Historic Figures and Scenes

Chiaroscuro prints and sketches showcasing gentlemen in period attire, dramatic poses, and narrative elements, reflecting a rich mix of social and historical themes.

Standing cavalier, to the right, Antoon Overlaet, after Jacques Callot, c. 1730 - c. 1774, draughtsman: Antoon Overlaet, Jacques Callot, c. 1730 - c. 1774, paper, pen, h 141 mm × w 88 mm

Olympus (Surprise) Niccolò Vicentino Italian After Parmigianino (Girolamo Francesco Maria Mazzola) Italian Publisher Andrea Andreani Italian ca. 1540-50 View more. Olympus (Surprise). Niccolò Vicentino (Italian, active ca. 1510-ca. 1550). ca. 1540-50. Chiaroscuro woodcut printed from three blocks in brown ink; sixth state of six. Andrea Andreani (Italian, Mantua 1558/1559-1629). Prints

The cries of Paris: the scrap merchant. (Dummy title) | Old wheel irons. (Registered title)

A gentleman, seen from behind, walking up a parapet, with a cloak over his left shoulder, wearing a plumed hat and boots with spurs. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris); After Jean de Saint-Igny (French, Rouen ca. 1595/1600-1647 Paris). Dimensions: Sheet: 7 7/16 × 5 1/16 in. (18.9 × 12.8 cm)Plate: 5 9/16 × 3 3/4 in. (14.1 × 9.5 cm). Series/Portfolio: The Garden of the French Nobility In Which One Can Pick Up Their Way of Dressing(Le Jardin de la Noblesse Françoise dans lequel ce peut ceuillir leur maniere de Vettements). Date: 1629. Museum: Metropolitan Museum of Art, New York, USA.

Print made by unknown artist, Collection of Prints by Notable Dilettanti, c. 1780. Etching.

Standing cavalier, to the right, Antoon Overlaet, after Jacques Callot, c. 1730 - c. 1774, draughtsman: Antoon Overlaet, Jacques Callot, c. 1730 - c. 1774, paper, pen, h 141 mm × w 88 mm

A gentleman, seen from behind, walking towards the right with a cane and wearing a plumed hat. Artist: Abraham Bosse (French, Tours 1602/1604-1676 Paris); After Jean de Saint-Igny (French, Rouen ca. 1595/1600-1647 Paris). Dimensions: Sheet: 7 7/16 × 5 1/16 in. (18.9 × 12.8 cm)Plate: 5 9/16 × 3 11/16 in. (14.1 × 9.4 cm). Series/Portfolio: The Garden of the French Nobles In Which One Can Pick Up Their Way of Dressing(Le Jardin de la Noblesse Française dans lequel ce peut ceuillir leur maniere de Vettements). Date: 1629. Museum: Metropolitan Museum of Art, New York, USA.

Le Gentilhomme au Plastron de Fourrure (The Gentleman with a Fur Shirt Front), from La Noblesse (The Nobility) ca. 1623 Jacques Callot French. Le Gentilhomme au Plastron de Fourrure (The Gentleman with a Fur Shirt Front), from La Noblesse (The Nobility). La Noblesse. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1623. Etching. Prints

Man with gun, Gillis van Scheyndel (I), Clement de Jonghe, 1649 - 1653.

Bertoldo Holding a Hare in His Hand. 1701 - 1800. Crespi, Giuseppe Maria, 1665-1747. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Oosterling with feathered turban and sword. .

Balthasar, from Three Magi series 1595-1616 Jacques Bellange French. Balthasar, from Three Magi series 359754

Portrait of Ferdinand of Austria. In his right hand a command staff. In the background a group of horsemen and a rising sun. In the lower margin three columns of Latin, Dutch and French text., Portrait of Ferdinand of Austria, print maker: Christoffel Jegher, (mentioned on object), intermediary draughtsman: Erasmus Quellinus (I), (mentioned on object), after: Peter Paul Rubens, print maker: Southern Netherlands, publisher: Antwerp, 1634 - 1653, paper, h 374 mm × w 272 mm

Johannes van Vliet, Beggar with Two Crutches, 1632 Beggar with Two Crutches

Borch, Ole Draftsman: Cramer, F.Stecher: Haas, Jonas

Polander Leaning on a Stick, Anonymous, After Rembrandt van Rijn, After 1630 print paper etching adult man

French nobleman, belonging to the order of Saint Esprit, dressed according to the fashion of ca. 1630, Anonymous, After Abraham Bosse, After Jean de Saint-Iigny, c. 1629 - c. 1650 print Edelman belonging to the Order of Saint-Esprit, in the right hand a raised Karwats. He is wearing a wambuis with a flat collar and a shoulder mantle, on which the cross of the Order of Saint Esprit is embroidered. Calf pants with bows and shoes with bows. Hat with plume on the long curled hair. Those alongside. In the background an avenue with riders; On the right a castle with a moat. France paper engraving clothes, costume (+ men's clothes). whip. Europeans (with NAME). knighthood order of the Holy Spirit

Peasant with Hoe, Basket and Hen. Ludolph Büsinck (German, 1590-1669). Woodcut;

Man with his legs crossed sitting on a chair. Print from a series of twelve prints with studies of human figures, Man on a Chair 12 Study Statues (series title), print maker: Anthonie Willem Hendrik Nolthenius de Man, (mentioned on object), Nijmegen, 1828, paper, etching, h 106 mm × w 62 mm

. A dancing farmer in a landscape. Around his body hangs a row of sausages, a bird head sticks out of his stuff. Under the oval show a two-legged French fresh.

Nobleman with plumeed hat and fur cape; La Noblesse de Lorraine. Standing Lord, dressed in a cape deposited with fur, shoes with rosettes at the feet, a hat with a wide edge and feather on the head. In the background a river landscape with a town and a bridge. Late copy of no. 8 from La Noblesse de Lorraine: series of 12 prints with nobles in costumes that were worn in Lorraine in the first quarter of the 17th century.

Soldier on guard that presses his wick on the rooster of his helm; Arms handhe van Roers Musquettes and the Splies. A soldier waiting, full, to the right, holding a stir (a certain type of firearm) with his left hand. With his right hand, he presses a burning wick on the rooster (part of the inflammatory mechanism) of its stir. It is therefore about the same position as the person shown on the seventh print of the series. This print is part of the series of 42 numbered prints of stirrers from the arms.

Dangent couple, no. II; De BruiloftSdans: "Wedding Dance", 8 (16).

Woodward, Henry .

Amsterdam, King, Wilhelmus, Northern Netherlands, Folkema, Fopje, Bombario Actionist and the Ghost of Esopus, L'Orateur de nuit armé ou le President du Parliament des crieurs fameux a quatre pieds, Robertus Satanius or Nacht braveerde Smeer priem alias Hoofdman of the Lubbers der Viervoetelinge, greeting in all Filth, Riepl Gleichdron Approbierter und Privile gierter Sauschneider und Spanischer apfell Abaldator, The dwarf Robertus Satanius, 1720, The dwarf Robertus Satanius as a certified pig slaughterer. In the caption verses in German, French and Dutch. Numbered right center: 41. Part of part II in the second Dutch bound edition from 1720 (and related to the Windhandel in that year) of a series of caricatures with dwarfs, known as Het Dwergentooneel., print, prent, books, Frederik Muller Historieplaten, height 169 mm, width 105 mm, height 227 mm, width 170 mm, print maker, printmaker, 1718 - 1720, paper, papier, etching, etchings, Publication (Event), Publicatie, - 1732, publisher

Antoine Deriset, no. 3 in Recueil decaricatures. Etcher: Ange-Laurent de La Live de Jully, French, 1725-1779 After: Jacques François Saly, French, 1717-1776

A man wearing a cap with a feather in it has a musical instrument under his cloak. Etching by Adriaen van Ostade.

Voltaire walking in his castle of delights (IFF 5). (Title Title)

The month of August.In the foreground a young man with a sickle pointing to a resting farmer. In the background on the right two women cutting corn. The print has a four-line German caption about the month of August, August The twelve months (series title), print maker: Caspar Luyken, Caspar Luyken, anonymous, Neurenberg, (possibly), 1698 - 1702, paper, etching, engraving, h 194 mm × w 301 mm

Hardware Peddler. Artist: Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692-1765 Paris); After Edme Bouchardon (French, Chaumont 1698-1762 Paris). Dimensions: Sheet: 9 3/16 x 6 13/16 in. (23.4 x 17.3 cm)Image: 8 11/16 x 6 3/4 in. (22 x 17.2 cm). Publisher: François Joullain (French, Paris 1697-1778 Paris). Series/Portfolio: Cries of Paris: Fifth Set(Études Prises dans le Bas Peuple où les Cris de Paris: Cinquième Suite). Date: 1746. Museum: Metropolitan Museum of Art, New York, USA. Author: comte de Caylus Anne Claude Philippe de Tubières. After Edme Bouchardon.

Nobleman, standing on a platform, dressed in a short shouldered cloak with fur trim over a doublet and knee breeches with bows On the head a flat hat with wide brim, without plumes, under which his long hair falls to the shoulders On his feet shoes with bows In his left hand a glove The sideman on the left, French nobleman, dressed according to the fashion of c 1630 Le Jardin de la Noblesse Franoise Costumes of the French nobility , print maker: Abraham Bosse, (mentioned on object), Jean de Saint-Igny, (mentioned on object), publisher: Melchior Tavernier, 1629, paper, etching, engraving, h 143 mm × w 95 mm

Figurine: Standing Warror with Shield. Salvator Rosa (Italy, Naples, 1615-1673). Italy, circa 1656-1657. Prints; etchings. Etching

Artist: Albrecht Dürer, German, 1471-1528, TheBagpiper, Engraving, 11.7 × 7.4 cm (4 5/8 × 2 15/16in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

Winter, Gerrit Grasdorp, 1661 - 1693 drawing An old standing fisherman with a fur hat and a trident. paper. chalk brush Winter, 'Hyems'; "INVERNO '(RIPE). Fisherman (+ Trident)

A Dutch prelate, After, Johann Hieronymus Delete Kohl -

Branche fool; Twelve fools. Scraping fool with a hat with feathers on his head and a cloak. There is a snotting bubble on his nose. The print is part of a series of twelve prints with fools.

Standing farmer, to the left.

Seller of ribbons, lace and needles, 1660 print Man with a wooden stool under a knee and a basket on his arm keeps a bunch of ribbons up. Italian fresh in the lower margin. The print is part of an album. paper etching street-trader. border, ribbon, braid. needle ~ sewing. 'cris de Paris', cries of London, etc.

Man with beard, running to the left, Harmen ter Borch, 1649, draughtsman: Harmen ter Borch, Zwolle, 1649, paper, h 107 mm × w 77 mm

Fiddler playing on a street corner, with hat and staff on a chair, 18th century. A market fair with tents and stalls in the background. Copperplate engraving by David Deuchar from A Collection of Etchings after the most Eminent Masters of the Dutch and Flemish Schools, Edinburgh, 1803.

Boer with a hat, Gillis van Scheyndel (I), 1638 print A farmer (bys boe) with a hat on the head and a stick on his shoulder runs to the left. The print is part of a series of 32 prints with genreta scenes. Amsterdam paper etching farmers

Portrait of William I, Count of Holland, standing to the right in armor and cloak. On his shoulder the coat of arms of Holland and in his hand the city arms of Haarlem. In his other hand a sword. Top center: XVI. Portrait of William I, Count of Holland., print maker: Hendrik Spilman, (mentioned on object), intermediary draughtsman: Tako Hajo Jelgersma, (mentioned on object), after: anonymous, Haarlem, 1745, paper, etching, h 192 mm × w 135 mm

CONTY, FRANZ LUDWIG PRINZ.

Saint Simon, monogrammist FP (Italy; 16th century), After Parmigianino, c. 1500 - c. 1599 print Italy paper etching the apostle Simon Zelotes (or Simon the Canaanite); possible attributes: book, saw, scroll

CHARLES I OF ENGLAND in 1641

. Etching on ivory laid paper

An old man, seen on the back, and Profil to the right: Halven Lijve.mirror image Copy to the print of the Same Name from Rembrandt.

Figure of a Man, the Lawyer ca. 1790 Henry William Bunbury British. Figure of a Man, the Lawyer 340946

Wenceslaus Hollar, Mulier Svevica Inferioris Conditionis, 1642 Mulier Svevica Inferioris Conditionis

Beggar with a crutch and an arm in a sling, drawn in gray brush with graphite pencil by Adriaen Pietersz. van de Venne.

Edelman with glasses, sword and pipe in the hand making a pass to left, anonymous, 1599 - 1647 print France paper engraving / etching pipe ~ tobacco. hacking and thrusting weapons: sword

Soldier who carries his skewers with his right hand on his right side, the point tilted up and near his belly (no. 21), ca. 1600, 1608 A soldier, to the right, to the right, who carries his skewers (lance) with his right hand at his right side, the point tilted up and close to his belly (no. 21), approx. 1600. Plate 21 in the instructions for the Handling the skewers: Corte Onderwysinghe on the Figuerliicke image -hunging fungal truck, of all t Part of the illustrations in: J. de Gheyn, Weapon Handele of Roers Musquetten and Spiessen, Amsterdam, 1608. War award around 1600. print maker: Northern Netherlandsprint maker: Northern Netherlandspublisher: Amsterdampublisher: Amsterdam paper engraving A soldier, to the right, to the right, who carries his skewers (lance) with his right hand at his right side, the point tilted up and close to his belly (no. 21), approx. 1600. Plate 21 in the instructions for the Handling the skewers: Corte Onderwysinghe on the Figuerliicke image -hunging funga

Peasant with His Hands behind His Back. Dated: 1631. Medium: etching and burin. Museum: National Gallery of Art, Washington DC. Author: Rembrandt Harmensz van Rijn.

Three Soldiers, One Seated on a Square Block of Stone. 1656 - 1657. Rosa, Salvator, 1615-1673. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

A page from the French royal court plays the lute, dressed in the picturesque attire of the day and armed with a huge and unwieldy sword. Date: 1629

Epirots; Woman shipped out Pyreneeën; Habit of diverse people of our age. Woman shipped out Pyreneeën met Boog, zwaard en Knüppel, lopend Go to links. Prent shipped white habit of diverse people of our age.

Portrait of Giovanni Battista Maini, 1749, Pier Leone Ghezzi, Italian, (Rome), 1674-1755, 12 1/2 x 8 3/4 in. (31.75 x 22.23 cm) (image)23 3/4 × 19 3/4 in. (60.33 × 50.17 cm) (outer frame), Pen and brown ink over traces of black chalk, Italy, 18th century, The 18th century Italian painter Pier Leone Ghezzi is best remembered for his satirical drawings of friends, colleagues, and the Grand Tourists in Rome, which he produced in great number. Here he represents the sculptor Giovanni Battista Maini. Far from flattering Maini, Ghezzi exaggerated the size of his nose and lips, undoubtedly the fellows most recognizable features, to hilarious proportions.

The Rat Catcher. Artist: Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692-1765 Paris); After Edme Bouchardon (French, Chaumont 1698-1762 Paris). Dimensions: Sheet: 9 5/16 x 7 7/16 in. (23.6 x 18.9 cm)Image: 8 7/8 x 7 3/8 in. (22.5 x 18.8 cm). Publisher: François Joullain (French, Paris 1697-1778 Paris). Series/Portfolio: Cries of Paris: Fifth Set(Études Prises dans le Bas Peuple où les Cris de Paris: Cinquième Suite). Date: 1746. Museum: Metropolitan Museum of Art, New York, USA. Author: comte de Caylus Anne Claude Philippe de Tubières. After Edme Bouchardon.

Young man playing on an Orphica for a balustrade, Adam von Bartsch, 1795 print Numbered at the top right: p. 16. paper etching other keyboard instruments. other string instruments (plucked). one person playing string instrument (plucked). one person playing keyboard instrument

Sebald Beham's 1520 etching on iron plate depicts a Landsknecht soldier, highlighting figure, attire, and posture.

Etching by Philipp Jakob Loutherbourg the Younger depicting caricatures of London townspeople from Wales, created in 1775.

Indian boat companion, Pieter van den Berge, in or after 1694 - 1737

Civil Garb of the French Citizen. Artist: baron Dominique Vivant Denon (French, Givry 1747-1825 Paris); After Jacques Louis David (French, Paris 1748-1825 Brussels). Dimensions: image: 12 1/8 x 7 1/16 in. (30.8 x 18 cm)plate: 12 15/16 x 7 1/2 in. (32.8 x 19 cm)sheet: 13 11/16 x 8 3/16 in. (34.8 x 20.8 cm). Series/Portfolio: Projets de Costumes. Date: 1794. Museum: Metropolitan Museum of Art, New York, USA.

Jacques Callot, Peasant with Sack, c 1617 Peasant with Sack

Little boy holding a wreath and basket of flowers, from Deuxième Livre de Figures d'après les porcelaines de la Manufacture Royale de France (Second Book of Figures after porcelains from the Manufacture Royale de France). Artist: After François Boucher (French, Paris 1703-1770 Paris); Pierre François Tardieu (French, Paris 1711-1771 Paris); After Pierre Etienne Falconet (French, Paris 1741-1791 Paris). Dimensions: Sheet: 9 3/4 x 7 1/2 in. (24.8 x 19 cm). Series/Portfolio: Deuxième Livre de Figures d'après les porcelaines de la Manufacture Royale de France. Date: after 1757. Museum: Metropolitan Museum of Art, New York, USA.

Young rider sitting on horseback, draughtsman: Jan Miel, 1610 - 1663, paper, h 170 mm × w 105 mm

He hoped, however, !! ......

Man and Woman Imitating Birds, Adriaen Pietersz van de Venne, 1618 drawing paper. ink pen / brush farmers. farmers - AA - female farmer, farmer's wife. man disguised as animal. birds (+ egg-laying)

Boy with a hoop, from behind, 1651 drawing Zwolle paper. ink. chalk brush

Contrarolleur van de Gelukkige en rampzalige Lapis-zoekers The controller of the fortunate and miserable (searchers for the Philosopher's Stone). Engelbrecht, Martin, 1684-1756. 1720. Sassen, Joost van, approximately 1684-1755. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Johan Thomas Lundbye (1818-1848), nussy that crazy a pen, 1847

Quast, Pieter Jansz., Amsterdam, Savery, Salomon, The Life of the Farmers, Claes dicke botter, Farmer with basket on his left arm, looking back, verso - stamped, The print is part of a twelve-part series of prints depicting farmers., print, prints, height 123 mm, width 80 mm, Northern Netherlands, 1594 - 1683-10-16, print maker, printmaker, 1630 - 1665, paper, papier, engraving, engraving (printing process), etching, Work conception, 1606 - 1647-06

Standing woman to the left hand in the side, Abraham Johannes Ruytenschildt, 1814

Januari. De Taalf maanden van het jaar (series title). Draughtsman: anonymous. Dating: 1600 - 1699. Measurements: h 140 mm × w 81 mm. Museum: Rijksmuseum, Amsterdam.

Street musician with swivelier, Jean Théodore Joseph Linnig, After Adriaen van Ostade, 1851 print paper etching hurdy-gurdy player

Landlorage with Mitella, Pieter Jansz Quast, 1634 - 1638 print Landscape with a beggar with a sling and a hat on his head. In the background a water mill and a farm. The print is part of a series of twenty -six prints with beggars and farmers. The Hague paper etching / engraving beggar. disabilities, deformations. watermill. farm or solitary house in landscape

Standing woman with rooster; Standing figures. .

Seymour, 1. Earl of Hertford, 1. Duke of Somerset, Edward .

Soldaat, op de rug gezien, die zijn spies met zijn rechterhand rechtop vasthoudt. Ontwerptekeningen voor de Wapenhandelinghe van Jacob de Gheyn (II) (series title). Draughtsman: Jacob de Gheyn (II). Dating: 1596 - 1606. Measurements: h 266 mm × w 175 mm. Museum: Rijksmuseum, Amsterdam.

Linné, Charles of.

Standing woman with Haan, Jan Gillisz. van Vliet, 1635 print Leiden paper etching fowl (cock, hen, chicken, etc.)

'Study for 'The Paralytic'. Figure of a Young Man with a Plate in his Hand'. France, Circa 1760. Dimensions: 48,1x32 cm. Museum: State Hermitage, St. Petersburg. Author: JEAN-BAPTISTE GREUZE.

Arthur-Joseph Guéniot (1866-1951). Hunter on a path. Henri Trenit, uncle of Guéniot. Graphite pencil. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Soldaat die zijn musket met zijn linkerhand rechtop vasthoudt. Wapenhandelinghe van Musquetten (series title). Draughtsman: Jacob de Gheyn (II). Dating: 1596 - 1606. Measurements: h 279 mm × w 195 mm. Museum: Rijksmuseum, Amsterdam.

Johannes van Vliet, Beggar Woman Playing the Violin, 1632 Beggar Woman Playing the Violin

Two trunks. .

Two beggars, Jacques Callot, 1622 - 1623 print Two men, dressed in rags, the left holds a hat and has the hand of the right, who is blind. This print is part of a series of 25 prints with beggars and tramps, such as Callot who probably saw in Italy. Nancy paper etching beggar. head-gear: hat (+ men's clothes). blind, blindness

Jean-Antoine Watteau (French, 1684 - 1721). Standing Man, Leaning on His Elbow (L'Homme Debout), ca. 1710. From Figures de Mode. Etching and engraving on laid paper. Plate: 123 mm x 77 mm (4.84 in. x 3.03 in.). Fourth of seven states.

Face; Registered; Five senses. Personification of the sense face. A woman makes himself up for a mirror on a base. Behind her is an eagle, a bird with sharp sight, on a balustrade.

Caricature: An Elderly Couple. Artist: Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid). Dimensions: 8-1/4 x 6-1/8 in. (20.9 x 15.6 cm). Date: 1696-1770. Museum: Metropolitan Museum of Art, New York, USA.

Rembrandt van Rijn, Peasant with His Hands behind His Back, 1631 Peasant with His Hands behind His Back

Poisson en habit de Païsan. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Louis Deplaces after Antoine Watteau.

Sebald Beham, Foot Soldier Standing by a Tree, 1520 Foot Soldier Standing by a Tree

Jacques Callot, The Gentleman with Clasped Hands (Le gentilhomme aux mains jointes), 1620-23, etching on paper.

Schouman, Aert, Man with a pipe, sitting at a table, verso lower left - stamped, print, drawings, height 105 mm, width 80 mm, Northern Netherlands, 1710-03-04 - 1792-07-05, print maker, printmaker, 1767 - 1767, paper, papier, ink, inkt, etching, etchings, crayon method, pen

W: Kunnst and textbooks for the hitting boys . Amman, Jost (1539 1591), Walther, Johann Georg

Le Pantalon ou Cassandre, from Les Trois Pantalons pièces appélees Les Trois Acteurs (The Three Pants also called the Three Actors) ca. 1618-20 Jacques Callot French. Le Pantalon ou Cassandre, from Les Trois Pantalons pièces appélees Les Trois Acteurs (The Three Pants also called the Three Actors). Les Trois Pantalons pièces appelées aussi Les Trois Acteurs. Jacques Callot (French, Nancy 1592-1635 Nancy). ca. 1618-20. Etching and engraving; first state of two (Lieure). Prints

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