Historic Battle Art

A collection of classical artworks depicting dynamic battle scenes, mythological themes, and spiritual encounters, showcasing engravings and sketches from renowned artists.

Albrecht Dürer (German, 1471 - 1528), Nemesis (The Great Fortune), c. 1501-1502, engraving on laid paper

Louis XIII (King of France), Maurice (Prince of Orange), Philip IV (King of Spain), Antwerp, Vorsterman, Lucas (I), Rubens, Peter Paul, Battle of the Amazons (detail), verso - stamped, print, prints, height 427 mm, width 410 mm, South Netherlandish, 1595 - 1675, print maker, printmaker, 1623 - 1623, paper, papier, engraving, engraving (printing process), 1577-06-28 - 1640-05-30, after, after painting by, Publication (Event), Publication, publisher, uitgever, Spaans, Portugese, 1605-04-08 - 1665-09-17, granter of privilege, 1567-11-13 - 1625-04-23, 1601-09-27 - 1643-05-14

'OUR SAVIOUR AFTER THE TEMPTATION' PAINTED BY SIR GEORGE HAYTER, M.A.S.L.

Lazio Roma Frascati Chiesa del Gesu6. Hutzel, Max 1960-1990 Views of facade, altars, painting and sculpture. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Dante Swoons before the Soaring Souls of Paolo and Francesca, Virgil at his Side 1813-1823 Switzerland. In no other of Fuseliís original prints (that is, prints made by him, in contrast to reproductive engravings made by others after his paintings) did he so closely approach the condition of drawing as here. The etched line and aquatint, a type of etching that uses powdered rosin to create a tonal effect, successfully evoke the penned line and brushed wash of his watercolors.. Etching and aquatint on ivory wove paper . Henry Fuseli

Truth Triumphing over Envy A Young Woman in Conflict with a Man Crouching on a Dragon, Virtue Triumphing over Vice. Ligozzi, Jacopo, 1547-1626. 1780. Prestel, Maria Katharina, 1747-1794. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Jason and the Dragon Salvator Rosa (Italian, 1615-1673). Jason and the Dragon. Etching on laid paper, Image: 13 1/4 x 8 9/16 in. (33.7 x 21.7 cm). European Art

Albrecht Dürer (German, 1471 - 1528), Nemesis (The Great Fortune), c. 1501-1502, engraving on laid paper

Female figures with man on the back of Vogel, Johannes Josephus Aarts, 1881 - 1934 print A naked man flies on the back of a bird. He raises his arms to heaven. He is viewed from above by different women dressed in dresses. There is a cat in their midst. Clouds and flowers float in the sky. Japanese paper (handmade paper) flying on or with the aid of animal(s). birds. flowers. cat. surrealia, surrealistic representations

Image reproduction: Józef Marian Deskur (1861-1915), Sphinx and Centaur; Card from the album "Country" series; Country (St. Petersburg; magazine; 1882-1909); around 1898-1909 (1896-00-00-1909-00-00);

Woman figures with man on back of bird. A naked man flies on the back of a bird. He raises his arms. He is viewed from above by different women dressed in dresses. There is a cat in their midst. Clouds and flowers float in the air.

Adrià Gual / Dibujo. Institut del Teatre de Barcelona.

Etching and copper engraving by Annibale Carracci from 1580-1609 showing the Baptism of Christ, emphasizing biblical figures and composition.

Francisco de Goya y Lucientes / 'Dream 10. At the height of their flight, the haughty witches are cast down'. 1796 - 1797. Pencil, Iron gall ink, Black chalk lines on dark yellow laid paper. Museum: Museo del Prado, Madrid, España.

Illustration for "Till Eulenspiegel". Artist: Arthur Rackham (British, London 1867-1939 Limpsfield, Surrey). Dimensions: Image: 14 x 10 in. (35.6 x 25.4 cm)Sheet: 14 5/8 x 10 3/4 in. (37.1 x 27.3 cm). Date: 1916.Rackham's nocturnal scene of riot was painted for a book of German fairy tales, "Der Märchenwald" published in Zurich and Leipzig in 1919. Nude sprites clutch the foot of a phantom who waves a sword and leads a girl astride a goat, a monk who rides a pig, and other wild figures. The group is surrounded by magical flames and cavorts beneath a waxing crescent moon. Museum: Metropolitan Museum of Art, New York, USA.

Fall of the giants (first part), Bartolommeo Coriolano, After Guido Reni, 1647 print The giants who stormed heaven to overthrow Jupiter are buried under stone. At the top of the furious Jupiter with eagle and lightning bolts. Wind gods blowing left and right. Bologna paper the Giants buried beneath volcanoes. giants, colossi. battle of the Giants against the gods: gigantomachy. gods of the winds

New Society dinner-card , Horses, Pegasus Greek mythology. George Bellows (1882-1925). Prints and Drawings

Satan Approaching the Court of Chaos, William Blake, 1757-1827, British, 1784 to 1785, Graphite with pen and gray ink and gray wash on medium, slightly textured, cream laid paper, Sheet: 9 1/4 x 13 1/4 inches (23.5 x 33.7 cm), angel, clouds, literary theme, men, nudes, religious and mythological subject, sash, shield, staff, women

Satan with figures in his arms; Allegorical composition with the devil. Satan, recognizable to his wings and split, lifts a group of figures in his arms. Another figure is clamped around his right leg. The landscape is bare and rocky.

Jerusalem, Plate 99, "All Human Forms identified....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 226 mm (8.89 in); Width: 155 mm (6.10 in). Author: William Blake.

Cornelis Cornelisz. van Haarlem depicts Tityos using brown ink over black chalk, with brown, rose brown, and deck white brushwork on light gray paper, 1588, showing figure and anatomical details.

The Resurrection of Christ. Artist: Attributed to Denijs Calvaert (Netherlandish, Antwerp ca. 1540-1619 Bologna). Dimensions: 15 15/16 x 10 13/16 in. (40.5 x 27.5 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Wilhelm Kotarbiński (1849-1921), a grave of suicides; Świt (Warsaw; publisher); around 1910 1930 (1905-00-00-1939-00-00);

Simson destroys the columns of the temple. Simson pulls two columns of the Temple of the Philistines, making the building collapse and all attendees, including Simson, are killed.

Sketchbook Folio, The Marriage of Henry IV; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash, over traces of black chalk on white laid paper; 21.7 x 15.2 cm (8 9/16 x 6 in.)

Jacob Blessing Ephraim and Manasseh, the Sons of Joseph. Draughtsman: Rembrandt van Rijn (rejected attribution). Draughtsman: Jan Victors (attributed to). Dating: c. 1635 - c. 1640. Place: Amsterdam. Measurements: h 107 mm × w 113 mm. Museum: Rijksmuseum, Amsterdam.

Jewels from the tomb of Casimir the Great in Krakow. Fajans, Maksymilian (Warszawa ; zakład litograficzny ; 1853-1890), lithography atelier, unknown, graphic artist

EngravingGod slays the Leviathan

Witches, witches' sabbath or devil's dance, secret, nocturnal, festival-like meeting of witches and sorcerers with the devil at a specific, usually remote location, the witches' dance site, after a painting by Hans Baldung Grien, ca 1630, Historical, digitally restored reproduction from an 18th or 19th century original.

Illustration at a prelude from Wagner's Opera Lohengrin, Henri Fantin-Latour, 1898 print paper Lohengrin or the Knight of the Swan, in German legend the son of Percival or Parsifal. activities of angels (in heaven)

Two Genii with two horses on Leidsel, Jacques Blondeau, After Pietro da Cortona, 1665 - 1698 print Two Genii with two horses of lifelines on semi -circular arched field. print maker: unknownpublisher: Rome paper engraving Genii (Roman tutelary spirits); 'Genio' (Ripa)

The Archangels Gabriel, Michael and Raphael (recto); sketches of figures (verso). Artist: Giuseppe Passeri (Passari) (Italian, Rome 1654-1714 Rome). Dimensions: 9 1/2 x 6 1/4in. (24.2 x 15.8cm). Date: 1654-1714. Museum: Metropolitan Museum of Art, New York, USA.

The Awful Fight Between Theseus and the Minotaur Illustration by George Wharton Edwards from the book Myths From Many Lands published 1912

Swaran, the beaten king of Lochlin from the epic poems by Ossian. .

Europe. A Prophecy, Frontispiece Proof Impression, Print made by William Blake, 1757-1827, British, ca. 1820, Relief etching; verso: relief etching with pen and black ink on moderately thick, slightly textured, beige wove paper, Sheet: 12 1/2 x 9 1/4 inches (31.8 x 23.5 cm), Plate: 9 1/4 x 6 5/8 inches (23.5 x 16.8 cm), and Plate: 8 3/8 x 5 7/8 inches (21.3 x 14.9 cm), angel, bald, fire, flames, leaf, men, nudes, religious and mythological subject, text, wings

Soplones,' 1799, by Francisco Goya (1746-1828). This visual work, part of a series of satires, features supernatural beings. It is a first edition etching and aquatint, noted by its standard reference number

Belphagore; Jean-Baptiste Oudry (French, 1686 - 1755); 1734; Brush and black ink, gray wash, heightened with white gouache, on blue paper; 31.1 x 26 cm (12 1,4 x 10 1,4 in.)

TAPIZ - FABULA DEL ZORRO Y LA CIGÜEÑA. Author: GABE NICOLAS EDUARDO. Location: BANCO DE ESPAÑA-COLECCION ARTE. MADRID. SPAIN.

Austria, Vienna, Illustration of Dante Alighieri's Divine Comedy (Heaven, Song XXIII) by Franz von Bayros

Giovanni Gallo after Marco Pino, Perseus, 1570 1580 Perseus

Jupiter and Ganymede. Artist: Joseph Heintz the Younger (German, Augsburg ca. 1600-1678 Venice). Dimensions: 7 1/4 x 5 3/4 in. (18.4 x 14.6 cm). Date: 1626. Museum: Metropolitan Museum of Art, New York, USA.

Two mermaids ride a big wave Date: 1894

The Destruction of Job's Sons. Dated: 1825. Dimensions: plate: 21.6 x 17.2 cm (8 1/2 x 6 3/4 in.) sheet: 41.9 x 33.3 cm (16 1/2 x 13 1/8 in.). Medium: engraving on India paper. Museum: National Gallery of Art, Washington DC. Author: William Blake.

Lazio Viterbo Vitorchiano Madonna di S. Nicola3. Hutzel, Max 1960-1990 Three exterior views of 16th c. church; comprehensive coverage of church interior, including altars, nave and numerous frescoes of the viterbese school. General Notes: Two sets of prints integrated into single numerical sequence that comprises all views of Vitorchiano. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bruin as King

Orpheus, decorative painting the Opera foyer, vintage engraved illustration. Magasin Pittoresque 1876.

Campania Caserta Caserta Palazzo Reale42. Hutzel, Max 1960-1990 Post-medieval: Architecture & architectural sculpture, sculpture, statues, paintings, frescoes, stuccoes, furnishings & decorative art General Notes: Discrepancy in number of prints & negatives. Hutzel notes 824 prints & negatives. Negatives for 1-62 of one batch seem to be missing (would make a total of 824) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Study for The Age of Wisdom, Mucha, Alfons Marie (1860-1939)

Le petite sou by Steinlen, Theophile Alexandre (1859-1923) / Private Collection / 1900 / Schwitzerland / Colour lithograph / Poster and Graphic design / 203x101 / Art Nouveau

Lazio Viterbo Caprarola Palazzo Farnese067. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Tombination, 1615 - 1617 drawing paper. ink pen / brush bearing of Christ's body to the grave

Wm. Littlefield's mural at the Falmouth High School , Football, Football players. The Massachusetts WPA Federal Art Project Photograph Collection

Print from Drawing Book. Dated: c. 1610/1620. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Luca Ciamberlano.

DALI Salvador(1904-1989) Big gusts Capricho-48 1977 Based on Capricho Francisco Goya's etchings etching 39x31

William Blake, The Vision of Eliphaz, 1825 The Vision of Eliphaz

Winged man embraces a naked woman, Anonymous, 1900 - 1970 drawing A male angel with a crochet nose flatters herself next to a naked, sitting woman and puts his arm over her shoulder. paper. India ink (ink). deck paint. pencil pen / brush woman (showing herself) undressed, quasi-nude. angels. (lovers) embracing each other, 'symplegma'

Summer, Lunette for Ceiling, Sala Ottagonale, Palazzo Milzetti, Faenza, Felice Giani, Italian, 1758-1823, Pen and brown ink, brush and light brown wash over graphite on white laid paper, Winged putto holding sheaves of grain and sickle in a demi lune., Faenza, Italy, Italy, 1804-05, interiors, Drawing, Drawing

'St Michael Battling with the Dragon', 1498, (1936). Artist: Albrecht Dürer

Strasbourg, Greuter, Matthäus, Dietterlin, Wendel (I), Elijah in the fiery chariot, verso - stamped, print, prints, height 376 mm, width 314 mm, 1564 - 1638-08-22, print maker, 1589 - 1589, paper, engraving, engraving (printing process), Work conception, German, 1551 - 1599, after a design by, Publication (Event), Publication, publisher

They spruce themselves up. Francisco Goya y Lucientes (Spain, Fuendetodos, 1746-1828). Spain, 1799. Prints; etchings. Etching, burnished aquatint and burin

God Seated on the World. Artist: Antonio Fantuzzi (Italian, active France, 1537-45). Dimensions: Sheet (lunette/trimmed): 9 1/4 × 18 1/16 in. (23.5 × 45.8 cm). Date: 1540-45. Museum: Metropolitan Museum of Art, New York, USA.

Jerusalem, Plate 76, Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 7/8 x 6 3/8 inches (22.5 x 16.2 cm), crucifixes, Jesus Christ/parables, literary theme, man, men, night, nude, nudes, religion, religious and mythological subject, sunlight, trees

The Seven-Headed Dragon, Fairy Tale by Jacob and Wilhelm Grimm. Illustration by Kay Nielsen, 1925

Stefano Della Bella, Ornamenti o grottesche (Horses and armor), 1653, etching on paper.

The Shepherd's Dream by Fussli (Fuseli), Johann Heinrich (1741-1825) / Albertina, Vienna / Classicism / 1786 / Schwitzerland / Black and white chalk, sanguine, pastel / Mythology, Allegory and Literature / 40x55

Hirschvogel, Augustin, Vienna, Concordantzen alt und new Testaments, Concordance Old and New Testament, Nadab and Abiha die by fire after their wrong burnt offering, verso middle - stamped, Illustration of the Bible text Leviticus (verse 10-1): Nadab and Abiha they kindled a fire for a burnt offering but because this was not done according to the instructions of Christ they were punished and perished in the sea of flames., print, prints, verso bottom center - stamped, height 110 mm, width 144 mm, 1503 - 1553, print maker, printmaker, 1549 - 1549, second quarter 16th century, paper, etching, etchings, Work conception, after own design by

A Fisherman Drinking Beside His Canoe. Paul Gauguin; French, 1848-1903. Date: 1894. Dimensions: 205 × 138 mm (image/primary/secondary support). Wood-block print, printed twice in brown and black ink, on cream wove Japanese paper laid down on cream wove Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Rape of Ganymede. Dated: c. 1545. Dimensions: overall: 38.9 x 28.9 cm (15 5/16 x 11 3/8 in.). Medium: pen and brown ink with brown wash and watercolor over traces of black chalk, heightened with white on laid paper washed light brown; laid down. Museum: National Gallery of Art, Washington DC. Author: Niccolò dell' Abate.

Landscape with a small one; Makowski, Tadeusz (1882-1932); 1924 (1924-00-00-1924-00-00);Acts, interwar period, contemporary painting, monkeys, sketches, purchase (provenance)

Hell Mouth Date: medieval

2006.1040.86. Dalziels' Bible Gallery - Rahab and the Spies, 1861-64. Engraved woodblock.. Designer: Frederick Richard Pickersgill. Engraver: Dalziel Brothers .

Aurora, Goddess of the Dawn, Mythology, Historical, Digitally restored reproduction of a 19th century original

Modo de volar (A Way of Flying), also known as Donde hay ganas hay maña (Where Theres a Will Theres a Way), from the series Los disparates (Los proverbios). Artist: Francisco Goya, Spanish, 1746-1828

Modo de volar (A Way of Flying), pl. 13 from the series Losproverbios. Artist: Francisco Goya, Spanish, 1746-1828

Easter bell with angels and the city of Rome in the background, allegorical drawing, illustration from L'Illustration, No 2614, April 1, 1893.

The First Book of Urizen, Plate 15, '8. The globe of life blood trembled . . . .' (Bentley 18), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm) and Plate: 6 x 4 1/4 inches (15.2 x 10.8 cm), fire, flames, hammer, literary theme, men, nudes, text

Lazio Roma Rome S. Ignazio di Loyola38. Hutzel, Max 1960-1990 Church was built 1625-50, based on a project by Maderno. Exterior photos of facade, rooftops and portal, with details of capitals. Interior views of the nave; however, the majority of the photos are of the paintings in the vaults and chapels. Frescoes include the Entry of S. Ignatius into Heaven and the Four Parts of the World. There are also frescoes of Samson, David, Judith and Joel. In the transept are frescoes relating to St. Louis and to the Glory of S. Ignatius. Other, unidentified rooms in the complex are also photographed. Object Notes: Hutzel photo campaign notes are undated. See also Marburger Index, no. 395. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etrusc

Print made by William Blake, 1757-1827, British, The First Book of Urizen, Plate 16 (Bentley 17), 1794. Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper.

William Blake, The Circle of the Corrupt Officials; The Devils Tormenting Ciampolo, 1827 The Circle of the Corrupt Officials; The Devils Tormenting Ciampolo

Lazio Latina Sezze S. Lucia0. Hutzel, Max 1960-1990 German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Classical Military Subject 1770-80 William Hamilton British Hamilton belonged to a generation determined to expand the scope of the arts in Britain. He traveled to Rome as a teenager to study with Antonio Zucchi, returned to England to make decorative paintings for Robert Adam, then entered the Royal Academy Schools in 1769. From that point forward he focused on historical and literary subjects, together with portaits. This group of Roman soldiers likely illustrates a classical source.. Classical Military Subject. William Hamilton (British, London 1751-1801 London). 1770-80. Pen and brown ink, brush and brown wash, over graphite. Drawings

Josep Mestres Cabanes / Boceto, pinturas S. Miralls, Liceu, 1937. Museu Nacional de la Ciència i de la Tècnica de Catalunya.

EL SACRIFICIO DE ISAAC-1986-46X64-TINTA CHINA/ACUARELA/PAPEL. Author: GUILLERMO PEREZ VILLALTA. Location: GALERIA SOLEDAD LORENZO. MADRID. SPAIN.

Peter Pan and the Darling children flying with the birds, on their way to Neverland. The children learned from Peter how to pursue birds who had food in their mouths and snatch it from them; the birds would then follow them and snatch the food back and they would continue chasing each other for miles, all in good-will of course. Date: 1911

circle of John Linnell, 1792-1882, British, Job's Sacrifice, undated. Watercolor and black ink on moderately thick, slightly textured, cream wove paper.

Ariadne Watching the Struggle of Theseus with the Minotaur, Henry Fuseli, 1741-1825, Swiss, active in Britain (1766-70; 1779 on), 1815 to 1820, Brown wash, oil, white gouache, white chalk, gum and graphite on moderately thick, moderately textured, beige wove paper, Sheet: 24 3/8 × 19 3/4 inches (61.9 × 50.2 cm), arches, chains, hooves, knife, man, mythological creature, religious and mythological subject, stairs, veil, woman

Death depicted as The Grim Reaper, on top of the world Date: 1883

SATAN SMITTEN BY MICHAEL, BY GUSTAVE DOR. Gustave Dore, 1832 - 1883, French. Engraving for Paradise Lost by Milton. 1870, Art, Artist, romanticism, colour, color engraving

Temptation of St. Anthony (Detail) From The Isenheim Altarpiece 1513 Matthias Grunewald (1470/80-1528 German) Oil On Wood Panel Musee d'Unterlinden, Colmar, France

Angels Ithuriel And Zephon Watch Over Paradise (From Milton's "Paradise Lost") Gustave Dore (1832-1883 French) Engraving

Allegory on the Alliance closed between the Roman Kleri Party and the Liberal Party against the Dutch Government, 1829. Allegory on the Alliance closed between the Roman Kleri Party and the Liberal Party in the Southern Netherlands against the Dutch government, 1829. The Belgian lion standing With an altar, he spends a broken buoy and oppressed with a leg a snake on the altar. In the clouds the lion extends a laurel wreath. A cross with inscription 'in Hoc Signo Vinces' in heaven. In the caption an anchor and two crossed pens and the inscription 'pro aris et focis'.

The Death of Brunhilde, (Brunehaut), Anonymous

Sudeykin, Sergei Yurievich (1882-1946) State Art Museum of the Chuvash Republic, Tcheboksary 74x59 Tempera on playwood Russian Allegory and Literature

The Lament for Icarus. Date/Period: 1898. Painting. Oil on canvas. Height: 1,829 mm (72 in); Width: 1,556 mm (61.25 in). Author: HERBERT JAMES DRAPER.

In The Valley of the Shadow of Death Scene from Pilgrim's Progress by John Bunyan Illustration by Harold Copping

Anangke. Dimensions: 39.7 cm x 35.2 cm, 35.5 cm x 32.5 cm. Museum: Van Gogh Museum, Amsterdam. Author: Richard Roland Holst.

The Great Red Dragon and the Woman Clothed with the Sun, c. 1805, William Blake, (1757-1827/British), Watercolor, ink, pen, National Gallery of Art, Washington, D.C., USA

The Torments and Abominations of Hell, copperplate engraving by Martin de Voss, digitally restored reproduction of an original 19th century original, exact original date not known

THE ADVENTURE WITH THE WINDMILLS, BY GUSTAVE DORE

Germany, Bayreuth, Scene from The Ring of the Nibelung - The Valkyrie by Richard Wagner, Siegmund's death, print

The Christ of the wheel , Prophets, Punishment & torture, Punishment devices, Wheels. George Bellows (1882-1925). Prints and Drawings

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