Gothic Altarpiece Scenes

Fresco details illustrating biblical narratives and allegorical figures, highlighting religious themes through vibrant colors and expressive forms in Gothic art.

Allegory of good government Magnanimity, Temperance, and Justice, fresco (1338-40)

HUGUET, Jaume (1415-1492). Altarpiece of 2San Bernardino y el ngel Custodio''. 1462-1475. SPAIN. Barcelona. Cathedral. Detail of the Flight of Lot. Work made with the cooperation of his disciples. Gothic art. Tempera on wood.

Figure of the Vergin, detail from a fresco by Andrea De Litio or Delisio (ca. 1420-1495). Cathedral of Santa Maria Assunta, Atri. Italy, 15th century.

Allegory of good government Magnanimity, Temperance, and Justice, fresco (1338-40)

Robert Campin / 'The Annunciation', 1418-1419, Flemish School, Oil on panel, 76 cm x 70 cm, P01915. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

Altarpiece dedicated to Saint John the Baptist, circa 1470. Detail Herod's Banquet. Tempera, stucco reliefs and gold leaf on wood. 197.5 x 125.7 x 6.4 cm. From the parish church of Sant Joan del Mercat de Lleida. Museu Nacional d'Art de Catalunya, Barcelona. Author: PERE GARCIA DE BENAVARRI.

Altarpiece dedicated to Saint John the Baptist, circa 1470. Detail Herod's Banquet. Tempera, stucco reliefs and gold leaf on wood. 197.5 x 125.7 x 6.4 cm. From the parish church of Sant Joan del Mercat de Lleida. Museu Nacional d'Art de Catalunya, Barcelona. Author: PERE GARCIA DE BENAVARRI.

Saint George and the Princess, 1459-1460. Detail. Tempera, stucco reliefs, gold leaf and remains of metal plate on wood. 90 x 58,5 x 2,3 cm. This panel formed part of an unknown structure which also included two panels with two donors accompanied by Saint John the Baptist and Saint Louis of Toulouse. Until 1945 they were kept at the Kaiser Friedrich Museum in Berlin. Provenance unknown. Museu Nacional d'Art de Catalunya, Barcelona. Author: MESTRE DE SANT JORDI I LA PRINCESA.

The Legend of Theodelinda, by Zavattari (brothers), 1430 - 1448, 15th Century, fresco. Italy. Lombardy. Monza Brianza. Monza. Cathedral. Detail. The Legend of Theodelinda of The Wedding of Theodelinda and Agilulf. Scene 29. Marriage/wedding headdress/headgear garment/dress yellow witnesses church

HUGUET, Jaume (1415-1492). Saint George and the Princess. ca. 1459 - ca. 1475. On the back of the panel there is the coat of arms of the Cabrera family. International gothic. Tempera on wood. SPAIN. CATALONIA. Barcelona. National Art Museum of Catalonia.

Master of Saint George and the Princess (third quarter of 15th century). Saint George and the Princess. Detail. Provenance unknown. National Art Museum of Catalonia. Barcelona. Catalonia. Spain.

Lluis Borrassa / Detalle del Retablo de Sant Pere, 1411, témpera sobre madera. Santa Maria de Terrassa.

Bliżej Kultury Publisher by A.E. Seemann in Leipzig, Carpaccio, Vittore (CA 1465 1525/1526)

Augustine sacrifices to an idol of the Manichaeans, Rogier van der Weyden, after, c. 1480

Normans, 1000-1100. From left to right, 14: knight, 15: queen, 16-17: noble ladies. Chromolithography. "Historia Universal", by César Cantú. Volume V, 1884.

The departure from Rome, detail from the Stories of St Ursula, by Tommaso da Modena (1326-1379), fresco. Detail. Church of Santa Caterina, Treviso.

triptych of San Ivo, San Clemente and San Antonio de Padua, unknown author, 14th century, painting on board, Museo Diocesano de Salamanca, Catedral Vieja, Salamanca, comunidad autónoma de Castilla y León, Spain.

LA FAMILIA GONZAGA Y SU CORTE - 1471-74 - FRESCO DE LA CAMARA DE LOS ESPOSOS - RESTAURADO - RENACIMIENTO ITALIANO. Author: ANDREA MANTEGNA. Location: DUCAL PALACE. Mantua. ITALIA.

Frontal del altar de Bellver de Cerdanya, pintura al temple sobre madera, siglo XIV, MEV 4043. Museu d'Art Medieval de Vic.

PINTURICCHIO, Bernardino di Betto, called Il (1454-1513). Piccolomini Library. Pius II receiving the cardinal virtue. 1502-1508. ITALY. Siena. Cathedral. Detail with those present to the ceremony. Renaissance art. Quattrocento. Fresco.

Ball game, courtly scene, fresco, Tournament's Room, Castel Roncolo, Renon, near Bolzano, Trentino-Alto Adige, Italy, 14th century.

Old Testament Frescoes, by Simone dei Crocifissi, from Chiesa di S. Apollonia Mezzaratta, 1366, National Art Gallery of Bologna, Pinacoteca Nazionale di Bologna, Emilia-Romagna region, Bologna, Italy

Part of the Altarpiece of Saint Michael and Saint Peter, 1432-1433. Detail soldier. Tempera, gold leaf and metal plate on wood. 550 x 520 x 37 cm. Collaboration Bernat Despuig. The altarpiece comes from the high altar of the church of Sant Miquel de la Seu d'Urgell (Alt Urgell). Museu Nacional d'Art de Catalunya. Author: JAUME CIRERA.

RETABLO DE LOS SANTOS JUANES DE VINAIXA - 1434/1435 - TEMPLE/TABLA 340x270. Author: BERNAT MARTORELL (1390-1452). Location: MUSEU NACIONAL D'ART CATALUNYA. Barcelona. SPAIN. SAN JUAN BAUTISTA NIÑO / SAN JUANITO.

Recanati (Italia, Marche - provincia di Macerata), Musei Civici di Villa Colleredo Mels. Lorenzo Lotto, Polittico di San Domanico, 1506-8, olio su tavola. Pannello centrale, Madonna col Bambino e San Domenico in atto di ricevere lo scapolare, e i papi Gregorio e Urbano un angelo e due putti musicanti

The Deposition: Right Hand Panel. Painting. Oil with some egg tempera on oak. Height: 102 cm (40.1 in); Width: 49.4 cm (19.4 in). Author: Master of Delft.

Decoration of the Camera degli Sposi (Camera Picta), by Mantegna Andrea, 1465 - 1474, 15th Century, fresco and ""dry"" tempera. Italy, Lombardy, Mantua, Ducal Palace. Detail. Dignitaries and counsellors, recognizable by their clothes with the colors of arms of the Gonzaga, who climb the ladder to the right. Northern wall or chimney wall, The Court..

DEGOLLACION DE SAN JUAN BAUTISTA - 1490-1500 - TECNICA MIXTA/TABLA - 98x54 cm - ESTILO HISPANO-FLAMENCO - NP 710 - CONJUNTO 142704. Author: MAESTRO DE MIRAFLORES. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. SALOME. SAN JUAN BAUTISTA. HERODES ANTIPAS.

Esther choisie par Assuérus. Date/Period: 1478 - 1480. Painting. Height: 470 mm (18.50 in); Width: 1,310 mm (51.57 in). Author: Filippino Lippi.

Fresco depicting Lodovico Gonzaga awaiting the return of his son, Cardinal Francesco Gonzaga, from Rome. By Andrea Mantegna (1431-1506) an Italian painter, a student of Roman archaeology, and son-in-law of Jacopo Bellini. Dated 15th Century

The Legend of Theodelinda, by Zavattari (brothers), 1430 - 1448, 15th Century, fresco. Italy. Lombardy. Monza Brianza. Monza. Cathedral. The Legend of Theodelinda of Autari and Theodelinda Go to Verona. Detail with musicians. Horse light blue/azure hat headdress/headgear flute

Hieronymus Bosch (c.1450-1516). Dutch painter. Table of the Seven Deadly Sins and The Four Last Things, 1505-1510. Glory or Heaven (one of the Four Last Things). Prado Museum. Madrid. Spain.

Botticelli / Pala di S.Barnaba / c.1490

Decoration of the Camera degli Sposi (Camera Picta), by Mantegna Andrea, 1465 - 1474, 15th Century, fresco and ""dry"" tempera. Italy, Lombardy, Mantua, Ducal Palace. Northern wall or wall of the fireplace. The Court. Detail of Marchioness Barbara of Brandenburg, her sons Rudolph and Barbara and wet-nurse. Decoration with tondos. tondi in the background.

TRIPTICO DE SANTA CATALINA- PANEL DERECHO-PINTURA S XV-LA SANTA DELANTE DEL REY. Author: FERNANDO GALLEGO. Location: CATEDRAL-MUSEO DIOCESANO. SALAMANCA. SPAIN. SANTA CATALINA DE ALEJANDRIA SIGLO IV.

Honorius III approving the Carmelite rule, detail from the predella of the altarpiece for the Carmine, by Pietro Lorenzetti (ca 1280-1348), tempera and gold on wood panel.

Juan de Sevilla / 'Retablo de San Juan Bautista y Santa Catalina', 1425-1450, Spanish School, Tempera on panel, 161 cm x 155 cm, P01336. Museum: MUSEO DEL PRADO, MADRID, SPAIN.

AZULEJO DESCENDIMIENTO DE LA CRUZ. Location: BASILICA DE NUESTRA SEÑORA DEL PRADO. TALAVERA DE LA REINA. Toledo. SPAIN.

The Deluge, by Paolo Uccello, 1397-1475, Italy, Florence, Santa Maria Novella

Triumph of Saint Thomas Aquinas Over the Heretics, 1489-1492, by Filippino Lippi (1457 ca- 1504), fresco. Basilica of Santa Maria above Minerva, Carafa Chapel, right wall, Rome.

The Delphic Sybil, by Lotto Lorenzo, 1524, 16th Century, fresco. Italy: Lombardy: Bergamo: Trescore: Suardi Oratory. Detail. Delphic Sibyl orange light blue/azure laurel wreath cartouche

England, Middlesex, London,Kingston-upon-Thames, Hampton Court Palace, Henry VIII's Apartments, The Great Watching Chamber, Tapestry depicting Court Life

Feast scene, sketch for tapestry cartoon, 15th century Flemish

Esther before Ahasuerus by Lippi, Filippino (1457-1504) / Musee Conde, Chantilly / 1478-1480 / Italy, Florentine School / Tempera on panel / Bible / 47x131

Illustration with Ludovicio Gonzaga and Francesco Gonzaga by Andrea Mantegna, fresco, 1474, 1431-1506, Italy, Mantua, Palazzo Ducale

POLIPTICO DE SAN VICENTE - 1470 - Conj nº 10613 - TRANSICION GOTICO RENACIMIENTO - FOTO AÑOS 60. Author: NUNO GONÇALVES (1450-1572). Location: MUSEO DE ARTE ANTIGUO. LISBOA. PORTUGAL. SAN VICENTE. ALFONSO V DE PORTUGAL. ALFONSO V EL AFRICANO. JUAN II DE PORTUGAL.

Saint George and the Princess. Date/Period: Third quarter of 15th century. Painting. Tempera, stucco reliefs, gold leaf and remains of metal plate on wood. Height: 900 mm (35.43 in); Width: 585 mm (23.03 in). Author: Master of Saint George and the Princess.

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil. Antonio Vivarini; Italian, about 1415-1476/84. Date: 1440-1455. Dimensions: Panel: 54.8 × 35.5 cm (21 9/16 × 14 in.); Painted Surface: 51.3 × 33.7 cm (20 3/16 × 13 1/4 in.). Tempera on panel. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Adoration of the Magi 1515-1525 Netherlands. The style of this painting, its support of fir wood, and its history in Austrian collections indicate that it was painted by the young Dutchman Jan van Scorel as he traveled over the Alps on his way to study in Italy. Hence, it is one of the earliest known works by an artist whose first biographer, Karel van Mander, praised him as the lantern bearer who brought the Renaissance style back to the Netherlands. Here the delicate colors, refined landscape, and vivid characterization of the figures testify to the mastery that the young painter had already achieved before he reached Italy.. Oil on panel . Jan van Scorel

Ludovico il MORO in prayer detail of painting by Master of Pala Sforzesca 1490-1520

NACIMIENTO DE SAN JUAN - S XIV - GOTICO CATALAN-PINTURA SOBRE TABLA. Author: SERRA HERMANOS / SERRA JAUME Y PERE. Location: MUSEU NACIONAL D'ART CATALUNYA, BARCELONA, SPAIN.

Goswijn van der Weyden (1455-1543). Flemish Renaissance painter. Triptych of the Presentation of the Child in the Temple, ca. 1500-1525. Central panel. Oil on oak panel. From the Convento da Madre de Deus (Lisbon). National Museum of Ancient Art. Lisbon, Portugal.

Detail of fresco dating from 1475, Chapel of Our Lady of the Rocks, Beram, Istria, Croatia, Europe

Spain, Galicia, Province of La Coru-a, Santiago de Compostela. The Cathedral. Chapel of the Saviour or Chapel of France. Plateresque altarpiece in polychrome marble, donated by the archbishop of Compostela Alonso III de Fonseca. Work of the artist Juan de Alava (1480-1537), 1532. Way of St. James.

Amende honorable of Jacques Coeur before Charles VII. Copy of 15th century miniature in the Chroniques of Monstrelet

Italy - Sicily Region - Palermo - Abatellis Palace (Regional Gallery of Sicily) - Fresco

Fabriano (Italia, Marche - provincia di Ancona), chiesa di San Domenico (o Santa Lucia), Cappella di Sant'Orsola (o dell'Arcangelo Michele), Allegretto Nuzi (ciclo di affreschi della metà del XIV secolo). Incontro di Orsola a Coloniacon lo sposo e due compagni, con l'apparizione di un angelo

The Rolin Madonna - c.1435 - 66x62 cm - oil on panel - Flemish Gothic. Author: JAN VAN EYCK. Location: LOUVRE MUSEUM-PAINTINGS. France. CHILD JESUS. ROLIN, NICOLAS, CHANCELLOR. VIRGIN MARY.

Effects of Good Government in the City, Lady on Horseback, detail from the Allegory and Effects of Good and Bad Government on Town and Country, 1337-1343, by Ambrogio Lorenzetti (active 1285-1348), fresco. Room of Peace, Palazzo Publico, Siena.

Artist: Giovanni del Biondo, Italian, active 1356, died 1399, Christ and the Virgin Enthroned, with Allegories of the Old and NewTestament, ca.1365, Tempera on panel, 182.9 × 79.2 cm (72 × 31 3/16in.), Made in Florence, Italy, Italian,Florence, 14thcentury, Paintings

Apocalypse of Angers: The Woman Recoiling her Wings to Flee form the Dragon (no. 37) Nicolas Bataille (ca.1363-1400 French) Museum of Tapestries, Angers, France

Austria, Vienna, Illustration of Dante Alighieri's Divine Comedy (Heaven, Song XXXII) by Franz von Bayros, detail

AZULEJO- REY SALOMON-AZULEJO DE TALAVERA. Location: BASILICA DE NUESTRA SEÑORA DEL PRADO. TALAVERA DE LA REINA. Toledo. SPAIN. SALOMON REY SIGLO X AC.

the dreikonigsaltar. 1506/07 middle panel: the adoration of the kings left flugel: holy Georg the right flugel: the St. Maurice. (Hans Baldung Grien; 1484/85 schwabisch-gmund- strabburg 1545)

Sts. Egidius (St. Gile) and Nicholas of Tolentino (left). Portrait by a Lombard painter. Tempera on wooden panel, ca. 1500-1510. Pinacoteca Castello Sforzesco, Milan, Italy.

Sant'Antonio Abate, 1511, fresco by Paolo Bantulli da Percanestro, Sanctuary of the Blessed Ugolino, Fiastra, Marche, Italy, 16th century.

The Chess Players. Artist: Liberale da Verona (Italian, Verona ca. 1445-1527/29 Verona). Dimensions: Overall 13 3/4 x 16 1/4 in. (34.9 x 41.3 cm); painted surface 13 1/8 x 15 7/8 in. (33.3 x 40.3 cm). Date: ca. 1475.This and its companion panel are from the front of a chest (cassone) and show two episodes from an as yet unidentified story, or novella. In one, a youth is smitten by a maiden who appears at a window. In the other, they engage in an erotically charged game of chess (she is about to lose). Both were common themes in the amatory literature of the Renaissance. The figures' bleached blond, frizzy hair was the height of fashion in fifteenth-century Siena. Liberale was a brilliant illuminator and worked on choirbooks in Siena between 1467 and 1476. Museum: Metropolitan Museum of Art, New York, USA.

Gothic medieval art in the National Art Museum of Catalonia,Bernat Despuig and Jaume Cirera painters,altarpiece of San Miguel and San Pedro(1432-1433).

The Beheading of Saint John the Baptist. Master of Palanquinos; Spanish, active c. 1470-1500. Date: 1490-1500. Dimensions: 42 7/8 x 29 in. (109 x 73.7 cm). Tempera and oil on panel. Origin: Spain. Museum: The Chicago Art Institute, USA.

Basilicata Matera Matera S. Francesco d'Assisi3. Hutzel, Max 1960-1990 Post-medieval: Built 1218, remodelled 1670. Architecture, architectural sculpture, painting, sculptured German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

The Annunciation; Master of Guillaume Lambert (French, active about 1475 - 1485); Lyon, France; 1478 (based on date included in Easter calculation); Tempera colors, gold paint, and iron gall ink on parchment bound between pasteboard covered with brown jansenist morocco; Leaf: 14.6 x 9.8 cm (5 3,4 x 3 7,8 in.)

DETALLE DEL TAPIZ DE LA BODA DE LUIS XIV Y LA INFANTA MARIA TERESA DE AUSTRIA - SIGLO XVII. Author: LE BRUN, CHARLES. Location: FRENCH EMBASSY, MADRID, SPAIN.

Depiction of the sign of Capricorn with Jupiter and Pan, Hadrian's mausoleum (mole) in the background, fresco from ca 1520 by Giovanni Maria Falconetto (1468-1535), Hall of the Zodiac, Palazzo d'Arco, Mantua (UNESCO World Heritage List, 2008). Italy, 16th century.

FERNANDO GALLEGO. PINTOR ESPAÑOL 1468-1507. " CORONACION DE LA VIRGEN " DETALLE. MUSEO DIOCESANO. SALAMANCA. MUSICA.

The Gifts, designed 1610-1617 (woven 1611-1622), Central design possibly by Guillaume Dumée, with modifications by Laurent Guyot; Cartoonist: Central cartoon attributed to the workshop of Laurent Guyot; Designer: Border design and cartoon by Henry Lerambert; Weaver: Faubourg Saint-Marcel manufactory of Marc de Comans and François de la Planche, French, 1540 - 1608, H.184-1/2 x W.150-3/4 in. (irregular), Wool, silk, silver and silver-gilt yarns; tapestry weave, France, 17th century, This tapestry tells the story of a widowed queen who honors her deceased husband and is responsible for keeping the kingdom in good order until her young son comes of age and assumes the throne. One of her most pressing responsibilities is to see that the future king is properly educated. Here, the queen's respect and concrete appreciation for learning is seen as she rewards court scholars with special gifts.

The Garden of Love ca. 1510-20 South Netherlandish. The Garden of Love 468064

Polyptyc of the Cathedral of Saint Emygdius. Pietö, Madonna and Child, eight saints (Polittico del duomo di Sant'Emidio. Pietö, Madonna col Bambino, otto santi), by Carlo Crivelli, 1473, 15th Century, tempera on board

Henry the Navigator with hat, with Saint Vincent and Portuguese Royal Family, ca 1470, panel. Museum: Museo de Arte Antiga, LISBOA, PORTUGAL. Author: NUNO GONCALVES. ENRIQUE DE PORTUGAL (EL NAVEGANTE).

St AUGUSTINE (354-430), one of the fathers of the early Christian church Juste de Gand (fl. 1473-75 at Urbino) Louvre, Paris

LUCRETIA, legendary Roman heroine, and her husband Lucius Tarqinius Collatinus, 15th century

'The Triumph of Love', c15th century, (1937). Artist: Emile- Aurele Van Moe.

Emilia-Romagna Modena Nonantola Abbazia di Nonantola2. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Religious illustration Mary Magdalene and Saint Lazarus by with Paolo Veronese, Oil on canvas, 1584, 1528-1588, Russia, St. Petersburg, State Hermitage

The Story Of St. Nicholas. Fresco by Fra Angelico (c1400-55) Italian painter. Date: 1447-1448; Style: Early Renaissance; Perugia Triptych. Media: tempera, panel. The panel forms one of the three sections of the predella of a large triptych painted in 1437 by Beato Angelico for the Chapel of St Niccolò in the Church of S. Domenico in Perugia. The panel illustrates events of the life of St Nicholas, patron saint of the chapel.

Roundel with Judgment or Allegorical Scene ca. 1520 South Netherlandish. Roundel with Judgment or Allegorical Scene. South Netherlandish. ca. 1520. Colorless glass, vitreous paint and silver stain. Made in Brussels (), South Netherlands. Glass-Stained

The Effects of Good Government in the City, by Lorenzetti Ambrogio, 1338 - 1339, 14th Century, fresco. Italy, Tuscany, Siena, Palazzo Pubblico. Detail. Characters in the wedding: bridal procession a male figure and a female figure on horseback in the background some children watch the scene.

Noah free the animals of the ark, Mosaic from the Pala d'Oro or Golden Altar. 12th-14th centuries. Saint Mark's Basilica in Venice. Italy.

Album n � 4; Vitrail project for Lyon (Serin): Saint Charles Borromee Gsell-Laurent workshop. Album n � 4; Stained glass project for Lyon (Serin): Saint Charles Borromee. Pencil, watercolor, gouache.

BILBAO. MUSEUM OF FINE ARTS. "ANGELI CONCERT" ANONYMOUS FLAMENCO XV-XVI CENTURY.

Croatia - Istria - Beram Cemetery Church. 'St. Martin shares cloak with a poor man'. Fresco by Vincent of Kastav, detail (1474)

Group portrait with the family Bentivoglio 1493 by Lorenzo Costa 1460 ó 1535. Oil on canvas

Triptych by Pietro di Giovanni Lianori, tempera on panel, 1440, Between 1420-1460, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 160x173, 5

"Detail from The Holy Kinship c. 1500-1510 Oil on panel Attributed to Matthäus Gutrecht the Younger, German"

Roundel with Christ and the Adulterous Woman ca. 1525 Style of Pseudo-Ortkens South Netherlandish. Roundel with Christ and the Adulterous Woman. Style of Pseudo-Ortkens (South Netherlandish, active Antwerp and Brussels, ca. 1500-30). South Netherlandish. ca. 1525. Colorless glass, vitreous paint and silver stain. Made in Antwerp or Brussels, South Netherlands. Glass-Stained

The role of the Nobility in Spain:Alfonso X (Toledo, Spain, November 23, 1221 April 4, 1284 in Seville, Spain) was a Castilian monarch who ruled as the King of Castile, León and Galicia from 1252 until his death. He also was elected King of the Germans (formally King of the Romans) in 1257, though the Papacy prevented his confirmation. He established Castilian as a language of higher learning, founded universities (Salamanca and Toledo) and earned his nicknames el Sabio (the Wise or the Learned) and el Astrólogo (the Astronomer) through his own prolific writings

RETABLO DE SAN JUAN BAUTISTA Y SANTA CATALINA - DEGOLLACION DE SAN JUAN BAUTISTA - 1425-1450 - TEMPLE/TABLA - GOTICO INTERNACIONAL - NP 1336. Author: JUAN DE SEVILLA (1425-50) MAESTRO DE SIGÜENZA. Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

'La quinta angustia (detail)', ca. 1492, Oil on panel. Author: FRANCISCO CHACON (1474-1501). Location: MUSEUM OF FINE ARTS. GRANADA. SPAIN.

Sweethearts of Mercury and Herse. Flamenco tapestry. Prat de la Riba room. Institute of Catalan Studies. Barcelona. Century XVI.

Saint Paul. Master of the Getty Epistles (French, active about 1520 - about 1549)

Empress Theodora and her Court. Mosaic from Ravenna, San Vitale. 6th cent. AD. ITALY.

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