Gentlemen and Performers

Illustrations of gentlemen and theatrical personas from the past, showcasing elaborate costumes, expressions, and playful movements in a quirky, historical style.

Soldier who places his spies against his right foot with his left hand and pulls his sword with his right hand (no. 25), ca. 1600, 1597 - 1607 A soldier, after, to the right, who with his left hand places his skewer (lans) against his right foot and pulls his sword with his right hand (no. 25), ca. 1600. Plate 25 in the instructions for handling the Spies: Corte Onderwysinghe on the Figuerliicke image, interested t'recht ghebruyck, from Al t'ghene a soldaet int acting of the Spies Emergency is. Part of the illustrations in: J. de Gheyn, Weapons Handele of Roers Musquetten and Spiessen, The Hague, 1607. War was around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: The Hague paper engraving A soldier, after, to the right, who with his left hand places his skewer (lans) against his right foot and pulls his sword with his right hand (no. 25), ca. 1600. Plate 25 in the instructions for handling the Spies: Corte Onderwysinghe on the Figuerliicke image, int

Un Gentilhomme et son Page (A Gentleman and his Page), from Les Caprices Series A, The Florence Set 1617 Jacques Callot French. Un Gentilhomme et son Page (A Gentleman and his Page), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617. Etching. Prints

Soldier who places his spies against his right foot with his left hand and pulls his sword with his right hand (no. 25), ca. 1600, 1597 - 1607 A soldier, after, to the right, who with his left hand places his skewer (lans) against his right foot and pulls his sword with his right hand (no. 25), ca. 1600. Plate 25 in the instructions for handling the Spies: Corte Onderwysinghe on the Figuerliicke image, interested t'recht ghebruyck, from Al t'ghene a soldaet int acting of the Spies Emergency is. Part of the illustrations in: J. de Gheyn, Weapons Handele of Roers Musquetten and Spiessen, The Hague, 1607. War was around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: The Hague paper engraving A soldier, after, to the right, who with his left hand places his skewer (lans) against his right foot and pulls his sword with his right hand (no. 25), ca. 1600. Plate 25 in the instructions for handling the Spies: Corte Onderwysinghe on the Figuerliicke image, int

Le comédien masqué, avec lunettes, et jouant de la guitare The Masked Comedian, with Glasses, Playing the Guitar. 1616 - 1622. Callot, Jacques, 1592-1635. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Edouard Eckman after Jacques Callot, Gentleman with Cane, 1621 Gentleman with Cane

La Ronde (The Round Dance), from Les Caprices Series A, The Florence Set 1617 Jacques Callot French. La Ronde (The Round Dance), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617. Etching. Prints

Dancing fool; Twelve fools. Dancing fool with a hat with feathers on the head and a dagger to his waist. The print is part of a series of twelve prints with fools.

Soldaat die zijn spies horizontaal op zijn rechterschouder draagt. Ontwerptekeningen voor de Wapenhandelinghe van Jacob de Gheyn (II) (series title). Draughtsman: Jacob de Gheyn (II). Dating: 1596 - 1606. Measurements: h 269 mm × w 188 mm. Museum: Rijksmuseum, Amsterdam.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), the duel of two dwarfs, third piece (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Soldier, turned to the left, which holds his skewer with both hands upright for himself slightly above the ground (no. 6), ca. 1600. a soldier, full-length, to the right, which is a skewer (lance) with both hands upright Something above the ground holds (no. 6), ca. 1600. This is the second operation for the spaces to the ground. Plate 6 In the instructions for handling the skewer: Corte Underswsinghe on the figuerliicke figure of the relevant Hende Bruck, from all T'Ghene a Soldaet Int acting ventiest is emergency. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Spiessen, Amsterdam, 1608. Marriens around 1600.

De Drofigen Man, Giuseppe Maria Mitelli, 1675 print A drardy man (iracondo) with pulled sword and long hair points up with one hand up. On the right a bear. With two four -line verses in Italian. Numbered at the top right: 4. Part of the series 'The twenty -four hours of human happiness'. paper etching / engraving personifications ~ the life of man. the 24 hours of day and night. scenes symbolizing 'Vanitas'. Anger; 'Ira' (Ripa) ~ personification of one of the Seven Deadly Sins. aggressive relationships, enmity, animosity. beasts of prey, predatory animals: bear

Beggar leaning on a staff with a jumping dog beside him, drawn in gray brush with graphite pencil by Adriaen Pietersz. van de Venne.

L'Homme Vu de Dos, Avec une Grande Épée (Man Viewed from Behind, with a Large Sword), from Les Caprices Series B, The Nancy Set 1617-20 Jacques Callot French. L'Homme Vu de Dos, Avec une Grande Épée (Man Viewed from Behind, with a Large Sword), from Les Caprices Series B, The Nancy Set. Les Caprices Series B. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617-20. Etching; first state of two (Lieure). Prints

Seller of chicken heads and chicken liver, 1660 print A man with a hat with a spring on and a dagger on his belt. He wears a bowl with chicken heads and chicken liver. Italian fresh in the lower margin. The print is part of an album. paper etching street-trader. 'cris de Paris', cries of London, etc.

Duel of Two Dwarfs. Medium: etching on laid paper restrike. Museum: National Gallery of Art, Washington DC. Author: STEFANO DELLA BELLA.

Soldier who takes his musket from his shoulder (no. 3), ca. 1600. a soldier, full, to the right, which takes a musket (a certain type of firearm) from his left shoulder with his right hand (no. 3), Approximately 1600. In his left hand except the flask of the musket also a firecuter (musket fork) and a burning wick. Plate 3 In the instructions for handling the musket: Corte Undercury on the Figuerlicke figure, SOO Many Aengaet the right Ghebruyck from Musquet. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Spiessen, Amsterdam, 1608. Marriens around 1600.

Paris, Boutemie, Denis, Twelve months, April, Personification of the month of April. A grotesque figure with a hat with two tulips on his head. He dances with a horn and a gun in his hands., print, prent, ornamentprent, prints, prenten, ornamentprenten, height 114 mm, width 68 mm, print maker, prentmaker, 1633 - 1643, paper, papier, etching, etsen, Publication (Event), Publicatie, publisher, uitgever

Four farmers. Sketch sheet with four farmers.

Soldier who carries his skewers almost horizontally above his right shoulder (no. 9), ca. 1600, 1608 A soldier, to the right, to the right, who carries a skewer (lance) almost horizontally above his right shoulder (no. 9), ca. 1600. His hands far apart around the skewer. This is the second action for lifting the skewers to the shoulder and wearing it horizontally. Plate 9 In the instructions for handling the skewers: Corte Onderwysinghe on the Figuerliicke image -hunging fungal bruck, of all t Part of the illustrations in: J. de Gheyn, Weapon Handele of Roers Musquetten and Spiessen, Amsterdam, 1608. War award around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper engraving A soldier, to the right, to the right, who carries a skewer (lance) almost horizontally above his right shoulder (no. 9), ca. 1600. His hands far apart around the skewer. This is the second action for lifting the skewers to the shoulder and weari

Le Joeuer de Luth (The Lute Player), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs) 1616-22 Jacques Callot French. Le Joeuer de Luth (The Lute Player), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs) 398564

Soldier on guard expressing his wick on the rooster of his helm (no. 40), approx. 1600. A soldier waiting, full-time, to the right, which holds a stir (a certain type of firearm) with his left hand . 40), ca. 1600. With its right hand, it presses a burning wick on the rooster (part of the inflammatory mechanism) of its stir. It is therefore about the same position as the person shown on the seventh print of the series. Plate 40 in the instructions for handling the helm. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Spiessen, Amsterdam, 1608. Marriens around 1600.

Jacques Callot, Gentleman and His Page, c 1622 Gentleman and His Page

Man with shovel, Jacques Callot, 1621 print On the right in the foreground is a man with a shovel on the shoulder, leaning on a stick. In the background some houses in a rolling landscape. This print is part of a series of 48 prints (50 incl. Title page and dicing sheet) with various topics (including men and women in different postures, landscapes, buildings and festivities in Florence). These prints may have been intended as drawing examples. Nancy paper etching walking-stick, staff. agricultural implements: spade. landscapes in the temperate zone. farm or solitary house in landscape

Soldier who wears his skewer horizontally on his right shoulder (no. 26), ca. 1600, 1597 - 1608 A soldier, after, to the right, who carries a skewer (lance) horizontally on his right shoulder. His right hand for the skewer (no. 26), ca. 1600. First error numbered 24, this figure here improved in 26. Plate 26 in the instructions for handling the skewer: Enseigement Letter; he Succint sur les Portraitz Figurez, Touchant l'Usage, the tout ce qu'un soldat doibt faire au maniement de la pique. Part of the illustrations in a French edition of J. de Gheyns Wapenhandelhe: J. de Gheyn, Maniement d'Armes, d'Arquebuses, Mousquetz et Piques: and conformité de l'Ordre de Mour le Prince Maurice, Prince d'Orange, Amsterdam 1608. War was around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper engraving A soldier, after, to the right, who carries a skewer (lance) horizontally on his right shoulder. His right hand for the skewer (no.

Jacques Callot, Gentleman Viewed from the Front with Hand on Hip, c 1617 Gentleman Viewed from the Front with Hand on Hip

Two nuts with one narren hood on the head. .

Soldier, seen on the back, holding up his skewer with his right hand; Corte Underswsinghe on the figuerliicke figure, among others T'recht Ghebruyck, from Al T'Ghene a Soldaet Int acting from the Skewer is Noodich. Seen a soldier, for full, on the back, holding a skewer (lance) with his right hand. This is the third act for the upright to the ground. This print is part of the series of 32 hand-numbered prints of skewers in arms opera.

Woman with a rack and a woman with a basket. Draughtsman: Harmen ter Borch. Dating: c. 1652. Place: Zwolle. Measurements: h 80 mm × w 103 mm. Museum: Rijksmuseum, Amsterdam.

Soldier with a helm conveying his wick from his right to his left hand (No. 14), about 1600. a soldier, full, to the right, which holds a stir (a certain type of firearm) with his left hand (no) . 14), ca. 1600. The burning wick in his right hand brings it to his left hand. Plate 14 In the handling instructions: Letter Enseignement, Sur La Representation des Figures, Du Droit Maniement de l'Harquebuse. Part of the illustrations in a French edition of J. de Gheyns Wapenhande: J. de Gheyn, Maniement d'Armes, d'Arquebuses, Mousquetz et Piques: and conformité de l'Ordre de Mour Le Prince Maurice, Prince d'Orange, Amsterdam 1608. Marriens around 1600.

Anonymous bister ink drawing depicting Scaramucia and Fricasso.

Przeszo Przyszoci Norblin, Jan Piotr (1745 1830)

Dwarf with Luit and Zwaard, Jacques Callot, 1621 - 1625 print Dwarf, seen on the left, with a bought back, playing a lute, a hat with two feathers on the head, a sword on his right side. This print is part of a series of 21 prints with grotesque figures; Almost all of those figures are dwarfs, many are bought. Nancy paper etching / engraving little people. hunchback. one person playing string instrument (plucked). lute, and special forms of lute, e.g.: theorbo. hacking and thrusting weapons: sword

Soldier carrying his skewer with both hands horizontally at shoulder height (no. 19), approx. 1600. A soldier, for feet, which carries a skewer (lance) with both hands horizontally at shoulder height (no. 19), ca. 1600 . Plate 19 In the instructions for handling the skewer: Corte Underswsinghe on the figuerliicke figure of the relevant rope truck, of all T'Ghene a Soldaet Int acting from the Spies Noodich is. Part of the illustrations in: J. de Gheyn, arms opera of Roers Musquette and Spiessen, Amsterdam, 1608. Marriens around 1600.

Fricasso, Mezzetino and Franca Trippa; Fricasso Metzetin Franca Trippa; Characters from the Dell'Arte Commedia. Three characters from the Dell'Arte Commedia. Left fricasso with a pipe and a small old man as an infant bound on his back. In the middle mezzetino with a lute. Right Franca Trippa that plays a violin.

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Procession through the Rederijkerskamer de Roo Roosen from Schiedam (first part), 1607; The entry of Schiedam verthabits. Procession by the Rederijkerskamer de Roo Roosen from Schiedam, at the Rederijkersfeest of October 22, 1607 at Haarlem. Third part: tamboer, blazean carriers, banquet carrier and the first figures from the parable of the merciful Samaritan.

Wife and male monster with jug and cup, anonymous, after Arent van Bolten, c. 1604 - c. 1616 print In the middle are a woman and a male monster with a jug and a cup. Monster animals are on masks on both sides. No. 1 from series of 7 magazines. Paris (possibly) paper engraving ornament ~ grotesque

The Gentleman with a Coat, Posing with Hands on Hips, from The Caprices. Jacques Callot; French, 1592-1635. Date: 1617-1627. Dimensions: 57 × 85 mm (image/sheet, cut within plate mark). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

A Duellist with Two Sabres. Jacques Callot (France, Nancy, 1592-1635). France, 1616. Prints; engravings. Etching with engraving

On the way to Emmaüs.

Standing flute player, man with a stick and man with a saw. Draughtsman: Herman Saftleven. Dating: 1619 - 1685. Measurements: h 98 mm × w 150 mm. Museum: Rijksmuseum, Amsterdam.

Man walking with stick; Legumes ornaments for gold and silversmiths.Pluze ornament in the form of grotesque figure. Sheet from series of 6 sheets.

Anonymous drawing of a Commedia dellArte stage featuring a masked player with clappers, executed in pen and bister ink.

Standing man by a barrel, Jacob Hoolaart, 1728 - 1789 print Dordrecht paper etching standing figure. wooden container: barrel, cask, bucket

Jacques Callot, Gentleman with Cane, c 1622 Gentleman with Cane

The Gentleman with a Coat, Posing with Hands on Hips, from The Caprices 1617-1627 France. Etching on ivory laid paper . Jacques Callot

L'homme masqué aux jambes torses The Masked Man with Crooked Legs. 1616 - 1622. Callot, Jacques, 1592-1635. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Edouard Eckman after Jacques Callot, Duel with Swords, 1621 Duel with Swords

Soldier with a lion's head on the head, Salvator Rosa, c. 1656 - c. 1657 print A standing soldier, leaning on a shield with his right hand. In his left hand he holds a battle knots and on his head he wears a lion's head. Italy paper etching / drypoint the soldier; the soldier's life. protective weapons: shield

God appears to Abraham, Ferdinand Bol, 1640 - 1649 drawing paper. deck paint. ink pen Abraham kneels before the angels

Procession through the Rederijkerskamer de Sonneblo flower from Kethel (first part), 1607; The introduction of boiler vert. Procession by the Rederijkerskamer de Sonnebloem from Kethel, at the Rederijkersfeest of October 22, 1607 in Haarlem. First part: parade of blazean carriers, tamboer and standard bearer.

This circa 1440-1450 copper engraving, attributed to an anonymous artist, depicts the Wilden-Eight, focusing on stylized figures and ornamental elements typical of early playing card design.

Netherlands, Weissenbruch, Isaac, Soldier drinking from a tankard, print, prints, height 46 mm, width 48 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure

Copy of Le Gentilhomme a la Grande Canne (The Gentleman with the Large Cane), from Les Caprices 17th century Anonymous. Copy of Le Gentilhomme a la Grande Canne (The Gentleman with the Large Cane), from Les Caprices. Les Caprices. Anonymous. 17th century. Etching. Prints

Justice c. 1660 - c. 1669 drawing Woman with scales, standing next to a palm tree. Zwolle paper. ink

Sketchbook from the years around 1866 OK.1873 card No. 67 (no author's numbering) three drawings obverse: 1. Twardowski in a tavern with Satan and a thick hostess ; Reverse: 2. Sketch of four bars of the characters (in the theater lodge), 3. Scene on the street walking characters against the background of buildings Łosik, Tomasz (1848 1896)

The Letter E, from The Alphabet 1466-67 Master ES German Among Master ESs most remarkable engravings is a delightful series of letters consisting of twenty-three rare individual prints that once formed an alphabet (alphabets of this period normally lack the letters j, v, and w). The artist composed each lower case letter by cleverly interweaving both real and mythical people and animals. Here two dogs fight with a cat and a bird over the head of a man. The cats gently curving tail defines the upper portion of the letter. Little is known about the master whose name derives from the initals that appear on later works. Evidence points to Master ES having been trained as a goldsmith, most notably the fact that he used goldsmith punches, tools that are hammered into the metal printing plate, to create patterns such as the small flowers and circles on the figures tunic.. The Letter E, from The Alphabet 428829

Merry Couple. Draughtsman: Rembrandt van Rijn (copy after). Dating: c. 1635. Place: Amsterdam. Measurements: h 122 mm × w 87 mm. Museum: Rijksmuseum, Amsterdam.

Boy carrying a basket and a pole, to the right, Harmen ter Borch, 1651, draughtsman: Harmen ter Borch, (mentioned on object), Zwolle, 20-Oct-1651, paper, h 95 mm × w 114 mm

Jacques Callot (1592-1635). "Varied figures, the officer at the collar seen from the back. Fifteenth number of a series of 16 pieces" (Lieure 212, Meaume 743). Etching. 1st half of the 16th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99604-30 Etching, engraving

Soldier holding his skewer with both hands upright for himself high above the ground; Corte Underswsinghe on the figuerliicke figure, among others T'recht Ghebruyck, from Al T'Ghene a Soldaet Int acting from the Skewer is Noodich. A soldier, for the right, to the right, which holds a skewer (lance) with both hands upright for himself high above the ground. This is the first action for the upright to the ground. This print is part of the series of 32 hand-numbered prints of skewers in arms opera.

Woman with wool in hand. Draughtsman: Harmen ter Borch (mentioned on object). Dating: 2-Feb-1652. Place: Zwolle. Measurements: h 103 mm × w 80 mm. Museum: Rijksmuseum, Amsterdam.

The Duel with Swords and Daggers, from The Caprices 1617-1627 France. Jacques Callot excelled at integrating colorful, often lowbrow details into his elegant etchings. His humorous series The Caprices includes snippets from the daily life of soldiers and peasants alike.. Etching on ivory laid paper . Jacques Callot

Five farmers and a bagpipe player from a wedding parade, Adriaen Brouwer (Circle of), After Pieter Bruegel (I), 1600 - 1610 drawing paper. ink. chalk pen / brush bagpipe, musette. one person playing wind instrument

The Lute Player. Jacques Callot (France, Nancy, 1592-1635). France, 1616. Prints; engravings. Etching with engraving

Stefano della Bella (Étienne de la Belle) (1610-1664). "Standing man holding an erect spike". Brown feather and ink on paper, 17th century. Museum of Fine Arts of the City of Paris, Petit Palais. 99423-18 XVIIEM XVIIth XVII 17th 17th 17th century, engraving

Man with a bag and man with a basket, 1651 Two drawings by Harmen ter Borch stuck next to each other on a leaf. Zwolle paper. ink. chalk brush / pen Two drawings by Harmen ter Borch stuck next to each other on a leaf. Zwolle paper. ink. chalk brush / pen

Jacques Callot, Man with Sword, c 1622 Man with Sword

Soldier, seen on the back, who carries his skewers with both hands horizontal at the nose height, his right hand at the foot of the weapon, his face to the right (no. 30), ca. 1600, 1608 A soldier, in full, seen on the back, who carries a skewer (lance) with both hands horizontal at the nose height, his right hand at the foot of the weapon, his face to the right (no. 30), ca. 1600. Plate 30 In the instructions for handling the skewers: Corte Onderwysinghe on the Figuerliicke image -hunging fungal bruck, of all t Part of the illustrations in: J. de Gheyn, Weapon Handele of Roers Musquetten and Spiessen, Amsterdam, 1608. War award around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper engraving A soldier, in full, seen on the back, who carries a skewer (lance) with both hands horizontal at the nose height, his right hand at the foot of the weapon, his face to the right (no. 30), ca. 1600. Plate 30 In the instructions

Soldier with a helm shifting his right hand to the end of his loading stick; Corte Underswsinghe on the figuerliicke figure, straightforward t'ruwe Ghebruyck des Roers. A soldier, for the right, to the right, holding a stir (a certain type of firearm) with his left hand at his left bone and brings his right hand to the end of his loading stick, which he lets against his right side. This print is part of the series of 42 hand-numbered prints of stirrers in the arms opera.

Italy, Andreani, Andrea, Parmigianino, Carpi, Ugo da, Surprise, Man with outstretched arms in a landscape, verso - stamped, A man with outstretched arms standing in a landscape, possibly Jason looking at the sea., print, prints, height 277 mm, width 170 mm, Italian, print maker, printmaker, 1502 - 1532, third quarter 15th century, fourth quarter 15th century, first quarter 16th century, second quarter 16th century, paper, chiaroscuro woodcut, 1503-01-11 - 1540-08-24, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1559 - 1629, publisher

Giovanni Battista Bracelli, From Bizzarie di varie Figure, 1624 From Bizzarie di varie Figure

Jacob wrestling with the angel, Gerard ter Borch (I), 1617 - 1619, draughtsman: Gerard ter Borch (I), Zwolle, 1617 - 1619, paper, brush, h 100 mm × w 87 mm

Ring Race of Christian II ("Rinklenen ...") to Fastnacht 1607

Le Turc vu de Face, Levant le Bras Droit (Front View of the Turk, Raising his Right Arm), from Varie Figure (Various Figures) ca. 1620 After Jacques Callot French. Le Turc vu de Face, Levant le Bras Droit (Front View of the Turk, Raising his Right Arm), from Varie Figure (Various Figures). Varie Figure. After Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1620. Etching; second state of three (Lieure). Prints

Mercury, from 'Game of Mythology' (Jeu de la Mythologie) 1644 Stefano della Bella Italian. Mercury, from 'Game of Mythology' (Jeu de la Mythologie) 412369

L'Estropié au Capuchon (The Beggar Wearing a Hood), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs) 1616-22 Jacques Callot French. L'Estropié au Capuchon (The Beggar Wearing a Hood), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs) 398581

Two dancing pairs on a ball, Anonymous, 1600 - 1699 print Netherlands paper .

The arms master (dummy title)

Jacob struggling with the angel, 1617 - 1619 drawing Zwolle paper. ink. chalk brush

Two crippled dancers and musicians, print maker: Dirk van Hoogstraten, Cornelis Massijs, 1606 - 1640.

Przeszo Przyszoci Norblin, Jan Piotr (1745 1830)

Two Standing Figures, Anonymous, 1600 - 1699 drawing Netherlands paper. ink pen

Standing landsknecht, Hans Sebald Beham, 1510 - 1550, draughtsman: Hans Sebald Beham, draughtsman: Jörg Breu, 1510 - 1550, paper, pen, h 129 mm × w 86 mm

My friend, each one his turn. (IT)

Three standing figures, the front wears buckets, c. 1649 drawing Zwolle paper. ink. chalk brush

Loading wagon with the giant antigoon on the Grote Markt, 1582. Plaster trolley with the giant antigoon on the Grote Markt. Plate XI in the description of the arrival of the Duke of Anjou in Antwerp, 19 February 1582.

The Letter Y with Sint Joris and De Draak, Master E.S., 1466 - 1467 print The letter y, in the form of St.Joris that beats the dragon. The left leg of the letter in the form of St. Joris, dressed as a medieval knight; Under his feet, the tail of the letter, the dragon. The right leg of the letter is formed by the King's Daughter, which is protected by an angel behind her. paper engraving St. George and the dragon: dressed in armour and mounted on a (white) horse he brandishes his sword (his lance lies already broken on the ground); the princess nearby may be shown praying or fleeing. fancy letters

Putto in armor with mask. Draughtsman: anonymous. Draughtsman: Jacques Kuyper (rejected attribution). Dating: 1700 - 1800. Measurements: h 69 mm × w 100 mm. Museum: Rijksmuseum, Amsterdam.

Female archer. still image. Illustrations. 1820 - 1829. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Archery , To 499, Quivers (Archery), Arrows, Clothing & dress, Bows (Archery), Hairstyles

Soldier, seen from the front, who holds his skewers with both hands upright in front of him slightly above the ground (no. 16), ca. 1600, 1608 A soldier, who holds a skewer (lance) with both hands upright in front of him slightly above the ground (no. 16), ca. 1600. This is the second action for placing the skewer on the ground. Plate 16 In the instructions for handling the Spies: Corte Onderwysinghe on the Figuerliicke Image Hende Joker Buckruck, of all T Part of the illustrations in: J. de Gheyn, Weapon Handele of Roers Musquetten and Spiessen, Amsterdam, 1608. War award around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper engraving A soldier, who holds a skewer (lance) with both hands upright in front of him slightly above the ground (no. 16), ca. 1600. This is the second action for placing the skewer on the ground. Plate 16 In the instructions for handling the Spies: Corte Onderwysinghe on the Figuerliicke Ima

Shoreless, cap. Bellavita in Cap. Grillo, Anthorie de WINTER, after Jacques Callot, 1668 - 1707 print Three characters from the Commedia dell'arte. Left cucurucu with a parrot. In the middle cap. Bellavita with a sword between his legs and the right cap. Grillo with a squirrel on his head. Print Maker: Northern Netherlands Publisher: Amsterdam paper etching Types in 'Commedia dell'Arte'

L'Officier Tenant son Épée Horizontale (The Officer Holding his Sword Horizontally), from Varie Figure (Various Figures) ca. 1620 After Jacques Callot French. L'Officier Tenant son Épée Horizontale (The Officer Holding his Sword Horizontally), from Varie Figure (Various Figures). Varie Figure. After Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1620. Etching; second state of three (Lieure). Prints

Venus, plate five from Der VII Planeten. Conrad Meyer; Swiss, 1618-1689. Date: 1643-1689. Dimensions: 69 x 49 mm (sheet). Etching in black on ivory laid paper. Origin: Switzerland. Museum: The Chicago Art Institute, Chicago, USA.

17th century engraved illustration from a collection of proverbs. Paris 1657-1663. By Jacques Lagniet (1620 - 1675); French engraver. From him many socially critical engravings and mockery pictures such as his sometimes grotesque and fantastic illustrations for a collection of well-known proverbs from the year 1657 come.

Boy wearing a barrel above his head, 1649 drawing Zwolle paper. ink. chalk brush

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