), carved walls, ceiling and wall painting; of mosaics and bronze doors in Cappella del Battista; of altar and mosaics in Cappella di S. Venanzio; of mosaic and statue in Cappella di S. Giovanni Evangelista. Architecture, architectural sculpture, sculpture, sculptural fragments, fresco painting, painting, coffering, tiling, stucco. Views 756-886 are of the cathedral. Medieval: Architecture, architectural sculpture, sculptural fragments, architectural fragments, tombstones, mosaics, sculpture, fresco painting, sculptural relief. Object Notes: Hutzel includes guidebook in German on the site. prints matched to negs General Notes: Views 756 thru 886 are of the Baptistery. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s un

Lazio Frosinone Veroli S. Andrea Apostolo, Cathedral8. Hutzel, Max 1960-1990 Views of metalwork objects housed in Treasury of S. Andrea Apostolo, including busts, reliquaries, crosses, polittico, boxes. Antiquities: relief sculpture; busts General Notes: Museum, which contains Treasury, is located in the last chapel of the right nave. Thirteen views of (non-metalwork) sculpture from Museum have been assigned numbers at end of Treasury sequence, but there are no negatives corresponding to these prints, nor is there authoritative evidence that these objects are housed in the Cathedral Museum. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque

Salon of 1852. Gustave Le Gray (French, 1820 - 1884)

Description: Calabar Location: Calabar africa

The Horrors of War: Neither Do These. Francisco de Goya (Spanish, 1746-1828). Etching;

Emilia-Romagna Ferrara Argenta S. Domenico2. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, painting, frescoes. Works in museum include 15th century terracotta statues and painting, sculpture Owner: Pinacoteca Comunale Object Notes: Two sets of prints and negatives General Notes: Successivamente alla realizzazione di questo servizio, risalente al l'anno 1978, al Pinacoteca e stato aggiunto. Per questo motivo e in prepazione da parte un servizio aggiornato sulla Pinacoteca di Argenta. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Abruzzo Pescara Popoli Taverna Ducale. Hutzel, Max 1960-1990 Medieval: Civic architecture (c.1350); architectural sculpture, including coats-of-arms and reliefs. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Photo from Archive Philip Zilcken, Anonymous, After Jan Petrus Ponstijn, in or after 1914 - 1930 photograph photographic support gelatin silver print monument, statue

Postcard to Philip Zilcken, 1927 Contains two unwritten postcards. The three cards concern photo productions of the Villa Les Colombières. Ferdinand Bac designed the gardens of the villa. He also designed parts of the interior and carried out these designs. Chin cardboard. ink writing (processes) / pen Netherlands

Campania Caserta Caserta Palazzo Reale48. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Photo production of a lying painting, Laurens Lodewijk Kleijn (attributed to), after Anonymous, c. 1870 - c. 1900 glass wet collodion negative picture, painting

Metius, approx. 1600; Metius. Portrait of the mathematician Adriaan Adriaansz., Nicknamed Metius, in his study, approx. 1600. Part of the Steel engraved group to the paintings of the historic gallery of the Company Arti et Amicitiae.

Presentation of lace. Presentation of lace. Anonymous photography. Draw at gelatin bromide of silver.

Iphigenie/Titus Andronicus. Joseph Beuys (1921-86). Photopositives and negatives on film, between two glass plates in artists steel frame and felt. Executed in 1985. 72 x 55.5 x 5cm.

John Gregory, process, lithograph , Artists, Lithographs, Processes & techniques. The Massachusetts WPA Federal Art Project Photograph Collection

Sculpture by John Henry Foley, representing ino with Bacchus, exhibited at the Great Exhibition of the Works of Industry of All Nations from 1851 in London, C.M. Ferrier & F. von Martens (attributed to), 1851 photograph London photographic support salted paper print Bacchus, possibly disguised as a girl, entrusted to the care of Ino. piece of sculpture, reproduction of a piece of sculpture London

Two terracotta sculptures from Charon and Diana, Marcel Gustave Laverdet, c. 1852 - in or before 1857 photomechanical print Paris paper photolithography piece of sculpture, reproduction of a piece of sculpture (+ clay, sand, etc. ~ arts). Charon, the ferryman. (story of) Diana (Artemis)

Three terracotta sculptures of a sitting woman, a kneeling woman and an actor, Marcel Gustave Laverdet, c. 1852 - in or before 1857 photomechanical print Paris paper photolithography piece of sculpture, reproduction of a piece of sculpture (+ clay, sand, etc. ~ arts). sitting figure - AA - female human figure. kneeling figure - AA - female human figure

Lazio Viterbo Bagnaia Villa Lante9. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Design for illustration in De Amsterdammer: De Balkanroovers: De Halve Maan! (2 February 1913). Draughtsman: Johan Braakensiek. Dating: 1913 - before 2-Feb-1913. Measurements: h 293 mm × w 275 mm. Museum: Rijksmuseum, Amsterdam.

Three terracotta sculptures of a woman, a priestess of Bacchus and a woman, Marcel Gustave Laverdet, c. 1852 - in or before 1857 photomechanical print Paris paper photolithography piece of sculpture, reproduction of a piece of sculpture (+ clay, sand, etc. ~ arts). adult woman. maenad(s), female bacchant(es)

Campania Caserta Sessa Aurunca S. Pietro (Duomo)7. Hutzel, Max 1960-1990 Medieval: Architecture (c. 1103), architectural sculpture, pavement (12th century), pascal candle, baptismal font with re-used Roman fragments. Post-medieval: Frescoes (13th century) Baroque interior (c. 1758), sculpture Object Notes: Site restored 1980 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Campania Caserta Capua Chiesa dell'Annunziata4. Hutzel, Max 1960-1990 Medieval: Architecture, sculpture. Post-medieval: Architecture, architectural sculpture, sculpture, painting, stucco, decorative arts (furniture, woodworking, tapestry, metalworking), marble Object Notes: constructed from 1531 to 1574, earlier church from c.1285-1309. Renaissance appearance with modifications of the 17th and 18th centuries. No information provided by Hutzel. See guidebook included in shipment of photographs, pp. 33-34. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, s

Abruzzo Civitaretenga S. Antonio1. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture; Cloister (13-15th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marches Macerata Matelica Museo Piersanti2. Hutzel, Max 1960-1990 Views of the museum's collection of late 14th-16th century paintings, as well as the tapestry and maiolica collections. Antiquities: The photos depict roman portraiture busts. Object Notes: Hutzel photo campaign date: March 29, 1983 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Marmolata: motif from the "32er" tunnels. .

Madrid, October 1998. Martín Chrino poses next to one of his sculptures.

Marches Macerata Tolentino S. Nicola da Tolentino6. Hutzel, Max 1960-1990 Exterior views of this church focus on the portal (1435). The rest of the facade dates to the 18th century. Views of the arcaded cloister date to the 12th and 13th centuries. Most interior views are of the frescoes in the Augustinian Cappellone di S. Nicola that were executed between 1330 and 1348. These frescoes are of scenes from the life of Christ and S. Nicola. On the ceiling, the Evangelists are paired with various saints. Object Notes: Hutzel photo campaign date: December 27, 1984. See xeroxes attached to Hutzel's notes. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and

Gallery Van Slot Dornsberg in Vintzgouw in South Tyrol, Italy, Otto Schmidt, c. 1886 - in or before 1891 photomechanical print This print is part of a cover with thirty prints and three text magazines. Zuid-TirolViennapublisher: Vienna paper castle. gallery (spacious corridor) Slot Dornsberg

Umbria Terni Porano Torre S. Severo8. Hutzel, Max 1960-1990 Post-medieval: An example of a grand aristocratic residence of the late Renaissance aristocracy, built by Cardinal Simoncelli. The palace was never completed, and is now in a state of great disrepair. No written or visual documentation exists for this site prior to Hutzel's campaign and attributions for the frescoes have not been made. Exterior views; interior views of frescoes and stucco work on ceilings and walls Object Notes: Site not recorded in TCI German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province,

Showcase with three images of women's figures; 5000 years of art from Egypt from the museums of Cairo, Alexandria and Leiden. .

Eight terracotta sculptures, consisting of five grotesque heads, two men and a grotesque doll, Marcel Gustave Laverdet, c. 1852 - in or before 1857 photomechanical print Paris paper photolithography piece of sculpture, reproduction of a piece of sculpture (+ clay, sand, etc. ~ arts). ornament ~ grotesque

Lazio Roma Rome S. Francesco di Paola6. Hutzel, Max 1960-1990 Exterior views of facade, capitals, architectural sculpture. Interior views of nave and altar, achitectural sculpture, ceiling frescoes, side altars, sculpture, paintings, scresty, collegio. General Notes: Views of Piazza S. Francesco di Paola were extracted from this numerical sequence and filed separately. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tadeus Langier, Zakopane. Artist: Stanislaw Ignacy Witkiewicz (Polish, Warsaw 1885-1939 Jeziory). Dimensions: Image: 12.6 x 17.6 cm (4 15/16 x 6 15/16 in.)Mount: 17.4 x 23.5 cm (6 7/8 x 9 1/4 in.). Date: 1912-13.Witkiewicz is a legendary figure in Polish cultural history not only for his multifaceted talent but also for his bohemian lifestyle and eccentric personality. A prolific painter and photographer, dramatist, and philosopher, he made hundreds of self-portraits, sketches, paintings, and studies of friends characterized by a searing self-scrutiny and existential anguish. Taken with a view camera-its lens extended by a drainpipe-this portrait of his colleague Tadeusz Langier is characteristic of the searching photographic studies he made between 1912 and 1914, a period culminating in the suicide of his fiancée. Witkiewicz himself took his own life on the eve of World War II, the day the Red Army invaded eastern Poland. Museum: Metropolitan Museum of Art, New York, USA.

First and Best Camp of the Trip. Frederic Remington; American, 1861-1909. Date: 1895. Dimensions: 68.9 × 102.6 cm (27 1/8 × 40 3/8 in.). Oil on canvas. Origin: New York. Museum: The Chicago Art Institute, USA.

"Toy Parade" children. Lightfoot, Elba, 1910-. 1937. Photographs. Schomburg Center for Research in Black Culture, Photographs and Prints Division. Artists , United States, African American artists, African American art, Artists, Black, Federal Art Project, United States. Works Progress Administration, Harlem Hospital Center (New York, N.Y.)

Lazio Roma Subiaco Monastery of S. Scolastica Archaeological Museum4. Hutzel, Max 1960-1990 Antiquities: Views of antiquities in museum, including sarcophagi, plates, vases, coins. General Notes: Hutzel guide says we have negatives, but we cannot find them. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Etching by Alexandre Chaponnier from around 1770-1830, titled The Men Argue. The subject is a group of men in argument, executed in the etching medium with punctuated manner style.

Albumen photographic series by Johann Victor Krämer documenting cultural and architectural aspects of Loud, produced around 1900.

rd, Landstraßer Hauptstraße - to Lake Constance - Detail - Relief frieze with representation of the Lake Constance above the mid -door, August Stauda -, photographer

Lazio Roma Rome S. Paolo23. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture fragments, tomb sculpture fragments, sculptural fragments, inscribed tomb markers, sculpture, fresco painting, mosaics Specific Location: Basilica Antiquities: Architectural sculpture fragments, tomb sculpture fragments, sculpture fragments General Notes: the "tomb markers" need to be sorted and catalogued German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bomarzo Palazzo Orsini1. Hutzel, Max 1960-1990 Post-medieval: Architecture (15-16th century); frescoes. Views of exterior and interior, with emphasis on frescos. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

La rixe, d'après Meissonier.. Meissonier, Jean Louis Ernest (1815-1891). 1885. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Fighting

Lazio Roma Monterotondo Palazzo del Municipio. Hutzel, Max 1960-1990 Post-medieval: Frescoes 14th,16th,17th century); Sculpture 17th century; architectural sculpture 15-16th century. Comprehensive coverage of frescoes, and also of exterior flanks, courtyard, columns and fountain. Antiquities: Sarcophagus, 3rd c. A.D. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Emilia-Romagna Modena Nonantola Abbazia di Nonantola8. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Terni Orvieto Abbazia di SS. Severo and Martirio1. Hutzel, Max 1960-1990 General Notes: INCOMPLETE RECORD--PRINTS FILE, NEGATIVES PROCESSED German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Landscape with view of a town (one of three) early 17th century Attributed to the workshop of Christoph Murer Swiss. Landscape with view of a town (one of three) 199866

Lincoln Memorial. Dissected Leaves.. Edward and Henry T. Anthony & Co. (American, founded 1862, merged 1902)

Anefo photo collection. Design wall painting from the Laak. May 16, 1969

Umbria Terni Narni Palazzo Scotti1. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (16th century); frescoes (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Lazio Viterbo Bagnaia Villa Lante2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Umbria Perugia S. Mamiliano S. Biagio2. Hutzel, Max 1960-1990 Medieval: Architecture (15th century). Post-medieval: Frescoes (Hutzel attributes to Mezzastris School); painting by Iacopo Siculo (1530); sculpture including statues, busts, baptismal font, monstrance German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The making of a lithograph by John Gregory , Artists, Lithographs, Processes & techniques. The Massachusetts WPA Federal Art Project Photograph Collection

Lazio Roma Rome S. Agnese fuori le Mura3. Hutzel, Max 1960-1990 Medieval: Architecture, architectural fragments, sculptural fragments, sculpture. Post-medieval: Architectural sculpture, fresco painting Object Notes: Erected in 342 by Costanza, daughter or niece of Constantine on the site of the catacombs holding the remains of S. Agnese. Marble staircase dates from 1590. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Édouard Manet (French, 1832 - 1883). The Dead Toreador (Le torero mort), 1864. Etching on leaf from bound volume. Plate: 153 mm x 223 mm (6.02 in. x 8.78 in.). Fifth of seven states.

Situazione d'Etfu e del suo tempio; Tempio della Grande Apollinopoli a Etfu.. Denon, Vivant, 1747-1825. Denon, Vivant (1747-1825). Prints, Illustrations. 1808. General Research Division. Egypt , Description and travel, Idfû (Egypt)

Lazio Roma Velletri Museo Civico di Velletri28. Hutzel, Max 1960-1990 Medieval: Marble tondo of the depositon, early christian sarcophagus. Antiquities: Roman;statue of Athena, male and female sculpture fragments- heads, torsos, marble cinerary urn; cippi with inscriptions inscriptions, altars, sarcofagi, sarcofagus with scenes of the feats of Herakles. Etruscan; votive objects, heads, legs feet, eyes, uterus, intestine , animals; bronze objects Architectural sculpture and fragments; relief of procession pottery fragments, lamps; brickstamps. Object Notes: The Museo Civico is housed in the Palazzo Comunale. There are two Hutzel photo campaign notes, one undated and the other November 9, 1985. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects

Creative process of Picasso's Guernica. Second Image, Mid-May 37.

Lagrenée, Louis Jean François (I), Stockholm, Jaeger, Johannes, Johannes Jaeger's Illustrerade Katalog, Photographic reproduction of five paintings, recto - printed, photomechanical print, reproduction, page, photographs, photographically illustrated books, PL. LXX., height 181 mm, width 111 mm, Swedish, German, 1832 - 1908, photographer, 1872 - 1882, paper, papier, collotype, clichémaker, 1725-01-21 - 1805-06-19

Naples National Museum, 1900-1926, Italy, by Samuel Hurst Seager. Gift of S. Hurst Seager, 1926.

Mural decor Anonymous. Furniture. Wall decor. Negative to the silver iodo-bromide on glass plate. 1900-1930.

Comparitive Research in Inexperienced Types, from General Dynamic F.U.N. Eduardo Paolozzi (British, 1924-2005); printed by Richard Davis, London; published by Editions Alecto, London. Date: 1970. Dimensions: 380 x 254 mm. Photolithograph on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Lazio Roma Nettuno Fontana di Nettuno. Hutzel, Max 1960-1990 Post-medieval: Sculpture. Fountain of Neptune rising out of the sea on his chariot. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Muhammad cemetery in Daubuciszki "; Zdanowscy, Edmund and Boles"; 1930s (1930-00-00-1939-00-00); was downloaded from the Muse of the National Museum in Warsaw; photographic / photographic print / bromine printing / toned bromide print; products from W Dzkien / paper / cardboard / color cardboard / black cardboard, products with W Dziekien / paper / photo paper / bromine paper; photographic print: height 8.7 cm, width 13, width 13, width 13, width 9 cm, card in the album: height 16.7 cm, width 24.7 cm; di 67111/39 MNW; all rights reservations.

Poelzig Hans (1869-1936), exhibition of porcelain Volkstedter models after designs by Poelzig and Moeschke in the Kunsthalle, Mannheim (without year): Kandelaber. Photo on paper, 21.6 x 11.2 cm (including scan edges)

Wall with tiles; Exhibition tiles from own ownership. .

Lazio Roma Rome Museo degli Strumenti Musicali0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Painted wood carving, by G. Dreßler, Chemnitz

Photographic Study for "Ascension", The Dance of Death (Third Decor for the Cathedral of Vic) José María serves (1874-1945). "The dance of death" (third decor for the cathedral of Vic), photographic study for the ascent. 1940-1945. Museum of Fine Arts of the city of Paris, small palace.

Standing panel with tiles from northern Netherlands; Exhibition tiles from own ownership. .

China. Photograph, 1981, from a negative by John Thomson, 1869.

Anefo photo collection. Dutch painters and drafters in the East, exhibition in Rijksmuseum. October 18, 1972

Autochrome photograph showing the Sebastian Kneipp monument in Vienna City Park, depicting the statue, pedestal, surrounding park, and trees.

The princes and Polish kings Tegazzo, Franciszek (1829 1879), Unknown, Lesser, Aleksander (1814 1884), Printing House of the Jagiellonian University

Studies in human salvage, from General Dynamic F.U.N. Eduardo Paolozzi (British, 1924-2005); printed by Lyndon Haywood at Alecto Studios, London; published by Editions Alecto, London. Date: 1970. Dimensions: 380 x 254 mm. Screenprint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Anefo photo collection. MANCE TIME IN VOLECTANCE MUSEUM ROTTERDAM. January 7, 1959. Rotterdam, South Holland

Linen sheet of Aashyt ca. 2051-2030 B.C. Middle Kingdom. Linen sheet of Aashyt. ca. 2051-2030 B.C.. Linen. Middle Kingdom. From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Aashyt (DBXI.17), MMA excavations, 1920-21. Dynasty 11

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