Historic Hunting Scenes

Engravings depicting hunting parties with horses and hawks, ancient landscapes, and notable historical moments, emphasizing genre subjects and dramatic narratives.

Allart van Everdingen (Dutch, 1621 - 1675), Two Logs in the Water, probably c. 1645-1656, etching

A Hawking Party, Print made by William Wynne Ryland, 1732-1783, British, after Philips Wouwerman, 1619-1668, Dutch, 1765, Etching on medium, slightly textured, beige, laid paper, Frame: 22 1/4 × 27 1/4 × 1 inches (56.5 × 69.2 × 2.5 cm), Plate: 13 3/4 × 19 inches (34.9 × 48.3 cm), and Image: 10 × 15 7/8 inches (25.4 × 40.3 cm), birds, genre subject, hawk, horses (animals)

Print made by William Wynne Ryland, 1732-1783, British, A Hawking Party, 1765. Etching on medium, slightly textured, beige, laid paper.

Landscape with the Merciful Samaritan, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print In an Italian coastal landscape, the Merciful Samaritan provides the wounded traveler. Next to them is the donkey of the Samaritan. To the Bible story from Luc. 10: 25-37. paper etching / engraving a Samaritan tending the wounds of the traveller. landscapes in the temperate zone

Anonymous artist depicted Alexander welcoming Darius family using chalk, feather, and gray lavis techniques.

Troops Resting. Jean-Baptiste Pater; French, 1695-1736. Date: 1880-1882. Dimensions: 185 × 233 mm (sheet); 180 × 227 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Giovanni Andrea Podestà (: Titian (Tiziano Vecellio)); Giovanni Giacomo de' Rossi / 'The Andrians'. 1640 - 1650. Etching on laid paper. Museum: Museo del Prado, Madrid, España.

Brown pen and chalk drawing by Johann Christoph Lischka showing the biblical scene of the lost son of the lost son, figures and composition on paper.

The Arts, Edward Francis Burney, 1760-1848, British, undated, Pen and black ink and gray wash on medium, slightly textured, beige laid paper, Sheet: 3 7/8 × 5 5/8 inches (9.8 × 14.3 cm), angels, arts, figures, religious and mythological subject, trees

Allart van Everdingen (Dutch, 1621 - 1675), Two Logs in the Water, probably c. 1645-1656, etching

Fishing in the Rain, Augustin Hirschvogel, (1503-1553/German), Musee de Beaux Arts, Budapest

Scene of Witchcraft and Devil Worship, painting by David Teniers (baptised 15 December 1610 in Antwerp, died 25 April 1690 in Brussels), Flemish painter, draughtsman and curator. He was an innovator in a variety of genres such as history painting, genre painting, landscape, portrait and still life. He is most remembered today as the leading Flemish genre painter of his time, reproduction from a 17th century painting. Authentic, file restored for optimal use, exact date of original unknown

A 16th-century drawing by Annibale Carracci depicting a resting group, executed with bister, spring, and black pen, emphasizing figure arrangement and interaction.

A gray pen drawing with lavated gray and brown tones by Giustino Menescardi depicting preparations for the burning of a saint, showing figures, pyre, and ceremonial arrangement.

A Hunt Scene, Pen and ink, brush and gray wash on paper, A woman and man on horseback converse, as a hunt takes place in the left middle distance. Two figures and two dogs in the foreground. Horseman with falcon at left., Netherlands, 1600-1630, figures, Drawing, Drawing

Landscape with Herdsman 17th century Anonymous, Italian, Roman-Bolognese, 17th century Italian. Landscape with Herdsman 339989

Drawing by Johann Heinrich Roos depicting the Kessel Flicker family with a donkey at a house entrance, executed in stone chalk with brown lavings, around 1672.

Brown-ink drawing by Lambert Lombard depicting Caritas Romana in Roman ruins with a gathered audience, focusing on figures and architectural context.

Winter landscape depicting farmers, wood collectors, and a hunter in snow-covered terrain, drawn in black and white chalk on brown tinted paper.

Massacre of the Innocents. Artist: Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550-1580). Dimensions: 10-3/4 x 16-5/8 in. (27.3 x 42.2 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

The Overloaded Donkey. Giovanni Benedetto Castiglione; Italian, 1609-1664. Date: 1628-1664. Dimensions: 243 x 305 mm (image); 250 x 313 mm (sheet). Etching on paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Maximilian Johann Georg von Dillis depicted an ideal landscape including the Torre Della Valle at Marino using black-gray pen over pencil after 1805.

Troops Resting Artist's working dates 1880-1882 France. Etching on ivory laid paper . Jean-Baptiste Pater

Lord Southampton's Shooting Pony, with "Sailor", His Retriever, and "Rover", His Spaniel. Date/Period: 1822. Drawing. Graphite on medium, slightly textured, cream wove paper. Height: 229 mm (9.01 in); Width: 270 mm (10.62 in). Author: James Ward.

The Monumental Tablet, from Grotteschi (Grotesques). Artist: Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720-1778 Rome). Dimensions: Sheet: 19 1/2 x 25 3/16 in. (49.5 x 64 cm)Plate: 15 3/8 x 21 1/16 in. (39 x 53.5 cm). Publisher: Giovanni Bouchard (French, ca. 1716-1795). Series/Portfolio: Grotteschi (Grotesques). Date: ca. 1748. Museum: Metropolitan Museum of Art, New York, USA.

Isaak Major's 17th-century drawing depicts a lakeshore with a hamlet and ruin-like walls, executed in dark and light brown feather.

José del Castillo / 'David and Abigail'. 1765. Red chalk on laid paper. Museum: Museo del Prado, Madrid, España.

Blessed Ascending to Heaven. Attributed to Giovanni Francesco Romanelli (Italian, 1610-1662); or Anton Domenico Gabbiani (Italian, 1652-1726). Date: 1630-1750. Dimensions: 273 x 396 mm. Pen and brown ink, with brush and brown wash, over black chalk, on cream laid paper. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Red chalk drawing by Edme Bouchardon depicting a Roman festival honoring the goddess Pales, dated 1737.

Introducing Christianity in Poland. Gierdziejewski, Ignacy (1826-1860), draughtsman, cartoonist

Figures on a stone bridge.

Charles Parrocel drawing of an equestrian battle, executed with pen in brown, brush, and gray wash, around 1740-1745.

Juno, Mariano Rossi, Italian, 1731-1807, Brush and brown wash, pen and ink, graphite on paper., Center left, Juno seated holding small temple surrounded by other various gods and mythical creatures., Italy, 1731-1807, figures, Drawing, Drawing

Scene from Roman history, Charles Le Brun (attributed to), 1629 - 1690 drawing France paper. ink pen / brush events and situations from classical history

Gaetano Biccari depicted Pyrrhus being saved from his persecutors in pen on parchment in 1735.

A drawing by Hans Rottenhammer from around 1596 depicting angels playing music on a cloud bank, executed in gray-brown ink with lavings.

Scene from Tassos Gerusalemme Liberata. Artist: Francesco Allegrini, Italian, 1587/1624-1663

'Landscape with Heracles and the Ox-Driver'. Flanders and Venice, 1598. Dimensions: 20,1x27 cm. Museum: State Hermitage, St. Petersburg. Author: Lodewyk Toeput (Lodovico Pozzoserrato).

Maarten van Heemskkk (1498-1574), Gideon Knangeler in the Been (the Fortainten about the dew and the shooter), 1561

Francisco de Goya y Lucientes / 'Rabble'. 1810 - 1814. Red chalk on ivory laid paper. Museum: Museo del Prado, Madrid, España.

Print made by John Robert Cozens, 1752-1797, British, Ariccia, between 1783 and 1789. Soft-ground etching on moderately thick, slightly textured, beige laid paper.

Landscape with Sportsman and Dogs. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1643-1653. Dimensions: 128 x 156 mm (image/plate); 132 x 161 mm (sheet). Etching in black on cream laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

L'Auberge (The Inn), from Les Caprices Series A, The Florence Set 1617 Jacques Callot French. L'Auberge (The Inn), from Les Caprices Series A, The Florence Set. Les Caprices Series A. Jacques Callot (French, Nancy 1592-1635 Nancy). 1617. Etching. Prints

Munsterhjelm, Hjalmar, Sketch book, 1873-1892, pencil on paper, drawing, see parts of the work, 21 cm x 33 cm, Munsterhjelm, Hjalmar, 1873-1892, pencil on paper, Magnus Hjalmar Munsterhjelm 1840 - 1905 was a Finnish landscape painter, who worked in Finland.

Pierre Mignard drawing of Diana and her entourage engaged in a hunt, created with red chalk, black chalk, and white heightening, framed with red chalk and bordered in black around 1679.

Drawing, Hunting with Falcons; Jan van der Straet, called Stradanus (Flemish, 1523-1605); Netherlands; black chalk, pen and ink, brush and wash on paper; 14.5 × 11.2 cm (5 11/16 × 4 7/16 in.)

Recto: The ConcertVerso: Seated Male Nude. Artist: Attributed to Johann Liss (German, Oldenburg ca. 1595/1600-1631 Verona). Dimensions: 9 1/16 x 13 13/16 in. (23 x 35.1 cm). Date: early 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Lead pencil drawing by Christian Wilhelm Ernst Dietrich around 1733 depicting the raising of Lazarus, emphasizing figures, gestures, and spatial arrangement.

Coastal Scene with the Embarkation of Goods, Philips Wouwerman (copy after), 1625 - 1699 drawing paper. deck paint. ink pen / brush animal mounts; pack-animals (+ unloading). ferry (+ loading). low hill country. river

Leandro Bassano after Titian, Landscape with a Man and a Dog, c 1580 Landscape with a Man and a Dog

Summer; The four Seasons. Sheep are shaved in front and eats a woman with children. In the background harvested grain on a cart loaded and thirsty. In the distance Abraham is about to sacrifice his son Isaac. This print is part of an album.

Landscape with three horsemen. Draughtsman: Jan van Goyen. Dating: 1631. Measurements: h 111 mm × w 195 mm. Museum: Rijksmuseum, Amsterdam.

Drawing by Agostino Carracci showing a foolish figure next to water with staff-bearing figures in front of a mountain backdrop, executed in pen.

Horseman fight with Turks, draughtsman: Johann Wilhelm Baur, (possibly), 1600 - 1640, paper, pen, brush, h 152 mm × w 244 mm

Artist: Moyses Matheusz van Uyttenbroeck, Dutch, ca. 1595/1600-1646, Mercury andArgus, Brush and bistre ink over pencil sketch on paper, sheet: 15.7 × 20.8 cm (6 3/16 × 8 3/16in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper - Drawings andWatercolors

Drawing, Bacchus, Apollo and Mnemosine; Minerva with Trophies; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and brown wash over cream laid paper; 26.3 x 40.5 cm (10 3/8 x 15 15/16 in.)

Lorrain, Claude, Berger et bergére conversant, Shepherd and shepherdess in conversation, verso lower left - stamped, A shepherd and a shepherdess sitting in a landscape, with a herd of cows, sheep and goats., print, prints, height 193 mm, width 255 mm, French, 1600 - 1682-11-23, print maker, printmaker, 1649 - 1653, second quarter 17th century, third quarter 17th century, paper, etching, etchings, Work conception, after own design by

Three men are depicted beside a weathered tree, drawn in black chalk with gray washes by Jan Josefsz van Goyen in 1627.

Veronese, Studies for the Raising of Lazarus and Other Compositions (verso), c 1582 Studies for the Raising of Lazarus and Other Compositions verso

Departing for the Hunt 1670-1693 Holland. Pen and brown ink, with brush and gray wash, over traces of graphite, on buff laid paper, pieced and tipped onto card . Jan Verkolje, I

Historical Subject with Men and a Boy Near a Ship (recto); Anatomical Study of a Foot (verso) 1770-80 William Hamilton British Hamilton belonged to a generation determined to expand the scope of the arts in Britain. He traveled to Rome as a teenager to study with Antonio Zucchi, returned to England to make decorative paintings for Robert Adam, then entered the Royal Academy Schools in 1769. From that point forward he focused on historical and literary subjects, together with portaits. This early of men recognizing the identity of a captive boy next to a ship likely derives from a literary or historical source. On the verso, the artist copied a drawing of a flayed foot from an anatomy book.. Historical Subject with Men and a Boy Near a Ship (recto); Anatomical Study of a Foot (verso). William Hamilton (British, London 1751-1801 London). 1770-80. Recto: pen and black ink, brush and brown wash and watercolor, over graphiteVerso: pen and black ink, brush and wash, over graphite. Drawings

Illustration for a Book: Supplicants Imploring an Emperor for Peace 1696-1770 Giovanni Battista Tiepolo Italian. Illustration for a Book: Supplicants Imploring an Emperor for Peace 339300

Men and Boys Throwing Snowballs, Adriaen Pietersz van de Venne, 1638 drawing paper. graphite (mineral). ink pen ice ~ freezing weather. throwing snowballs

Bliżej Kultury H. Kleinmann & Co Haarlem, Rembrandt van Rijn (1606 1669)

The Combat of Khurungui 1774 Jacques Aliamet This print depicts the 1758 Combat of Khurungui, showing Chinese troops led by Zhaohui and his lieutenants attacking Amursana's supporters who, after their defeat at Khorgos, went to Mount Khurungui, located north of the river Ili. Part of a set of sixteen, "The Combat of Khurungui" was commissioned by the Qianlong Emperor in 1765 to commemorate Manchu victories (1755-59) over the Eleuths, the Dzungars, and other Central Asian peoples in the present-day region of Xinjiang. Made under the direction of Charles-Nicolas Cochin (1715-1790), the prints, which follow reduced-scale copies of paintings by Jesuit artists working in Beijing, were etched and engraved in France from 1767 to 1774 by the finest printmakers at the court of Louis XV. The Chinese merchants of Canton (present-day Guangzhou) paid for the copper plates and two hundred sets of prints to be delivered to China, with only a few sets retained in Paris.The prints exemplify the fusion

Four Figures Conversing in a Landscape 1616-68 Antonio del Castillo y Saavedra Spanish. Four Figures Conversing in a Landscape 335353

The Realm of Neptune, from Drawing Book. Artist: After Abraham Bloemaert (Netherlandish, Gorinchem 1566-1651 Utrecht); Frederick Bloemaert (Dutch, ca. 1610-ca.1669). Dimensions: sheet: 5 15/16 x 9 5/8 in. (15.1 x 24.4 cm). Date: 1650-56. Museum: Metropolitan Museum of Art, New York, USA.

The great cafe of Alexander at the Fair Saint-Germain, 1759 Gabriel de Saint-Aubin (1724-1780). The great cafe of Alexander at the Fair Saint-Germain. Drawing (Bistre Pume and Black Ink Lavis on Plated Paper), 1759.

The European Race: An Allegorical Caricature on the State of Political Europe in 1738-9. Charles Mosley (ca. 1720-ca. 1770). Pencil, pen and brown ink, brown chalk, brown wash. 26.7 x 85.7cm.

Design for a plafond for the Room of the Monarchs at the Royal Castle in Warsaw. Plersch, Jan Bogumił (1732-1817), draughtsman, cartoonist

Lovers in a formal garden, Gesina ter Borch, c. 1658, draughtsman: Gesina ter Borch, Zwolle, c. 1658, paper, h 90 mm × w 195 mm

Murder of the Protestants in Sens, 1562, 1567 - c. 1571 print Murder of the Protestants in Sens, April 1562. Soldiers kill, plunder and destroy the city. In the foreground bodies in the water. With caption of 8 lines in German. Nummered in the bottom left: 27. The print is part of an album. Cologne paper etching massacre ~ war Sens

Diana and her Companions Hunting Wild Boar Louis de Boullogne the Younger French ca. 1707 Louis de Boullogne (1654-1733) was from a family of successful artists active in the late 17th and early 18th centuries. After study in Rome, he was accepted into the Académie Royale and spent his career providing religious and mythological paintings to Royal palaces and churches in and around Paris. In recognition of these achievements, he was ennobled in 1724 and named Premier Peintre du Roi in 1725.This vigorous sketch is a première pensée, or first idea, for an overdoor commissioned by Louis-Alexandre, comte de Toulouse for the Cabinet du Roi at the château de Rambouillet. The painting, today in the Musée des Beaux-Arts of Tours, depicts Diana and her nymphs hunting a wild boar. A second, more detailed but also drier, compositional study is in the Musée du Louvre. In this freely executed sketch, the artist uses black and white chalk, not only to lay in the major elements of the composition, bu

Lord walking on a country road by gallows.

A scene showing a street fight Vincent, Pariseau, Philippe Louis (1740 1801)

Print, Quos Ego (Whom I); Print Maker: Simone Cantarini (Italian, 1612 - 1648); etching on paper; 31.4 × 43.9 cm (12 3/8 × 17 5/16 in.); 1896-31-43

Spring by Bruegel (Brueghel), Pieter, the Elder (ca 1525-1569) / Albertina, Vienna / Early Netherlandish Art / 1565 / The Netherlands / Pen, brown Indian ink on paper / Genre / 22x29

Livio Retti (Italian, 1692-93 - 1751), The Triumph of Virtue and Divine Wisdom, 1736, pen and brown ink with brown wash over graphite on laid paper

The monumental tablet.. Piranesi, Giovanni Battista, 1720-1778. Charrington, John, 1856-1939. Prints. 1750 - 1751. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Architecture, Architecture , Italy , Rome, Grotesques

Drawing by Ignace Duvivier using black chalk, bister wash, and white heightening, showing a group of people at rest in a social setting.

Fuji of Battle. Katsushika Hokusai (Japan, 1760-1849). circa 1834. Books. Double-page book illustration; black and white woodblock prints

Landscape with Figures and Horses in the Foreground 1643-1687 Flanders. Pen and brown ink on cream laid paper . Gillis Neyts

Carriage and riders on a country road, Gillis van Scheyndel (I), 1605 - 1653 print The smell. On a country road in a hilly landscape there are a carriage, riders and men with dogs. In the foreground two hunters with dogs that seem to follow a track. The print is part of a series of landscapes with the five senses. Netherlands paper etching / engraving smell, smelling (one of the five senses). hunter. hunting dogs

Allegory of the coronation of William III as king of England. Draughtsman: Mattheus Terwesten. Intermediary draughtsman: Augustinus Terwesten (I). Dating: 1680 - 1757. Museum: Rijksmuseum, Amsterdam.

Landscape by Jan Brueghel the Elder showing a country road at the forest edge with farmers and wagons heading to the market, executed in brown ink with blue, brown, and gray brushwork, including graphite pencil markings, with minor damage and holes.

Planting trees, Jan Luyken, 1660 - 1712, Possible design for a print., draughtsman: Jan Luyken, 1660 - 1712, paper, pen, brush, h 125 mm × w 155 mm

Recto: The Month of April (Figures in a park near a castle); Verso: Youth from The Three Ages of Man ()(Merry-makers), Pen and brown ink, brush and brown wash on cream laid paper, Recto: A woman is seated near a body of water surrounding a castle, attended by other women. To the left, herdsmen are seen with their animals. In the distance is a village., Verso: A group of people revel, gamble and are shown making love., Netherlands, ca. 1540, textile designs, Drawing, Drawing

The Net Menders, c. 1918. Auguste Brouet (French, 1872-1941). Etching;

Carlo Antonio Tavella / 'Saint Francis of Assisi in Ecstasy'. XVII century. Pencil, Wash on paper. Museum: Museo del Prado, Madrid, España.

Ice face with hunter showing an otter ..

English Travellers. Carle Vernet (French, 1758-1836); printed by Comte Charles Philibert de Lasteyrie (French, 1759-1849). Date: 1815-1825. Dimensions: 341 × 462 mm (image); 401 × 548 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Le Halte des Bohémiens: Les Apprêts du Festin (The Gypsy Stopover: The Preparations for the Feast) , from Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes (The Gypsies, series also called The Egyptians, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops) early 17th century Jacques Callot French. Le Halte des Bohémiens: Les Apprêts du Festin (The Gypsy Stopover: The Preparations for the Feast) , from Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes (The Gypsies, series also called The Egyptians, The Gypsy Troops, The Wandering Lives of Gypsies, The Egyptian Troops). Le Bohémiens, série appelée aussi Les Égyptiens, La Marche des Bohémiens, La Vie Errante des Bohémiens, Les Marches Égyptiennes. Jacques Callot (French, Nancy 1592-1635 Nancy). early 17th century. Etching and engraving; second state of two (Lieure). P

Italy, Titian, Campagnola, Domenico, Landscapes after Domenico Campagnola, Luget ovem Daphnis, serò, incuria culpa est, Hinc sis, quando decet, vigilante pericula caute, Landscape with shepherds and flock, verso - stamped, Landscape with hills and a river. In the foreground two shepherds with their flock of sheep. A wolf attacks the flock. Title in Latin in lower margin. Numbered lower right: 15., print, prent, prints, prenten, height 260 mm, width 385 mm, print maker, printmaker, 1600 - 1699, paper, papier, etching, etchings, Italian, 1500 - 1564, intermediary draughtsman, after a drawing by, Work conception, 1488 - 1576-08-27

Sawrey Gilpin, 1733-1807, British, Group Scene showing horses, figures and red Indians, undated. Pen and brown ink, brown wash and graphite on medium, slightly textured, cream laid paper.

Apollo and pan in a boat. Pan with pan flute and amor with winch, sitting with singing women in a boat. Putti arrows on the dolphins in the water from the air.

Fantasy city with antique ruins, Jan van Scorel (attributed to), 1505 - 1562 drawing paper. ink pen fantastic architecture, unrealistic architectural fantasies

Rome, Lafreri, Antonio, Vatican City, Raphael, Italy, Cain and Abel, verso - stamped, On the right the offerings of Cain and Abel. Cain brings an offering from his harvest and Abel offers a lamb. On the left Abel being killed by Cain., print, prent, prints, height 260 mm, width 452 mm, print maker, prentmaker, 1544 - 1544, paper, engraving, engraving (printing process), plate tone, 1483-04-07 - 1520-04-07, after a painting by, Publication (Event), Publication, Italian, 1512 - 1577, publisher

No. 36. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Numbered lower right: 1. Birth of Adonis, print maker: Adam von Bartsch, (mentioned on object), intermediary draughtsman: Raymond de Lafage, (mentioned on object), print maker: Vienna, intermediary draughtsman: France, 1783, paper, etching, h 315 mm × w 510 mm

Apple harvest and grape pick, anonymous, c. 1540 - c. 1560 drawing The drawing is probably a design for a carpet in a series with the seasons or the months. Brussels paper. chalk. ink pen fruit harvest. picking fruit. fruits: apple. vintage, grape harvest

Dordrecht, Hoolaart, Jacob, Landscape, print, prints, height 30 mm, width 77 mm, 1713-01-29 - 1789-04-02, print maker, printmaker, 1728 - 1789, paper, papier, etching, etchings

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