Historic Ceremonial Scenes

A collection of engravings depicting historic events including triumphal processions, battles, and notable figures from biblical narratives, showcasing intricate details and dramatic moments.

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Heemskerck, Maarten van, Den Grooten Figuer-Bibel, History of David and Saul, Of Saul, David, and Goliath, David receives the armor, lower right - handwritten in brown ink, David is received by Saul in the army camp, where he tells that he wants to fight Goliath. David is wrongly depicted partly in armor in the foreground, because he refused the equipment. The soldier behind him puts a helmet on his head. Below the image a reference in Latin to the Bible text in 1 Sam. 17. This print is part of an album., print, prent, albumblad, prints, prenten, 139, height 206 mm, width 252 mm, print maker, prentmaker, 1554 - 1558, paper, papier, engraving, engraving (printing process), Noord-Nederlands, 1498 - 1574, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, 1586 - 1652-06-19, publisher, uitgever, 1592 - 1656-04

Envoys from Cologne bring gifts to Julius Civilis, Antonio Tempesta, After Otto van Veen, 1611 - 1612 print Envoys from Cologne bring gifts to Julius Civilis. On top of the tower on the right is the female partner of Civilis, the prophetes Veleda. She also receives gifts. Caption in Dutch and in Latin. Print Maker: ItalyAfter Design by: Southern Netherlands South Netherlands paper etching the soldier; the soldier's life. gifts being accepted. (story of) Julius Claudius Civilis. extinct, 'historical' peoples (with NAME)

This etching by Nikolaus Hogenberg illustrates the triumphal procession of Emperor Charles V and Pope Clemens VII following the imperial coronation in Bologna on February 24, 1530, with figures, carriages, and ceremonial elements.

Antwerp, Jode, Gerard de, Groeningen, Gerard van, Wierix, Johannes, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Historia Iudae Machabei, History of the Maccabees, Death of Timothy, Chereas and Apollophanes, The army of Judas Maccabee storms the walls of the castle. They set fire to the towers. Timothy and his brothers Chereas and Apollophanes are killed. Below the representation is a reference in Latin to the Bible text in 2 Macc. 10:32. Print is part of an album., print, album sheet, prints, height 204 mm, width 286 mm, Southern Netherlands, 1549 - 1618, print maker, printmaker, 1574 - 1574, paper, engraving, engraving (printing process), Work conception, 1515 - 1599, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

David, Solomon, Rehoboam, plate one, from The Twelve Kings of Israel. Lucas van Leyden; Netherlandish, c. 1494-1533. Date: 1515-1525. Dimensions: 315 x 496 mm (image); 339 x 499 mm (sheet, trimmed within block). Woodcut in black with touches of pen and brown ink on buff laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, Chicago, USA.

Albrecht Dürer, The Little Passion: The Capture of Christ, 1509-1511, woodcut on paper.

The Tournament. Master M.Z.; German, active 1500-1550. Date: 1500. Dimensions: 224 x 314 mm (sheet). Engraving in black on ivory paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Heemskerck, Maarten van, Den Grooten Figuer-Bibel, History of David and Saul, Of Saul, David, and Goliath, David receives the armor, lower right - handwritten in brown ink, David is received by Saul in the army camp, where he tells that he wants to fight Goliath. David is wrongly depicted partly in armor in the foreground, because he refused the equipment. The soldier behind him puts a helmet on his head. Below the image a reference in Latin to the Bible text in 1 Sam. 17. This print is part of an album., print, prent, albumblad, prints, prenten, 139, height 206 mm, width 252 mm, print maker, prentmaker, 1554 - 1558, paper, papier, engraving, engraving (printing process), Noord-Nederlands, 1498 - 1574, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, 1586 - 1652-06-19, publisher, uitgever, 1592 - 1656-04

Lot and His Family recalled home by Abraham. Dated: 1613. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Antonio Tempesta.

Plate 2 for Ariosto's 'Orlando Furioso'. Daniel Berger (Germany, Berlin, 1744-1824). Germany, 1772. Prints; etchings. Etching, laid down

Lazio Roma Grottaferrata S. Maria26. Hutzel, Max 1960-1990 Medieval: Baptismal urn (10-11th centuries); architecture, architectural sculpture (11th century and later). Post-medieval: Architecture, architectural sculpture, frescoes, mosaic, pavement Antiquities: Fragments of friezes and inscriptions Object Notes: Contains: Cappella S. Nilo. There are two sets of prints and negatives and some prints are filed in Medieval German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Meeting between King Henry VIII of England and King Francis I of France, on the Field of the Cloth of Gold, 7 June 1520. Engraving after an existing bas-relief in the Hôtel de Bourgtheroulde, Rouen (France). "Les Arts au Moyen Age et a l'Epoque de la Renaissance", by Paul Lacroix. Paris, 1877.

Antwerp, Jode, Gerard de, Groeningen, Gerard van, Muller, Harmen Jansz, Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, The history of Joshua, Achan before Joshua, Achan is brought before Joshua, because he had stolen war booty. In the background Achan and his family are stoned. Below the image a reference in Latin to the Bible text in Joshua 7. This print is part of an album., print, prent, albumblad, prints, height 208 mm, width 290 mm, Dutch, 1540 - 1617-10-07, print maker, printmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1515 - 1599, after a design by, Publication (Event), Publication, North Netherlands, 1509 - 1591-02-05, publisher

Mechelen, Hogenberg, Nicolaas, Procession of Charles V with the Pope at Bologna after his coronation as emperor, 1530, Philip, Count Palatine and Duke of Bavaria, with the Imperial Orb and Charles III, Duke of Savoy, with the Imperial Crown, plate 25, plate 25. Procession of Charles V with Pope Clement VII at Bologna after his coronation as emperor, 24 February 1530., print, engraving, news print, propaganda print, album sheet, prints, engravings, Frederik Muller Historieplaten, height 330 mm, width 300 mm, 1500 - 1539-09-23, print maker, printmaker, 1530 - 1536, second quarter 16th century, 17th century, paper, papier, etching, etchings, engraving (printing process)

Kings David, Solomon and Jeroboam; The twelve kings of Israel. One of four woodcuts, part of Frisian with kings of Israel. David with winch on horseback, followed by Solomon and Jeroboam on horseback. Above all three banderoles with name and then name.

Tournament of the Keurvangel Court of Saxony with Wall carpet Simson kills the lion. Tournament at the court of Saxony. Knights dressed in harnesses go together with lances and swords. In the background the nobility is in a lodge. About the balustrade is a carpet draped with the Simson show kills the lion. Shields on the carpet with the judge enlargement and ducal weapon of Saxony.

Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Collaert, Adriaen, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae, History of Jeremiah, Jeremiah rises from the pit fetched, Under the supervision of King Zedekiah, Jeremiah is pulled up with ropes from the pit of Prince Malchiah. Below the image is a reference in Latin to the Bible text in Jer. 38:8. This print is part of an album., print, prent, albumblad, prints, prenten, height 191 mm, width 263 mm, Zuid-Nederlands (before 1775), 1560 - 1618-06-29, print maker, printmaker, 1585 - 1585, paper, papier, engraving, graveren (drukprocedé), Zuid-Nederlands, 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, Noord-Nederlands, 1586 - 1652-06-19, publisher

Calendar for 1684 from scenes Battle of Vienna and centrally shown in the horse image of King Jan III Sobieski; Jollain, Jacques (fl. Ca 1675-1710; m.); 1684 (1684-00-00-1684-00-00);Austria, Jakub Ludwik Sobieski (Polish Prince - 1667-1737), Jakub Ludwik Sobieski (Polish Prince - 1667-1737) - iconography, Jan III Sobieski (King of Poland - 1629-1696), Jan III Sobieski (King of Poland - 1629-1696 ) - iconography, Karol V (Prince of Lotaryfa - 1643-1690), Karol V (Prince of Lotryngi - 1643-1690) - iconography, Maksymilian II Emanuel (Bavarian elector - 1662-1726), Maksymilian II Emanuel (Bavarian elector - 1662-1726 ) - iconography, Poland, Turkey, Turks, Vienna (Austria), Battle of Vienna (1683), battles, weapons, white weapons, banners, riders, calendars, horses, kings, panoply, sabers, wars, army

Hondius, Hendrick (I), Mechelen, Hogenberg, Nicolaas, Procession of Charles V with the Pope in Bologna after his coronation as emperor, 1530, Standard bearers and magistrates, plate 3, The Hague, plate 3. Procession of Charles V with Pope Clement VII in Bologna after his coronation as emperor, 24 February 1530., print, news print, propaganda print, album page, prints, pictures, Frederik Muller Historieplaten, height 330 mm, width 300 mm, 1500 - 1539-09-23, print maker, printmaker, 1530 - 1536, second quarter 16th century, second quarter 16e eeuw, first quarter 17th century, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publicatie, Noord-Nederlands, 1573-06-09 - 1650-10-25, publisher, uitgever, 1615 - 1620

John Law and others Torsen their debts on their shoulders, 1720, 1720 John Law and other men and women like atlas their debts like a huge sphere (with wind or paper) on their shoulders. In the foreground, the time is ready to overthrow the people with a ball. With captions in Dutch and French by S. Civilien. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching John Law and other men and women like atlas their debts like a huge sphere (with wind or paper) on their shoulders. In the foreground, the time is ready to overthrow the people with a ball. With captions in Dutch and French by S. Civilien. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching

The processional entry of a victorious general into ancient Rome. Chiaroscuro woodcut by Andrea Andreani after Andrea Mantegna.

Louis XIV falls down sick after eating hard Spanish notes, 1706; 3 false, soft! 3 French kings in West (2 without throne) too Zoam crawl into one nest / 3 roys and France and decadence; 10. The taste, or al-poor in Versailles; Bycup to the Koninglyke Almanach, called the Gulde-Year of Allies, 1706 / 't Lusthof by MoMus. Cartoon on the French king Louis XIV that gets sick after eating to hard Spanish notes, 1706. The maîtresses are bending over the king, in the backgrowth crying children and grandchildren of the king. Leaf No. 10 (numbered at the top right) in the series of 25 blades entitled: Bycess to the Koninglyke Almanach, called the Gulden-Year of Allies, 1706. Part of the print work issued under the collective title: 't Lust-Hof van Momus, with The bundled Series of spot prints during the 1901-1713 of the Spanish Succession War.

The Martyrdom of Saint Ursula and her companions, c1450, (1943). Creator: Martin Schongauer.

David, Solomon, Rehoboam, from The Twelve Kings of Israel 1520 Lucas van Leyden Netherlandish. David, Solomon, Rehoboam, from The Twelve Kings of Israel 364673

Woodcut by Albrecht Dürer from after 1521 depicting the left part of the Carpet of Michelfeld, showing a fox, a rotating wheel of fortune, and five standing figures.

Netherlands, Monogrammist LIW, Children's Crusade, verso top center - stamped, Fifth block of six, together forming a frieze with the Children's Crusade. Procession of children with weapons, flags and musical instruments. One child rides a devil., print, prent, prints, prenten, height 147 mm, width 370 mm, print maker, prentmaker, 1522 - 1532, second quarter 16th century, tweede kwart 16e eeuw, 18th century, 18e eeuw, paper, papier, houtsnede

The Triumph of Tobias. Dated: 1559. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Dirck Volckertz Coornhert after Maerten van Heemskerck.

Cavalry. Copy in mirror image of the fifth print from a frieze of six numbered prints showing the Spanish army's exodus from Maastricht, 23 August 1632., Cavallery, Jan van de Velde (II), print maker: anonymous, Jan Martszen de Jonge, 1632 - 1682, paper, etching, h 155 mm × w 197 mm

Skeletons carrying people off to the grave. Etching by J. Gamelin after himself, 1778/1779.

Fighting Peasants. Beham, Sebald (1500-1550), graphic artist

A 1551-1556 woodcut by Hans Schäufelin depicting four riders and two soldiers on Emperor Karl V's triumphal car, with detailed horses, figures, and ceremonial ornamentation.

Hooghe, Romeyn de, Northern Netherlands, Cartoons on James II and Louis XIV and the events in the years 1688-1689, Arlequin Furieux et pantagion triumphant, Cartoon on Louis XIV and the dauphin, 1689, Cartoon on Louis XIV (Harlekijn) and Louis, dauphin of France, 1689. The dauphin on a triumphal chariot drawn by toads, his father Louis XIV is stopped by a German soldier from going into battle. On the right the pope and the cardinal von Fürstenberg. On the left the Jesuit father Peters (Edward Petre) flee with Mary of Modena and the neglected child Jacobus Frans Eduard on a donkey. In the background James II and William III. Below the representation a verse in 3 columns with an explanation of the numbers 1-12 in Dutch., print, prent, cartoon, prints, prenten, Frederik Muller Historieplaten, height 600 mm, width 468 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1689 - 1689, fourth quarter 17th century, vier kwart 17e eeuw, paper, papier, etching, etchings, engra

Cartoon on the dissolution of the Dutch Etching Club on 13 January 1896. Behind the hearse a funeral procession with the members of the etching club. Published in the supplement to 'De Kroniek' of 19 January 1896, The Funeral of the Dutch Etching Club., print maker: Marius Bauer, 19-Jan-1896, paper, h 233 mm × w 466 mm

Fighting farmers. Fighting farmers with kitchen utensils and other utensils.

Italy, Titian, Triumph of Christ (first part), verso - stamped, Part of the Triumph of Christ with Saint Christopher with the Christ Child on his shoulders, Saint Lawrence with the gridiron, Saint Sebastian with an arrow in his chest and other martyrs and saints. Text in Latin in several places., print, prent, prints, enten, height 389 mm, width 534 mm, print maker, prentmaker, 1517 - 1517, first quarter 16th century, paper, papier, houtsnede, Work conception, Italian, 1488 - 1576-08-27

Caesar riding on his chariot, from 'The Triumph of Caesar'. Artist: Jacob of Strasbourg (Italian School, born Alsace, active Venice, 1494-1530); After Benedetto Bordone (Italian, Padua ca. 1455/60-1530 Padua, active mainly Venice from 1488). Dimensions: Height: 13 5/16 in. (33.8 cm)Width: 15 15/16 in. (40.5 cm). Date: 1504.See comment for 27.54.118. Museum: Metropolitan Museum of Art, New York, USA. Author: Jacob of Strasbourg. After Benedetto Bordone.

Lords of Brederode, from Zyphridus to Reinout III (left leaf). Left leaf of a Frisian on four loose sheets with twenty gentlemen from Brederode, from Zyphridus to Reinout III. Five portraits of different men from Brederode in armor. In the upper margin their weapons and the weapons of their wives. In the undermaster their names and five columns with Dutch text in letterpress over their lives. Links a portrait of Cornelis Anthonisz. With this 48 lines of Dutch text in letterpress.

Junius, Hadrianus, Haarlem, Galle, Philips, Story of the sloth, The sloth is struck down by Poverty and Want, verso - stamped, The sloth lies on the ground. The personifications of Lack, a man with an amputated leg, and Poverty, a man with torn trousers, beat him with clubs., print, engraving, prints, engravings, height 208 mm, width 250 mm, Southern Netherlands, 1537 - 1612-03-29, print maker, printmaker, 1565 - 1565, paper, engraving (printing process), Northern Netherlands, 1511-07-01 - 1576-06-16, writer

Germany, Schäufelein, Hans, Triumphal chariot of Charles V, 1537, Front part of the triumphal chariot, verso - stamped, Front part of the triumphal chariot. Sixth plate in the triumphal procession of Emperor Charles V, 1537., print, prints, engravings, Frederik Muller History plates, height 409 mm, width 313 mm, German, 1480 - 1540-09-13, print maker, printmaker, 1537 - 1537, second quarter 16th century, paper, papier, houtsnede

Study for the Foundlings. Drawing. Black ink with gray wash on medium, smooth, cream laid paper. Height: 111 mm (4.37 in); Width: 213 mm (8.38 in). Author: William Hogarth.

Entry of King Henry de Valois to Poland in 1573, according to a print. Lesser, Aleksander (1814-1884), draughtsman, cartoonist

Ravenstvo bez sapog. Rovinski, D. A. (Dmitri Aleksandrovich), 1824-1895. Prints. 1884 - 1890. Rare Book Division

Riser brackets, Philips Galle (attributed to workshop or), After Jan van der Straet, c. 1594 - c. 1598 print A street where horse harness is made and sold. In the foreground, a nobleman ascends his horse with the help of the new stirrups that he bought in a store. The print is part of a nineteen -part series about new inventions and discoveries print maker: Antwerpafter design by: Florencepublisher: Antwerp paper engraving invention, discovery ~ science and technology. stirrup. shop, store. saddle and bridle (saddlery). riding a horse, ass, or mule; rider, horseman

In 't Jaar 1672. Draughtsman: anonymous. Draughtsman: Jacques Kuyper (rejected attribution). Dating: c. 1789 - c. 1810. Place: Netherlands. Measurements: h 65 mm × w 55 mm. Museum: Rijksmuseum, Amsterdam.

Gentlemen van Brederode, from Zyphridus to Reinout III (left leaf), Cornelis Anthonisz., 1550 print Left leaf of a Frisian on four separate sheets with twenty gentlemen from Brederode, from Zyphridus to Reinout III. Five portraits of different gentlemen from Brederode in armor. In the upper margin their weapons and the weapons of their wives. In the lower margin their names and five columns with Dutch text in book printing about their lives. On the left a portrait of Cornelis Anthonisz. With 48 lines of Dutch text in book print. Amsterdam paper letterpress printing portrait, self-portrait of graphic artist. historical persons

Torquato Tasso (1544-1595). Italian poet. La Gerusalemme Liberata (Jerusalem Delivered), 1580. Engraving.

The Seven Swabians, sculpture after a fairy tale by A. Bartholdi, u, 1870, historical, digitally improved reproduction from an original from around 1860.

Friedrich Brentel, known as Brentel the father (1580-1651) and Matthaüs Merian (the old) (1593-1650). Entrance to the city of Nancy of Henri II, Duke of Lorraine, April 20, 1610. Etch. 1611. Museum of Fine Arts of the City of Paris, Petit Palais. 100466-6 Etching, 17th XVIIth XVII 17th 17th 17 CENTURY

Themistocles (c. 524459 BC); Athenian politician and general, a plate from Les Images Ou Tableaux De Platte Peinture Des Deux Philostrates Sophistes Grecs, by Blaise de Vigenère, Paris, 1615. Engraving circa 1615, by Leonard Gaultier. Gaultier, or Galter, was a French engraver, born at Mainz about 1561, and died in Paris in 1641.

Umbria Terni Terni Palazzo Montani1. Hutzel, Max 1960-1990 Post-medieval: Renaissance architecture; frescos (17th century); tapestries after designs of Raphael school; intarsia (furniture); wooden cassone carved with the arms of the Montani Antiquities: Portrait heads in marble of Roman youths and a consul German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Buys, Jacobus, Northern Netherlands, Brouwer, Cornelis, Scenes from the life of Prince William I, 1568-1584, Orange visits rebellious Ghent alone, ca. 1579, ca. 1579. At the city gate talking to angry soldiers. Twenty-fourth song., print, picture, history print, prints, Frederik Muller History plates, height 185 mm, width 150 mm, 1735 - 1803-03-31, print maker, printmaker, 1788 - 1788, fourth quarter 18th century, paper, etching, etchings, Work conception, 1724-11-19 - 1801-04-07, after a design by, intermediary draughtsman

De ontmoeting van Jakob en Rachel bij de bron; De geschiedenis van Jakob.Ornament for a satellure edge. Jacob and Rachel embrace each other at Haran's well. Rachel was busy watering her father's sheep. Jakob's men remove the stone of the well for her. With Latin text in cartouches. With text in Latin in cartouche above the show.

The Hague, Hondius, Hendrick (I), Mechelen, Hogenberg, Nicolaas, Procession of Charles V with the Pope in Bologna after his coronation as emperor, 1530, Church scholars including Nicolas Perrenot de Granvelle and Michele Maio, plate 29, plate 29. Procession of Charles V with Pope Clement VII in Bologna after his coronation as emperor, 24 February 1530., print, engraving, news print, propaganda print, album sheet, prints, engravings, Frederik Muller Historieplaten, height 330 mm, width 300 mm, 1500 - 1539-09-23, print maker, printmaker, 1530 - 1536, second quarter 16th century, first quarter 17th century, paper, papier, etching, engraving (printing process), Publication (Event), Publication, Northern Netherlands, 1573-06-09 - 1650-10-25, publisher, 1615 - 1620

The execution of James Graham, 1st Marquis of Montrose Date: 21st May 1650

Kings Achaz, Hizkia and Manasse; The twelve kings of Israel. One of four woodcuts, part of Frisian with kings of Israel. Ahaz, Hizkia and Manasse on horseback. Above all three banderoles with name and then name.

Palais des Beaux-Arts of the city of Paris, official relationship of inaugurations, 1903: between pages 50 and 51, invitation card to the inauguration of the Dutuit collection and the municipal museum (Petit Palais), December 11, 1902. Museum of Fine Arts of the City of Paris, Petit Palais. Arrondissement VIIIEME 8EME 8 VIII, French collector, universal exhibition, inauguration, invitation, legacy, museum, small palace

Craeyvanger, Reinier, Netherlands, Kaiser, Johann Wilhelm (I), Vrouw Aleid overcomes the West Frisians, Aleid overcomes the West Frisians, 1195, Aleid van Gelre, the wife of William I conquers the West Frisians, 1195., print, history print, prints, Frederik Muller History plates, height 213 mm, width 252 mm, Dutch, 1813-01-05 - 1900-11-29, print maker, printmaker, 1839 - 1841, second quarter 19th century, paper, steel engraving, 1812-02-29 - 1880-01-10, intermediary draughtsman

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Wierix, Antonie (II), Den Grooten Figuer-Bibel, Passion of Christ, Of the Lying and Passion of Christ, Judas' Kiss and Arrest of Christ, bottom right on album page - handwritten in brown ink, Judas kisses Christ on the cheek. The soldiers surround and arrest him. Peter is about to cut off Malchus' ear. Below the image a four-line verse in Latin. Bottom right the letters: cc. This print is part of an album., print, prent, albumblad, prints, prenten, 135, height 211 mm, width 131 mm, Zuid-Nederlands, 1559 - 1604-03, print maker, prentmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), 1532 - 1603-12-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher, uitgever, 1592 - 1656-04

Woodcut by Cornelis Anthonisz Teunissen from 1551 showing the gentlemen of Brederode, depicting figures, gestures, and attire.

VICTORIAS DE CARLOS V - JUAN DE MEDICIS EL FUTURO PAPA LEON X PONE EN FUGA A LOS ESPAOLES - GRABADO SIGLO XVI - RENACIMIENTO HOLANDES. Author: Maarten van Heemskerck (1498-1574). Location: BIBLIOTECA NACIONAL-COLECCION, MADRID, SPAIN.

Amsterdam, Visscher, Claes Jansz. (II), Groeningen, Gerard van, Wierix, Johannes, Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneid Expressae, History of the Maccabees, Antiochus Epiphanes plunders the temple of Jerusalem, After his victory over Egypt, Antiochus marches to Jerusalem with a large army. There he plunders the temple and massacres the inhabitants. Below the image is a reference in Latin to the Bible text in 1 Macc. 1:22. This print is part of an album., print, prent, albumblad, prints, height 204 mm, width 290 mm, Zuid-Nederlands, 1549 - 1618, print maker, printmaker, 1574 - 1574, paper, papier, engraving, graveren (drukprocedé), Work conception, 1515 - 1599, after a design by, Publication (Event), Publicatie, Noord-Nederlands, 1586 - 1652-06-19, publisher

Louis XIV (King of France), Paris, Le Blond, Jean, France, L'Espagnole sans Gand, French cartoon on the loss of Ghent, 1678, verso - stamped, French cartoon on the loss of Ghent. The city was captured on 9 March 1678 by the French army under King Louis XIV. A Spaniard searches in vain with glasses and lantern for his lost glove (gand - Ghent) that the Frenchman has on the point of his sword. A Fleming points the Spaniard to the Frenchman with the glove., print, picture, cartoon, prints, pictures, Frederik Muller Historieplaten, height 425 mm, width 275 mm, print maker, printmaker, 1678 - 1678, fourth quarter 17th century, paper, papier, etching, etchings, engraving, engraving (printing process), Publication (Event), Publication, 1635 - 1709-08-13, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, verlener van privilege

FERNANDO III "EL SANTO". REY DE CASTILLA Y LEON AÑOS 1217-1252. NACE EN VALPARAISO(ZAMORA) EN EL AÑO 1201 Y MUERE EN SEVILLA EN EL AÑO 1252. "SITIO CIUDAD DE SEVILLA, AÑO 1632". GRABADO DEL LIBRO DE J. ANTONIO DE VERA "SEVILLA RESTAURADA", MILAN 1632. BIBLIOTECA NACIONAL. MADRID. EDICION FASCIMIL.

Figures carrying standards and trophies: from 'The Triumph of Caesar'. Artist: Jacob of Strasbourg (Italian School, born Alsace, active Venice, 1494-1530); After Benedetto Bordone (Italian, Padua ca. 1455/60-1530 Padua, active mainly Venice from 1488). Dimensions: Height: 13 in. (33 cm)Width: 15 3/4 in. (40 cm). Date: 1504.See comment for 27.54.127. Museum: Metropolitan Museum of Art, New York, USA. Author: Jacob of Strasbourg. After Benedetto Bordone.

Dirck Volckertz Coornhert after Maerten van Heemskerck, The Triumph of Tobias, 1559 The Triumph of Tobias

Exodus of Lot and his daughters with the angels. Draughtsman: Gerard ter Borch (I) (signed by artist). Dating: c. 1614 - 1616. Place: Zwolle. Measurements: h 157 mm × w 205 mm. Museum: Rijksmuseum, Amsterdam.

Soeteboom, Hendrik Jacobsz, Sadelaar, Frans, Noordelijke Nederlanden, Bull's cruelty committed against Master and Wife And miraculously managed to deliver their Child in Sardam 1647, The cruelty of the bull, 1647, Northern Netherlands, Illustration of the events known as the cruelty of the bull, 1647. The farmer and his pregnant wife who were attacked by a bull on 29 August 1647 in Zaandam. This small print shows the woman being gored, with the child being thrown from her womb. Below the representation in four columns a description of the events., print, picture, history print, prints, pictures, Frederik Muller History plates, height 185 mm, width 215 mm, print maker, printmaker, 1700 - 1799, 18th century, paper, engraving, engraving (printing process), letterpress printing, Publication (Event), Publication, publisher, Dutch, 1616, writer

Lazio Roma Subiaco Rocca Abbaziale3. Hutzel, Max 1960-1990 Distant and close range exterior views of castle, portals, papal crests. Interior views of entry hall, chapel, Appartamento dei Colonna, Appartamento di Pio VI, and Camara di Pio VI, with many detail views of ceiling and wall frescoes. General Notes: Views 1-7 extracted and filed separately under General views. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Print made by Bradshaw & Blacklock, active ca.1850, British, Oriental Scenes, after 1850. Etching, stipple engraving and color woodcut on cream card mounted on beige card.

Accused, it's in your interest! Anonymous. Press cartoon. "Accused, it's in your interest!" Board published in "caricature" of June 25, 1835. Lithography. Paris, House of Balzac.

October, Dirt the Bray, 1635 - 1694 print Four women are pressing in a large ton of grapes. A fifth woman catches the wine from a tap. In the foreground is a man with a loaded donkey. There is a scorpion on a wine barrel. Netherlands paper October and its 'labours' (+ with Scorpio (October))

La Varona Espanola. From the book Los Frailes y Sus Conventos published 1854

Hans Lautensack's 1551 etching depicts David confronting Goliath, emphasizing figures, gesture, and biblical narrative composition.

Plate 22: Emperor Charles V, victory at Pavia; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...' 1636 Jacob Neeffs On January 28, 1635, the city of Ghent celebrated the entry of Cardinal-Infante Ferdinand of Spain, the recently appointed governor of the Southern Netherlands. A group of Flemish artists were commissioned to create paintings for the decoration of two triumphal arches erected in the city's main square for the occasion. Though the majority of these canvases are now lost, the engravings in Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis, S.R.E. Cardinalis, Triumphalis Introitus in Flandriae Metropolim Gandavum', Antwerp 1636, illustrate what the series looked like. The Metropolitan Museum of Art owns 34 plates from the set of 42.. Plate 22: Emperor Charles V, victory at Pavia; from Guillielmus Becanus's 'Serenissimi Principis Ferdinandi, Hispaniarum Infantis...'. Jacob Neeffs (Flemish, Antwerp 1610-after 16

Let Us Have Peace! -Fortissimo, from Harper's Weekly. Charles Green Bush; American, 1842-1909. Date: 1869. Dimensions: 370 x 520 mm. Wood engraving on newsprint. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Hondius, Hendrick (I), Cock, Hieronymus, Southern Netherlands, Doetechum, Lucas van, Joannes van (I), Funeral procession of Emperor Charles V, 1558, Part of the procession, no. 9, Four participants in the procession, horses and the banner with the coat of arms of Brabant. Part of the print series of the Funeral procession of Emperor Charles V on 29 December 1558 in Brussels., print, prints, Frederik Muller Historieplaten, height 241 mm, width 335 mm, Northern Netherlands, 1530 - 1605, print maker, printmaker, 1559 - 1559, third quarter 16th century, first quarter 17th century, paper, etching, engraving, engraving (printing process), - 1589, 1518 - 1570-03-10, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1573-06-09 - 1650-10-25, publisher

Vernois, Pierre de, Plantijn, Christoffel, Cock, Hieronymus, Southern Netherlands, Doetechum, Lucas van, Joannes van (I), The magnificent and sumptuous Pompe Funebre, made from the Obseques & Funerailles of the very great & very victorious Emperor Charles Cinquième, Celebrities in the City of Brussels the XXIX. Iour du Mois de Decembre MDLVIII. by Philippes Roy Catholique d'Espaignes son Fils., Funeral procession of Emperor Charles V, 1558, Part of the procession, no. 16, Three participants in the procession, horses and the banner with the coat of arms of Toledo. Part of the print series of the Funeral procession of Emperor Charles V on 29 December 1558 in Brussels., print, prints, Frederik Muller Historical plates, height 235 mm, width 237 mm, Northern Netherlands, 1530 - 1605, print maker, printmaker, 1559 - 1559, third quarter 16th century, paper, etching, engraving, engraving (printing process), - 1589, 1518 - 1570-03-10, intermediary draughtsman, after a drawing by, Publication (E

fine arts, middle ages, Gothic, illumination, Codex Manesse, Zurich, 1305 - 1340, D™rner, covering colour on vellum, University of Heidelberg Library,

Interview between Francis I and Henry VIII, on the Field of the Cloth of Gold, 1520, (1870). Artist: Unknown

The Voerman and Death, Wenceslaus Hollar, After Hans Holbein (II), c. 1680 print A carter raises his hands in despair. Death has stolen a wheel of his car and his horse collapsed under the burden. paper etching dance of Death; Death together with one or more human beings. accident with diligence, omnibus, horse-tram

Craeyvanger, Reinier, Netherlands, Kaiser, Johann Wilhelm (I), The death of Count Arnout, Arnulf, Count of Holland, dies in a battle, 993, dies in a cavalry battle. According to FM this took place in 998, modern sources give September 18, 993 as the date of his death., print, history print, prints, Frederik Muller Historieplaten, height 134 mm, width 177 mm, Dutch, 1813-01-05 - 1900-11-29, print maker, printmaker, 1839 - 1853, second quarter 19th century, third quarter 19th century, paper, steel engraving, 1812-02-29 - 1880-01-10, intermediary draughtsman

Vatican City, Gregory In the background, the people watch from the streets of Rome., print, book illustration, prints, height 324 mm, width 449 mm, French, Italian, 1525 - 1604, print maker, printmaker, 1580 - 1580, paper, papier, etching, etchings, Publication (Event), Publication, 1530-02-23 - 1568, publisher, uitgever, Publicatie, 1502-01 - 1585-04-10, verlener van privilege

Country Festival by Hans Sebald Beham, woodcut, 1539, 1500-1550, Private Collection

Friedrich Brentel, known as Brentel the father (1580-1651) and Matthaüs Merian (the old) (1593-1650). Entrance to the city of Nancy of Henri II, Duke of Lorraine, April 20, 1610. Etch. 1611. Museum of Fine Arts of the City of Paris, Petit Palais. 100466-8 Etching, 17th XVIIth XVII 17th 17th 17 CENTURY

The battle of Eruslan Lazarevich with Tsar Zmeisky. by an Unknown engraver. 1830s-1840s. Etched engraving, cutter, painted. The legend of the long wanderings and many exploits of the Russian hero Yeruslan - the son of the hero Lazar, who defeated the snake-devourer of people and beat off the beautiful girl who became Lazarus's wife, Eruslan - the mother. Since childhood Eruslan has been endowed with enormous power, he could not cope with it himself, that's why he left his parents' house, picking

Valerian (Latin: Publius Licinius Valerianus Augustus; 193/195/200 - 260 or 264 CE), also known as Valerian the Elder, was Roman Emperor from 253 to 260. He was taken captive by Persian king Shapur I after the Battle of Edessa, becoming the only Roman emperor who was captured as a prisoner of war and causing wide-ranging instability across the empire. At the beginning of 260, Valerian was decisively defeated in the Battle of Edessa and he arranged a meeting with Shapur to negotiate a peace settlement. The truce was betrayed by Shapur who seized him and held him prisoner for the remainder of his life.

TRIOMFTOCHT van Julius Caesar, Andrea Andreani, After Bernardo Malpizzi, After Andrea Mantegna, 1599 Numbered in the bottom left: 1. The print is part of an album. print maker: Italyafter drawing by: Mantuaafter painting by: Mantua paper Numbered in the bottom left: 1. The print is part of an album. print maker: Italyafter drawing by: Mantuaafter painting by: Mantua paper

The Beheading of Egmont and Horne, Wolfgang Meyerpeck, 1568 print The decapitation of the graves of Egmond and Horne, 5 June 1568, in five scenes. Above two scenes in which the graves kneel on the scaffold while the executioner with sword climbs the stairs to the scaffold, on the left Horne, on the right Egmond. At the bottom of the scaffold after the executions, with the heads on. On the left the portrait of Egmond, right Horne. Above the print a inscription with the long title in 6 lines in German. Leipzig paper engraving / letterpress printing violent death by beheading. on the scaffold or place of execution Large market

Etching and type print by Augustin Hirschvogel from 1549 depicting the prophet Isaiah, showing figure detail and composition.

King Araxerxes I and King Darius II; Persian kings; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. Left King Artaxerxes I of Persia, son of Xerxes, standing with a scepter in his hand. In the background you can see how the city of Jerusalem was rebuilt under his reign. On the right King Darius II of Persia standing with a stick in his hand. In the background a landscape in which Darius rides on horseback and hunting a deer. Under the show explanatory texts in Latin. This print is part of an album.

Hiclo e Naucleo Argon condotti nel carro di Nettuno. Dimensions: plate: 8.9 x 12.5 cm (3 1/2 x 4 15/16 in.) sheet: 8.9 x 12.7 cm (3 1/2 x 5 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Balthasar Moncornet after Remigio Cantagallina.

LIBRO DE LOS CABALLEROS DE LA ORDEN DE SANTIAGO - 1361 - FOLIO 80 - BERNUI - MEDINA MACUELO - MEDINA. Location: ARCHIVO MUNICIPAL. BURGOS. SPAIN. BERNUI DIEGO. BERNUI HERNANDO. MEDINA MACUELO ALBERTO. MEDINA CISNEROS DIEGO.

Drawing titled 'Behold the Man' by an unknown artist, depicting a standing male figure with detailed anatomy, posture, and drapery, executed with gray, white, and brownish ink on gray-primed paper around 1550/60.

"Woodcut by Hans Schäufelin from 1537 showing the first row of horses pulling the triumphal car of Emperor Karl V, printed on colored parchment. The work emphasizes horse figures, carriage, and ceremonial detail."

Fountain with wine and drunkenness, plate 36, 1615 - 1620 print Fountain with wine and drunkenness, plate 36. Procession of Charles V with the Pope Clemens VII in Bologna after his coronation to Keizer, February 24, 1530. print maker: Mechelenpublisher: The Hague paper etching / engraving festivities (+ parade, pageant, cavalcade ~ festive activities). drunkard Bologna

Martszen de Jonge, Jan, Northern Netherlands, Nolpe, Pieter, Depiction in what way her Highnesses, Maria Stuart Princess Rojael, and her Son his Highness Wilhelm van Nassou, the III Prince of Orange on the 15th of Somermaent Ao. 1660, Entry of Maria Henrietta Stuart, Princess of Orange into Amsterdam (plate 4), 1660, Visit of Maria Henrietta Stuart, Princess of Orange, accompanied by Amalia van Solms, the young Prince William III and others into Amsterdam, 15 June 1660. Sheet with part of the procession with riders, the front rider marked with the letter B. At the top the title and the list of officers in 3 columns. Fourth plate in an unmounted ensemble consisting of seven sheets of the procession., print, prints, enten, Frederik Muller Historieplaten, height 317 mm, width 469 mm, Noord-Nederlands, 1614 - 1653, print maker, printmaker, 1638 - 1639, second quarter 17th century, tweede kwart 17e eeuw, third quarter 17th century, third quarter of the 17th century, paper, etching, engravin

Reproduction of drawing: Juliusz Kossak (1824-1899), Piotr Lipski in action at Chocim; excerpt from a magazine. unknown, draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher, Malinowski, Aleksander (1855-1917), woodcutter

Queen Elizabeth I of England making her speech at Tilbury before the defeat of the Spanish Armada, 1588. Handcoloured copperplate engraving by Verico from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, Florence, 1847.

justice penitentary system execution the convict is brought to the gallows Johann zu Schwarzenberg ""Bambergische Peinliche Halsgerichtsordnung"" Mainz 1508 private collection,

Martyrdom of a bishop and his servant. Draughtsman: anonymous. Dating: c. 1500 - c. 1524. Place: Germany. Measurements: h 143 mm × w 185 mm. Museum: Rijksmuseum, Amsterdam.

Cartoon on the Spanish loss of Dunkirk, 1646, 1646 print Cartoon on the conquest of Dunkirk by the French army on the Spaniards in 1646 and the deplorable state of the province of Flanders exploited by Spain. The dairy cow Flanders is taken by the Hoorns and led away by a Frenchman (French Cavalier) and a Dutchman (Staatse Ruiter). Under the cow are two Spaniards (Spanish signors) who drink full of the cow's udders. A Spanish Jesuit and a Flemish soldier try to keep the cow. Left front a Dutch sailor. In the background, a heavily loaded procession leaves for Spain. Under the print, a text sheet is stuck with 2 columns in Dutch and 2 columns in French in which the people A-G speak from the performance. Northern Netherlands paper engraving / letterpress printing political caricatures and satires. cow Dunkirk

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