Grand Architectural Prints

Etchings of grand buildings and gardens, highlighting architectural elements and elaborate designs from historical celebrations.

France, French Crown, Paris, Henriet, Israel, Bella, Stefano della, Agreable diversity of figures, Diverse representations and figures, Place des Vosges in Paris, verso - stamped, print, prints, height 75 mm, width 109 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1642 - 1642, paper, papier, etching, etchings, Publication (Event), Publication, French, 1590 - 1661, publisher, uitgever van privilege

The temples of Apollo and Diana built for the first day of the fireworks at SS. Peter and Paul by Paolo Posi, Giuseppe Vasi, Italian, 1710 - 1782, Paolo Posi, Italian, 1708 - 1776, Etching Paper; watemark: lily in double ovoid topped by V, Horizontal rectangle. The two circular, domed temples, to which steps lead, are at left (Apollo) and right (Diana) and are connected by a bridge structure. In the background is the Palazzo Franese, decorated for the celebration. In the foreground, workers cut wood while other participants form a procession with smoking vessels. Framing lines. Bottom: 'Disegno della Prima Machina rappresentante i Temii...Incendiata per commando di Sua Eccelenza il Sigr DON LORENZO COLONNA Gran Contestabile de / Regno di Napoli S S come Amdella presentazione della Chinea alla Santita di Nostro Signore PAPA / CLEMENTE XIII, nella Vigilia de Gloriosi S. S. Apostoli PIETRO E PAOLO l'anno 1763' / 'Paolo Posi Architetto' 'Giuseppe Palazzi dis.' 'Giuseppe Vasi incise.', Ital

Partnerre du Palais de Nanci; Callot, Jacques (1592-1635); 1625 (1625-00-00-1625-00-00);France, Lorraine (France), Lorraine (coat of arms), Nancy (France), Rehdigeran (collection), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, courtier, French (culture), French graphics, games, priests , gardens, palaces, landscapes, court scenes, genre scenes

Fountain in the gardens of the villa d'Este in Tivoli; Veduta d'UNA Parte delle Fontanelle Nel Vialone Sopra La Fontana de Draghi; Le Fontane del Giardino Estense in Tivoli; Fountains in the gardens of Villa d'Este in Tivoli. Numbered at the bottom right: 9. The print is part of an album.

The processional entry of William III into The Hague through the triumphant arch in the court. Etching.

Jacques Callot, Solimano, Act III, 1620 Solimano, Act III

First Act of Soliman, Jacques Callot, French, 1592-1635, Jacques Callot, French, 1592-1635, Engraving with black ink on paper, Horizontal rectangle. An engraving of the scenery (the same for the 5 acts) and the actors in the first act. The set depicts an Italian town in perspective, as the village of Alep in Syria. Troops stand at the corners of the streets, and the main characters, Soliman, Acmat, and Rus are center. the artist's name, lower right center., France, 1620, theater, Print, Print

France, French Crown, Paris, Henriet, Israel, Bella, Stefano della, Agreable diversity of figures, Diverse representations and figures, Place Dauphine in Paris, verso - stamped, print, prints, height 75 mm, width 107 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1642 - 1642, paper, papier, etching, etchings, Publication (Event), Publication, French, 1590 - 1661, publisher, uitgever van privilege

Vues Diverses. Artist: Adam Perelle (French, Paris 1640-1695 Paris). Publisher: Published by Nicolas Langlois (French, Paris 1640-1703) , Paris. Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

France, French Crown, Paris, Henriet, Israel, Bella, Stefano della, Agreable diversity of figures, Diverse representations and figures, Place des Vosges in Paris, verso - stamped, print, prints, height 75 mm, width 109 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1642 - 1642, paper, papier, etching, etchings, Publication (Event), Publication, French, 1590 - 1661, publisher, uitgever van privilege

Francesco I d'Este Orders Fête Decorations, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... 1659 Bartolomeo Fenice (Fénis) Italian This print is from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, di Modena e Reggio Duca VIII ... collected in an album of brown boards. Four prints are hinged on each page of the album with a seventeenth- or eighteenth-century inscription pasted beneath the print on the album page. The prints are etched in the manner of Callot and illustrate Francesco I d'Este's virtuous nature as a ruler in battle, in religious matters, and in daily life. Three of the prints are signed by Jean Sauvé, who presumably worked with Fenice on the execution of the illustrations for this book. There are sixty-seven copper plates and forty-five preparatory drawings in the Museo Civico di Modena.. Francesco I d'Este Orders Fête Decorations, from L'Idea di un Principe ed Eroe Cristiano in Francesco I d'Este, d

Giuseppe Vasi, after Giuseppe Palazzi, after Paolo Posi, The Prima Macchina for the Chinea of 1766 The Palace of Orpheus, 1766 The Prima Macchina for the Chinea of 1766: The Palace of Orpheus

Illustration with the second act of the tragedy 'Il Solimano'. On a square or wide street with large buildings, four orientally dressed figures with short indications are of their names at their feet (characters in the tragedy 'il solimano'), surrounded by many other actors, prepared in two semicircles.

Royal Exchange. Wenceslaus Hollar; Czech, 1607-1677. Date: 1644. Dimensions: 293 × 392 mm (sheet; trimmed within plate mark). Etching on ivory laid paper. Origin: Bohemia. Museum: The Chicago Art Institute, USA.

Count Floris IV murdered during a joust at Corbie. Around the joust stand spectators at a suitable distance. In the background is a castle, Count Floris IV during a joust murdered, 1234 Count Floris the IVth in a joust at Corbie murdered. Ao 1234 , print maker: Simon Fokke, (mentioned on object), Simon Fokke, (mentioned on object), publisher: Arend Fokke Simonsz., (mentioned on object), Amsterdam, 1782, paper, etching, h 179 mm × w 205 mm

View of the Garden of the Ouderhoek country estate, Daniël Stopendaal, 1790 print Text in Dutch and French in the lower margin. Numbered: 51. print is part of an album. paper engraving / etching French or architectonic garden; formal garden. country-house. garden pond New -louse

An auto-da-fé in the Great Square in Madrid with the inquisitors pronouncing the sentences to the accused and the crowds on the tribunes. Engraving.

Two men in classical armor and two women looking at the mechanical devices on either side of an open courtyard; set design from 'Il Fuoco Eterno' 1674 Mathäus Küsel One of twelve plates depicting the stage sets designed by Lodovico Burnacini for 'Il Fuoco Eterno Custodito Dalle Vestali', an opera celebrating the birth of Maria Anna Antonia, Archduchess of Austria in 1672. The Archduchess was the daughter of Emperor Leopold I and his second wife Claudia Felicitas, heiress of Tirol. Composed by Antonio Draghi with a libretto by Nicoló Minato, the opera was performed in the Hoftheater in Vienna on October 30, 1674.. Two men in classical armor and two women looking at the mechanical devices on either side of an open courtyard; set design from 'Il Fuoco Eterno'. Mathäus Küsel (German, 1621-1682). 1674. Etching

View from Zuilenstein Castle, Leersum, across the large entrance lane to the castle and the orchard on the southeast side, looking towards the Betuwe, from the north west, Garden and landscape at Zuilenstein Castle, seen in the direction of the Betuwe., print maker: Daniël Stopendaal, Amsterdam, 1682 - 1726, paper, etching, h 167 mm × w 217 mm

"Vue ... du jardin Roial de l'Orangerie". Date/Period: 1683 - 1738. Print. Etching. Height: 547 mm (21.53 in); Width: 845 mm (33.26 in). Author: Johann August Corvinus nach Carl Heinrich Jacob Fehling.

Veüe du Grand Parterre et de la Demie Lune de Richelieu 17th century Adam Perelle French. Veüe du Grand Parterre et de la Demie Lune de Richelieu 399249

Title Page. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jean Lepautre.

View of the Park of Enghien, Nicolaes Visscher (I), After Romeyn de Hooghe, 1633 - 1709 print paper. cardboard. watercolor (paint) etching / brush public gardens, park Park of Enghien

View of one of the colones of Louis XV Square, taking foot of the statue.

View of the Lange Vijverberg and the Hofvijver in The Hague, Cornelis Elandts, 1681 - 1728 print View of the Lange Vijverberg and the Hofvijver in The Hague, seen from the place. In the foreground walkers and carriages. On the left in front of the trees the green so (scaffold). In the background in the middle the short pondberg. The show is framed by a border with oak leaf motifs and a banderole with the title on it. paper. ink etching / pen street (+ city(-scape) with figures, staffage). pond, pool. scaffold (~ building activities) Vijverberg. Hofvijver. Green so. Place. Courtyard

Festivititeiten op Het Piazza della Signoria Te Florence, Carlo Gregori, After Giuseppe Zocchi, 1729 - 1759 print View of the Piazza della Signoria te Florence with the Palazzo Vecchio, the Galleria Degli Uffizi and the Loggia dei Lanzi. Festivities take place on the square, a parade with horsemen on horseback, in honor of Saint John the Baptist, the patron saint of the city. Numbered below: T. XXIII. Florence paper etching square, place, circus, etc.. festivities (+ the public ~ festive activities) Florence. Palazzo Vecchio. Loggia dei Lanzi. Uffizi Gallery. Piazza della Signoria

Caroussel in the Hofburg in Vienna, Jan van Ossenbeeck, after Nikolaas van Hoy, 1667 print Vienna paper etching / engraving high-school riding. military honours (+ cavalry, horsemen) Hofburg

Louis XIV (king of France), Paris, Démortain, Gilles de, Menant, Pierre, Vué et perspective du château de Versailles, du côte de la cour, View of the palace at Versailles, verso - stamped, View of the Palace at Versailles. Numbered lower right: 4., print, prints, topography, height 354 mm, width 590 mm, print maker, printmaker, 1715 - 1715, paper, engraving, engraving (printing process), etching, Work conception, after own design of, Publication (Event), Publication, French - 1723, publisher, French, 1638-09-05 - 1715-09-01, granter of privilege

View of the Piazza Castello in Turin; Prospectus Plateae Veteris Ante Castrum. View of the Piazza Castello in Turin. In the foreground the square full of people and carriages. In the background a procession that goes under a bow towards a square located behind this. In the air putti carrying a heraldic weapon. Above a banderole with the title.

Three men at center, an old man who holding out an open book for a soldier to sign as a smaller man stands to the left holding ink; a large group of men surround them; set design from 'Il Fuoco Eterno' 1674 Mathäus Küsel One of twelve plates depicting the stage sets designed by Lodovico Burnacini for 'Il Fuoco Eterno Custodito Dalle Vestali', an opera celebrating the birth of Maria Anna Antonia, Archduchess of Austria in 1672. The Archduchess was the daughter of Emperor Leopold I and his second wife Claudia Felicitas, heiress of Tirol. Composed by Antonio Draghi with a libretto by Nicoló Minato, the opera was performed in the Hoftheater in Vienna on October 30, 1674.. Three men at center, an old man who holding out an open book for a soldier to sign as a smaller man stands to the left holding ink; a large group of men surround them; set design from 'Il Fuoco Eterno'. Mathäus Küsel (German, 1621-1682). 1674. Etching

A king and the muses for a palace, Jean Lepautre, 1648 - 1707 print View of a large palace. In the foreground is a king in front of the palace. The muses are on the right. Caption in French. The print is part of an album. print maker: Franceprint maker: Francepublisher: Parispublisher: ParisFrance paper etching palace. ruler, sovereign. the Muses acting together (as group)

Pond with fountain in the park of Enghien, Romeyn de Hooghe, 1685 print Walkers and a picnic company near a pond with a large fountain, surrounded by Arcaden. Under the show a Dutch -speaking and a French -speaking legend. This print is part of a series of 16 prints (17 incl. Title print) of the Park of Enghien (Edingen), where a pamphlet belongs. Print Maker: Haarlem Publisher: Amsterdam paper etching Picnic, Alfresco, 'Lunch on the grass'. Garden Fountain. Garden lays. Public Gardens, Park. park Park of Enghien. Edingen

Melchior Küsel after Johann Wilhelm Baur (German, 1626-1683), Palace and Canal, Cardinal di Ferrara, Tivoli, 1681, etching

Gezicht op landgoed Bonjon ofwel Vredestein. Het Huijs von Patty (title on object). Draughtsman: A. de Nelly (possibly). Dating: 1762 - 1783. Place: Semarang. Measurements: h 316 mm × w 491 mm. Museum: Rijksmuseum, Amsterdam.

Print (France)

Dahlberg, Erik Jönssen, Stockholm, Swidde, Willem, Suecia Antiqua et Hodierna, Höiientorp, View of Höjentorp Castle, The print is part of an album., print, album sheet, prints, height 210 mm, width 341 mm, Northern Netherlands, 1661 - 1697-06, print maker, printmaker, 1694 - 1694, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Inheritance of the Lower Austrian stands for Joseph I on September , The train over the ditch, After, Johann Cyriak Hackhofer -, anus, Johann Andreas d, Pfeffel -, after, Christian Engelbrecht -

Revolutionaries attack the Louvre, Paris Date: 29 July 1830

The great oval bowl beyden to see the house, / after the cascade.

View of the Glory Schellach, Jan Luyken, 1696 print View of the Glory Schellach, located between Middelburg and Veere, in a nutshell perspective. At the top left the weapon of the Boudaen Courten family, which had the glory in her possession since Hendrik Boudaen Courten had bought it. A banderole with the title at the top in the middle. At the top right a putto with the weapon of Brigdamme. On the right in the foreground a ruin as the center of the adjacent garden of the Hofstede. paper etching / engraving prospect of village, silhouette of village. country-house. garden. French or architectonic garden; formal garden. ruins (garden ornaments). armorial bearing, heraldry. coat of arms (as symbol of the state, etc.) Schellach

Entrance of Charles IV of Lorraine in the party room; Entrée de Son Altesse a Pied. In a large party room Karel IV van Lorraine makes his entrance with a result of tonke carriers and armed men. In the background the triumph trolles with the sun, Vulcanus and Juno, Minerva and Venus. Along the walls of the tribunes full of spectators. The Chevreuse duchess must be on the left on the balcony. Under the show a caption in French. This print is part of a series of illustrations for a book about the festivities (O.A. a tournament) in the Ducal Palace in Nancy on February 14, 1627.

Israël Silvestre (French, 1621-1691). Plate from Premiere Journee”, 17th century. From Les Plaisirs de l'Isle Enchantée, ou les Festes, et Divertissements du Roy, à Ve. Engraving. Plate: 279 mm x 425 mm (10.98 in. x 16.73 in.).

Fontana del Moro at Piazza Navona in Rome; Fontana in Piazza Navona; Fontane di Roma; Fountains of Rome. Numbered at the bottom right: 21. The print is part of an album.

Festivities on the Piazza della Signoria in Florence Veduta del Palazzo Vecchio del G.D. Loggia della Piazza del Festa degli Omaggi nella Solennita di S. Gio. Batista Prottetore della Città (title on object), View of the Piazza della Signoria in Florence with the Palazzo Vecchio, the Uffizi Gallery and the Loggia dei Lanzi. Festivities take place on the square, a parade with horsemen on horseback, in honor of Saint John the Baptist, the patron saint of the city. Numbered lower right: T. XXIII, square, place, circus, etc, festivities (the public, festive activities), Florence, Palazzo Vecchio, Loggia dei Lanzi, Uffizi Gallery, Piazza della Signoria, Carlo Gregori (mentioned on object), 1729 - 1759, paper, etching, h 499 mm × w 688 mm

Real games in Jerusalem.

Jean-Michel Moreau le Jeune (French, 1741-1814) after P. L. Moreau (French). The Royal Banquet Given to the King and Queen by the City of Paris on 21 January 1782 on the Occasion of the Birth of the Dauphin, 1782. Etching and engraving on laid paper. Plate: 522 mm x 396 mm (20.55 in. x 15.59 in.). Second of two states.

Jacques Callot, The Catafalque of the Emperor Mathias, 1619 The Catafalque of the Emperor Mathias

Courtyard of a palace with a man standing at center surrounded by attendants; above, a vision of a woman in a similar scene; set design from 'Il Pomo D'Oro'. Artist: Mathäus Küsel (German, 1621-1682); after Ludovico Ottaviano Burnacini (Italian, Mantua 1636-1707 Vienna (active Austria)). Dimensions: Sheet (Trimmed): 10 1/4 × 17 1/16 in. (26 × 43.3 cm). Date: 1668.One of the twenty-three stage sets designed by Lodovico Burnacini for 'Il Pomo D'Oro, Festa Teatrale Rappresentata in Vienna Per L'Augustissime Nozze Delle Sacre Cesaree E Reali Maestà Di Leopoldo E Margherita', an opera celebrating the wedding of Emperor Leopold I and Margarita Teresa of Spain in 1666. Composed by Antonio Cesti with a libretto by Francesco Sbarra, it was first performed in July 1668 at the Theater auf der Cortina--also designed by Burnacini. Museum: Metropolitan Museum of Art, New York, USA.

The Hague, Marot, Daniël (I), Netherlands, Nouveaux Liure de Bersseaux et Trilliages, Arc de Triomphe et Laques, Triomfboog in latticework with three passages, With a variant for the panel above the smaller passages. From a series of 6 sheets., print, ornament print, prints, ornament prints, height 183 mm, width 270 mm, 1663 - 1752-06-04, print maker, printmaker, 1702 - 1702, first quarter 18th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Representation of the joil that was done on the River of Seine, the day of the feast given by the city of Paris ... (IT)

Threebond faces over the coming, of the house / nerd behind. // Three dog Veüe Dessus le Bassin, De la Maison / Verse Derriere.

Print (France)

Fontana e Castello sul Monte Viminale, Le fontane di Roma nelle piazze e luoghi publici della città: con li loro prospetti, come sono al presente, Falda, Giovanni Battista, 1640-1678, Engraving, 1691, plate 8, part 1, entitled Le Fontane di Roma nelle Piazze, e Luoghi Publici della Citta con li Loro Prospetti, come sono al Presente.

Joseph II (German Emperor), Decker, Paul (I), Remshard, Karl, Germany, Augsburg, Probst, Georg Balthasar, Gardens, Wasser Allee zur rechten des Lust-Gartens, View of an avenue with fountains on the right side of a garden, Numbered top right: 66. Numbered bottom left: 5., print, prent, opticaprent, prints, prenten, opticaprenten, height 306 mm, width 418 mm, Publication (Event), Publication, German, 1732 - 1801, publisher, uitgever, 1742 - 1801, paper, papier, watercolor (paint), waterverf, etching, etchings, brush, Borstel, print maker, printmaker, Work conception, 1678 - 1735, after print by, 1677-12-27 - 1713-11-18, after design by, 1741-03-13 - 1790-02-20, granter of privilege

A Royal Hunt Casino in the Countryside, for the "Chinea" Festival. Dated: 1755. Dimensions: plate: 38.2 x 54.4 cm (15 1/16 x 21 7/16 in.) sheet: 45.3 x 63.7 cm (17 13/16 x 25 1/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Giuseppe Vasi after Paolo Posi (architect).

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), frontispiece and scenes of Mirame tragicomedia, a scene from the 4th act: 4 characters, knowledge, two women On the foreground and two men in the background (variant with roses in the sky) (A. de Vesme 940. Dutuit 74) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

View of the Bassin de Latone in the garden of Versailles; Vuë du Basin de Latone Prise du board de la Terrasse du Chteau.in the bottom margin two rules French text.

View of the courtyard of the fair of Hendrik de Keyser, Anonymous, 1668 - 1699 print View of the courtyard of the fair of Hendrik de Keyser, with different figures on the square. A banderole with the title at the top in the middle. Below that Mercury with a Caduceus and a money grant. paper etching / engraving Exchange, Bourse. courtyard. (story of) Mercury (Hermes). caduceus (staff with two snakes, attribute of Mercury). purse, money-bag Fair of Hendrik de Keyser

. Theater performance in the new Amsterdam Schouwburg with the Coulis Decoration The street of London, with scene from Beverly. The decor printed from a separate plate within a renovated passe-partout with the room, side logs, pillars with statues and the facade of the stage. In the caption a sixor side. Part of the series of fourteen stage decorors of the new Amsterdamse Schouwburg, 1787-1794.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), pleasant diversity of figures, Place Royale and the statue of Louis XIII. Third number of a series of 13 pieces (A. de Vesme 119. Dutuit 84) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Gansenhoefs Facial, over haer Groote Vyver, Near / Agteren. // Gansenhoef, Veüe par Dessus le Grand Vivier Verses / Derriere.

Dedicated to Her Majesty Marie Sophie Félicit Leczinski, Queen of France (IT)

unknown artist, eighteenth century, Guild Hall, undated. Hand colored engraving.

13. 9Bi. The Mayor of Paris ranging from the Palace to ask the seals on the papers of Parliament. (IT)

Book 23-1-18. Tournament at the Vatican in the 15th century. French engraving. 16th century. Library of the Escorial. Madrid. Author: ANTONIO LAFRERI (1512-1577). Location: MONASTERIO-BIBLIOTECA-COLECCION. SAN LORENZO DEL ESCORIAL. MADRID. SPAIN.

NIS with statue and Bassin, Daniël Marot (I), 1703 - 1712 print A man creates water from the basin. A building with Ionian columns is visible in the background. From series of 6 magazines. Netherlands (possibly) paper etching

Jean Le Pautre (French, 1618-1682). Collation donne dans le petit Parc de Versailles, 1678. From Le Relation de la feste de Versailles du 18 Juillet 1668. Engraving.

View of the Fountainhead of the Acqua Felice, from Views of Rome Made 1750-1759 Italy. Etching on heavy ivory laid paper . Giovanni Battista Piranesi

Capitoline, Rome. Dated: 1681. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Melchior Küsel after Johann Wilhelm Baur.

A View of Stocks Market, Henry Fletcher, 1729-active 1750, after Joseph Nickolls, active 1713-ca. 1755, British, 1763, Engraving, Sheet: 12 5/8 x 17 15/16in. (32.1 x 45.6cm)

View of a Triumphal Arch Proposed to be Erected at Hyde Park Corner Commenorative of the Victory ...King George III, Robert Havell, 1769-1832, British, Daniel Havell, 1785-1826, British, after William Kinnard, 1788-1839, after John Augustus Atkinson, 1775-1831, British, 1813, Hand-colored etching and aquatint, Sheet: 23 1/4 x 29 3/8in. (59.1 x 74.6cm)

Face in the gardens of Slot Zeist, Daniël Stopendaal, 1682 - 1726 print Amsterdam paper etching landscape with tower or castle. castle Slot Zeist

Preparatory drawing for an international festival in Paris, the first day, Sunday, design by Hector Horeau, France, from L'Illustration, Journal Universel, No 431, Volume XVII, May 29-June 5, 1851.

View of the Pergola and the fountains of a garden of the king of Denmark, Mesard, 1700 - 1799 print publisher: Parisprint maker: France paper. watercolor (paint) etching / brush garden. pergola. garden fountain. ornamental plants. garden ornaments

Elevation of fireworks Arrival (eighteenth century). "Elevation of fireworks". Elevation of fireworks shot on the water in front of Louis XV Square. Sépia wash feather. 1763.

A 1749 etching by Giuseppe Vasi depicting a room in the royal palace of Naples used for solemn celebrations, showing interior architecture and decorative details (Tafel V).

Vierstroomfontein on the Piazza Navona in Rome, Anonymous, 1675 - 1711 print Amsterdam paper etching ornamental fountain. obelisk, needle Piazza Navona

Procession of Mary de Medici to visit her daughter Henrietta Maria, wife of King Charles I, 1638. Passing in front of the medieval Eleanor Cross erected in Cheapside by King Edward I in 1290. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T. Smiths Antiquities of London and its Environs, J. Sewell, R. Folder, J. Simco, London, 1792.

Commemoration of Franz Josef HAYDN, 1732-1809 Austrian composer, in Vienna, Austria, 19/03/1799,19th century engraving

Les Bains d'Apollon. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Rigaud.

The seventeen fountains in the gardens at Liencourt. Etching by I. Silvestre.

GRABADO-JARDINES RANELAGH EN LONDRES. Location: PRIVATE COLLECTION. France.

View of the city of Warsaw on the Wisla River, Louis -Joseph Hijphre, 1759 - c. 1796 print Numbered: 77. publisher: Parisprint maker: France paper. watercolor (paint) etching / brush city-view in general; 'veduta' (+ city(-scape) with figures, staffage). canals, waters (in city) (+ city(-scape) with figures, staffage). rowing-boat, canoe, etc. Warsaw

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Toneeldecor: the mountain of Parnas, Jan Punt (attributed to), 1738 - 1740 print The CoulissenDecor the mountain of Parnas with scene from: the century of the Amsteldam Schouwburg. Only the decor of a separate plate, so without the passe-partout. Part of a series of 12 theater sets of the Amsterdam Schouwburg on the Keizersgracht. Amsterdam paper etching / engraving theatre, theatrical performance. stage design Schouwburg Keizersgracht (1637-1772)

Friedrich Brentel, known as Brenten the father (1580-1651). Funeral pump of Charles third of the name, Duke of Lorraine, made in Nancy in the year 1608, seventh of the ten large tables: burial of the body of fire his Highness of Lorraine in the church of Saint Francis in Nancy (white 8 page 516 ; Andreas Andresen 10 (9), volume 4, page 194). Etching. 1609. Museum of Fine Arts of the City of Paris, Petit Palais. 100464-4 Etching, 17th XVIIth XVII 17th 17th 17 CENTURY

CARNICERO, ANTONIO PINTOR ESPAÑOL. SALAMANCA 1748-1814 ASCENSION DE UN GLOBO MONTGOLFIER COLECCION PARTICULAR. MADRID.

View of the Jardin des Marchands in Paris; Jardin a l'Une des Portes de Paris.in the garden are different figures, including a child with a ball, a man with a book, a man who cuts the hair from an animal and a man on a ladder. Numbered: 35.

View of the Bassin the Flore in the garden of Versailles; Fontaine de Flore Dance Les Jardins de Versailles, representant Le Printems (...). In the undermaster a explanatory list with letters. At the top left numbered: 89.

Melchior Küsel after Johann Wilhelm Baur (German, 1626 - 1683), Gardens, Duke d'Altems, 1681, etching

View of the Admiralty magazine in Amsterdam, Georg Balthasar Probst, After Peter van Blankaert, 1742 - 1801 print Numbered at the top right: 277. Numbered in the bottom left: 68. publisher: Augsburgprint maker: Germany paper. watercolor (paint) etching / brush large-scale structure for storage, e.g.: warehouse, depot, silo. bridge in city across river, canal, etc. (+ city(-scape) with figures, staffage). rowing-boat, canoe, etc.. sailing-ship, sailing-boat. four-wheeled vehicle drawn by two animals Admiralty warehouse

TRASLACION DEL CUERPO DE SAN FERNANDO A SU NUEVA URNA EL 14-5-1729. Author: PEDRO TORTOLERO (1700-1766). Location: UNIVERSIDAD. Sevilla. Seville. SPAIN. FERNANDO III EL SANTO CASTILLA / LEON. SAN FERNANDO (REY).

Sutton Nicholls, active 1725, British, The Brass Statue of King Charles I at Charing Cross. Engraving.

View of the ruins of the temple of Hercules Invictus, the Temple of Portunus and other monuments in Rome, Robert Sayer, after Giovanni Paolo Pannini, 1753 print Figures stand and sit at the debris. English text in the lower margin. Numbered at the top right: 3. London paper. watercolor (paint) etching / brush landscape with ruins (+ city(-scape) with figures, staffage). temple, shrine ~ Roman religion. aqueduct (~ water supply). container of stone: stone vase Tempel Van Hercules. Tempio della Sibille. Tempel Van Portunus

Giovanni Battista Piranesi, Portici tirati dintorno ad un Foro con palazzo regio, 1750 Portici tirati dintorno ad un Foro con palazzo regio

Concert at the villa, oil on canvas 207x230cm (detail)

Piazza Navona in Rome; Veduta di Piazza Navona Sopra Le Rovine del Circo agonal; Faces on Rome; Vedute di Roma Disegnate Ed Incise da Giambattista Piranesi Architetto ve (Nez) Iano. View of Piazza Navona in Rome with the Sant'Agnese left in Agone and in the middle of the four-flow fountain by Gian Lorenzo Bernini. Title on Banderol Bottom right.

Aerostatic globe. (IT)

Rome, Mascardi, Giacomo, Lauro, Magesyn der Italiaense Gebouwen, Antiquae Urbis Splendor, Klassieke monumenten, Forum et columna Traiani imp., Forum en de Kolom van Trajanus te Rome, Text in Latin in the lower margin. The print is part of an album., print, prent, albumblad, prints, prenten, height 178 mm, width 234 mm, Italian, print maker, prentmaker, 1612 - 1628, paper, papier, etching, etchings, 1567 - 1634, printer

'Imaginary View of the Tuileries', 17th century. Artist: Anon

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