Geometric Textile Patterns

A collection of intricate textile designs featuring geometric motifs. The colors vary from dark blues to earthy tones, showcasing traditional weaving and printing techniques.

Sarong, Medium: cotton Technique: wax resist dyeing (batik) on plain weave, A sarong featuring the 'semen' motif--a design of finely drawn scrolling lines, tablets, dotted areas, etc. in dark blue and light tan on white ground., Indonesia, early 19th century, printed, dyed & painted textiles, Sarong

Weave Pattern, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), A broad weaved pattern with dogs, and jagged edges form this geometric motif. The edges of the weave suggest an ikat style design., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami

Lodewijk XIV ornament leaf, Ranks with flowers, anonymous, 1750 - 1850 brocade paper Leaf with Louis XIV ornament, ranks with flowers. Used as a cover. paper. paint (coating) relief printing ornament derived from plant forms

Leaf with spreading pattern of saved leaf motif between whimsical steric forms, Anonymous, 1750 - 1900 Leaf with spreading pattern of saved leaf or floral pattern between whimsical star-like shapes. paper. lacquer (coating) block printing (relief printing process) ornament derived from plant forms

Sarong, Medium: cotton Technique: wax resist dyeing (batik) on plain weave, A sarong featuring the 'semen' motif--a design of finely drawn scrolling lines, tablets, dotted areas, etc. in dark blue and light tan on white ground., Indonesia, early 19th century, printed, dyed & painted textiles, Sarong

Template with bamboo, anonymous, 1800 - 1909 Japanese template (Katagami) with a uniform diagonal pattern of bamboo leaves and stems. Japan paper cutting foliage, tendrils, branches ~ ornament. plants and herbs: bamboo

Textile, Medium: cotton Technique: stenciled resist on plain weave (katazome), Single and overlapping full-faced chrysanthemums with curving stems in reserve on a dark blue ground., Japan, 19th century, printed, dyed & painted textiles, Textile

Stencil 19th century Japan. Stencil 69435

Album

Textile, Medium: silk Technique: rib weave (faille) with moire, Violet silk faille with fine symmetrical moire on either side of a central fold. Violet silk warp with dark green silk weft., Italy or Spain, 18th century, woven textiles, Textile

Leaf pattern of switched motif, Anonymous, 1750 - 1900 Leaf with spreading pattern of switched around motif with hexagonal field filling. paper. lacquer (coating) block printing (relief printing process) ornament ~ geometric motifs

Floors with colourful marble stones from the House of the Epigrams, Regio V, Insula 1, 18. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhns Les Plus Belles Peintures de Pompei (The Most Beautiful Paintings of Pompeii), Leipzig, 1881.

Leaf pattern of braided lines, Anonymous, 1750 - 1900 Leaf with rectangular job pattern of braided lines. paper. block printing (relief printing process) ornament ~ geometric motifs

Template with leaves, anonymous, 1800 - 1909 Japanese template (Katagami) with a pattern of different leaves, including maple, between wavy lines. Japan paper. silk cutting foliage, tendrils, branches ~ ornament

Fragment; silk

Orphrey (Italy); silk; Bequest of Richard Cranch Greenleaf in memory of his mother, Adeline Emma Greenleaf; 1962-56-30

Stencil Japan. Stencil 69992

Decorated Paper, anonymous, c. 1750 - c. 1790 sprinkled paper Paper with a brush sprinkled in red, yellow and green. Used as a cover for a publication from 1771. Italy (possibly) paper. paint (coating) sprinkled paper

Sheet with overall floral pattern with striped background 19th century Anonymous. Sheet with overall floral pattern with striped background. Anonymous , 19th century. 19th century. Relief print (wood or metal). Prints

Kesa. Japan. Date: 1801-1825. Dimensions: . Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Carpet design for windows in the Noordertransept in the Dom in Utrecht, c. 1878 - c. 1938 drawing cardboard brush

Piece Japan 18th century

Stencil 19th century Japan. Stencil 69419

Panel mid-15th century Italian. Panel 461425

Arabian ornament

Flounce (France); linen; 1974-10-9

Strip first quarter 18th century Italian, Venice. Strip 212486

Leaf with diamond pattern with four -pointed star as a window filling, Johann Georg Zeller, 1789 brocade paper Leaf with diamond pattern with four -pointed star as a window filling. Kempten paper. paint (coating) relief printing ornament ~ geometric motifs

Stencil 19th century Japan. Stencil 69424

Ruth M Barnes, Crazy Quilt, c 1940 Crazy Quilt

Centennial Print (Furnishing Fabric). Manufactured by Cocheco Cotton Manufacturing Company (American, founded 1812); United States, New Hampshire, East Rochester. Date: 1870-1876. Dimensions: 71.1 x 63.5 cm (28 x 25 in.)Repeat: 13.9 x 21.9 cm (5 1/2 x 8 5/8 in.). Cotton, plain weave; roller printed. Origin: New Hampshire. Museum: The Chicago Art Institute, Chicago, USA.

Stencil early 19th century Japan. Stencil. Japan. early 19th century. Paper, silk. Edo period (1615-1868). Stencils

Album, Plans, coupes, élévations des plus belles maisons et des hôtels construits à Paris et dans les environs (Plans, Forms, Elevations of the Most Remarkable Houses and Hotels erected in Paris and its Environs); Drafted by Jean-Charles Krafft (French, 1764 - 1833); Engraved by Charles Nicolas Ransonnette (French, 1793 - 1877); engraving; black ink on cream paper

Leaf with tibaries with flowers and a bird, Conrad Koenig, 1768 - 1772 brocade paper Leaf with tendrils with flowers, in the leaf medals a bird on a flower. Numbered below: No. 13. Nuremberg paper. paint (coating) relief printing ornament derived from plant forms. ornament derived from animal forms

Panel. Probably England, Spitalfields. Date: 1755-1759. Dimensions: 58.8 x 53.6 cm (23 1/8 x 21 in.)Repeat: 11.8-12.9 x 13.5 cm (4 5/8-5 x 5 1/4 in.). Silk, plain weave with supplementary patterning warps. Origin: Spitalfields. Museum: The Chicago Art Institute, USA.

Stencil 19th century Japan. Stencil. Japan. 19th century. Paper, silk. Stencils

Stencil from Trading Room of the Chicago Stock Exchange, Chicago Designed by Adler and Sullivan American 1893-94

Design for the book binding of Louis Couperus' Metamorphoze. Draughtsman: Jan Toorop. Dating: 1868 - 1928. Measurements: h 229 mm × w 170 mm. Museum: Rijksmuseum, Amsterdam.

Log Cabin Quilt. Dated: c. 1941. Dimensions: overall: 29 x 20 cm (11 7/16 x 7 7/8 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Ada Barnes.

Tab with spam pattern of spinning wheel motif, Anonymous, 1750 - 1950 paper. block printing (relief printing process) fantasy ornament

Ten Days. Brice Marden; American, born 1938. Date: 1971. Dimensions: 602 x 372 mm (image/ plate); 759 x 565 mm (sheet). Etching in black and burnt umber on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Blow flowers, Anonymous, 1750 - 1820 brocade paper Leaf with flowers, used as a cover. Germany paper. paint (coating) relief printing ornament derived from plant forms

Kesa Made 1801-1825 Japan. .

Harmonie de contraste de nuances, L'harmonie des couleurs, Guichard, Édouard, b. 1815, Chromolithograph, 1880, Plate numbered 34 in upper right corner. Caption: A, Plafond. B, Corniche. C, Tenture. D, Lambris.

Panel Made 1840-1860 France. Silk, warp-faced plain weave .

Design for window with weapon in the city hall in Amsterdam. Draughtsman: Richard Roland Holst. Dating: 1878 - 1938. Measurements: h 526 mm × w 210 mm. Museum: Rijksmuseum, Amsterdam.

Coverlet. Dated: c. 1936. Dimensions: overall: 71 x 53.6 cm (27 15/16 x 21 1/8 in.) Original IAD Object: 96" long; 93" wide. Medium: gouache and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Edward White.

SYLVARUM II -1987. Author: PABLO PALAZUELO (1916-2007).

Leaf with different birds with flowers and fruits, Dessauerschen bunt paper factory, 1850 - 1920 brocade paper Leaf with different birds with flowers and fruits, at the top of the top left an owl, below a parrot. In contours. Aschaffenburg paper. paint (coating) birds

Kesa Made 1775-1825 Japan. .

Tab with straw pattern of fantasy motive, Anonymous, 1800 - 1900 Leaf with regular spray pattern of fantasy motif. paper. block printing (relief printing process) fantasy ornament

Sheet with dot grid pattern with bouquets 19th century Anonymous. Sheet with dot grid pattern with bouquets. Anonymous , 19th century. 19th century. Relief print (wood or metal). Prints

Drawing, Textile Design: Cyan; Designed by Dagobert Peche (Austrian, 1887-1923, active Vienna, 1911-1923); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 10.8 × 6.4 cm (4 1/4 × 2 1/2 in.) Mat: 71.1 × 54.6 cm (28 in. × 21 1/2 in.)

Stencil 19th century Japan This stencil combines the character nin with images of hats to form a rebus for shinobi-gasa, a face-concealing hat worn by visitors to the pleasure quarters.. Stencil. Japan. 19th century. Paper. Stencils

Tile, Tin-glazed earthenware, underglaze manganese decoration, Tile from upright rectangular panel of tiles; dark purple (manganese) on white ground showing arched framework; oval cartouche bearing double monogram (probably Lubert Adolf Torck), supported by pair of nude amors; pair of small amors holding crown above, borne by pair of female terms; surrounded by leafscrolls and foliations, with pair of flower-filled urns; top center, lunetted amor's head pendented with rosetted lattice cartouche., To be used in Rozendaal Castel. Intended to be viewed inset into a wall- indicated by the inclusion of a trompe-l'oeil marbleized edge that surrounds three sides of the panel., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile

Leaf with windscreen pattern, anonymous, 1750 - 1950 Leaf with windscreen pattern. Used as a cover, missing material around the back part. paper. block printing (relief printing process) ornament ~ geometric motifs

Abstract Motif, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), Curved lines and tiny spots overlap each other to create this abstract and playful motif. Silk threads support this mostly negative spaced stencil., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami

Guilloche Lattice with Pinecone () 7th-9th century Byzantine. Guilloche Lattice with Pinecone () 474224

Margery Parish, Vigas, c 1937 Vigas

'Conjunctionis II', 1993, Oil on canvas. Author: PABLO PALAZUELO (1916-2007). Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

PAISLEY Motif, Anonymous, 1750 - 1900 spreading pattern Leaf with spreading pattern of saved paisley motif. With label with inscription: 'J.A. van der Burgh ... Fragmentis'. Half of a cover. paper. block printing (relief printing process) fantasy ornament

Moirémarmer in red and pink, Anonymous, 1900 - 2000 marbled paper paper. paint (coating). lacquer (coating) moiré marbled paper / stone marbled paper

Flounce 17th-18th century Flemish, Brussels. Flounce 222775

Textile, Medium: silk, metallic threads Technique: 8-harness satin with discontinuous supplementary weft patterning (brocade) bound in 1/3 twill, A large pot or bulb with a tall sprouting stem with four amarylis-like flowers; from the same pot a hanging plant descends, resembling a date palm. Of a second motif, only the bottom of a conical vase form is visible on A. The vertical repeat is completed in fragment B. In light blue, green, orange, yellow, and off-white silks on a metallic gold ground., Europe, 1705-07, woven textiles, Textile

Owl, vignette for the Sfinks" weekly. Bigosiński, Leon (1871-1928), draughtsman, cartoonist

Dijsselhof, Gerrit Willem, Design for the endpaper of the bound edition of 'Kunst en samenleving', verso - stamped, An endpaper with a flock of birds against a background of plant motifs., print, endpaper, prints, height 395 mm, width 285 mm, Dutch, 1866-02-08 - 1924-06-14, print maker, printmaker, 1893 - 1893, paper, woodcut

Textile Design with Alternating Vertical Garland of Stylized Leaves and Undulating Circles Surrounded by Pearls 1840 Anonymous, Alsatian, 19th century Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is composed of a dark reddish-brown base and alternating vertical garlands of stylized leaves of light tan color with stems of dark reddish-brown color, and undulating circles joined by a branch and surrounded by pearls over a spine of overlapping scales in light tan color shaded with stipples of dark reddish-brown color. The circles are of pink, orange, and purple color, with dark red border and a black shade; the pearls are colored in white, with black border and shade; the joining branch is colored in black and decorated with small white pearls.. Textile Design with Alternating Vertical Garland of Stylized Leaves and Un

(SIN IDENTIFICAR) - SIGLO XX. Author: GUSTAVO TORNER 1925/. Location: PRIVATE COLLECTION. BASIN. CUENCA. SPAIN.

Renaissance ornament

Leaf with spreading pattern of seals and flowers, Anonymous, 1700 - 1850 Leaf with spreading pattern of different, almost amorphous flowers and tendrils. paper. block printing (relief printing process) ornament derived from plant forms

Panel Made 1725-1775 England. Silk, plain weave with supplementary patterning warps .

Design with poppies for the edge of the tapestry face on Florence.design for a tapestry.

Stencil. Culture: Japan. Dimensions: 22 1/4 x 17 in. (56.5 x 43.2 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Coffret a Bijoux de la Reine Anne d'Autriche. Léon Vidal (French, 1833 - 1906)

Drawing, Textile Design: Hexe (Witch); Made for Wiener Werkstätte (Austria); brush and gouache on paper; 6.4 × 20.3 cm (2 1/2 × 8 in.) Mat: 55.9 × 40.6 cm (22 × 16 in.)

Bliej Kultury Unknown, Krakow workshops, Batiki studio under the direction of Antoni Buszka

Tombeau du soultan Qansou el-Ghoury. Lambris en marbre XVIe. siècle). Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Drawings. 1877. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, Islamic, Architecture , Egypt , Cairo, Art , Egypt , Cairo, Art, Islamic, Islamic decoration and ornament, Marble, Decoration and ornament, Islamic, Qnsûh al-Ghûrî, Sultan of Egypt and Syria, d. 1516 , Homes and haunts

Velvet late 16th century Italian. Velvet. Italian. late 16th century. Silk. Textiles-Velvets

Rented starch paint with color spots of red, yellow, green and gray, anonymous, 1700 - 1900 paste paper paper.

Stencil Japan. Stencil 53841

Stencil late 19th-early 20th century Japan. Stencil 70568

Band, Medium: cotton, embroidered in cotton Technique: embroidery on plain weave foundation, Band, cotton, solidly embroidered in cotton in design of winged figures in green, blue, gold, and red on green background., Peru, 300 BC-100 AD, woven textiles, Band

Sidewall (France); block-printed on handmade paper; 41.5 x 44.5 cm (16 5/16 x 17 1/2 in.)

Album with 124 performances to Rembrandt; Recueil De Quatre-Vingt-Cinq Estampes Originales. Album with 124 performances on 50 album blades. The relevant prints from or to Rembrandt, issued by Henry Louis Basan in Paris 1807-1808, entitled: Recueil de Quatre-Vingt-Cinq Estampes Originales. In addition to the title page another table of contents of two pages. Half Moroccines green band with marbled plates. Front two and back three blades.

Dots pebble fantasy marble in red, yellow, green, pink and white, anonymous, 1700-1850 marbled paper Dot marble in white on a pebble marble in pink and gray -green on a fantasy marble in red, yellow and black. paper. paint (coating) stone marbled paper / phantasy marbled paper

Coverlet. Dated: 1935/1942. Dimensions: overall: 35.6 x 26.6 cm (14 x 10 1/2 in.) Original IAD Object: 96" long; 72" wide. Medium: watercolor and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Cornelius Christoffels.

Print sample on silk Unknown, Wiener Werkstätte

Optical illusion. Unknown

Dying template katagami; Dese from the stylized water wave motif; 19th/20th century (1701-00-00-1900-00-00);ise-catagami, Japanese (culture), templates, Japanese art, purchase (provenance)

Miller's Family, early 1800s. France, Rouen, early 19th century. Copperplate printed cotton; overall: 240 x 72.7 cm (94 1/2 x 28 5/8 in.).

Stencil 19th century Japan. Stencil 70149

Insertion 16th century Italian. Insertion 226402

Double Cammer in Red, Yellow and Blue, Anonymous, 1700 - 1850 marbled paper paper. paint (coating) double combed marbled paper

Mount Fuji Above Clouds Kamisaka Sekka (Japanese, 1866-1942). Mount Fuji Above Clouds, early 20th century. Hanging scroll, Color on silk, Image: 44 1/2 x 7 1/4 in. (113 x 18.4 cm). Asian Art early 20th century

Coverlet. Dated: c. 1940. Dimensions: overall: 35.7 x 28.1 cm (14 1/16 x 11 1/16 in.) Original IAD Object: 72" wide; 84" long. Medium: watercolor and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Cornelius Christoffels.

The Fall of Simon Magus. Artist: attributed to Anonymous, Italian, first half of the 18th century. Dimensions: 13-3/8 x 8-7/16 in. (34 x 21.5 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Skirt for a Married Woman, 20th century, Djowari Suko, 64 x 44 1/2in. (162.6 x 113cm), Cotton; mudcloth (bogolanfini); dyed, Mali, 20th century

Ceiling Border (USA); block-printed paper

Coupon black printed silk with silhouettes of people and plants. Coupon black printed silk with silhouettes of people and plants, desessin 'treasures'

Sketchbook with 13 sheets. Sketchbook consisting of 13 blades with faces in Amsterdam and figure studies.

The Lovers second quarter 19th century French. The Lovers 236791

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