Historic Architectural Paintings

A collection of paintings depicting grand architecture, ornate gardens, and historical figures, combining vibrant colors with intricate details from different time periods.

Theatrical scenic painting by Louis-Jean Desprez, Pen, ink, watercolour on paper, 1743-1804, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 42, 5x57, 8

Palace in a large garden, 1640, painting by Dirk van Delen (1605-1671).

Stanis Aw Salon Painters Salon Publishing House (Kraków; 1895-1949), Anczyc, W ADYS AW Ludwik and Spóża (Kraków; Drukarnia; 1875-1948); around 1910 (1905-00-00-1915-00-00);

Masked ball in the foyer, Vienna, Austria (detail), engraving

Theatrical scenic painting by Louis-Jean Desprez, Pen, ink, watercolour on paper, 1743-1804, Russia, Moscow, State A. Pushkin Museum of Fine Arts, 42, 5x57, 8

St Philip driving the dragon from the Temple of Hierapolis, 1487-1502, by Filippino Lippi (ca 1457-1504), fresco. Basilica of Santa Maria Novella, Strozzi Chapel, Florence.

Charles III dining before the court, painting by Luis Paret (1746-1799), oil on canvas. Spain, 18th century.

Interior of the museum of French monuments; XVEME Hall, N � 6 Interior of the museum of French monuments; Hall of the 15th, n � 6 . Gouache on cardboard, mounted on chassis.

INTERIOR OF THE CATHEDRAL OF TOLEDO - TOWARD 1850 - 160 X 108 CM - SPANISH ROMANTICISM. Author: JENARO PEREZ VILLAAMIL (1807-1854). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN.

Watercolor and feather drawing by Giovan Francesco Costa depicting the end section of the Museo Pio Clementino in the Vatican, showing architectural details and gallery space.

Fresco depicting musicians, 1650, by Giovanni Stefano Montalto (1608-1689), Music room, Landriano Castle, belonged to the Taverna family, Lombardy. Italy, 17th century. Detail.

James Pattison Cockburn, 1778-1847, British, Tapestry-hung Room in Gothic Mansion, undated. Watercolor and white gouache on medium, slightly textured, beige wove paper.

Three figures In the interior of the Great Hall of the Royal Palace on Dam Square, Interior of the Royal Palace Amsterdam Vue d'Amsterdam No37 The Great Hall of the Royal Palace , print maker: Willem Hendrik Hoogkamer, (mentioned on object), intermediary draughtsman: Herman Frederik Carel ten Kate, (mentioned on object), publisher: Frans Buffa, (mentioned on object), Amsterdam, 1800 - 1864, paper, etching, h 231 mm × w 149 mm

LA REGENTE MARIA CRISTINA INAUGURANDO LA CAMARA ALTA EN ESPAÑA, DENOMINADA ESTAMENTO DE PROCERES, EL 24/07/1934, PRIMERA LEGISLATURA DE LAS CORTES. Location: MUSEO DEL ROMANTICISMO-GRABADOS. MADRID. SPAIN. Maria Christina of the Two Sicilies. MARIA CRISTINA DE PARMA. PARMA MARIA CRISTINA DE.

Interior View of The Metropolitan Museone of Art When in Fourteenth Street 1881 Oil on canvas Frank Waller American 1842-1923

GRABADO-INTERIOR DE LA CATEDRAL DE BRUSELAS(BELGICA). Location: PRIVATE COLLECTION. MADRID. SPAIN.

Photograph of the curtain in the old Burgtheater, captured on albumin paper using a box format in 1893.

The grand'chambre of the Parliament (the return of Parliament), September 1776 Gabriel de Saint-Aubin (1724-1780). The Grand'Chambre of Parliament (Back to Parliament), September 1776.

Feast in Levi's house, Paolo Veronese, 1573, Galleria dell'Accademia, Venice, Italy, Europe

Cornation of Napoleon I and Empress Josephine, 2 December 1804. Hand-coloured engraving

Vincenzo Brenna illustrated a bezel featuring three women for the folio band 'Vestigia delle Terme di Tito e loro internal pictures' using watercolor and cover colors around 1780.

An old English mansion in the days of hawking, England, by George Cattermole. Gift of Archdeacon F.H.D. Smythe, 1957.

France, Paris, Daumont, Jean-François, View of the decoration of the Rue de la Feronnerie in Paris on the occasion of the restoration of Louis XV, King of France, in 1745, print, prent, opticaprent, prints, prenten, opticaprenten, height 295 mm, width 435 mm, Publication (Event), Publicatie, Frans - 1775, publisher, uitgever, 1745 - 1775, paper, papier, cardboard, kaart, prepared paper, geprepareerd papier, watercolor (paint), waterverf, deck paint, dekverf, etching, brush, Borstel, cutting, haken, perforating, perforateren, print maker, prentmaker

Marriage of Leopold I of the Belgians and Princess Louise of Orleans at the Chateau de Compiegne, August 9, 1832 by Court, Joseph-Desire (1797-1865) / Musee de l'Histoire de France, Chateau de Versailles /France / Oil on canvas / Genre,History / 95x117 /

'Barbershop'. Italy, 18th century. Dimensions: 88x121 cm. Museum: State Hermitage, St. Petersburg. Author: Unknown artist of the venetian school. 18th century.

Interior of San Giovanni in Laterano, Rome, c. 1896. Martino del Don (Italian). Watercolor, brush and brown, gray, and black wash, and gouache with lead white, over graphite (ruled); sheet: 34 x 49 cm (13 3/8 x 19 5/16 in.).

King Victor Emmanuel II, Cavour, the ministers and the court descending the staircase of Palazzo Madama in Turin after the inauguration of the fifth subalpine term, December 19, 1853, by Carlo Bossoli (1815-1884), gouache on paper. Unification era, Italy, 19th century.

King Charles III 1716-88 of Spain eating with his court 1770, 50x64cm

Johann Franz Rousseau (1717-1804), Masked Ball in the Hall of the Hoftheater in Bonn. 1755. Details.

Face in the old Senate room from the East

FESTIVAL OF SEPTEMBER 22, 1892; Char de la Concorde and Peace Philippe Chaperon (1823-1907). Feast of September 22, 1892. Char de la Concorde and Peace. Drawing.

Bliżej Kultury Stroobant, François (1819 1916), Litographic Plant Time (Krakow)

White room in Pał Acu in Wilanów; Richter, Willibald (Fl. 1817-1862); around 1850 (1845-00-00-1855-00-00);August II Mocny (Polish King-1670-1733), Deybel, Jan Zygmunt ( -1752)-architecture, Potocka from Potocki, Aleksandra (1818-1892), Potocki (family)-residences, Potocki, August (1806-1867) , Wierzejski, Tadeusz (1892-1974), Wierzejski, Tadeusz (1892-1974)-collection, Wilanów (Warsaw), 19th century (costume , aristocracy, reading, fountains, galleries, paintings, parrots (zool.), Palace (architect), rococo (style), craft, genre scenes, palace interiors, purchase (provenance), sightseeing, sightseeing, chandeliers

Bathroom of Princess Carolina Augusta of HOFFBURG of Vienna, Austria, 1820 watercolour

Cronaca (Simone del Pollaiolo) (1457-1508), Palazzo Vecchio in Florence (without Dat.): Hall of the 500, wall detail (painting the intake of Sienas). Photo, 24.2 x 39.1 cm (including scan edges)

Godefroy de Bouillon deposits in the church of the Holy Sepulchre the Trophies of Ascalon by Granet, Francois Marius (1775-1849) / Musee de l'Histoire de France, Chateau de Versailles / 1839 / France / Oil on canvas / History / 175,5x305 / History painti

Russian sculptor Ivan Vitali at home by Karl Petrovich Bodri, Oil on canvas, 1841, 1812-1894, Russia, St. Petersburg, State Russian Museum, 51x50

Perkins Harnly, Monument Display Room, 1888, 1935 1942 Monument Display Room, 1888

Interior of the House of Sallust, Pompeian house, 4th century BC, Pompeii, Campania, Italy, drawing and chromolithograph by D Capri, from Le case ed i monumenti di Pompei (The houses and the monuments of Pompeii), by Fausto and Felice Niccolini, volume IV, plate 11, 1854, Naples.

Unidentified Periodical/Play Illustration, Isaac Taylor, 1730-1807, British, undated, Gray wash with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 6 3/8 × 3 15/16 inches (16.2 × 10 cm), books, desk, genre subject, globe (cartographic sphere), sitting, woman

LOUIS-Philippe, 1773-1850 King of France, and his family, visiting the Crusade Rooms of the museum of Chteau de Versailles, France, in July 1844 (MV 6873)

Attributed to Louise-Adéone DROLLING (1797-1831). "Interior of an artist with a view of the facade of the Saint-Eustache church". Oil on canvas. Paris, Carnavalet museum. 71084-1 Artist workshop, bouquet flower, church, facade, window, 1st 1 1st arrondissement, Saint-Eustache, oil on canvas

The Old Bedford, Walter Richard Sickert (Munich, Germany, 1860 - 1942) 1900-1924

Germany, Augsburg, Probst, Georg Balthasar, Abtheilung des verlohrnen Sohnes mit seinem Vatter, The prodigal son receives his inheritance, The prodigal son receives his share of the inheritance from his father. The old father sits behind a table and counts his money., print, prent, opticaprent, prints, prenten, opticaprenten, height 292 mm, width 449 mm, Publication (Event), Publicatie, Duits, 1732 - 1801, publisher, uitgever, 1742 - 1801, paper, papier, cardboard, kaart, prepared paper, geprepareerd papier, watercolor (paint), waterverf, deck paint, dekverf, etching, etsen, brush, Borstel, cutting, haken, perforating, perforateren, print maker, prentmaker

La consagración, Le Sacre de Napoléon, Jacques-Louis David, pintor oficial de Napoleón Bonaparte realizada entre 1805 y 1808, Museo del Louvre,museo nacional de Francia, Paris, France,Western Europe.

SESION CELEBRADA EN EL SENADO ITALIANO EN TURIN EN 1861 BAJO LA PRESIDENCIA DE CESAR ALFIERI SOSTEGNO EN EL PALACIO MADAMA - SIGLO XIX. Author: CARLO BOSSOLI. Location: MUSEO DEL RISORGIMENTO. ALFIERI CESARE.

Suffering (in the third chapel); Granet, François-Marius (1775-1849); 1820-1830 (1820-00-00-1830-00-00);Lesser-Blattetejowa, Julia (Ca 1900-2000)-collection, gift (provenance), lovers, French painting, genre scenes, oath, interior, interior of the churches

Large Hall in the Prague Hradschin Castle. Painter: anonymous. Painter: Pieter Neefs (I) (rejected attribution). Print maker: Aegidius Sadeler (copy after). Dating: c. 1607 - 1615. Place: Southern Netherlands. Measurements: h 66 cm × w 76.5 cm; d 6.9 cm. Museum: Rijksmuseum, Amsterdam.

The Ridotto Pubblico at Palazzo Dandolo. Artist: Francesco Guardi (Italian, Venice 1712-1793 Venice). Dimensions: 13 3/8 x 20 in. (34 x 50.8 cm). Date: ca. 1765-68.While Guardi is known for his landscapes and imaginary lagoon views, he also painted a few interiors such as the main hall of the Ridotto, the public gambling house in Palazzo Dandolo at San Moisè, as it looked before the remodelling of 1768. The elegant masked figures are sketched in an exceptionally fluid and sprightly technique. Museum: Metropolitan Museum of Art, New York, USA.

View of Pannini House () with Gardens (Veduta di Casa Pannini () con i giardini antistanti), by Giovan Francesco Barbieri known as il Guercino, 1615 - 1616, 17th Century, fresco transferred on canvas

Photo production of the fresco The school of Athens by Rafaël, Anonymous, After Rafaël, 1851 - 1900 photograph Vatican CITY paper. cardboard albumen print picture, painting Raffaello rooms (Vatican Palace). Signature room. Vaticaanse Musa. Vaticaanstad

Thomas Rowlandson, 1756-1827, British, The Preacher, 1800 to 1810. Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper.

Thomas Rowlandson, 1756-1827, British, Scene in a Monastery, undated. Watercolor, with pen and brown and gray ink over graphite on medium, slightly textured, beige, wove paper.

'Sermon in the San Miguel Cathedral in the City of Jerez, Andalusia'. Spain, Late 1830s. Dimensions: 72x97 cm. Museum: State Hermitage, St. Petersburg. Author: Genaro Pérez Villaamil.

Arcardia hall, Palazzo Ducale, Martina Franca, Rococo, Itria, Apulia, Italy Sala dellArcadia, Palazzo Ducale, Martina Franca, Apulia, Italy, Europe

PARET y ALCAZAR, Luis (1746-1798). Dance in mask. 1766. Held in the Teatro del Principe, at Madrid. Baroque art. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

Interior of the Nieuwe Kerk in Delft with the Tomb of William the Silent. Emmanuel de Witte (Netherlands, Alkmaar, 1617-1692). Holland, 1653. Paintings. Oil on wood

United Kingdom. London. Pickle Hering Street. Engraving by Gustave Dore, 19th c. London: A Pilgrimage. Color.

View of the Bosquet des Trois Fontaines in the garden of Versailles, Jacques Rigaud (Possible), c. 1691 - After 1753 print Four lines of French text in the lower margin. paper. cardboard. watercolor (paint) etching / brush garden. garden fountain. ornamental plants Three fountains grove

Drawing, A Salon in a Residence of the Duke of Leuchtenberg; Otto Wagner (German, 1803 - 1861); brush and watercolor, gouache on paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 23.1 x 32.9 cm (9 1/8 x 12 15/16 in.); Thaw Collection; 2007-27-49

The house of Actaeon Date: circa 1830s

The staircase of the Paris Opera, 1877, by Louis Beroud (1852-1930), oil on canvas, 65x54 cm.

Louis Haghe, 1806-1885, British, St. Michael's Mount, Ultrecht, 1849. Watercolor, white gouache, graphite and gum arabic on thick, slightly textured, beige wove paper.

Gallery of views of modern Rome, 1759, by Giovanni Paolo Pannini (1691-1765), oil on canvas, 231x303 cm.

Die Statue der Athena Parthenos von Pheidias in der Cella des Parthenon, Griechenland, Rekonstruktion von G. Rehlender, digitale verbesserte Reprodukt...

Charity Bazaar in the Banquet Chamber of the Yusupov Palace in St. Petersburg by Sadovnikov, Vasily Semyonovich (1800-1879)/ State Russian Museum, St. Petersburg/ Russia/ Watercolour on paper/ Russian Painting of 19th cen./ 23,9x35,1/ Architecture, Inter

Illustration 'champagne' 1829, by Jean-Charles Develly (1783 - 1862); French illustrator and artist. A family celebrates a banquet with champagne at a country garden in France

Drawing, The Study of Prince Karl of Prussia; Eduard Gaertner; brush and watercolor over graphite on paper; Frame H x W x D: 39.7 x 50.2 x 2.5 cm (15 5/8 x 19 3/4 x 1 in.) Sheet: 17.7 x 22.2 cm (6 15/16 x 8 3/4 in.); Thaw Collection; 2007-27-40

The Death of the First Born 1865-80 Erastus Salisbury Field American. The Death of the First Born 10878

Wolfgang Amadeus MOZART, 1756-1791 Austrian composer, at his house in Kahlenberg near Vienna, lithograph

A Magnificent Palatial Interior. Dated: c. 1750. Dimensions: overall: 30.5 x 38.1 cm (12 x 15 in.). Medium: pen and brown ink and wash with graphite over red chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: GIOVANNI BATTISTA PIRANESI.

GRABADO-IGL DE NTRA SRA EN WALCOURT. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Raphael / 'The School of Athens', c. 1510, Fresco. Museum: MUSEI VATICANI, ROMA, ITALIA. PLATO. Aristoteles.

Venus with cupids, 1778, hand-coloured etching by Angelo Campanella (1746-1811), 49x60 cm, from a drawing by Anton Raphael Mengs (1728-1779). Copy of a fresco located in Villa Perretti-Negroni, Rome.

Interior of a rich person's home in Ancient Greece. After a late 19th century work by lithographer Friedrich Gustave Nordmann.

Comforts of Bath: The Concert. Date/Period: 1798. Painting. Watercolor. Height: 140 mm (5.51 in); Width: 206 mm (8.11 in). Author: Thomas Rowlandson.

The Hall of the Artistic Society 'Kunst wordt door Arbeid verkregen' (Art is Acquired through Labor) in Leiden. Dating: 1780. Measurements: h 57.3 cm × w 73.8 cm. Museum: Rijksmuseum, Amsterdam. Author: Paulus Constantijn la Fargue (mentioned on object).

Study for Walbrook Church (recto); Sketches of Sailboats, Men and Dinghies (verso) 1802-1812 England. Pen and brown ink over graphite (recto), and graphtie (verso), on cream wove paper . Augustus Charles Pugin

Theatrical scenic painting by Karl Fyodorovich Valz, Watercolour and white colour on paper, 1846-1929, Russia, Moscow, State Central A. Bakhrushin Theatre Museum, 26, 4x35

View of the gardens of the Buen Retiro. Vista de los jardines del Buen Retiro. 17th century. Burgos Museum. Spain. Author: ESCUELA ESPAÑOLA DEL SIGLO XVII. Location: MUSEO DE BURGOS. BURGOS. SPAIN. MARIANA DE AUSTRIA. PHILIPP III. VON SPANIEN. FELIPE IV FAMILIA. FELIPE PROSPERO INFANTE. FELIPE IV REY DE ESPAÑA. LUIS MENDEZ DE HARO Y GUZMAN (1598-1661).

Antwerp Stock Exchange, Built in 1531 1567 Pierre van der Borcht (ca.1590-1662 Flemish) Copper engraving

Peeter Neeffs the Elder, Antwerp Cathedral, Flemish, 1578-1590 - 1656-1661, c. 1650-1655, oil on copper

Genzmer, Felix (1856-1929), Royal Opera in Berlin. Festival decoration (08.05.1913): Festival decoration, view under the linden trees. Watercolor heighted over light break on paper, 29.9 x 45.3 cm (including scan edges) Genzmer, Felix (1856-1929): Königliche Oper, Berlin. Festdekoration

Greek, Roman temple, c1800-1835. Artist: Firmin Didot

ARTE S. XIX. ESPAÑA. PEREZ VILLAAMIL, Jenaro (El Ferrol,1807-Madrid, 1854). Pintor español. Fue uno de los introductores del paisaje romántico en España. "EL JURAMENTO DE ALVAR FAÑEZ MINAYA". Palacio Real. Madrid. (Patrimonio Nacional) .

Rev. James Bulwer, 1794-1879, British, One from A Volume of Drawings and Prints, 1837. Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper.

The Terrace 1655-1665 Delft. In this work, an open window shaded by a grape arbor reveals couples drinking and chatting. Musical instruments, songbooks, and military gear hint at worldly pursuits and amorous dalliance, but the chief subject of the painting seems to be the illusionism of the near and far objects framed by the window. Optical problems were particularly intriguing to painters working in Delft, among them Carel Fabritius, Johannes Vermeer, and Pieter de Hooch. The author of this work has not yet been identified; one proposal is Ludolf de Jongh (1616ñ1679), a talented and eclectic artist from the neighboring city of Rotterdam.. Oil on canvas .

Square of the town hall of the XIVEME arrondissement - a good moral Square of the town hall of the 19th arrondissement - a good moral . Drawing by F�lix Brard.

Stage design for the theatre play The stone Guest by A. Pushkin by Shukhaev, Vasili Ivanovich (1887-1973)/ Private Collection/ 1936/ Russia/ Oil on canvas/ Theatrical scenic painting/ 60x91/ Opera, Ballet, Theatre

Wilanów Mirecki, Kazimierz (1830 1911)

The Artist's Studio - 1870 - 98x128,5 cm - oil on canvas. Author: BAZILLE JEAN-FRÉDÉRIC. Location: MUSEE D'ORSAY, PARIS, FRANCE. Also known as: ESTUDIO DEL PINTOR; EL ESTUDIO DEL ARTISTA.

Public Industrial Exposition in the courtyard of the Louvre in Paris, 1801, France 19th Century.

The Choir of the O.L.-Vrouwekerk in Breda with the Tomb of Engelbert II of Nassau. The Choir of the Church of Our Lady in Breda with the Tomb of Engelbert II of Nassau. Dating: 1843. Measurements: h 87 cm × w 69 cm; d 9.5 cm. Museum: Rijksmuseum, Amsterdam. Author: JOHANNES BOSBOOM.

Frederick II the Great as Crown Prince in Rheinsberg, History of the Hohenzollerns, Prussia, historical illustration 1899

Madrid. Museo del Prado. Sala de Tiziano.

Antwerp Cathedral. Dated: c. 1650/1655. Dimensions: overall: 15.3 x 23.1 cm (6 x 9 1/8 in.) framed: 23.5 x 31.1 x 4.1 cm (9 1/4 x 12 1/4 x 1 5/8 in.). Medium: oil on copper. Museum: National Gallery of Art, Washington DC. Author: Peeter Neeffs the Elder.

The Pieterskerk in Leiden. Date/Period: Ca. 1868. Painting. Oil, canvas, Decorated, frame,, gilded. Height: 1,213 mm (47.75 in); Width: 1,080 mm (42.51 in). Author: JOHANNES BOSBOOM.

Stage design for the opera Khovanshchina by M. Musorgsky by Dobuzhinsky, Mstislav Valerianovich (1875-1957) / Private Collection / 1949 / Russia / Watercolour, Gouache, white colour, ink on paper / Opera, Ballet, Theatre / 32x45

Ernest-Jean Delahaye (1855-1921). "The city of Courbevoie presides over the wedding party". Sketch for the town hall of Courbevoie (Hauts-de-Seine). Museum of Fine Arts of the City of Paris, Petit Palais. 102057-9 Sketch, town hall, town hall

Textile, W & E Orme, English, Medium: cotton Technique: roller printed on plain weave, glazed, Central scene of the Crystal Palace with people of all nationalities gathered in the foreground, surrounded by a floral pattern in blues and browns., England, 1851-1861, printed, dyed & painted textiles, Textile

Netherlands, Dupré, Daniël, The Arch of Titus on the Roman Forum, verso - stamped, View of the Arch of Titus on the Roman Forum in Rome before the restoration and repair of the aisles. A beggar stands under the gate. A man on horseback and a woman with two children walk through the gate. Two washerwomen walk towards the gate from the other side., print, prints, height 443 mm, width 310 mm, 1751-12-20 - 1817-06-04, print maker, printmaker, 1786 - 1817, paper, watercolor (paint), watercolour, etching, hand colouring

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