Harem and Bazaar Scenes

Paintings depicting intimate harem settings and bustling bazaar life, rich in historical and cultural context, featuring figures in traditional attire.

The Lesson 1902 Rudolf Ernst (1854-1920 German) Private Collection

Favorite of Haramel India Copyright: xJehangirxSorabjee/DinodiaxPhotox

The Silk Bazaar. Date/Period: Second half of the 19th century - Late 19th century. Painting. Watercolor on paper. Height: 410 mm (16.14 in); Width: 300 mm (11.81 in). Author: AMADEO PREZIOSI.

The Silk Bazaar by Preziosi, Amedeo (1816-1882) Pera Museum, Istanbul Watercolour on paper 41x30 Malta Orientalism Genre Painting

"War Booty" by M. Dominguez. Depicting the Arab custom that the spoils of war be distributed amongst the victorious soldiers as payment for putting their lives on the line. Not just gold and jewels, but also women were held captive and used in the Harems of Cordoba.

The new favorite (harem scene) - Francesco Hayez, 1866

The Lesson 1902 Rudolf Ernst (1854-1920 German) Private Collection

The Slave Market. Georg Emanuel Opiz (1775-1841). Pen and grey ink and watercolour. Dated 1824. 39.5 x 34.5cm.

Jesus Before Pilate, Second Interview (Jésus devant Pilate. Deuxième entretien) James Tissot (French, 1836-1902). , 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 8 15/16 x 6 3/16 in. (22.7 x 15.7 cm). European Art 1886-1894

Chop house by the well, from: Album: Zink Graphics and Illustrations of Warsaw in twelve paintings, Warsaw 1841 Piwarski, Jan Feliks (1794 1859)

Musicians at Philae. Carl Friedrich Heinrich Werner (1808-1894). Pencil and watercolour heightened with white on paper. Dated 1877. 47 x 33.5cm

SERRANO, Manuel (19th century). The Fritter Seller. 2nd half 19th c. Painting. MEXICO. FEDERAL DISTRICT. Mexico City. Chapultepec Castle.

MONT DOR-LES-BAINS

slave market slave market, Horace Vernet, 1836, Alte Nationalgalerie ,Old National Gallery, Museum Island, Berlin, Germany, europe Copyright: xZoonar.com/TOLOxBALAGUERx 21762918

Raising of the son of the widow of Nain. Kotarbiński, Wilhelm (1849-1921), painter

Aladdin and his wonderful lamp.. Brundage, Frances (1854-1937). Illustrations. 1898. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Fairy Tales, Folklore, Jinns, Loss of Consciousness, Surprise

Théodore Chassériau, Othello Suite: No. 3 (Act 1, Scene 3: Othello and the Doge), 1844, etching on paper.

Interior of a Moor Palace. Engraving (19th c.). Litography. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Museo Nacional del Romanticismo.

REPRESENTACION DE LERIDA EN MOSAICO. Location: España Square. Sevilla. Seville. SPAIN.

Manuel Gómez-Moreno González / 'Salida de la familia de Boabdil de la Alhambra', 1880, Óleo sobre lienzo, 250,5 x 371 cm. Author: GOMEZ MORENO GONZALEZ MANUEL. Location: PRIVATE COLLECTION. MADRID. SPAIN.

The foyer, 1755, by Francesco Guardi (1712-1793), oil on canvas, 108x208 cm.

Alexandre-Gabriel Decamps (French, 1803-1860), Le Corps de Garde, in or after 1834, etching

Monks Buying Fish before the Portal of the Madonna della Misericordia, 1855, watercolor and gouache over graphite on wove paper, touched with gum arabic, overall: 46.5 × 33 cm (18 5/16 × 13 in.), Ludwig Johann Passini (artist) German, 1832 - 1903

Ettore Roesler Franz (1845-1907). Rome, fishmongers in the Porticus Octaviae. Watercolor.

The Flight out of Egypt. Date/Period: Ca. 1849. Painting. Oil on canvas. Height: 101 cm (39.7 in); Width: 1,264 cm (13.8 yd). Author: Richard Dadd.

A Lady Receiving Visitors (The Reception) The Reception Signed and dated in grey paint, lower right: "J.F. Lewis R.A. | 1873", John Frederick Lewis, 1804-1876, British

Cafe Tunis by Martha Walter, oil on wood, 1925, (1875-1976), USA, Philadelphia, Pennsylvania, David David Gallery

The Throne of Last Carolingian, circa 1890 by Jean-Paul Laurens (1838-1921). A young woman leans disconsolately on the back of a wooden empty throne with just a crown on it. after the death of Louis V, the Last Carolingian King. oil on canvas

Cleopatra VII Philopator was the last active ruler of the Ptolemaic Kingdom of Egypt, Historical, digitally restored reproduction of a 19th century original

Interior of a Kyrgyz home near Orenburg. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), Laurens, Jules-Joseph-Augustin (1825-1901), graphic artist, Zaleski, Bronisław (1820-1880), draughtsman, cartoonist

Convulsionists of Tangier, 1837-1838, Eugène Delacroix, French, 1798-1863, 37 5/8 x 50 5/8 in. (95.57 x 128.59 cm) (canvas)50 1/8 x 64 3/4 x 4 1/2 in. (127.32 x 164.47 x 11.43 cm) (outer frame), Oil on canvas, France, 19th century, Eugène Delacroix was the acknowledged master of the French Romantic school. In 1832, he traveled to North Africa with the French ambassador, Count de Mornay, who was to negotiate a treaty of friendship with the sultan of Morocco. One day in Tangier, the two hid in an attic and through the cracks of a shuttered window witnessed the frenzy of the Aïssaouas, a fanatical Muslim sect. The turmoil of that event is conveyed in this vividly colored and vigorously brushed depiction of the fanatics hurling themselves down the street. Of the pictures resulting from the Moroccan experiences, this remains one of Delacroix's most arresting.

The letter writer, Constantinople, engraving by Thomas Allom 1840 handpainted by Laura Lushington

Design for a Stage Set: Crypt Scene. Artist: Anonymous, Italian, 19th century. Dimensions: 7-1/2 x 9-1/4 in. Date: 1830-40. Museum: Metropolitan Museum of Art, New York, USA.

Mode, digital verbesserte Reproduktion einer Illustration dem, Kleidung in Südslawien um das 19. Jahrhundert, von links, zwei bosnische Türken, ein Ba...

Interior of the Leopoldstadt Theatre in Vienna, Austria, engraving

Fanatics of Tangier, 1838, by Eugene Delacroix (1798-1863).

Dante's Death (La morte di Dante), by Eugenio Moretti Larese, 1852-1853, 19th Century, oil on canvas

The Sentinel at the Sultan's Tomb, Jean-Léon Gérôme, French, 1824-1904, c.1880, Oil on canvas, Bursa, Marmara, Turkey, Asia, Paintings, 32 1/4 x 26 1/8 in. (81.9 x 66.4 cm)

The First Shall Be Last (Le premier sera le dernier) James Tissot (French, 1836-1902). The First Shall Be Last (Le premier sera le dernier), 1886-1896. Opaque watercolor over graphite on gray wove paper, Image: 6 3/4 x 9 3/16 in. (17.1 x 23.3 cm). European Art 1886-1896

Jesus Before Herod (Jésus devant Hérode) James Tissot (French, 1836-1902). Jesus Before Herod (Jésus devant Hérode), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 7 13/16 x 5 in. (19.8 x 12.7 cm). European Art 1886-1894

Ice House - Valery Jacobi 1878. Russian Empress Anna decided to marry Prince Mikhail to one of her maids and made them honeymoon in the Ice Palace. Anna is the one dancing happily in front

View of the port of Livorno, 1762, by Giuseppe Zocchi (1711-17 - 1767), oil on canvas.

Saint Andrew (Saint André) James Tissot (French, 1836-1902). Saint Andrew (Saint André), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 11 7/8 x 6 1/2 in. (30.2 x 16.5 cm). European Art 1886-1894

Halt of Caravans at the Wells of Saba (Beersheba) in the Desert South of Hebron 1850 Charles de Coubertin References to the wells of Abraham, as they are commonly known, are found in Genesis (21:23-24 and 26:23-33). Coubertin typically painted religious subjects, but in this picture he depicted the site as a scene of contemporary life. This painting was exhibited at the Paris Salon of 1850-51.. Halt of Caravans at the Wells of Saba (Beersheba) in the Desert South of Hebron. Charles de Coubertin (French, 1822-1908). 1850. Oil on canvas. Paintings

Oriental Market; Mercato Orientale. Alberto Pasini (1826-1899). Dated 1884, oil on canvas, 47.9 x 72.7cm.

Street live of the ancient city of Shushtar, Iran. Middle East. Drawing by Dieudonne Lancelot (1823 - 1895) Persia, Chaldea and Susiana 1881-1882 by Jane Dieulafoy (1851 - 1916) Le Tour du Monde 1886

Spain, Andalusia, Seville, Mural with a traditional scene painted on tiles

Scene in the Jewish Quarter of Constantine 1851 Théodore Chassériau French Chassériau witnessed this scene and sketched it in his notebook during a trip to Algeria in 1846. From the ancient town of Constantine he wrote, "I have seen some highly curious things: primitive and overwhelming, touching and singular. At Constantine, which is high up in some enormous mountains, one sees the Arab people and the Jewish people living as they were at the beginning of time." The Jewish women of North Africa were especially attractive subjects for European painters because they did not wear veils. Listen to experts illuminate this artwork's story Listen Play or pause #6030. Scene in the Jewish Quarter of Constantine Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Scene in the Jewish Quarter of Constantine 437974

The Game of the Bridge in Pisa, 1785, by Giuseppe Maria Terreni (1739-1811), Italy 18th Century.

The philosopher's garden at Athens. Engraving. Iconographic Enclyclopaedia of science, Literature and Art. 19th century. Author: Johan George Heck.

India: 'Chamar, a caste represented by a tanner'. Tashrih al-aqvam, Hansi: James Skinner, 1825

The Queen of the Brigands. Frederick Arthur Bridgman (1847-1928). Oil on canvas. 37 x 48cm.

'Bayadères Dancing', 1828. Artist: Marlet et Cie

A Bought Woman by Rusov (Volkov), Alexander Nikolaevich (1844-1928)/ State Tretyakov Gallery, Moscow/ 1891/ Russia/ Oil on canvas/ Russian Painting of 19th cen./ 80,5x103/ Genre

Xavier Pascal Coste (26 November 1787, Marseille - 8 February 1879) was a French architect. His father was one of the leading joiners in Marseille. Showing intellectual and artistic promise, Pascal began his studies in the studio of Penchaud, architect of the département and the municipalité. In 1814, he was received into the École des Beaux-Arts in Paris. His time in Paris was a pivotal one in his life - there he met the geographer Edme François Jomard, who put him in touch with the viceroy of Egypt, Mehmet Ali, who took Coste on as his architect in 1817. In 1825 Coste returned to France with an impressive series of drawings of the architecture of Cairo, but he soon went to Egypt once again at Mehmet Ali's request, where Mehmet Ali made him chief engineer for Lower Egypt. Coste remained there for four years, during which time he accumulated many sketches, but he found the Egyptian climate difficult and returned to France in 1829. There he became a professor of architecture at the Écol

Home and furniture fellahs, vintage engraving. Home and furniture fellahs, vintage engraved illustration. Magasin Pittoresque 1847. Copyright: xZoonar.com/PatrickxGuenettex 10673294

Street in Cairo, Painting by Carl Spitzweg, Historical, digitally restored reproduction from a 19th century original, Record date not stated

Dagestanskaia devushka.. Timm, Vasili Fëdorovich, 1820-1895. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

Arabs, Czarnecki, Stefan (1904-) - collection, orient, gift (provenance), donkeys

Marchand d'eau, 19th century, Pascal Sebah, Turkish, 1823 - 1886, 9 15/16 x 7 3/4 in. (25.24 x 19.69 cm) (image)14 x 11 in. (35.56 x 27.94 cm) (mount), Albumen print, Turkey, 19th century

Christmas Eve, The children have already received their first presents and are out and about in the snowy landscape, Christmas Eve, Christmas, Historical, digitally restored reproduction of a 19th century original.

The backgammon players by Rosati, Giulio (1858-1917) Private Collection Watercolour on paper 53,5x35,7 Italy Orientalism Genre Painting

Interior of San Giovanni a Carbonara Church, 1867, by Giacinto Gigante (1806-1876), watercolor, 53x49 cm.

Historia de Argentina. Siglo XIX. Reunión secreta en casa del patriota Vieytes el 24 mayo 1810. Author: FORTUNY FRANCISCO.

'Moors', c1890. Artist: Unknown

Aida, decorado para último Acto, escena general de la ópera de Verdi. Museum: RACCORTA BERTARELLI MILAN ITALIA.

Two Studies of a Standing Indian from Calcutta. Dated: c. 1823/1824. Dimensions: overall: 36.8 x 45.7 cm (14 1/2 x 18 in.) framed: 50.5 x 58.7 x 3.5 cm (19 7/8 x 23 1/8 x 1 3/8 in.). Medium: oil on canvas. Museum: National Gallery of Art, Washington DC. Author: EUGENE DELACROIX.

Deutsche Matrosen in einem chinesischen Theehause, woodcut from the yearbook Moderne Kunst in Meisterholzschnitten, Modern Art in Master Woodcuts, 1900

'Umballa', c1880. Artist: Unknown.

The First Shall Be Last (Le premier sera le dernier) James Tissot (French, 1836-1902). The First Shall Be Last (Le premier sera le dernier), 1886-1896. Opaque watercolor over graphite on gray wove paper, Image: 6 3/4 x 9 3/16 in. (17.1 x 23.3 cm). European Art 1886-1896

A Punca Bearer, Sir Charles D'Oyly, 1781-1845, British, active in India, Printed by The Behar Amateur Lithographic Press, 1781-1845, British, active in India, undated, Chromolithograph on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper, Mount: 9 15/16 x 6 1/4 inches (25.2 x 15.9 cm), Sheet: 7 1/16 x 5 5/16 inches (17.9 x 13.5 cm), and Image: 6 11/16 x 5 5/16 inches (17 x 13.5 cm), carpet, children, dinner, English, food, food, genre subject, Indian, man, men, nobility, paintings, servant, servants, slave, women, India

Bullfighting poster. The bullfights take place in the city for the Spring Feasts 2007. By Pedro Escacena (b. 1931). Sevilla. Andalusia. Spain.

Illustration by Dinet from 'Mirages' Scenes of Arab life. 1906. Mirages, Scénes De La Vie Arab was illustrated by Etienne Dinet with commentary by Silman Ben Ibrahim Bamer. Nasreddine Dinet was born as Alphonse-Étienne Dinet; (1861 - 1929) was a French orientalist painter and was one of the founders of the Société des Peintres Orientalistes. He became so enchanted with North Africa (Algeria) and its culture, that he converted to Islam, and was proficient in Arabic.

ESCENA DEL QUIJOTE-CAPITULO XL "EL CAUTIVO CUENTA SU HISTORIA". Author: SEGRELLES JOSE. Location: PRIVATE COLLECTION. MADRID. SPAIN. DON QUIJOTE.

Jimmy Bates, On to the Pageant, 1992. Mixed media. Oil on canvas.

Historians of the Tribe. Frederic Remington; American, 1861-1909. Date: 1890-1899. Dimensions: 62.2 × 111.4 cm (24 1/4 × 43 7/8 in.). Oil on canvas. Origin: New York. Museum: The Chicago Art Institute, Chicago, USA.

A pity; Gierymski, Aleksander (1850-1901); around 1880 1881 (1880-00-00-1881-00-00);Powiśle (Warsaw), Women, Bridge of Kierbezia (Warsaw), Recovered war losses, fruit, oranges, realism (style), old ladies, portrait studies, Jews

Nanser, Atilio Boveri, 1912-15 ,oil on canvas, pollensa museum, Majorca, Balearic Islands, Spain.

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