Genre Scenes in Rustic Settings

Charming depictions of everyday life, showcasing gatherings in inns, family scenes, and social interactions among various characters.

Man playing violinnext to dead woman by Pyotr Sysoyevich Kosolap, oil on canvas, 1863, 1834-1910, Russia, St. Petersburg , State Russian Museum, 71, 2x91

The Interior of an Inn with Nine Peasants and a Hurdy-Gurdy Player,' by adriaen van ostade, 1653. The artist painted many tavern scenes of this type showing peasants drinking, smoking and listening to itinerant musicians. This type of composition with groups of people in a desolate, dark room which recedes sharply into the picture space is characteristic of van Ostade's work.

Family scene; French painter (Fl. 18th century); 1750-1775 (1700-00-00-1799-00-00);French painting, interior characters, family, genre scenes

Card Players; Josse van Craesbeeck, Flemish, about 1605/1608 - before 1662; Holland, Europe; about 1645; Oil on panel; Unframed: 29.8 x 38.1 cm (11 3/4 x 15 in.), Framed: 44.5 x 51.8 x 5.1 cm (17 1/2 x 20 3/8 x 2 in.)

David Teniers el Joven / 'The Old Man and the Maid', c. 1650, Oil on canvas, 55 x 90 cm, P01799. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

The Barroom, by Abraham Diepraam, 1665, Dutch painting, oil on canvas. Interior of an Inn with two smoking, drinking and singing men at a table. Two more figures stand by the fire place and the floor is littered with broken clay pipes, a drinking glass, and uneaten fish (BSLOC_2016_3_164)

'Peasants in a Tavern'. Holland, 1671. Dimensions: 41x35 cm. Museum: State Hermitage, St. Petersburg. Author: ADRIAEN VAN OSTADE.

Joos van Craesbeeck / 'The Wedding Contract', 17th century, Flemish School, Oil on panel, 71 cm x 54 cm, P01471. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: JOOS VAN CRAESBEECK.

Joseph Interpreting the Dreams of the Baker and the Butler (Genesis 40:1-19), Benjamin Gerritsz Cuyp, c. 1632 - c. 1640 painting In prison, Joseph explains the dreams of the baker and the donor. The bakery and the donor are chained on the ground of their cell. There is a basket with a jug and bread on a box. panel. oil paint (paint) Joseph interpreting the dreams of the butler and the baker (the two dreams combined)

Man playing violinnext to dead woman by Pyotr Sysoyevich Kosolap, oil on canvas, 1863, 1834-1910, Russia, St. Petersburg , State Russian Museum, 71, 2x91

Smokers. Ostade, Adriaen van (1610-1685), painter

'Saying Grace'. France, Second half of the 17th century. Dimensions: 49,0x59,0 cm. Museum: State Hermitage, St. Petersburg. Author: ANTOINE LE NAIN.

Genre scene in a tavern. Ravesteyn, Hubert van (1638-1683/1691), painter

Work and Play in the Kitchen. Thomas Heaphy (1775-1835). Pencil and watercolour with white. 48.9 x 69.9cm.

CAMPESINOS EN LA BODEGA. Author: DAVID TENIERS THE YOUNGER. Location: MUSEO DE ARTE E HISTORIA. Genève. Switzerland.

Night Signed and dated, lower left: "J. Whestley pinx 1799", Francis Wheatley, 1747-1801, British

The Trapper's Cabin. Dated: 1858. Dimensions: overall: 91.4 × 73.5 cm (36 × 28 15/16 in.) framed: 127 × 96.2 × 16.5 cm (50 × 37 7/8 × 6 1/2 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: JOHN MIX STANLEY.

Genre Scene (Couple in the Interior) Jongh, Ludolf de (1616 1679)

in May (gathering me); Steen, Jan (1626-1679); XVII/18th century (1690-00-00-1710-00-00);Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection, alms, copies, painting, Dutch painting, genre painting, holidays

'Peasant Family'. Italy, 1750s - 1760s. Dimensions: 169x228 cm. Museum: State Hermitage, St. Petersburg. Author: Francesco Londonio.

Company in 17th-century dress at a table with a Nautilus cup. Dating: 1873. Measurements: h 62 cm × w 72.5 cm × t 3.3 cm; d 7.8 cm. Museum: Rijksmuseum, Amsterdam. Author: Johannes Stroebel (mentioned on object).

'Sense of Hearing'. Series "Five Senses". Holland, 1635. Dimensions: 20x25 cm. Museum: State Hermitage, St. Petersburg. Author: ADRIAEN VAN OSTADE.

FAMILIA COMIENDO HUEVOS EN UN INTERIOR CON ROPA TENDIDA - SIGLO XVIII. Author: LUIS PARET Y ALCAZAR (1746-1799). Location: PALACIO REAL-PINTURA. MADRID. SPAIN.

Allegory of Avarice by Jacob van Campen, (1595-1657), USA, Florida, Jacksonville, The Cummer Museum of Art and Gardens

Bagpipers of Brianza by Segantini, Giovanni (1858-1899) National Museum of Western Art, Tokyo c. 1883-1885 Schwitzerland Oil on canvas Painting Genre

News from the Front by Vatolina, Nina Nikolayevna (1915-2002) Far Eastern Art Museum, Khabarovsk 1943 Oil on canvas 154x119 Russia Soviet Art Genre Painting

The Skaters, Peasants in an Interior, Adriaen van Ostade, 1650

Companation in 17th-century pregnancy at a table on which a nautilus cup. Interior in which a number of regents are surrounded by a table. At the table writes a clerk in a book, on the table there are a nautilus cup and a two other cups. On the left a man enters the room with a book under the arm. A painting hangs above the chimney.

Jan Havickszoon Steen (1626-1679). Dutch painter. The Revellers, 1660. Detail. The State Hermitage Museum. Saint Petersburg. Russia.

'Scene in a Tavern'. Holland, Second half of the 1650s. Dimensions: 44x37 cm. Museum: State Hermitage, St. Petersburg. Author: Gerrit Lundens.

David Teniers / 'Monos en una bodega', 17th century, Flemish School, Oil on panel, 21 cm x 30 cm, P01807. Museum: MUSEO DEL PRADO, MADRID, SPAIN. Author: DAVID TENIERS THE YOUNGER.

The denouncement of two noblemen belonging to the Confederation of Bar seeking refuge during their resistance to Kathrine II's invasion of Poland. Anton Kozakiewicz (1841-1929). Oil on canvas. Signed and dated 1869. 110.5 x 142.5cm

FUMADORES Y BEBEDORES - SIGLO XVII - BARROCO FLAMENCO. Author: ADRIAEN BROUWER (1608-1640). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Steen, Jan (1626-1679). Beware of Luxury (In Weelde Siet Toe). 1663. Baroque art. Oil on canvas. AUSTRIA. VIENNA. Vienna. Kunsthistorisches Museum Vienna (Museum of Art History).

Prostitution, brothel scene, painting by Frans van Mieris the Elder, 1660, Historical, digitally restored reproduction from a 19th century original

Jan Siberechts (1627-1703), living interterios with a embroidered woman who cradle a child, 1671

Eugenio Oliva y Rodrigo / 'Cervantes, in his last days, writes the dedication of Don Quixote to the Count of Lemos'. 1883. Oil on canvas. Museum: Museo del Prado, Madrid, España.

Company in 17th Garb at a Table with a Nautilus Cup, by Johannes Stroebel, 1873, Dutch painting, oil on canvas. A clerk writes in a book on the table are a nautilus goblet and two other cups. Left a man enters the room, joining the other at the table. (BSLOC_2016_1_77)

La Derelitta (The Derelict)

The Poor Poet, Spitzweg, Carl, 1839.

Jean Baptiste Mallet, Young French Marquise in Exile in Lausanne, 1789 Young French Marquise in Exile in Lausanne

Distraining for Rent. Date/Period: 1815. Painting. Oil on panel. Height: 813 mm (32 in); Width: 1,230 mm (48.42 in). Author: David Wilkie.

The Blind Fiddler, 1637-1677. Attributed to Willem van Herp

Woman with a Water Pitcher, and a Man by a Bed ("The Maidservant"). Artist: Pieter de Hooch (Dutch, Rotterdam 1629-1684 Amsterdam). Dimensions: 24 1/4 x 20 1/2 in. (61.5 x 52.1 cm). Date: ca. 1667-70.This picture of the late 1660s was cut down by about seven inches before 1841, eliminating a woman in the bed on the right (described in a sale catalogue of 1785). Two inches were added to the top of the canvas, and the seated man, apparently the woman's lover, was overpainted at the same time. Museum: Metropolitan Museum of Art, New York, USA.

The Inventory. Hubertus van Hove (1814-1865). Oil on panel. Dated 1864. 52.7 x 43.1cm.

Art, Russian art, Grigoriy Grigorievich Myasoyedov, 1834 - 1911, title of the work, Watching of Bride, 1890 oil on canvas, cm 35 x 53.

Scene in the induction: playing in the end; Helmont, Mattheus Van (1623-Post 1678); 19th century (1800-00-00-1899-00-00);Library of the Krasińskich Ordinance (Warsaw - 1844-1944) - collection, pipes, bones, taverns, Flemish painting, imitation, smokers, genre scenes, genre scenes in the interior

Satyr among peasants (Aesop, Fables, J.de La Fontaine, V, 7). Renesse, Constantijn a (1626-1680), painter

fine arts, Maes, Nicolaes, (1634 - 1693), painting, ""the naughty drummer boy"", oil on canvas, 66 cm x 62 cm, Thyssen collection, Lugano,

The reunion by Makovsky, Vladimir Yegorovich (1846-1920)/ State Tretyakov Gallery, Moscow/ 1883/ Russia/ Oil on canvas/ Russian Painting of 19th cen./ 40x31,5/ Genre

The Egyptian Museum and the Museum of Natural Sciences of Turin. Oil painting on canvas by Lorenzo Delleani, 1871. Scene of room of museum. Egyptian Museum of Turin. Italy.

The Storyteller 1844 Adolph Tidemand (1814-1876 Norwegian) Painting Christie's Images, London, England

The Soldier's Farewell. Dating: 1828. Measurements: h 45 cm × w 55.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Charles van Beveren.

The Peacemaker. Edwin Hughes (active ca. 1872-1892). Oil on canvas. Signed and dated 1882. 43.2 x 53.3cm.

Supper with a Lute Player, Honthorst, Gerard van, 1620.

Sleeping woman. Toorenvliet, Jacob (1640-1719), painter

A courtyard by Boursse, Esaias (1631-1672)/ Museum Boijmans Van Beuningen, Rotterdam/ c. 1660/ Holland/ Oil on canvas/ Baroque/ 37,7x30/ Landscape,Genre

A Pleasant Visit. Angenehmer Besuch. Ferdinand Pacher (1852-1913). Oil on canvas, 1875. 35 X 49 1/4in.

FIESTA GALLEGA 1915. Author: FERNANDO ALVAREZ DE SOTOMAYOR. Location: NATIONAL MUSEUM. Santiago. CHILE.

The Chernetsov Brothers' Studio by Tyranov, Alexei Vasilyevich (1808-1859) State Russian Museum, St. Petersburg 1828 Oil on canvas 29,5x23,5 Russia Russian Painting of 19th cen. Genre Painting

The Tough Story - Scene in a Country Tavern. Dated: 1837. Dimensions: overall: 42.5 × 55.9 cm (16 3/4 × 22 in.) framed: 66.4 × 79.7 × 13 cm (26 1/8 × 31 3/8 × 5 1/8 in.). Medium: oil on wood. Museum: National Gallery of Art, Washington DC. Author: WILLIAM SIDNEY MOUNT.

Broken Eggs. Artist: Jean-Baptiste Greuze (French, Tournus 1725-1805 Paris). Dimensions: 28 3/4 x 37 in. (73 x 94 cm). Date: 1756.Broken Eggs attracted favorable comment when exhibited at the Paris Salon of 1757. One critic noted that the young serving girl had a noble pose worthy of a history painter.The canvas was painted in Rome, but the principal source may have been a seventeenth-century Dutch work by Frans van Mieris the Elder (State Hermitage Museum, St. Petersburg), which Greuze would have known from an engraving. The broken eggs symbolize the loss of the girl's virginity. Museum: Metropolitan Museum of Art, New York, USA.

La Mort du Pauvre' (The Poor Man's Death) 1849. Jean Pierre Antigna (1817-1878) French painter. Oil on canvas.

'Genre Scene (Breakfast)'. Flanders, Circa 1712. Dimensions: 58,5x63,5 cm. Museum: State Hermitage, St. Petersburg. Author: Jan Joseph Horemans I.

The Herring-Eater. Dating: 1628 - 1650. Measurements: h 17 cm × w 13.5 cm; d 6 cm. Museum: Rijksmuseum, Amsterdam. Author: Pieter Hermansz. Verelst.

Ring O' Roses, Thomas Webster, 1800-1886, British, ca. 1850, Oil on panel, Support (PTG): 12 x 16 inches (30.5 x 40.6 cm), boys, children, collar, dancing, entertainment, father, feather, genre subject, girls, hat, interior, jug, man, mother, music, musician, nursery rhyme, oboe, recorder, ring, roses, woman

The Smoker. David Teniers the Younger (Flanders (now Belgium), Antwerp, 1610-1690). Holland, circa 1640. Paintings. Oil on panel

Toning the Bell. Walter Shirlaw; American, born Scotland, 1838-1909. Date: 1874. Dimensions: 101.6 × 76.2 cm (40 × 30 in.). Oil on canvas. Origin: Munich. Museum: The Chicago Art Institute, Chicago, USA.

Children's games, 1558-1560, by Pieter Brueghel the Elder (1525-1569), oil on panel, 118x161 cm. Detail.

Will, by Tedesco Michele, 19th Century, canvas,

'Yard of a Peasant House'. Holland, 1642-1646. Dimensions: 17x13,5 cm. Museum: State Hermitage, St. Petersburg. Author: WILLEM KALF.

PINTURA. Author: JOAQUIN SOROLLA Y BASTIDA. Location: PRIVATE COLLECTION. MADRID. SPAIN.

La Mort du Pauvre (The Death of the Pauper), Jean Pierre Alexandre Antigna (1817-1878/French), Oil on canvas 1849. Charles Bruyere Municipal Museum, Remiremont

'The Tilt Forge'. Artist, Godfrey Symes (1825-1866), Sheffield Museum, England.

A Woman playing a Clavichord. Date/Period: Ca. 1665. Painting. Oil on panel Oil. Height: 377 mm (14.84 in); Width: 299 mm (11.77 in). Author: GERRIT DOU.

Inner Courtyard, Andreas Schelfhout, 1820 - 1830 painting Courtyard. A woman fills a boiler with water at a water pump in a courtyard. A boy with a dog standing next to it, a child looks outside over a lower door. panel. oil paint (paint) courtyard. utilitarian, public pump or water fountain. well

The Centre of Attraction. Eugenio Zampighi (1859-1944). Pen and black ink and watercolour on paper. 43 x 63.5cm

Reial Acadèmia Catalana de Belles Arts de Sant Jordi. Date/Period: From 1724 until 1733. Painting. Oil on canvas. Height: 1,915 mm (75.39 in); Width: 2,330 mm (91.73 in). Author: Antoni Viladomat Y Manalt.

FORTUNY I MARSAL, Mariano (1838-1874). Engraving Collector. 1863. Work painted in Rome. Romanticism. Oil on canvas. SPAIN. CATALONIA. Barcelona. National Art Museum of Catalonia.

The mouse, 1878, by Giacomo Favretto (1849-1887), oil on canvas, 59x90 cm.

Balthazar Nebot, active 1730-1762, Spanish, active in Britain (from 1729), Fishmonger's stall, 1737. Oil on copper.

The Visit of the Godfather by Pieter Brueghel the Younger 1565-1638. Oil on Panel

First Class - The Meeting. "And at first meeting loved." Railway journey, travel by train, Signed and dated in red paint, lower right: "A Solomon. 1855", Abraham Solomon, 1824-1862, British

Because birth; Bili Ska-Bohdanowiczowa, Anna (1854-1893); 1882 (1882-00-00-1882-00-00);

Pablo Picasso / "The first negation of Sant Pere", 1896, Painting (oil on canvas), 35.5 x 52 cm, MPB 110.060. Museum: Museo Picasso de Barcelona (Barcelona, España).

Love's Destiny. Henry Gillard Glindoni (1852-1913). Oil on canvas. Signed and dated 1901. 127 x 101.5cm.

Alexander Nasmyth, 1758-1840, British, Stage Design for Heart of Midlothian; Deans' Cottage, ca. 1819. Oil on canvas.

Peasant Interior with Woman at a Well, Willem Kalf, Dutch, 1619-1693, c.1642-43, Oil on panel, Made in Paris, Île-de-France, France, Europe, Paintings, 10 x 8 1/4 in. (25.4 x 21 cm)

The ambitious woman or La Traviata, 1856, by Domenico Scattola (1814-1876), oil on canvas, 68x86 cm.

Festive Scene. Date: ca. 1650. oil on wood. Museum: Smithsonian American Art Museum.

The Painter's Studio. Schildersatelier. Dating: c. 1670 - c. 1675. Measurements: h 37 cm × w 36 cm; h 54 cm × w 51 cm × t 8 cm. Museum: Rijksmuseum, Amsterdam. Author: Adriaen van Ostade.

Potato peeler, draughtsman: August Allebé, 1867, paper, pencil, brush, height 170 mm × width 210 mm

The potato peeler, Albert Neuhuys (1844-1914), 1873, draughtsman: Albert Neuhuys (1844-1914), 1873, paper, brush, h 368 mm × w 273 mm

fine arts, Fiedler, Johann Christian, (1697 - 1765), painting, ""Vier Jahreszeiten - Winter"", (""four seasons - winter""), State Museum of Hesse, Darmstadt,

Self-Portrait Eastman Johnson (American, 1824-1906). Self-Portrait, ca. 1865-1870. Oil on canvas, 9 3/4 x 7 13/16 in. (24.8 x 19.9 cm). In this self-portrait, Eastman Johnson labors over a desk in a warmly lit room, most likely his Manhattan studio on Washington Square. The paintings dark palette and quiet mood recall seventeenth-century Dutch genre paintings, whose style Johnson absorbed while studying at The Hague in the Netherlands. Some of the small framed paintings in the background were probably acquired during the artists time abroad, and the canvas itself is an artifact from that period of his life: x-radiographs reveal that Johnson painted this work over a copy of a Dutch portrait. American Art ca. 1865-1870

Turek over coffee; unknown, Mock, Johann Samuel (Ca 1687-1737); 18th century () (1700-00-00-1799-00-00);Fiorentini, Piotr (1791-1858) - collections, School of Fine Arts (Warsaw - 1844-1864) - collections, Turks, gift (provenance), coffee, German painting, orientalism (style), men's portraits, turbanas, mustache

Playing checkers. Sjamaar, Pieter Gerardus (1819-1876), painter

The bishop and the forçat Frédéric Théodore Lix (1830-1897). The bishop and the forçat. Graphite pencil and pastel on paper. 1879-1880. Paris, Victor Hugo House.

The Baker's Cart 1656 Jean Michelin French Peasants and popular life in rural settings were common subjects in seventeenth-century painting, though Michelin situates his figureswhich include a baker and his cart, an old woman offering medicinal eau-de-vie, and a boy with a basketin an urban context. Little is known about Michelin, whose subjects relate to the more famous brothers Le Nain, but this painting has served as a fixed point in defining his oeuvre since his signature and a date were discovered during a cleaning of this canvas in the late 1920s.. The Baker's Cart 437082

The Smoker, Adriaen Brouwer, 1630 - 1638

Ostade, Adriaen van, Haarlem, Visscher, Cornelis (II), Het Zoute Scholletje, Old couple, verso - stamped, An old couple is sitting at a round table, on which a pipe and fish lie. He is holding a tall glass in one hand and has placed his other hand on hers., print, prints, height 262 mm, width 218 mm, Northern Netherlands, 1629 - 1658-01-16, print maker, printmaker, 1653 - 1685, paper, engraving, engraving (printing process), etching, 1610-12-19 - 1685-04-28, after, after painting by, Publication (Event), Publication, publisher

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