Harbor Views and River Scenes

Etchings and drawings of harbors and rivers with boats, fishermen, and landscapes, capturing 18th-century life along waterways.

Goyen, Jan van, Baillie, William, River view between Alphen and Leiden, River view, verso print - stamped, Landscape with a river near a village. Various boats on the river. In the background on the right a church building. The print is part of an album., print, album leaf, prints, GR Duty ... Paper 54 Stained, height 226 mm, width 309 mm, Irish, 1723-06-05 - 1810-12-22, print maker, printmaker, 1753 - 1810, paper, papier, plak, prenttekening, etching, etchings, crayonmanier, wiegijzer, Dutch, 1596-01-13 - 1656-04-27, intermediary draughtsman

Artist: Franz Edmund Weirotter, Austrian, 1730-1771, View of a Harbor#9, Etching, Image: 12.8 × 17.4 cm (5 1/16 × 6 7/8 in.); Sheet: 13.5 × 18.2 cm (5 5/16 × 7 3/16in.), Made in Austria, Austrian, 18thcentury, Works on Paper -Prints

River mouth with fish auction on the beach, Tako Hajo Jelgersma, 1773 drawing paper. ink pen / brush

Goyen, Jan van, Baillie, William, River view between Alphen and Leiden, River view, verso print - stamped, Landscape with a river near a village. Various boats on the river. In the background on the right a church building. The print is part of an album., print, album leaf, prints, GR Duty ... Paper 54 Stained, height 226 mm, width 309 mm, Irish, 1723-06-05 - 1810-12-22, print maker, printmaker, 1753 - 1810, paper, papier, plak, prenttekening, etching, etchings, crayonmanier, wiegijzer, Dutch, 1596-01-13 - 1656-04-27, intermediary draughtsman

River face, Bernhard Schreuder, after Pieter Coopse, 1775 print Sailing ships sail on the water. On the horizon a city with a church. The print is loose in an album, see page 24. Amsterdam paper etching sailing-ship, sailing-boat. river

View of the Dunes at Scheveningen. Artist: Jan de Bisschop (Dutch, Amsterdam 1628-1671 The Hague). Dimensions: sheet: 3 13/16 x 6 in. (9.7 x 15.3 cm). Date: mid 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Painting by Allart van Everdingen depicting the city of Alkmaar viewed from the southeast. Executed in gray brush, watercolor, and white cover color, circa 1667-1670.

Dives (Calvados), 1869. Maxime Lalanne (French, 1827-1886). Etching;

Jean-Claude Richard, abbot of Saint-Non (1727-1791) / Berteaux for drawing / Nicollet for engraving. Picturesque journey or description of the kingdoms of Naples and Sicily, volume 1/"View of the city of Naples taken by the sea", p. 64, n ° 16 volume I, (printed in Paris). Book, Red and golden morocco. Museum of Fine Arts of the City of Paris, Petit Palais. Picturesque journey or description of the kingdoms of Naples and Sicily, volume 1/"View of the city of Naples caught by the sea Sea, boat, boat, description, Dore, Kingdom, Book, Red Maroquin, Number 16, Numero 16, Page 64, Pictures Trip, Red Gilded Moroccan, Kingdom, Seashore, Seaside, Sicily, Sicily, View from City, volume 1 , Picturesque journey, view, city, book, scene

Attributed to Augustine Maria Aglio, 1777-1857, Italian, active in Britain, Scene on Brighton Beach, 1847. Watercolor and graphite on medium, moderately textured, cream wove paper.

N. 13.

View of Dordrecht Vue de Dordrecht. , print maker: Marie Duclos-Cahon, (mentioned on object), after: Jan van Goyen, (mentioned on object), printer: Emile Berthiault, (mentioned on object), print maker: France, printer: Paris, c. 1860 - c. 1879, paper, etching, drypoint, h 183 mm × w 272 mm

John Webber, 1752-1793, British, The Resolution Beating through the Ice, with the Discovery in the most eminent Danger in the Distance, 1792. Graphite, squared for transfer on moderately thick, slightly textured, cream wove paper.

Johann Teyler, 1648-1697, Dutch, Castles, Ruins and Seascapes - Six Colored Engravings. Colored engraving.

Capt. Thomas Hastings, 1778-1854, British, Yarmouth, Isle of Wight, between 1826 and 1830. Graphite on medium, slightly textured, cream wove paper.

Evening Landscape with Fishermen, Hendrick Avercamp (possibly), 1624 drawing View of a wide river with fishermen on the bank and on the water. paper. ink pen prospect of city, town panorama, silhouette of city (+ city(-scape) with figures, staffage). river (+ landscape with figures, staffage)

Views of Kock from the side of the highway. Vogel, Zygmunt (1764-1826), painter

View of Hoorn, ca. 1790, 1824 - 1825 View of Hoorn from the water, ca. 1790. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. print maker: Netherlandspublisher: Amsterdam paper etching / engraving Hoorn (North Holland) View of Hoorn from the water, ca. 1790. Part of a sheet metal from around 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and various morals and customs in the United Kingdom of the Netherlands. print maker: Netherlandspublisher: Amsterdam paper etching / engraving Hoorn (North Holland)

Brown and gray wash pen drawing by Willem Schellinks depicting the Fontana Nuova at the harbor near Valletta, executed over black chalk and glued in five sections, 1664.

Limehouse Made 1878 United States. Lithotint in black ink with scraping and incising, on a prepared half-tint ground, on off-white plate paper . James McNeill Whistler

River view with three fishermen and face on Leiden.

The Hague, Hartogensis, Joseph, Area of Zaltbommel, with steamboat, River view with a steamboat, verso middle - stamped, print, prints, height 50 mm, width 85 mm, Dutch, 1822-05-07 - 1865-07-16, print maker, printmaker, 1854 - 1854, paper, papier, chine collé, etching, etchings

A Scene In Holland, Jan van Os (Middelharnis, Netherlands, 1774 - 1808)

seascape, draughtsman: Allaert van Everdingen, 1631 - 1675, paper, pen, brush, h 49 mm × w 83 mm

'Tarr Point (Torpoint, Plymouth)', c18th century. Artist: Thomas Rowlandson.

The Pauwentuin on the Amstel. Draughtsman: anonymous. Draughtsman: Rembrandt van Rijn (school of). Dating: 1600 - 1699. Measurements: h 164 mm × w 319 mm. Museum: Rijksmuseum, Amsterdam.

Coast Scene with a View of Civitavecchia Claude Lorrain (Claude Gellée) French 1638 Claude Lorrain was the most famous and most sought-after landscape painter working in Rome in the 17th century. He made numerous plein air studies in the countryside around Rome and then incorporated his knowledge of nature and light into his painted compositions. This sheet is one of a pair of presentation drawings made for Pope Urban VIII who commissioned from the artist a pair of small octagonal paintings on copper depicting sites associated with papal building projects. This one was not executed in oil. The subject seems to have been replaced by Pastoral Landscape with Lake Albano and Castel Gandolfo, known through a painting in the Fitzwilliam Museum, Cambridge (PD.950-1963). The pendant relates to a painting at the Petit Palais, Paris, Coast Scene with the Port of Santa Marinella (PDUT872), of the same size as the drawing.

Margate, Print made by William Bernard Cooke, 1778-1855, British, after Joseph Mallord William Turner, 1775-1851, British, 1822, Etching; open etching on medium, slightly textured, cream wove paper with chine-collé, Sheet: 11 7/8 × 17 3/8 inches (30.2 × 44.1 cm), Plate: 9 × 12 1/8 inches (22.9 × 30.8 cm), Chine collé: 8 3/4 × 11 7/8 inches (22.2 × 30.2 cm), and Image: 6 1/4 × 9 1/2 inches (15.9 × 24.1 cm)

Yarmouth, Norfolk 1830 David Lucas British In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.. Yarmouth, Norfolk. David Lucas (British, Northamptonshire 1802-1881 London). 1830. Mezzotint touched with white chalk; proof before published state. Prints

William Bernard Cooke, 1778-1855, British, Weymouth, 1814-1826. Line engraving, etching and stipple engraving (intermediate state, between completed E.P. and 1st state) on thick, moderately textured, beige, wove paper.

Genoa from the Croce di Malta. Elizabeth Murray; English, c. 1815-1882. Date: 1841. Dimensions: 187 mm × 269 mm. Watercolor and white gouache over graphite on gray wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Buitenkant te Amsterdam, ca. 1810-1813; Vue du Buitenkant le long de l'Y prise du pont de Kattenburg.View on the outside (now Prins Hendrikkade) and the IJ, seen from the bridge to Kattenburg in Amsterdam, ca. 1810-1813. Part of a sheet metal from approx. 1824-1825 with 74 (unnumbered) plates of the most important topographical faces and several morals and habits in the United Kingdom of the Netherlands.

Spain. Catalonia. Barcelona. Port. Fisherman's or coal beach. Engraving by P. Gomez. "La Ilustracion", 1882.

Thomas Jeavons, ca. 1800-1867, British, Canal of the Loire and Cher, near Tours, 1833. Line engraving, engraver's proof on moderately thick, smooth, cream, wove paper, with cream, chine colle.

Capt. Thomas Hastings, 1778-1854, British, Sketch of Boatmen, West Cowes, 16 February 1826, 1826. Graphite on medium, slightly textured, cream wove paper.

Peep-show, Vue de Blackwall, en Regardant Vers Greenwich, 62, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

James Baylis Allen, 1803-1876, British, Castle Upnor, 1833. Line engraving, 3rd state on moderately thick, slightly textured, beige, wove paper.

Portsmouth, N.H., about 1760., 1770., London Etchings

Print, Peep-show, Vue de Blackwall, en Regardant Vers Greenwich, 62; France; engraving in ink with washes of watercolor on paper, mounted on scrapbook page; 24.7 × 39.5 cm (9 3/4 × 15 9/16 in.); 1901-30-35

Shakespeare Cliff, Dover, Samuel Atkins, active 1787-1808, British, active in the East Indies (1796-1804), ca. 1800, Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper, Sheet: 11 3/8 × 15 3/4 inches (28.9 × 40 cm), Dover

Coastal Landscape with a Round Tower, Hendrick Avercamp, after Gerard van der Horst, c. 1600 - c. 1630 drawing Coastal landscape with rocks; On the left a tower and ships on the sea under sail. paper. ink pen / brush lighthouse, lightship

William Miller, 1796-1882, British, Melun, 1835. Line engraving, engraver's proof.

View of the harbor in Civitavecchia, Maillet, Before 1744 - After 1760 print Ships and boats lie on the water. On the right is a reinforced structure and groups of figures with goods on the waterfront. Numbered: 36. publisher: Parisprint maker: France paper. watercolor (paint) etching / brush sea (seascape) (+ landscape with figures, staffage). sailing-ship, sailing-boat. rowing-boat, canoe, etc.. harbour. civic architecture; edifices; dwellings Civitavecchia

William Daniell, 1769-1837, British, A View of the Firgates Stationed in the Hope under the Command of the Elder Brethren of the Trinity House, 1804. Colored aquatint.

Antwerp: distant view Date: circa 1700

Hendrik Tavernier drawing from 1775 showing a winter landscape with people ice skating and sledges on frozen water, executed in pen, brush, watercolor, and graphite.

Paris, Cadart & Luquet, Delâtre, Auguste, Seymour-Haden, Francis (Sir), Bords de la Tamise, Fulham, Bank of the Thames at Fulham, recto lower left - stamped, The village of Fulham on the banks of the River Thames., print, prints, recto lower middle - stamped, verso middle right - stamped, height 113 mm, width 276 mm, English, 1818-09-16 - 1910-06-01, print maker, printmaker, 1859 - 1861, third quarter 19th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by, French, 1822 - 1907-07-26, printer, printer's, Publication (Event), Publication, publisher

Samuel Scott, 1701/2-1772, British, The Thames with Montagu House and Westminster Bridge, undated. Watercolor, graphite, pen and black ink and gouache on medium, slightly textured, beige laid paper with medium, slightly textured, cream wove paper border, mounted on linen, backed with medium, slightly textured, blue laid paper.

Zeezichticht, Allaert van Everdingen, 1631 - 1675 drawing paper. ink pen / brush

George Cooke, 1781-1834, British, Opening of Waterloo Bridge, 1822. Etched outline.

Waldorp, Antonie, Netherlands, River view at Overschie, verso - stamped, Sailing boats and a barge sailing on a river. In the background the church tower and mill of Overschie., print, prints, height 360 mm, width 543 mm, Dutch, 1803-03-22 - 1866-10-12, print maker, printmaker, 1813 - 1866, paper, papier, lithografie (techniek), Work conception

William Marlow, 1740-1813, British, View of Leghorn, undated. Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper.

Mill on a speed.page 71 from a sketchbook with 74 pages.

Shipbuilding on the Yorkshire Coast, Peter DeWint, 1784-1849, British, undated, Watercolor over graphite on thick, moderately textured, cream wove paper, Sheet: 9 1/2 x 16 5/8 inches (24.1 x 42.2 cm), boat, clouds, craftsmen, genre subject, laborers, landscape, lighthouse, marine art, rocks (landforms), sailboats, seagulls, shipbuilders, tree, England, Europe, United Kingdom, Yorkshire

View of the garden, Villa Arconati, Castellazzo di Bollate, 1743, engraving by Marc'Antonio Dal Re (1697-1766) from Ville di delizia o siano palaggi camparecci nello Stato di Milano (Delightful villas in the State of Milan), Italy, 18th century.

Vue du Caire, prise de la place êl-Ozbékyéh pendant le temps de l'inondation du Nil.. Denon, Vivant, 1747-1825. Denon, Vivant, 1747-1825. Prints, Illustrations. 1829. Rare Book Division. Egypt , Description and travel, Nile River, Boats

Cleans of the Kokenhuzen Castle in Livonia nad D; Deroy, Isidore Laurent (1797-1886), Tyzenhauz, Konstanty (1786-1853), Lemercier, Rose Joseph (Paris 1846-1847 (1846-00-00-1847-00-00);

Trois Turcs et un gentilhomme italien. 1634. Della Bella, Stefano, 1610-1664. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Album Drawing, Thomas Rowlandson, 1756-1827, British, undated, Graphite and pen and ink on medium, slightly textured, cream wove paper, Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm) and Binding: 8 3/4 inches (22.2 cm)

Frost Fair on a Frozen River with Ships, Hendrik Kobell, 1773 drawing paper. ink. watercolor (paint). pencil brush / pen ice ~ freezing weather. winter sports. ice ~ freezing weather. winter sports

ZeeZeicht, Pieter Idserts (Possible), 1708 - 1781 drawing paper brush

Verwijk, Purple tile picture, loading ship with grain, tile picture material ceramics pottery glaze wood, baked 2x glazed painted Six broad five tall Rotterdam City Center Stadsdriehoek Hoogstraat Possibly from Hoogstraat north side 219 Rotterdam.

Venice, Senate of Venice, Italy, Costa, Giovanni Francesco, Views of the River Brenta, Les delices de la Brenta, Le delicie della Brenta, Veduta del Termine del Dogà con Oriag, River Brenta at Oriago, View of the River Brenta flowing through Oriago. On the water a barge on which cooking is done. Numbered lower center: XIV and lower right: Tom: I. This print is part of an album., print, prent, prints, prenten, height 251 mm, width 339 mm, Italian - 1773, print maker, printmaker, 1750 - 1760, paper, papier, etching, etchings, verlener van privilege

Recovery on the stone barn after the disaster, 1807. Face from the Groenbrug on the repair work in the destroyed area after the gunpowder disaster on the stone barn in Leiden on January 12, 1807. Multiple boats on the water, right is a small piece of the boring hall .

Coast Scene with Figures, John Thomas Serres, 1759-1825, British, 1808, Watercolor, black ink, and graphite on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper, Sheet: 6 1/8 × 8 7/8 inches (15.6 × 22.5 cm), boats, coast, figures, marine art, ships

Valentia in 1857-1858 at the Time of the Laying of the Former Cable. Artist: Robert Charles Dudley (British, 1826-1909). Dimensions: Sheet: 6 3/4 x 10 1/16 in. (17.2 x 25.5 cm). Date: 1865.One of the 19th century's great technological achievements was to lay a telegraphic cable beneath the Atlantic, allowing messages to speed back and forth between North America and Europe in minutes, rather than ten or twelve days by steamer. An initially successful attempt in 1858, led by Cyrus W. Field and financed by the Atlantic Telegraph Company, failed after three weeks. Two working cables were finally laid in July and September 1866, the result of repeated efforts by the indefatigable Field, a cadre of engineers, technicians, and sailors, two groups of financial backers, and significant help from the British and United States navies. Dudley documented the process in a series of watercolors and oils, this example showing the Irish coast near the site selected in 1857 for the cable to enter the

Course The Queen (title registered (letter)) | From the IER in the twentieth, the districts of Paris, 1903, Edition N�284. (Title of all)

Face over the water on a walled city; Faces around the Mediterranean Sea.

Loading Van Merchard, Jacques Callot, 1628 - 1635 print On a bank of a bay, a number of men are busy loading Scheepjes. On the left a large building. More in the background a castle or castle and some houses. This print is part of a series of 11 Italian (probably mainly Florentine) landscapes (12 incl. Title print). print maker: Franceprint maker: Francepublisher: Paris paper etching landscapes with waters, waterscapes, seascapes (in the temperate zone). landscape with tower or castle. ships (in general) Florence

EL ESTANQUE GRANDE DEL RETIRO - 1816 - TEMPLE/SARGA - 150X280 cm - I.N.1477. Author: ANONIMO ESPAÑOL. Location: MUSEO DE HISTORIA DE MADRID-PINTURAS. MADRID. SPAIN.

Charles Dyce, active 1848, British, View of Gibraltar, ca. 1849. Pen and brown ink, watercolor and graphite on medium, slightly textured, beige wove paper.

Gezicht op vuurtoren bij havenhoofd te Napels. Vue de la Lanterne du Mole à Naples (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 186 mm × w 502 mm. Museum: Rijksmuseum, Amsterdam.

Design for a print, Farmhouses in flat country, draughtsman: Charles-François Daubigny, 1865, paper, brush, h 177 mm × w 304 mm

Widok Canal Grande na wysokości Sant'Eustachio, w: Urbis Venetiarum prospectus celebriores ex Antonii Canal tabulis XL aere expressi ab Antonio Visentini. Visentini, Antonio (1688-1782), graphic artist, Viero, Teodoro (Wenecja ; wydawnictwo ; ca 1750-1819), publishing house, Canaletto (1697-1768), painter

San Giorgio. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1878/1880. Prints; etchings. Etching and drypoint

Las Palmas de Gran Canaria, Gran Canaria, Canary Islands, Spain. General view of the city. Illustration by Letre. Engraving by Capuz. Crónica General de España, Historia Ilustrada y Descriptiva de sus Provincias (General Chronicle of Spain, Illustrated and Descriptive History of its Provinces), Canaries, 1871. Author: Tomás Carlos Capuz (1834-1899). Spanish engraver. Eusebio de Letre. Illustrator and lithographer of the mid-nineteenth century i.

Sleigh Ride Driving on the Neva by Quarenghi, Giacomo Antonio Domenico (1744-1817)/ State A. Pushkin Museum of Fine Arts, Moscow/ Early 1800s/ Italy/ Pen, ink, watercolour on paper/ Classicism/ 19,7x54,7/ Genre

View of Zwammerdam on the Oude Rijn. Draughtsman: Cornelis Pronk. Dating: 1-Sep-1733. Measurements: h 170 mm × w 293 mm. Museum: Rijksmuseum, Amsterdam.

Illustration showing Gibraltar in 1833

Seascape with the Dutch fleet. Draughtsman: Willem van de Velde (I). Draughtsman: Willem van de Velde (II). Dating: 1622 - 1707. Measurements: h 245 mm × w 395 mm. Museum: Rijksmuseum, Amsterdam.

Thomas Rowlandson, 1756-1827, British, A Burial at Carisbrooke, Isle of Wight, between 1797 and 1800. Pen and black and brown ink with blue and gray washes over graphite on moderately thick, moderately textured, white, wove paper.

William Alexander, 1767-1816, British, A Junk, undated. Watercolor, with pen in brown ink, over graphite on medium, moderately textured, beige wove paper, mounted on, moderately thick, slightly textured, white, wove paper.

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Edward Goodall, 1795-1870, British, Land Discovered by Columbus, 1832-1834. Line engraving, 1st state on moderately thick, slightly textured, beige, wove paper.

Ice refreshment. Draughtsman: Abraham Delfos. After Jan van Goyen. Dating: 1741 - 1820. Measurements: h 335 mm × w 434 mm. Museum: Rijksmuseum, Amsterdam.

Scheveningen after De Storm, 1825, Alexandre Joseph Boens, after Andreas Schelfhout, 1825 - 1826 print The beach of Scheveningen after the heavy storm of 4 February 1825. Inhabitants of the village look at the fishing vessels that have been thrown far on the beach. Part of a group of illustrations from a memorial book of the flood of 1825. print maker: Southern Netherlandsprinter: Brussels paper storm at sea. storm on land. beach Scheveningen

Three men pulling on a rope to bring a sailing ship into the harbor. It is dark, the moon shines through the clouds, Zuiderhaven in Groningen Zuider Haven , print maker: Carel Christiaan Antony Last, (mentioned on object), printer: Emrik & Binger, (mentioned on object), publisher: A.L. Scholtens, (mentioned on object), printer: Haarlem, publisher: Groningen, publisher: Groningen, after 1857 - 1869, paper, h 235 mm × w 300 mm

Canaletto, Ascension Day Festival at Venice, 1765 1766 Ascension Day Festival at Venice

View of riverbank by anonymous painter, lithograph, watercolor, 1822, Russia, St. Petersburg, A. Pushkin Memorial Museum, 22x32

Macau wharf, China, Asia. Travels in China and Japan by the Marquis Alfred de Moges 1857 - 1858. Old 19th century illustration by Gustave Doré (1832 - 1883) from Le Tour du Monde 1860

Tours - looking backwards, Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1831, Line engraving, engraver's proof

Blackwell Island, Currier & Ives Prints

Spain (19th c.). Cdiz. Shipyards in Puntales quarter. Painting. SPAIN. ANDALUSIA. CADIZ. San Fernando. Municipal Historic Museum.

View of a City, by Jacob Maris, c. 1860-1890, Dutch painting, watercolor. (BSLOC_2016_1_101)

Lead handle and black spring with watercolor drawing by Jean Louis Desprez depicting the port of Pallazata in Messina during the 1783 earthquake, showing buildings, harbor, and landscape.

On the Banks of the Loing: Six Boats at their Moorings, 1890, etching on laid paper, plate: 14.8 × 22.5 cm (5 13/16 × 8 7/8 in.), sheet: 22 × 31.3 cm (8 11/16 × 12 5/16 in.), Delteil, no. 2, State only, Alfred Sisley (artist) French, 1839 - 1899

John Nixon, ca. 1760-1818, British, Bathing Machine on the Common, near Southsea Castle, 1788. Watercolor, pen, and gray ink on medium, slightly textured, cream wove paper.

John Crome, 1768-1821, British, A Boatload, undated. Watercolor, with pen, in brown ink on medium, slightly textured, cream, wove paper.

View of Nizhyn, Borel, Pyotr Fyodorovich (1829-1898)

Sered .

Balthaazar F. Leizelt, active 1750-1800, German, Vue de Londres sur du cote du Sud, undated. Hand colored engraving.

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