Historic Art Etchings

A collection of etchings depicting historical and mythological themes, featuring religious scenes, animals in nature, and allegorical representations with intricate details and classical styles.

Allegory with Mars, Pieter Franciscus Martenasie, After Peter Paul Rubens, 1739 - 1789 print Allegorical representation in which Mars in armor hands over a dagger to a child in the arms of a Stedensmaag. In the foreground a horizontal river god, put in the air putti with a shield and an image of the constellation Sagittarius. Antwerp paper etching (story of) Mars (Ares)

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Quast, Pieter Jansz (approx. 1605 ca 1647)

Johann Elias Ridinger etching, 1778, showing a stag and a female deer in a naturalistic forest setting.

Christ heals two blind people, Gabriel Huquier, After Claude Gillot, 1705 - in or Before 1732 print print maker: Parisprint maker: Franceafter design by: Francepublisher: Parispublisher: ParisFrance paper etching healing of two blind men who followed Christ into a house (Matthew 9:27-31)

Aurora, Gérard Audran, After Eustache Lesueur, 1650 - 1703 print print maker: Francepublisher: Paris paper etching triumph of Aurora: in her chariot drawn by two (sometimes four) horses, and possibly scattering flowers; Aurora's victory over the night; 'Carro dell'Aurora' (Ripa)

Allegory with Mars, Pieter Franciscus Martenasie, After Peter Paul Rubens, 1739 - 1789 print Allegorical representation in which Mars in armor hands over a dagger to a child in the arms of a Stedensmaag. In the foreground a horizontal river god, put in the air putti with a shield and an image of the constellation Sagittarius. Antwerp paper etching (story of) Mars (Ares)

Radagijs opposes his Anglo-Saxon bride, 534. Radagijs, king of Warmond, opposes his Anglo-Saxon princess. Story situated in the year 534. Radagijs is a made-up figure from the historical romance, for which this illustration is manufactured, with the title: Radagijs, King of Warmond. "In three dangers, a story from the kingdom of imagination, made in a delolive mood" by Willem Bilderdijk in 1819. Perhaps the name is derived from Radegast, the name of an Ostrogotic leader from the fourth century.

Copper engraving by Jérôme David from the 17th century depicting the biblical scene of the Flight into Egypt with figures and landscape.

Dancing and musical putti; Playing putti. Left dance three putti at a stone vase. On the right plays a putto the tambourine, while two putti beside him keep a dead bird up for a revolving dog. In the background three putti at a base. Bottom left: 103.

The landlord inspects the fields; Parable of the sower; Thesaurus Sacrarum historiarum Veteris Testamenti (...). The servants, both with a halberd in hand, ask the landlord or they must weigh the weeds between grain. The landlord provides an answer that the grain and weed must continue to grow until the harvest. A boy holds the rug of the landlord. Under the show a reference in Latin to the Bible text in mat. 13.

. Allegorical representation that depicts that Minerva's goddiness of the Goddess blossom blooming. In the foreground, Minerva is on a stack of books, with her spear in the hands. In addition to her a woman seen on the back, perhaps a muse, with the caduceus. On the clouds climb heroes to the Olympus, where Jupiter waits for them. Father time looks in vain and sees how the heroes give himself eternal fame.

Adoration of the Kings, Jean Michel Liotard, After Sebastiano Ricci, 1743 print paper etching adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Copper engraving and etching by Jonas Suyderhoef titled 'Der Trunkene Silen,' created 1633-1657

Hannibal crosses the Alps; Entry of Ferdinand in Ghent in 1635 (no. 15), Antony van der Does, after Nicolas de Liemaker, after Peter Paul Rubens, 1675 - 1685 print Hannibal crosses his army the Alps (218 BC), as Ferdinand would later do. Presentation at the top left on the back of the Triumph -Poort Arcus Fernandi on the Vrijdagmarkt. Page no. 15 In a whole of 42 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands. Southern Netherlands paper engraving triumphal arch. Hannibal crosses the Alps with his army and his elephants Ghent. Friday market

Abraham and Isaac on their way to the sacrifice, François Tortebat, after Simon Vouet, 1665 print France paper etching the servants are left behind while Abraham and Isaac (usually carrying wood) climb the mountain

Half-dressed Nymph with two children, surrounded by four men, from the Scherzi Giovanni Battista Tiepolo Italian ca. 1743-50

Etching by Adrianus van den Bergh depicting Neptune near a feast in a grotto, produced in the 18th century.

Mercury leaves Antwerp; entry from Ferdinand in Antwerp in 1635 (no. 34); Mercurius Abituriens: Media Pegmatis Tab. Maiori Form. Mercury leaves Antwerp. Due to the war and the closure of the Schelde, trade in Antwerp is imminent. Mercury with the Sleeping river god from the Scheldt, turn right the city mawn from Antwerp. With caption of 3 lines in Latin. The central show on the stage of Mercury, drawn up on the Sint-Jansbrug. Signature upper left: p. 147b. Leaf No. 34 In a set of 43 plates that illustrate the publication of the dental of the Cardinal Infant Ferdinand of Austria in Antwerp on April 17, 1635 as the new governor for the Spanish Netherlands.

Johannes Tetzel is robbed near Leipzig and accused indulgence trade, Daniel Nikolaus Chodowiecki, 1798 print In the margins, soldiers traveling are etched in sketchy way. With caption in German. Berlin paper etching History. arrest (of criminal). monk(s), friar(s). Indulgence, Clemency; 'Clemenza', 'Clemenza & Moderatione', 'Indulgenza' (Ripa) Leipzig

Trophy of Constantijn, Anonymous, Peter Paul Rubens, Balthazar Moncornet, 1650 - 1668 print publisher: ParisFrance paper engraving / etching triumphs (allegorical and symbolic). violent death by beheading

"Copper engraving by Pierre Etienne Moitte depicting the Neapolitan gesture, showing human figures, hand movements, and expressive postures. Created in 1763, illustrating detailed line work and observation of everyday behavior."

Copper engraving and etching by Cornelis Martinus Vermeulen depicting the queen fleeing from the city of Blois, created around 1710.

Augusto Guglielmi (Lithographer) (After Juanes, Juan de (Vicente Juan Masip)); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'Saint Stephen in the Synagogue'. 1829 - 1932. Lithographic aquatint, Crayon lithography, Scraper on wove paper; 1829 - 1932. Lithographic aquatint, Crayon lithography, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

Copper engraving and etching by Bernard Picart from 1700 to 1733 illustrating the biblical scene of Moses defending the daughters of Jethros, showing figures, gestures, and narrative composition.

Copper engraving by Cornelis Galle the Elder showing the allegorical abuse of law, emphasizing moral and ethical critique in visual art.

Étienne Fessard's 1752 copper engraving and etching depicts Altargemar, showing figures, architectural elements, and detailed composition.

Etching by Giovanni Domenico Tiepolo depicting the martyrdom of Saint Agatha, created in the 18th century, illustrating the saint's suffering and religious iconography.

Copper engraving by Hans Collaert the Elder depicting David sparing Saul and the subsequent suicide of Saul and his armor-bearer, created between 1555 and 1580.

Venus and Adonis, Jean Audran (attributed to), after Antoine Coypel, 1677 - 1756 print France paper etching / engraving Venus and Adonis as lovers

Rinaldo in Armida, Bernard Picart, 1740 - 1797 print The lovers Rinaldo and Armida rest, surrounded by putti, in Armida's garden. They look in the mirror to see their own in love in the eyes of the other. The two knights who were looking for Rinaldo look at the right back from the bushes. Under the show verses in French. Paris paper etching / engraving Armida. Rinaldo. couple of lovers

Eduard II of England murdered in his bedroom, 1327, Jan Luyken, 1698 print Eduard II of England murdered in his bedroom, September 21, 1327. A man holds the king in his bed while another takes a poker out of the fire. paper etching attempt, political murder. bedroom

Flood; And through such electricity (...). At the Top Right: i.d.pl.i. Bottom Right: Bladz.82.

Two biblical performances from 2 Sam. 13. Amnon grabs Tamar to rap her, and Absalom let his brother kill Amnon. Two representations of one plate, each with a title in Dutch and French. Numbered at all the bottom right: 58.

A copper engraving and etching by Jean Audran created around 1710 depicting King Henri IV deliberating on his future marriage, showing the king in a formal setting with advisers.

Edelmoedigheid, Jacques -Antoine Friquet de Vauroze, After Sébastien Bourdon, 1663 - 1738 print Artemisia is sitting with two servants in front of the mausoleum of her deceased husband. print maker: Franceafter design by: Parispublisher: FranceFrance paper engraving / etching Historical Persons. magnificence; 'Magnificenza' (ripe). Mausoleum at Halicarnassus (Wonnder of the World)

Allegory with personifications of painting (Pittura) and the merit (merito), Giovanni David, c. 1774 - c. 1776 print Allegory with personifications of painting (Pittura) and the merit (merito) in the midst of antique ruins, portrait busts and urns. Merito points Pittura in an antique bust. In front of them are antique architecture fragments, an incense burner, a skull and bones. The ETS is mounted on an album magazine (presumably by the artist himself) with a contents written with a pen written with works from and to Flemish and Dutch painters, including Nicolaas Maas, Willem de Heus, Pieter van Slingeland, Pieter Bout and Others. paper etching 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa). Merit; 'Merito' (Ripa). piece of sculpture, reproduction of a piece of sculpture

Fabel van de Wolf, de Moeder en Het Kind, Johann Heinrich Meil (the older), After Jean-Baptiste Oudry, 1758 print paper etching fables of Lafontaine : Use 85(...). mother and baby or young child. violent death by blows, kicks, pricks, etc.. beasts of prey, predatory animals: wolf. fables of Lafontaine (with TITLE) : Use 85(...)

King Masinissa sends poison cup to Sophonisba, c. 1677 print King Masinissa is on the left and sends a servant with a poison cup to Sophonisba, the daughter of the Carthagen General Hasdrubbal. In the foreground a figure that carries a vase. Title in Latin in STUDMARGE. The print originally belonged to Liber 22 of the Atlas of Rome by Michiel Hinloopen (Schijnvoet Book 10). paper etching / engraving death of Sophonisbe: she receives from a servant a cup of poison sent to her by Masinissa. (story of) king Masinissa

Tiberius escapes death, Jan Caspar Philips, after Hubert François Gravelot, 1736 - 1775 print Tiberius holds a party banquet in a cave. The vault collapses and the emperor escapes death. The guests watch shocked. Amsterdam paper etching / engraving celebration meal, feast, banquet. cave, grotto. accidental death by falling objects

Elijah and the widow of Sarefat; History of Elia; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Elia meets the widow of Sarefat and her son, who gather wood together outside the city gate. In the background, Elia prays for the boy who died and is awakened to life again. Outside at the door is the widow. Under the show a reference in Latin to the Bible text in 1. 17. This print is part of an album.

Man welcomes a family by his ship, Daniël Mreedwaard (I), after Pieter Bartholomeusz. Barbiers, 1777 - 1818 print A man stands on the quay and greets a rich family by taking his hat. In the foreground a ship or sloop. The print is part of an album. print maker: Amsterdampublisher: Haarlem paper etching / engraving being welcomed ~ travelling

Michal traces David to flee and the covenant of David and Jonathan, Jacob Folkema, 1791 print Two Biblical performances from 1 Sam. 19 and 20. Michal encourages David to flee, and the covenant of David and Jonathan. Two performances of one plate, each with a title in Dutch and French. Fully numbered at the bottom right: 52. publisher: Amsterdampublisher: Dordrecht paper etching Michal urging David to flee. David consulting Jonathan (in the field); Jonathan pledges his loyalty

Aeneas for Jupiter, surrounded by Venus and De Gratiën, Christian Heckel (Possible), After Samuel Bottschild, 1651 - 1705 print paper etching (story of) Aeneas. (story of) Jupiter (Zeus). (story of) Venus (Aphrodite). Graces (Charites), generally three in number; 'Gratie' (Ripa). sitting or standing on clouds

Hertog Willem II van Gelre submits itself to Karel V, 1543. William II, Duke van Gelre, submits to Emperor Charles V and has him Gelder and Zutphen, 1543. The Duke kneels for the emperor.

Etcher: Orazio Borgianni, Italian, ca. 1578-1616, After: Raphael, Italian, 1483-1520, The Ark of the Covenant Carried Across the Jordan, from The LoggiaPaintings, Etching, one of a set of 32 prints, platemark: 16.2 × 20.4 cm (6 3/8 × 8 1/16in.), Italian, 16th-17thcentury, Works on Paper -Prints

Title Pagina Van Proper Marchan, Histor's L'Origin Cameline The L'IPRIME, 1740, JACOB VAN print Title page of "Histoire de l'Origine de l'etprimerie" by Prosper Marchand, 1740. A cloud has a personification of the book printing with a printing press. She is flanked by Minerva and Mercury. Among them are personifications of Germany, Holland, England, Italy and France. They carry portraits with people who have been important for the art of printing. The Hague paper etching / engraving printing press. Minerva as patroness. (story of) Mercury (Hermes)

Copper engraving by Jan Pietersz. Saenredam, 1599, depicting the announcement of Christ's birth to the shepherds with figures in a biblical narrative scene.

Tamar makes food for Amnon, 1579 print Tamar cooks for her sick half -brother Amnon who is in bed. She kneels in front of a fireplace and stirs in a kettle. In the background, Amnon is surrounded by a group of men. A piskijker stands by the window and looks at a urinal with urine. Under the performance a reference in Latin to the Bible text. Print is part of an album. paper engraving Tamar preparing cakes for Amnon

A Siesta in Italy 1842 Henri-Charles-Antoine Baron. A Siesta in Italy. Henri-Charles-Antoine Baron (French, Besançon 1816-1885 Geneva). 1842. Lithograph. Prints

Satan sowing weeds between the grain, Pieter Jalhea Furnius, after Gerard van Groeningen, 1585 print While the landlord and his servants are sleeping, his enemy, the devil, comes to sow weeds between the sown grain. The devil has a boar head as a head. Under the show a reference in Latin to the Bible text in mat. 13. This print is part of an album. paper engraving while the sower and his servants slept, his enemy (the Devil) sowed tares among the wheat

Fight between Amazones and Greeks (part in the middle), François Ragot, after Peter Paul Rubens, 1648 - 1670 print Fight between Amazons and Greeks on the Troy bridge. publisher: ParisFrance paper engraving / etching battle of Amazons; amazonomachy. bridge

Labor is the task of the third position, Philips Galle, After Maarten van Heemskerck, 1635 print In the foreground, farmers are working on the field and in the field. They sow, mow, plow and dig. Building and harvested in the background. These farmers represent the majority of the population, the third position. They have to work to feed the rest of the population. The print has a Latin caption and is part of a series about the different tasks of the three positions. print maker: Haarlemafter design by: HaarlemHaarlempublisher: Antwerp paper engraving working class, labourers. farmers. agriculture. building activities

Chilperik I visits Fredegonde / Bal des Ardents, Bernard Picart (workshop of), 1731 print Two performances on a leaf. Left: The Frankish king Chilperik I visits his mistress Fredegonde. She sits at a table and combs her hair. In the margin a four -line caption in French. Right: King Charles VI and five other men are dressed as Wilden and Dancing at a wedding party. A man with a burning torch sets one of them on fire. The Duchess of Berry throws her cloak over the king and thus saves his life. In the margin a four -line caption in French. Amsterdam paper etching courting. comb, brush and other tools (care of the hair) - AA - ~ women. palace - AA - civic architecture: inside

Gideon and the sheepskin; History of Gideon; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Gideon kneels down the sheepskin. The dew is only on the sheepskin. On the right in the background, Gideon kneels for the second time at the sheepskin. This time the dew only falls around the sheepskin and not on the sheepskin. Gideons men look surprised. Under the show a reference in Latin to the Bible text in RI. 6. This print is part of an album.

Justitia with an angel on a cloud, Michel Dorigny, after Simon Vouet, 1638 print France paper etching / engraving Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues. angels. assemblies of the gods in the air, possibly on the clouds

Copper engraving by Pierre Dufour from 1565-1571 depicting the battle in Pergamon and Hector's farewell, representing scenes from classical mythology.

Persée et les soeurs des Gorgones. Wittmann Charles, Imprimérie, Paris (fl. ca 1886-1908), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Gazette des Beaux-Arts (Paryż ; czasopismo, wydawnictwo ; 1859-2002), publishing house, Burne-Jones, Edward (1833-1898), painter

Apollo as God of the Arts. On the Berg Parnassus, Apollo plays the Lier and left from him Pegasus, the winged horse. On the left in the foreground, four putti play with scenic tractites. Right two figures with laurel wreaths, probably muses.

Simson and Delila; History of Simson; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. Simson is sleeping on Delila's lap and she clips his hair. Armed filkeins appear behind the tree to capture Simson. On the right in the landscape a bridge over a river. Under the show a reference in Latin to the Bible text in RI. 16:19. This print is part of an album.

Photo production of an engraving of Elia in the wilderness, fed by the angel by Conrad Lauwers, to the painting by Peter Paul Rubens, Jean Louis Bargignac, after Conrad Lauwers, after Peter Paul Rubens, c. 1853 - in or before 1858 photograph Brussels photographic support albumen print Elijah flees into the wilderness (desert)

Allegory in painting, Johann Christian Thomas Winck, 1748 - 1797 print München paper etching (story of) Minerva (Pallas, Athena). Luck, Fortune, Lot; 'Fato', 'Fortuna', 'Fortuna aurea', 'Fortuna buona', 'Fortuna pacifica overo clemente', 'Sorte' (Ripa). measuring-instruments. tools, implements of painter. 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa)

Man Kneelt For A Woman, Reinier Vinkeles (I), After Jacobus Buys, 1751 - 1816 print Surrounded by original Americans and a monk, a fascinated man, possibly John Smith, possibly for a woman, possibly Pocahontas. Amsterdam paper etching / engraving Native peoples of North America. kneeling figure North America

Adam and Eva hide the Father for God; Creation and fall; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. After eating a fruit of the tree of the knowledge of good and evil, Adam and Eve discovered that they are naked. They cover with leaves and hide for God behind a tree. God the father is looking for them and asks where they are. Left in the background God gives the father's clothes to Adam and Eva. Right a bear. At the bottom of a reference to the Bible text in Latin. This print is part of an album.

Etching by Francesco Giovane from 1645-1669 showing the Adoration of the Shepherds, emphasizing the Holy Family and composition of figures.

Street scene. A violinist in a window frame keeps his ears tightly close to the noise that make different figures for his house, including a singer with a crying baby, children with noisy instruments, a knife sharpener with his grindstone, a postman with his horn, a barking dog and two fighting cats.

Hercules en Hesione, Bernard Picart (workshop of), 1713 - 1719 print Hercules saves Hesione from the sea monster. Standing in a boat, Hercules with his club knocks down the monster. Hesione is chained to the rock on the right. Print is part of a series of prints, which together present the painted ceiling with the apotheosis of Hercules in the Hôtel Lambert in Paris. print maker: Amsterdampublisher: Amsterdampublisher: Paris paper etching / engraving (decorated) ceiling. Hercules liberates Hesione, Laomedon's daughter, by killing the sea monster Lambert Hotel

Glorification of Maria, Wilhelm Wörnle, after Giovanni Battista Tiepolo, 1859 - 1916 print print maker: Austriaprinter: Viennapublisher: Vienna paper etching Mary (without the Christ-child). cherubs, i.e. children's heads with wings. founder of the Order of Friars Minor (Franciscans), Francis(cus) of Assisi; possible attributes: book, crucifix, lily, skull, stigmata

Visitation, 1653 - 1654 print In a windy landscape, Maria and Elizabeth meet at a house. Zacharias is in the doorway. Elisabeth looks up and points her right hand to heaven. The print is part of an album. paper engraving Visitation (possibly Joseph and/or Zacharias present) (Luke 1:39-56)

Jonatan and his weapon carrier kill Philistines, Matthijs Pool, After Bernard Picart, 1720 - 1728 print Jonatan and his weapon carrier kill twenty Philistines. The crowd runs away in a panic. Illustration of the Bible text 1 Sam. 14:13. Under the show the title in Hebrew, English, German, Latin, French and Dutch. print maker: Amsterdampublisher: Amsterdampublisher: The Hague paper etching / engraving Jonathan smites the Philistine garrison at Geba

Decius Mus is preparing for his death, Joseph Schmutzer, after Peter Paul Rubens, 1710 - 1740 print With caption in Latin. Vienna state paper engraving / etching (story of) Decius Mus. armorial bearing, heraldry

Ferdinand greeted by the Archbishop of Cologne; Entry of Ferdinand in Ghent in 1635 (no. 11), Pieter de Jode (II), After Cornelis Schut (I), After Peter Paul Rubens, 1675 - 1685 print Ferdinand greeted by Ferdinand van Bavaria, the Archbishop of Cologne, October 18, 1634. Presentation at the bottom right of the front of the Triumph -Poort Arcus Fernandi on the Friday market. Page no. 11 In a whole of 42 plates that illustrate the publication of the description of the entry of the Cardinal Infant Ferdinand of Austria in Ghent on January 28, 1635 as the new governor for the Spanish Netherlands. Southern Netherlands paper engraving triumphal arch Ghent. Friday market

Violin Player for an inn, Abraham Lion Zeelander, J.F. Brugman, 1848.

Raffael (Raffaelo Santi) (1483-1520), child murder to Betlehem (approx. 1750): Representation of the child murder in Betlehem. Pressure on paper, 63.6 x 49.1 cm (including scan edges) Raffael (Raffaelo Santi) (1483-1520): Kindsmord zu Betlehem

Mentor and Achitoas sing for an audience, Jean-Baptiste Tilliard, After Charles Monnet, 1785 print In the background, Achitoas and Mentor sing, playing on a winch for a company in a boat. Their singing attracts nereids and tritons in the foreground. The whole is framed by a decorative frame with olive branches and a bow at the bottom. Numbered at the top right: No. III. print maker: Franceafter drawing by: Francepublisher: Parispublisher: Parispublisher: Parispublisher: Parispublisher: Paris paper etching / engraving (FENELON, Telemachus) specific works of literature (with AUTHOR, Title). (story of) Telemachus. Telemachus starts out with Mentor, in search of his father. ornament ~ festoon, garland

An etching by Maria Anna Angelika Catharina Kauffmann from 1788-1793 depicting Servius, executed in the punctuation manner.

Battle between the wind trade and the upcoming poverty, 1720, 1720 Cartoon with the battle between Vastennond and Vasten placed in the context of the wind trade of 1720. Battle between two people on chariots pulled by children. Left fasting evening, dressed with kitchen instruments, game and poultry, drinking glasses and jugs. She and her supporters carry references to the action trade. Right fasting, dressed with fish and pretends, refers to the upcoming poverty. In the caption a verse in five columns, printed from a separate plate. Print in the bound fourth edition (304 B 12) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper engraving Cartoon with the battle between Vastennond and Vasten placed in the context of the wind trade of 1720. Battle between two people on chariots pulled by children. Left fasting evening, dressed with kitchen instruments, game and poultry, drinking glasses and jugs. She and her supporters ca

Portrait of Jan Wagenaar with allegorical figures; Title page for: J. Wagenaar, Patriotic History, 1790. History writes surrounded by truth, freedom and minerva. Behind them a column with the portrait of the writer Jan Wagenaar.

Copper engraving by Jan Pietersz. Saenredam showing the announcement of Christs birth to the shepherds, 1580-1607.

Germanicus on his deathbed, Guillaume Chasteau, After Nicolas Poussin, 1663 print Germanicus is on his death bed under a canopy. On the left is his grieving woman Agrippina with the maid with three children next to her. Right and in the foreground soldiers and friends who swear to avenge Germanicus's death. paper engraving / etching death of Germanicus Caesar: he is lying on his deathbed, his wife Agrippina grieving at his bedside, and his friends swearing to avenge his death

IIIeme salle, milieu de la IIde façade, La Galerie electorale de Dusseldorff ou catalogue raisonné et figuré de ses tableaux: dans lequel on donne une connoissance exacte de cette fameuse collection. . ., Mechel, Christian von, 1737-1817, Engraving, 1778

Bitwa pod Fehrbellin, z cyklu "Denkwürdigkeiten aus der Brandenburgisch-Preussischen Geschichte". Menzel, Adolph (1815-1905), graphic artist, Sachse, Ludwig & Co (Berlin ; zakład litograficzny, wydawnictwo ; 1827-1949), publisher

Etching by Francesco Bartolozzi, created between 1750 and 1815 in punctuation manner, portraying the Prince of Wales with King Jolin in detailed engraving.

Young man with joy and sadness, Daniel Nikolaus Chodowiecki, 1778 print A young man dances with joy, presented as a young woman with a glass of wine in her right hand and a Thyrsus in her other left hand. She is closely followed by sadness, presented as a veiled old woman. paper etching joy, 'Gaudium' ~ one of the seven gifts of the soul. Pain, Sorrow, Sadness; 'Dolore', 'Dolore di Zeusi' (Ripa)

Civilis and Cerialis negotiate on the broken bridge, 69-70, Reinier Vinkeles (I), After Jacobus Buys, 1788 print Civilis and cerialis negotiate and close peace on the broken bridge. Amsterdam paper etching extinct, 'historical' peoples (with NAME). extinct, 'historical' peoples (with NAME). peace negotiations Netherlands

Allegorical show with shepherds and shepherders, Bernard Picart (workshop of), After Bernard Picart, 1728 print Allegorical representation with shepherds and shepherds who enjoy themselves in a forest. In the foreground a woman who looks at her mirror image in the water, a few with a dog, shepherds and shepherds who dance and make music. In the background, women make a sacrifice to Amor. In the margin a two -way caption in French. Amsterdam paper etching / engraving pastorals, Arcadian scenes. group dancing. making music; musician with instrument. (story of) Cupid, Amor (Eros). Sacrifice

Illustration to the poem by Aleksander Pushkin "Rusa"; Illustration from the magazine: "Zorza polarna", vol. I; Unknown, Trutovsky, Konstantin Alexandrovi (1826-1893), F.A. Brockhaus (Amsterdam, Leipzig, Wiesbaden; Publisher; 1808-1953), Henkel, W. E. (St. Petersburg; Publisher; Ca 1860-1870); 1862 (1862-00-00-1862-00-00);

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Rembrandt van Rijn (1606 1669)

Copper engraving and etching by Laurent Cars around 1753 depicting the Adoration of the Shepherds, showing figures gathered around the newborn Christ in a biblical nativity scene.

Dorothea with a group of travelers from Goethe's Hermann und Dorothea, Johann Leonhard Raab, after Wilhelm von Kaulbach, c. 1864 print paper. etching migrants. Waiting, Watching

Alegoria rozbioru Polski (Circoncision á Stanislaus). unknown, graphic artist, Chodowiecki, Daniel Nicolaus (1726-1801), draughtsman, cartoonist

Allegory with Minerva; Title page for: S.N., Treaties issued by the Zeeland Society of Sciences in Vlissingen, DL. 1, 1769. Minerva sitting with the Bible in the hand points to the city of Vlissingen in the distance. Behind her a column with medallions with portrait and coat of arms of Stadholder Willem V. All around three putti with books, an olive branch and a winch.

Arlequin gives his child a beating with the rod, anonymous, after Gerardus Josephus Xavery, 1720 - 1728 print Arlequin gives his child a beating on the bare buttocks. Colombine takes a watch from behind a bush and tells Arlequin that he must stop to punish his child in this way. Amsterdam paper etching / engraving types in 'commedia dell'arte': Harlequin. rod, birch ~ punishment at school

Panurgies on the lantern island, Ballet by Astolfi Theatrical Image Gallery for the Theaterzeitung, Jg, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Copper engraving and etching by Jean Daullé created between 1723 and 1763 depicting allegorical representations of Water and Earth.

The Tuileries Garden

Copper engraving by Claude Mellan illustrating an allegory of human mental abilities, depicting mind, will, and memory with symbolic figures.

Ludwig XIII., King of France.

Copper engraving by Johann Sadeler the Elder from 1589 illustrating Passion scenes with detailed figures, postures, gestures, and symbolic elements in Christian context.

Copper engraving by Andries Jacobsz Stock depicting the biblical scene of Isaac as a victim, created in 1638, illustrating the story from the Book of Genesis in 17th-century printmaking.

Four Religious and Secular Compositions. Dated: 1760s. Dimensions: plate: 38.8 × 14.9 cm (15 1/4 × 5 7/8 in.) sheet: 39 × 14.9 cm (15 3/8 × 5 7/8 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Jean Jacques Lagrenée II.

A little bitter, hearing in a wage; Ruscheweyh, Ferdinand (1785-1846), Cornelius, Peter von (1783-1867), Wenner, Johann Friedrich (1772-1835); 1816 (1816-00-00-1816-00-00);Faust, literary figure, Goethe, Faust, Karnicki Justinian, collection, Małgorzata, Faust, literary figure, Germany, country, romanticism, illustration, literature, penance, prison

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