Genealogical Illustrations

Intricate prints depicting family trees and historical events, featuring elaborate designs and figures, rich in cultural and historical context.

Family tree of the Habsburg house, page one, Robert Péril, 1533 - 1535 print First sheet of twenty, together form a pedigree. At the beginning of the family tree of the Habsburg house with Pharamond, King of the Franks, sitting by the root of the tree. Two cartouches with texts in French, and the motto of the print maker "Sans Dieu Ne Puis Peril". print maker: Low Countriespublisher: Antwerp paper family lineage, pedigree, genealogical tree or table

Family tree of the Habsburg house, page one, Robert Péril, 1533 - 1535 print First sheet of twenty, together form a pedigree. At the beginning of the family tree of the Habsburg house with Pharamond, King of the Franks, sitting by the root of the tree. Two cartouches with texts in French, and the motto of the print maker "Sans Dieu Ne Puis Peril". print maker: Low Countriespublisher: Antwerp paper family lineage, pedigree, genealogical tree or table

The show of Den Boeck: Moses with the children of Israel, 1577, 1577 - 1578 The presentation of Den Boeck, a rederijkerskamer in Brussels: Moses with the children of Israel. Floating theater on a barge in the water. Part of the entry of Willem van Oranje in Brussels, September 18, 1577. Netherlands paper Brussels The presentation of Den Boeck, a rederijkerskamer in Brussels: Moses with the children of Israel. Floating theater on a barge in the water. Part of the entry of Willem van Oranje in Brussels, September 18, 1577. Netherlands paper Brussels

Queen Anna picks the French rooster, 1706; Nadeen n of d'eclipse of the French sun darkened by the British moon and the unpased planets / mauvaises consequences The L'Eclipse du Soleil François (...); Royal Almanach from 1706 / 't Lusthof by MoMus. Cartoon in which the English Queen Anna sat on her throne The French cockifies the French prisoners caught on either side. Above the throne The solar eclipse of 12 May 1706. With three small scenes of the French defeats and Louis XIV together with Madame de Maintenon on the throne. In the plate verses in Dutch and French. Cartoon on the situation in the year 1706 in the Spanish Succession War. Part of a series of cartrents on the French and allies from the year 1706.

Flute player and Tamboer, Jost Amman, 1573 print print maker: Neurenbergpublisher: Frankfurt am Main paper warfare; military affairs. the soldier; the soldier's life. one person playing wind instrument - CC - out of doors. drum (musical instrument) - CC - out of doors

Judith and her maid hide Holofernes' head. Woodcut.

Aesculapius as a dragon between the Romans, Virgilius Solis, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing Aesculapius transforms himself into a serpent (or dragon) and leaves Epidaurus by ship. Aesculapius in the shape of a serpent (or dragon) arrives at Rome and hides himself among the reeds of the Tiber island

Display of the Roose (Leuven), 1561; That roose from praise. Scene from the play of the Roose, Rederijkerskamer in Leuven. Janus standing in the midst of sleeping soldiers, behind him the closed temple. For the land jewel of Antwerp in 1561.

Bending woman and seven-member dragon; Van den Apocalipsis of Openbaeringh Iohannis; Revelation of John on Patmos; Icone Revelationum S Iohs Evangeliste in Pathmo; Den Grooten Figuer Bibel (...). In the sky the sign of the great woman appears, crowned and with wings, in a light wreath. She is threatened by a seven-member dragon. The child of the woman is taken to God the Father. The Archangel Michaël binds the dragon. Under the show a reference in Latin to the Bible text. 12: 1. This print is part of an album.

Val van Babylon, 1585 print An angel throws a stone, as large as a millstone, into the sea. In the background the burning Babylon. In the foreground people who throw dust over their heads. Under the show a reference in Latin to the Bible text in op. 18. This print is part of an album. paper engraving a mighty angel casting a great (mill)stone into the sea. the fall of Babylon

New Modelbüch allen Nägerin u. Sydenstickern (Page 28r). Designer: Hans Hoffman (German, active Strasbourg, 1556). Dimensions: Overall: 7 5/16 x 5 5/16 in. (18.5 x 13.5 cm). Publisher: Jacob Frölich , Strassburg. Date: 1556.Designed by Hans Hoffman (German, active Strasbourg 1556) and published by Jacob Frlich, Strasbourg.Illustrated title page with Hoffman's monogram, narrative scene on verso of title page, dedication (2 pages), 49 pages of designs, page with publisher's information, and narrative scene on last page. Museum: Metropolitan Museum of Art, New York, USA.

Nuremberg, Bussemacher, Johann, Solis, Virgilius, Portrait of Pepin the Short, King of the Franks, verso - handwritten in brown ink, print, book illustration, prints, verso - stamped, 158, height 116 mm, width 79 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1598 - 1598, paper, papier, etching, etchings, engraving, engraving (printing process), plate tone, Publication (Event), Publication, German - 1627, publisher

Print, The Coat of Arms of Tschertie; Albrecht Dürer (German, 1471-1528); Germany; woodcut and black ink on paper

The arts of Minerva reduce the power of Time to end life, but death from old age or from plague still exists. Engraving by G. Glover, 1639.

Collection of Various Caprices and New Designs of Cartouches and Ornaments: No 1, Title Page, 1646. Stefano Della Bella (Italian, 1610-1664). Etching;

Blazon of the growing tree (Lier), 1561; Den Groeyenden Boom van Liere. Blazon of the growing tree, Rederijkerskamer in Lier. For the land jewel of Antwerp in 1561.

vignette. Champlain, Samuel de (1567-1635). text. Illustrations, Prints, Title pages. 1619. Rare Book Division. Canada , Description and travel, Indians of North America , Canada

Familywapen van Hector Poemer, Wolfgang Resch, Hans Sebald Beham, After Albrecht Dürer, 1525 print paper armorial bearing, heraldry

Harvesting with sickle and wine press, Adriaen Collaert (attributed to), after Jan Snellinck (I), 1646 print Four angels harvest grapes and grain with a sickle and throw grapes in a wine press. In the clouds a crowned figure with sickle in hand, sitting on a throne, flanked by two angels. Under the show a reference in Latin to the Bible text in op. 14:14. This print is part of an album. paper engraving an angel thrusts his sickle into the earth, and gathers the vine

Empty coat of arms with nar that woman embraces as shield holders, anonymous, jost amman, 1579 print Frankfurt am Main paper letterpress printing armorial bearing, heraldry. court jester, court fool. couple of lovers. container made of plant material other than wood: basket

Antwerp, Moretus, Balthasar (I), Quellinus, Erasmus (II), Rubens, Peter Paul, Southern Netherlands, Galle, Cornelis (I), Title page for: F. Goubau, Pii Qiuinti Epistolarum libri quinque, 1640, Allegorical title page with portrait of Pope Pius V, verso - stamped, In the middle a cartouche with the title of the book. Above a medallion with a portrait of Pope Pius V. The other decoration refers to the papacy of Pius V. On the left an angel pushes away an attacking Turk. Below a reference to the naval Battle of Lepanto., print, engraving, title page, prints, height 194 mm, width 133 mm, Zuid-Nederlands, 1576 - 1650-03-29, print maker, printmaker, 1640 - 1640, paper, papier, engraving (printing process), Work conception, 1577-06-28 - 1640-05-30, after a design by, 1607-11-19 - 1678-11-07, Publication (Event), Publication, Flemish, 1574-07-23 - 1641-07-08, publisher

Classified documents of art in the Netherlands from the 10th to the 18th century, Joseph Maes, 1881 book Antwerp linen (material). leather. cardboard. paper spanish marbled paper / printing / collotype / photolithography

Portret van Frederik Hendrik, prins van Oranje.Portrait of Frederik Hendrik in an oval with peripheral. In a framework the early year of his city center. Completely in an ornamented frame with a number of allegorical objects and animals.

VALVERDE DE AMUSCO, Juan (1525-1588). Anatome Corporis Humani. 1589. Edition printed in Venice. Frontispiece. Engraving. SPAIN. CATALONIA. Barcelona. Biblioteca de Catalunya (National Library of Catalonia).

The Prophet Elijah, from Prophets and Sibyls 1480-90 Francesco Rosselli Italian This print is part of a series comprised of twenty-four Prophets and twelve Sibyls, modeled after the series of the same subject by Baccio Baldini (TIB 2403.052-.089). Rosselli's engravings are executed in the Broad Manner and Italianate in style, whereas Baldini's are in the Fine Manner and mostly Germanic in style. Rosselli's prints vary from faithful ciopies of Baldini's prints to loose adapations. This print is copied from Baccio Baldini's Prophet Elijah (TIB 2403.059).. The Prophet Elijah, from Prophets and Sibyls 626003

Athamas hits his son against the rocks and Ino plunges into the sea, Virgilius Solis, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing scrollwork, strapwork ~ ornament. death of Ino: she leaps with Melicertes from a rock into the sea, to escape Athamas

Frederick II., King of Prussia.

Phaëthon's sisters turn into poplars, Virgilius Solis, 1569 print print maker: Neurenbergpublisher: Frankfurt am Mainpublisher: Frankfurt am Mainpublisher: Frankfurt am Main paper letterpress printing Heliades changed into poplar-trees: while weeping over Phaeton's grave the Heliades are changed into poplar-trees, and their tears turn into beads of amber; their mother Clymene may be present (Ovid, Metamorphoses II 346). scrollwork, strapwork ~ ornament

Allegory on the history of the Netherlands; Title page for: History of the Lower Landscher Ende Haerder Na-Buren Wars and Histories, to the IIRing M.Vi.XII., The Hague 1614.on Pedestal With Title Trouzs Personification from Southern Netherlands, Belgica, Sitting Between Symbols of Trade , Arts and Sciences. Two Obelisks On Either Side. Under a Basement With Two Figures That Symbolize War and Pigeon With Olive Branch As a Symbol of Peace.

Ruin of a gate with deer, dogs, lions, birds, squirrels, bats, bears, reptiles, goats and on the pediment a man and woman with children, Wendel Dietterlin (I), 1593 - 1595 Numbered: 3. Print is part of a book. Strasbourg (France) paper etching ruin of a building ~ architecture. animals. Tuscan order ~ architecture

Cartouche with title and allegorical figures father Time and History, Willem Jacobsz Delff, 1617 print Cartouche in the form of a lion skin with title, on either side a nine weapons in 3 rows of 3 pieces above each other. Above an angel with trumpets under a canopy. Under weapon trophies, and the father of time and history kneel on the side. Delft paper engraving Father Time, man with wings and scythe

Rebekka and Eliezer at the PUT / ESAU sells his first birthright, Anonymous, After Hans Janssen, 1615 - 1651 print Two prints on one leaf in ornament frame. On the left Rebekka that lets Eliezer drink from a jug at the well (Gen. 29-18). On the right Esau who sells his first-birth right to Jakob (Gen. 25-30). In the margins caption in Dutch. First and second print (A and B) from a series of six with scenes from Jakob's life. Amsterdam paper engraving Rebekah offers Eliezer a drink from her pitcher. Esau, returning hungry from the hunt, sells his first birthright to Jacob for a pottage of lentils

Illustration from Fabulae Aesopi , plate 34 from Woodcuts from Books of the XVI Century 1501 Germany. Woodcut on paper . Unknown artist

Wszyscy Święci w MNK Unknown, Jabłoński, Izydor (1835 1905), Bartoszowice, Marcin (1647 Ca 1705), Litography Time (Krakow)

Saint Jerome. Woodcut, 1538.

Man at the portal of a wine clothing with ornaments of saters, sheep, polyphemos and a man with a pan flute, Wendel Dietterlin (I), 1593 - 1595 Numbered: 9. Print is part of a book. Strasbourg (France) paper etching wine-cellar. Polyphemus. Tuscan order ~ architecture

Judgment of Solomon, 1550 - 1700 print paper letterpress printing Solomon indicates the true mother

La Giostra di Giuliano de Medici... Author: Angelo Poliziano (Italian, Montepulciano 1454-1494 Florence). Dimensions: 7 5/8 x 5 1/2 x 3/8 in. (19.3 x 13.9 x 1 cm). Printer: Antonio Tubini (Italian, active Florence, ca. 1500-1518); Andrea Ghirlandi (Italian, active Florence ca. 1500-1518). Published in: Florence. Publisher: Lorenzo de Alopa. Date: ca. 1495-1500.The humanist scholar Politian, a protégé of Lorenzo de' Medici, was a leader in the use of the Tuscan dialect in poetry. His most famous poem, composed to commemorate the joust in 1475 of Lorenzo's brother Giuliano, is, among other things, a compendium of mythological tales drawn from Ovid and other sources. Politian provides a vivid description of the garden of Venus, where the little brothers of Cupid--those who concern themselves with the love affairs of ordinary people--sharpen their arrows on whetstones and cause even the fish to fall in love. A possible inspiration for many mythological images is the poet's account of the

Illustration from Kosmographie by Sebastian Munster, plate 46 from Woodcuts from Books of the XVI Century 1564 Switzerland. Woodcut on paper . Unknown artist

unknown, Amsterdam, Savery, Salomon, Paris, Lefebure, Francois, Livre de Fleurs & de Feuilles pour servir a l'art d'orfevrerie, Title page: Livre de Fleurs & de Feuilles pour servir a l'art d'orfevrerie, bottom right - engraved 1, Title in standing oval made up of flowers., print, ornament print, title print, prints, ornament prints, Livre de Fleurs & de Feuillies pour servir alart dor, feverie invante, parFrancoisle, febure maistre, orfeure a Paris, a Amstelredam., center in oval - engraved, Par Salomon Savery engraver demurent au Rue neuf Avec Privilege, bottom center - engraved, S. Savery Excudit, bottom left and bottom right - engraved, 1639, bottom center in cartouche - engraved, height 181 mm, width 137 mm, Northern Dutch, 1594 - 1683-10-16, print maker, printmaker, 1639 - 1639, second quarter 17th century, paper, engraving, engraving (printing process), Work conception, French, after a design by, Publication (Event), Publication, Northern Netherlands, publisher, granter of privi

Bataven break down the bridge over the IJssel, 69-70, 1768 - 1770 print Bataven get scared and break the bridge over the IJssel to be able to negotiate with Cerialis. Print 35 in a series about the Batavian rebellion, copied to the Batavorum Cum Romanis Bellum series by Antonio Tempesta (Otto Vaenius, Antwerp 1612). Illustration for: Marquis de St. Simon, Histoire de la Guerre des Bataves et des Romains, d'Aperrès César; Corneille Tacite, Aux Dépens de Marc-Michel Rey, Amsterdam 1770. Prints printed in a large ornamental frame in which a cut out title and at the bottom a caption is stuck in French. paper etching / engraving extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). battle, fighting in general IJssel

Theuerdank Received by Ehrenreich, from Teuerdank, plate 22 from Woodcuts from Books of the XVI Century. Leonhard Beck (German, c.1480-1542),; published by Johann Schonsperger the Elder (German, 1455-1521),; assembled by Max Geisberg (Swiss, 1875-1943). Date: 1517. Dimensions: 158 × 139 mm (image); 300 × 166 mm (image/te×t); 374 × 254 mm (sheet). Woodcut in black on vellum. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Tuscany Siena Montalcino Museo Civico72. Hutzel, Max 1960-1990 Medieval: Entire manuscript. Manuscripts. Post-medieval: Sculpture and ceramics from local workshops (2nd half 12th century; Sienese maiolica; 14th century weapons German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Eunuch from Terenti cum directorio, Plate 29 from Woodcuts from Books of the 15th Century Original 1496 Germany. Woodcut in black from five block, and letterpress in black (recto and verso), on cream laid paper . Unknown artist (Illustrator)

Title page for: J.B. Rousseau, Les Oeuvres, 1712, Bernard Picart (workshop of), After Bernard Picart, 1712 print Exuberantly decorated frame with the title in French. The cartouche has been awarded the pendant of the Order of the Golden Fleece. Amsterdam paper etching / engraving trophy, i.e.: decorative arrangement of symbolic or typical objects ~ ornament. ornament ~ cartouche. knighthood order of the Golden Fleece

Display of the fourth of Doorn ('s-Hertogenbosch), 1561; Tpoëtijckelijck point of Shertoghenbosch. Scene from the play of the fourth of Doorn ('s-Hertogenbosch), 1561. Moses and Aaron at an olm tree with vine. For the land jewel of Antwerp in 1561.

Mannen in bibliotheek en werkplaats met oven; Observationum et Animadversionum Chymicarum Tractatus duo; Titelpagina voor: Johannes Kunckel, Utiles observationes sive animadversiones De salibus fixis et volatilibus, 1678.Various scenes around a cartouche with title. At the top, fish is smoked and prepares something to the spit. To the bottom left is a man in a workshop at an oven, right is a man in a library. At the bottom a man drives on an insect.

The Prince of Orange, on horseback. / Prince Willem de Vyfde, c. 1782 - c. 1793 print Portrait of Prince Willem V on horseback. In a frame with two pot plants, flowers, tibaries and putti. Numbered at the top right: 65. publisher: Amsterdamprint maker: Netherlands paper letterpress printing equestrian state-portrait

Theatrum chemicum Britannicum by Vaughan, Robert (c. 1600-before 1663) Private Collection 1652 Great Britain Etching Graphic arts Mythology, Allegory and Literature,History

Sadeler, Vos, Maerten de, Antwerp, Passe, Crispijn van de (I), Trivmphvs Martyrvm, Triumphus Martyrum, Triomf van het martyrdom, Title page for: Triumphus Martyrium, 1591, The Lamb with the book with the seven seals, recto top right - handwritten in brown ink, Altar with the Lamb lying on the book with the seven seals (Op. 5). The altar is flanked by John the Baptist and St. Paul. On the altar a ten-line text from Philippians in Latin. In the background the instruments of the passion. Above the scene the title of the book in Latin. In the margin a caption in Latin and the coat of arms of Maximilian III, Archduke of Austria., print, engraving, title page, prints, verso bottom center - stamped, 62., height 224 mm, width 147 mm, 1564 - 1637, print maker, printmaker, 1591 - 1591, paper, papier, engraving (printing process), Work conception, South Netherlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, publisher

Seven plagues, Adriaen Collaert (attributed to), after Jan Snellinck (I), 1585 print Angels cast scales that cause pests. In the foreground the sixth plague: a dragon that breaks frogs. In the margin a four -line caption in Latin. Eighteenth print from a series of twenty -four with the revelation of Johannes on Patmos. Antwerp paper engraving the seven angels with the seven vials, bringing disasters and destruction upon the earth and mankind

The use of the sentences is, ô youth! You canceled, / blyf to the abuse 'from then never to vergaap, / but master of the toom of sentences, be good, / and all the meadow, arrange there to your mind there. The five senses represented in five medallions, by figures with objects. Under the show a verse. Numbered at the top right: No. 60.

Florimi, Matteo, Siena, Ferretti, Bernardino, Schiaminossi, Raffaello, Italy, Il sacrato collegio apostolico, Christ, Mary and the Twelve Apostles, Title print with two figures with banderoles, verso - stamped, Title print with a cartouche with the title and a coat of arms in the middle, flanked by two figures with banderoles. Above the cartouche a cherub, a cross and the Holy Spirit as a dove., print, engraving, title print, prints, engravings, height 507 mm, width 375 mm, Italian, 1572 - 1622, print maker, printmaker, 1606 - 1607, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher, uitgever

Watch cover with a Sater and a nymph; * UT HORA SIC DIES NOSTRI SUPER TERRAM.; Konstbüchlein den Goldschmiden ServiceLich. Round medallion in which a Sater embraces a nymph in a landscape. Leaf from series consisting of a title page and 11 sheets with designs for watch covers.

Celtes, Konrad.

Albrecht Dürer's woodcut (1515) depicts the fear train in Flanders and the alliance with Henry VIII in 1513, showing soldiers, banners, and battle arrangements on the honorary gate of Emperor Maximilian I.

Portret van Lodewijk of Vrome, Virgil, 1598 print Nuremberg paper etching / engraving historical persons. ruler, sovereign. scrollwork, strapwork ~ ornament. violent death by beheading

Von allerhandt Freudenvöglen, illustration from Petrarch, Glück und Unglück Spiegel, figure 66. Artist: Balthasar Schwan (German). Dimensions: sheet: 5 1/2 x 7 in. (14 x 17.8 cm)plate: 4 1/2 x 6 in. (11.5 x 15.2 cm). Date: 1652. Museum: Metropolitan Museum of Art, New York, USA.

Print (France)

Statue of the Duke of Alva, 1571, 1688 - 1690 print The statue of the Duke of Alva, founded by himself in the courtyard of the Citadel in Antwerp, 1571. With the two performances on the sides of the pedestal. Page from an Italian book, with text under the plate and on the back. Italy (possibly) paper engraving piece of sculpture, reproduction of a piece of sculpture Citadel of Antwerp (16th century)

Antwerp, Jode, Gerard de, Snellinck, Jan (I), Collaert, Adriaen, Icones Revelationum S Johs Evangeliste in Pathmo, Revelation of John on Patmos, Seven angels receive a trumpet, recto - handwritten in brown ink, The opening of the seventh seal: in the clouds God the Father and seven angels with a trumpet. Below them the earth on which lightning bolts fall. In the margin a four-line caption in Latin. Eighth print from a series of twenty-four with the revelation of John on Patmos., print, prints, verso - stamped, Jaque ange ce coit ne trompete de le monde entier., height 82 mm, width 73 mm, height 132 mm, height, 100 mm, South Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, South Netherlands, 1544 - 1638-10-01, after a design by, Publication (Event), Publication, North Netherlands, 1509 - 1591-02-05, publisher

Sorbait, Paul of.

Drawing (Italy); pen and brown ink support: off-white laid paper

Hieronymus, holy.

Allegorical portrait in honor of Prince Maurits, 1612, Nicolaes van Geelkercken, 1612 print Leaf with a portrait of Maurits in the medallion at the top, two symbolic figures of the history and the detention on both sides; lower different Dutch verses and spells, between which a shield of the Republic with the weapons of the United Provinces; Below that his own weapon in the Oranjeboom with spell and dating 1612. On the left and right side and at the bottom of medallions in which his victories are depicted from 1588 to 1607. print maker: Northern Netherlandspublisher: Leiden paper etching / engraving

TRIOMFTOCHT van Julius Caesar, Andrea Andreani, After Bernardo Malpizzi, After Andrea Mantegna, 1599 Numbered bottom left: 7. The print is part of an album. print maker: Italyafter drawing by: Mantuaafter painting by: Mantua paper Numbered bottom left: 7. The print is part of an album. print maker: Italyafter drawing by: Mantuaafter painting by: Mantua paper

Man at the age of forty, Gerard van Groeningen, 1569 - 1575 print In an oval framework decorated with ornaments a performance of an adult man in his study. He studies an Armillarium and has a passer in his hand. Through a doorway in the background you can see a man who measures an obelisk. The print has a Latin and French caption. Antwerp paper etching / engraving adult man. planimetry, geometry (+ in workshop, laboratory). measuring-instruments. compasses. astrolabe. quadrant, sextant, octant (nautical instruments)

Portrait of the Matthaev Hostvs

Illustration from "Fabulae Aesopi", plate 34 from Woodcuts from Books of the XVI Century. Unknown Artist (German, 16th century); assembled by Max Geisberg (Swiss, 1875-1943). Date: 1501. Dimensions: 80 × 119 mm (image, recto); 200 × 120 mm (image/te×t, recto); 79 × 117 mm (image, verso); 210 × 118 mm (image/te×t, verso); 271 × 191 mm (sheet). Woodcut on paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Trionfo Di Virtu. Libro Novo..., page 30 (recto) 1563 Matteo Pagano Italian Published by Matteo Pagano, Italian, 1515-1588, Venice.From top to bottom, and left to right:Design is decorated with an ornamented circle above and an ornamented semi-circle. The circle is decorated with a series of curving branches; at the top of the circle is a twisting banner upon which "INRI" is inscribed. The semi-circle is decorated with a Moresque pattern.. Trionfo Di Virtu. Libro Novo..., page 30 (recto) 662280

Fromme Children of Gods powerful consolation against death, and true liability in this life, the most fluent princess , Pious children of Gods credible consolation against dead and true sophistic in this life , Magdalena Sibylle II of Brandenburg, wife of Elector Johann Georg II of Saxony, Unknown

Book of Hours, Use of Paris. Simon Vostre; French, flourished 1486-1518. Date: 1508. Dimensions: 226 × 300 mm. Woodcut and letterpress in black with brush and gouache, and pen and ink on vellum (discolored at edges), in eighteenth-century full red goatskin, sewn on raised bands, with Cambridge-style gold tooling, rolled edges in gold, gold stamped spine decoration, hand-sewn silk headbands, and marbled endsheets. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Illustration from the 14th German Bible, plate 21 from Woodcuts from Books of the XVI Century 1518 Germany. Woodcut on paper . Unknown artist

Coat of arms of the Van Zaanden family, Hendrik Jacobsz Soeteboom, 1658 print Coat of arms of the Van Zaenden (Zaanen) family: a red cross in a silver field. Up and below the print text in book print. Zaandam paper etching / engraving / letterpress printing armorial bearing, heraldry

Nuremberg, Solis, Virgil, Personifications of planets with signs of the zodiac, Venus, Venus with a Libra and Taurus (signs of the zodiac), verso - handwritten in brown ink, Numbered upper left: 5., print, prints, verso - stamped, 55, height 68 mm, width 47 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1524 - 1562, paper, papier, engraving, engraving (printing process), etching, plate tone

A woodcut by Urs Graf the Elder in 1515 depicting a title border with figures of fools and a satyr, showing gestures, details, and ornamental design.

Justice sitting on the Dutch lion; Title page for: P. Avenhorn, Dissertatio Juridica Inauguralis, the Auctoritate Tutorum, 1741. Ornamental framework awarded by a coat of arms and two putti, one with the sword of justice, the other with the mirror and hose of caution. Links the coat of arms of Leiden. Bottom blows fame on the trumpet and holds a cornucopia under her arm. For her, justice is on the Dutch lion. Left and right the bust of two scholars.

Antwerp, Jode, Gerard de, Snellinck, Jan (I), Collaert, Adriaen, Icones Revelationum S Johs Evangeliste in Pathmo, Revelation of John on Patmos, Fourth angel blows trumpet, recto - handwritten in brown ink, The fourth angel blows the trumpet and causes darkness on earth. Another angel cries: 'Woe! Woe!'. In the margin a four-line caption in Latin. Ninth print from a series of twenty-four with the revelation of John on Patmos., print, prints, verso - stamped, La 4ieme trompete sont obscurcies., height 85 mm, width 76 mm, height 138 mm, width 103 mm, Southern Netherlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1585 - 1585, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1544 - 1638-10-01, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Emblema V: Appone mulieri super mammas bufonem, ut ablactet eum, and moriatur mulier, sitque bufo grossus de lacte., Michaelis Majeri, Secretioris naturae secretorum scrutinium chymicum: per oculis et intellectui accuratè accommodata, figuris cupro appositissimè incisa, ingeniosissima emblemata, hisque confines, and ad rem egregiè facientes sententias, doctissimaque item epigrammata, illustratum, Maier, Michael, 1568-1622, Merian, Matthaeus, 1593-1650, Etching, 1687, Etching, Emblem 5, located on page 13.

Sculpture Van Pasquino, Anonymous, 1584 print Sculpture from Pasquino, next to the Palazzo Braschi, one of the talking images in Rome. Caption in Latin. Print is part of an album. paper engraving piece of sculpture, reproduction of a piece of sculpture. communication by means of 'statue parlanti', such as Marforio and Pasquino in Rome

Corner cartouche with women's mask and putto, 1590 Corner cartouche with a wrap in the middle above a women's mask and a putto between the rolling work. In the cartouche an eighthritious text: Ne Mireris Lector ... The Cartouche is a fragment of a map of the island of Ischia. The print is part of an album. Antwerp paper engraving Corner cartouche with a wrap in the middle above a women's mask and a putto between the rolling work. In the cartouche an eighthritious text: Ne Mireris Lector ... The Cartouche is a fragment of a map of the island of Ischia. The print is part of an album. Antwerp paper engraving

Woodcut by Lucas Cranach the Younger, 1563, showing textual elements on the portrait of Wenzel I., Duke of Saxony, with lettering and compositional detail.

Coat of arms of the Barbarigo family and the death of the Holy Mattias; Numismata virorum illustrium ex Barbadica Gente. Pedestal in the shape of a cartouche. On top a medallion with the arm of the Barbarigo family on the front, flanked by two angels. Above a crown and harness and the motto: a victoria. On the back the façade of the Church of the Holy Mattias in Murano. On the pedestal the Holy Mattias is killed with sword and stones. The palm branch in his hand is the symbol of his martyrdom. The print is part of an album.

Love (Charitas) with two children in medallion, Nicolaes de Bruyn, 1581 - 1656 print Love (Charitas) with two children in medallion in rectangular frame. The medallion has a inscription in Latin. Netherlands paper engraving Charity, 'Caritas'; 'Carití' (Ripa) ~ one of the Three Theological Virtues

Allegorical representation with the truth and battle scene in a Frisian, Leonard Gaultier, 1606 print print maker: Francepublisher: Paris paper. ink engraving / pen mouldings ~ architecture. battle. Truth; 'Verití' (Ripa)

Queen of Seba; (Regina) Saba; Liber chronicarum. A flower celk with a noble woman, turned to the right. She has a lot precious table in her left hand. The text identifies her as the Queen of Seba. The print is part of an album.

Schmeltzing, Arent, Northern Netherlands, Medal for the completion of the towpath from Leiden to Utrecht, 1664, 1664. Silver medal. Obverse: inscription within wreath with four coats of arms above pennant with inscription, within inscription. Reverse: crowned coat of arms of Leiden flanked by two lions above image of a barge in front of the city, inside border with inscription and four coats of arms., print, picture, historical object representation, prints, Frederik Muller Historieplaten, height 63 mm, width 120 mm, print maker, printmaker, 1724 - 1726, first quarter 18th century, paper, papier, etching, etchings, Work conception, Noord-Nederlands - 1710

Bliżej Kultury unknown

Portrait van Erasmus, Albrecht Dürer, 1526 print Portrait of Erasmus, writing, standing on a reader at a table with a vase with flowers. Behind the table a tablet on the wall with Latin text. Nuremberg paper engraving historical persons. writing-table, writing-desk. book - MM - book open. writing tools

The Tree of Jesse, from a book of hours 1505-1510 Germany. This leaf comes from a prayer book published in Paris in the early 1500s. Thielmann Kerver often incorporated elements from the illuminated manuscript tradition. Here, for example, he combined expensive vellum, lavish illustrations, and hand-colored initials with the newer technology of printing. While the words were printed with moveable type, the central images and composite borders were printed from separate carved blocks, or matrices, that could be arranged in different groupings and reused for future editions.. Metalcut and letterpress, with hand-coloring, on parchment . Thielmann Kerver

Horae in Laud. Beatiss. semper V.M. Author: Written by Geofrey Tory (French, Bourges 1480-1533 Paris). Publisher: Published by Simon de Colines (French, active Paris, ca. 1520-46) , Paris. Date: January 16, 1525. Museum: Metropolitan Museum of Art, New York, USA.

Man with long nose, piping, anonymous, 1715 print paper letterpress printing parts of the face: nose. pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.). caricatures (human types)

July The joys of parenthood Date: 1523

Leiden, Seversz, Jan, Netherlands, Leyden, Lucas van, Scenes from the life of Christ, The birth of Christ, verso - stamped, Sheet from a book. Right text, left adoration of the Christ child by Mary, Joseph, angels and shepherds., print, book illustration, prints, height 112 mm, width 83 mm, Northern Netherlands, 1494-06 - 1533-08, print maker, printmaker, 1512 - 1516, first quarter 16th century, paper, woodcut, Publication (Event), Publication, publisher

requirimiento by Juan LÛpez de Palacios Rubios (1450ñ1524); He is the editor of the famous 'requirimiento' that bears his name; read during the conquest of America to the Indians; members; instructing to submit peacefully. In the text they informed the natives that they were vassals of the Castilian monarch and subjects of the 'Pope' and; if they oppose they would be subjected by force and turned into slaves.

Herr Vincentz Zipperling ältester Raths Ver, Pl. 3. Baeck, Elias, 1679-1747. Prints. 1710 - 1719. Spencer Collection. Caricature and comic art, German, Dwarfs (Persons) in art, Engraving, German

Seven teasing; Van den Apocalipsis of Openbaeringh Iohannis; Revelation of John on Patmos; Icone Revelationum S Iohs Evangeliste in Pathmo; Den Grooten Figuer Bibel (...). Angels casting scales cause teasing. In the foreground the sixth scourge: a dragon that frogs frogs. Under the show a reference in Latin to the Bible text. 15-16. This print is part of an album.

17th century engraved illustration from a collection of proverbs. Paris 1657-1663. By Jacques Lagniet (1620 - 1675); French engraver. From him many socially critical engravings and mockery pictures such as his sometimes grotesque and fantastic illustrations for a collection of well-known proverbs from the year 1657 come.

Adam and Eva in Paradise, Crispijn van den Queborn, After Adriaen Pietersz van de Venne, 1637 print Adam greets Eva in paradise. Page from a book with text on recto and verso. The Hague paper engraving / letterpress printing Adam and Eve in paradise (before the Fall)

Civilian woman and coupler; J.E. Bourgoise, De La Rue S.D. / La Picarde Macquerelle; Les Abus du Mariage. Two performances on an album magazine. On the left the fictional portrait of a civilian woman from the street of S.D. In the background a church building, two talking women and a market stall. On the right a coupler (Jacquemijn Picard) with her arm a basket and in her hand a rosary. In the background a falling couple. Two quatrains in Dutch. The print is part of an album.

Essempio di recammi, page 18 (verso). Author: Giovanni Antonio Tagliente (Italian, Venice ca. 1465-1528 Venice). Dimensions: Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm). Publisher: Giovanni Antonio di Nicolini da Sabio e i fratelli (Italian, active Venice, ca. 1522-1545) , Venice. Date: 1530.Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio Venice. From top to bottom, and left to right:Design composed of various elements. There are 2 curving banners upon which an inscription runs along both: "LA VIRTU PRIVAR DI QUESTA AL HUOMO TE NOLPO SEMPRE LI RESTA. NE MOR TU VEDI". Interspersed among the banners are 3 pieces of heart-shaped fruit and a pointing hand on the left side. Museum: Metropolitan Museum of Art, New York, USA.

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