Historic Landscape Drawings

A collection of 19th-century landscape drawings featuring ruins, windmills, and serene waterscapes, showcasing meticulous draftsmanship and outdoor scenes.

Venice seen from the water, Carel Nicolaas Storm van 's -Gravesande, 1851 - 1924 print paper drypoint prospect of city, town panorama, silhouette of city. sailing-ship, sailing-boat Venice

The Palatine Hill, Rome. Artist: Camille Corot (French, Paris 1796-1875 Paris). Dimensions: 7 1/2 x 14 3/8 in. (19 x 36.5 cm). Date: 1825-26.Recognized as the most influential French landscape painter of the nineteenth century, primarily for his role as a leading practitioner of the Barbizon School, Camille Corot also produced dozens of drawings of the Italian countryside. He traveled to Rome on several occasions to work en plein air (outdoors), and the resulting topographic studies are a fascinating "album" of sites, old and new, built and natural. This meticulous graphite drawing of the ruined villas of the Palatine Hill dates to Corot's third trip to Italy. The artist deftly organizes vestiges of ancient monuments in obsessively exacting draftsmanship. Museum: Metropolitan Museum of Art, New York, USA.

Zaandam, James Abbott McNeill Whistler, 1889 print Zaandam and many mills, seen from the surrounding meadows. In the middle the Kalverkerk. paper etching / drypoint village. windmill in landscape Zaandam

Tweedmouth , Cities & towns. Sir David Young Cameron (1865-1945). Prints

East Cowes, May 1833, Capt. Thomas Hastings, 1778-1854, British, 1833, Graphite on medium, slightly textured, cream wove paper, Sheet: 6 3/8 × 9 1/8 inches (16.2 × 23.2 cm)

La Falaise d'Orbigny, c. 1922-23. Gustave Leheutre (French, 1861-1932). Etching and drypoint;

Bliżej Kultury Stanisławski, Jan (1860 1907)

The Riva, No. 1, 1880. James McNeill Whistler (American, 1834-1903). Etching;

Venice seen from the water, Carel Nicolaas Storm van 's -Gravesande, 1851 - 1924 print paper drypoint prospect of city, town panorama, silhouette of city. sailing-ship, sailing-boat Venice

SAFFREY, Henri Alexandre (n. - D.1896), the Quai de Javel and the boats (dummy title). Lead mine. Carnavalet museum, history of Paris.

Millbank, 1861. James McNeill Whistler (American, 1834-1903). Etching;

Sailboat on the water for a village or city, 1914 - 1916 The contours of houses and a church tower can be seen in the background. Page 34 Recto from a sketchbook with 41 sheets. paper. chalk landscapes with waters, waterscapes, seascapes (in the temperate zone). city-view, and landscape with man-made constructions. sailing-ship, sailing-boat

Face in Bruges, Adolf Le Comte, 1860 - 1921 drawing paper. chalk public road Used

Zaandam 1889 United States. Etching and drypoint with foul biting in black ink on ivory Japanese paper . James McNeill Whistler

James McNeill Whistler, Upright Venice, 1879 1880 Upright Venice

Pronk, Cornelis, Joure, Haen, Abraham de (II), View of Westermeer and Joure, handwritten in gray pen, Sheet 44 recto from a sketchbook with 51 sheets., sketchbook sheet, drawings, Westermeer, Jouwer, 2 July, 1707-04-06 - 1748-08-08, draughtsman, draftsman, 1732-07-02 - 1732-07-02, second quarter 18th century, paper, ink, pencil, pen, Northern Netherlands, 1691-12-10 - 1759-09-29

Francis Seymour Haden, 1818-1910, British, Shepperton, 1864. Etching and drypoint on medium, slightly textured, cream laid paper.

Face of the Butte: the mills, draughtsman: Georges Michel, 1773 - 1843, paper, h 81 mm × w 104 mm

Face in the port of Hamburg, Carel Nicolaas Storm van 's-Gravesande, 1907 drawing paper. chalk brush harbour Hamburg. Germany

William Brockedon, 1787-1854, British, Totnes. Graphite.

View of the frozen Kattensloot in Amsterdam. On the ice a boy is walking with a sledge, View of the frozen Kattensloot in Amsterdam, print maker: Frans Schikkinger, Amsterdam, 1848 - 1902, paper, etching, drypoint, h 174 mm × w 230 mm

The Troubled Thames. Dated: c. 1875. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Design for a Stage Set at the Opéra, Paris (recto); Man with Cane (verso). Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: sheet: 9 11/16 x 12 13/16 in. (24.6 x 32.5 cm). Date: 1840-90. Museum: Metropolitan Museum of Art, New York, USA.

Haven for Dieppe, Eugène Bejot, 1930 print Dieppe paper etching / drypoint ships (in general) - CC - more than one ship. harbour Dieppe

San Biagio. James McNeill Whistler; American, 1834-1903. Date: 1880. Dimensions: 210 x 305 mm (image, trimmed within plate mark); 216 x 305 mm (sheet). Etching and drypoint with foul biting in dark brown ink on ivory Asian laid paper altered to tan. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Harbor at Burgstaaken. Dated: 1913. Dimensions: image: 13.4 x 16.8 cm (5 1/4 x 6 5/8 in.) sheet: 35.5 x 40.5 cm (14 x 15 15/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: ERNST LUDWIG KIRCHNER.

Two tugs at the Pont des Arts, 1927 print paper etching / drypoint ships (in general) Pont des Arts

The Ecluse of the Currency, 1895 (dummy title)

Stadsgracht with boats and mirroring houses, George Hendrik Breitner, 1867 - 1923 drawing paper. canals, waters (in city) Amsterdam

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), views of sea ports. Tour de Calais. Third issue of a series of 8 rooms. (A. de Vesme 796; dutuit 134) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Battersea: Dawn, 1877. James McNeill Whistler (American, 1834-1903). Drypoint;

Tower Overlooking Water. Dated: first half 19th century. Dimensions: overall (approximate): 9.5 x 17.4 cm (3 3/4 x 6 7/8 in.). Medium: graphite with brown wash. Museum: National Gallery of Art, Washington DC. Author: William James Müller.

Bathing Beach, Bass Rocks. Dated: c. 1918. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Childe Hassam.

Print, A Road Near the Sea, Easthampton, New York; Etched by Thomas Moran (American, b. Britain, 1837-1926); USA; etching on paper.; Platemark: 28.1 x 20.3 cm (11 1/16 x 8 in.) Sheet: 32.5 x 44.9 cm (12 13/16 x 17 11/16 in.)

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Two River Scenes 1795-1863 England. Black chalk, highlighted with white chalk, on gray wove paper, tipped onto cream wove paper . William Alfred Delamotte

Windsor (Memorial). Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 5 3/16 × 3 3/4 in. (13.2 × 9.6 cm)Sheet: 5 3/16 × 3 3/4 in. (13.2 × 9.6 cm). Date: 1887. Museum: Metropolitan Museum of Art, New York, USA.

Village view with mill, Johannes Löhr, 1892 - 1928 print In the foreground water with moored boats. paper etching windmill in landscape. village

James McNeill Whistler (American, 1834 - 1903), The Bridge, 1879-1880, etching

Cartoon on the French customs, 1813. Cartoon on the flight of French customs, with their obstacle to the sale of tobacco, from the Netherlands after the fall of the French, 1813. Over the quay, a group of Dutch people enjoyed tobacco introduced from tobacco America. Central storms two cosses on horseback at the French customs group that flights in a ship with their direction tobacco, to the left advancing Dutch soldiers.

View of Zuilen, on the river Vecht, Justus de Waal, 1788 print Utrecht paper etching river Old columns. Vecht

John Sell Cotman, 1782-1842, British, River and Windmill, undated. Graphite on medium, moderately textured, beige wove paper.

Design for a print, Design for illustration in De Amsterdammer: face near the North Sea Canal (26 August 1888), draughtsman: Johan Braakensiek, 1888 - before 26-Aug-1888, paper, h 231 mm × w 310 mm

The Little Mast, 1880. James McNeill Whistler (American, 1834-1903). Etching;

A View of Pont Neuf, the Mint, &c., Thomas Girtin, 1775-1802, British, after Thomas Girtin, 1775-1802, British, 1802, Soft ground etched outline on moderately thick, slightly textured, cream wove paper, Sheet: 18 1/4 x 26 inches (46.4 x 66 cm), Plate: 10 7/8 x 25 1/2 inches (27.6 x 64.8 cm), and Image: 7 7/8 x 22 1/2 inches (20 x 57.2 cm), architectural subject, Bourse de Paris, Europe, France, Paris, Pont Neuf, Seine, Ville de Paris, Départment de, Île-de-France

Shipping on the Giudeca (The Docks) 1883 United States. Etching, with drypoint, on ivory laid paper . Frank Duveneck

The Outer Harbor of La Rochelle. Gustave Leheutre; French, 1861-1932. Date: 1904. Dimensions: 122 × 192 mm (image/plate); 197 × 284 mm (sheet). Etching and plate tone on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Norbert Goeneutte, No. 3 Dieppe, 1864-1894, etching and drypoint on laid paper.

Venice. Rialto Norbert Goenuette (1854-1894). Venice. The Rialto. Floor, shiver print.

Francis Seymour Haden, 1818-1910, British, On the Thames, 1859. Etching and drypoint, with plate tone on thick, smooth, cream wove paper with beige chine collé.

James McNeill Whistler (American, 1834-1903), Long Lagoon, 1880, etching and drypoint

James McNeill Whistler, The Punt, 1861 The Punt

Restaurant de la Sirène at Asnières. Date: June-September 1887, Paris. Dimensions: 39.8 cm x 53.8 cm. Museum: Van Gogh Museum, Amsterdam.

Figures on a square with a church. Leaf 36 Verso from a sketchbook with 39 sheets.

Edelfelt, Albert, work, Sketch book, drawing, 23 cm x 31 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Etchings of Venice: Castello Quarters, Riva, 19th century. Otto H. Bacher (American, 1856-1909). Etching;

Riva, No 2 1879-1880 United States. Etching and drypoint with foul biting, with drypoint cancellation, in dark brown ink on ivory laid paper . James McNeill Whistler

Eugène Isabey, By the SeaFishermen's Village, c. 1826, graphite and colored crayons on paper.

Basle Joseph Mallord William Turner (British, 1775-1851). Basle, 19th century. Etching on laid paper, 8 1/8 x 11 3/16 in. (20.7 x 28.4 cm). European Art 19th century

Boppart. Dated: 1842. Dimensions: sheet: 19.8 × 30.4 cm (7 13/16 × 11 15/16 in.). Medium: graphite on gray wove paper. Museum: National Gallery of Art, Washington DC. Author: John William Casilear.

Harbor face in Flanders, Albert Baertsoen, 1892 print paper etching / drypoint sailing-ship, sailing-boat. harbour Flanders

Battersea Reach , Coastlines, Boats, Rivers. James McNeill Whistler (1834-1903). Lithographs

Black Lion Wharf 1859 James McNeill Whistler American When he moved to London in 1859, Whistler lodged near the Thames in the docklands south of Tower Bridge and began to make etchings of the river. New visual modes are explored here, with cropped forms and distinct spatial zones recalling Japanese woodblock printsa genre he began collecting in Paris. Borrowing an effect from photographs, he renders the distant warehouses in sharp focus but treats closer forms broadly. Made in 1859, this etching was not published until 1871 in A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects (the "Thames Set"). That year, Whistler also reproduced it on the wall behind his mother in the now famous painting, Arrangement in Grey and Black (Musée d’Orsay, Paris).. Black Lion Wharf 372506

Lion Column, Venice. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1900. Dimensions: 93 x 51 mm (image/plate); 110 x 74 mm (sheet). Etching in black on Japanese paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Little London. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 7 1/2 × 5 1/2 in. (19 × 14 cm)Sheet: 14 5/16 × 8 11/16 in. (36.3 × 22 cm). Date: 1896. Museum: Metropolitan Museum of Art, New York, USA.

The bridge of Grenelle in 1927 Paul Signac (1863-1935). The bridge of Grenelle in 1927. Watercolor, Black Stone, 1927.

New York, from New Jersey , Cities & towns, Rivers, Street railroads, Street railroad tracks. Joseph Pennell (1857-1926). Prints and Drawings

Battersea from the River, Low Tide. Theodore Roussel; French, worked in England, 1847-1926. Date: 1890-1894. Dimensions: 145 × 215 mm (image); 195 × 318 mm (sheet). Transfer lithograph in black on cream laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Pleasure Boats, Chelsea. Theodore Roussel; French, worked in England, 1847-1926. Date: 1888-1889. Dimensions: 78 × 70 mm (image/plate); 104 × 78 mm (sheet). Etching in black on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Montagne Ste. Genevieve, 1890. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

The Races, 1865. Edouard Manet (French, 1832-1883). Lithograph; sheet: 52.2 x 66.5 cm (20 9/16 x 26 3/16 in.); image: 40.3 x 51.7 cm (15 7/8 x 20 3/8 in.). The Race Track is based on Manet's painting The Races at Longchamp. The lithograph, however, conveys the excitement of horseracing even more than the painting. Energy and movement are suggested by bold, quickly drawn lines and by rapid, curving smudges. The unrestrained, spontaneous use of the lithographic crayon foreshadows the expressiveness of 20th-century printmaking.

Augustin Hirschvogel (German, 1503 - 1553), Landscape with Lake and Town, 1545, etching

Winter face, E. Blum, After Jan Ruijten, 1800 - 1899 print Frozen sailing with figures on the ice. Houses on both sides and a bridge in the distance. paper snow. ice ~ freezing weather. winter sports

The Bridge, 1879-80. James McNeill Whistler (American, 1834-1903). Etching;

James McNeill Whistler, La Salute Dawn, 1879 1880 La Salute: Dawn

Landscape with a speed and two mills, Jean Bernard, 1775 - 1833 drawing paper. ink. chalk pen / brush

The pool , Boats, Piers & wharves. James McNeill Whistler (1834-1903). Lithographs

The Races 1865-1872 France. Lithograph in black on chine collÈ . Édouard Manet

Giovanni Battista Piranesi, The Drawbridge, published 1749 1750 The Drawbridge

Edelfelt, Albert, work, Sketch book, drawing, 14 cm x 22.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

A view across the water to buildings and sailing vessels, including, at the extreme right, two sailboats, one with a red and yellow sail; signed with the butterfly at lower left corner. Watercolor on paper. Origin: United States. Date: 1879-1880. Museum: Freer Gallery of Art and Arthur M. Sackler Gallery.

Gloucester Harbor. Dated: 1882. Dimensions: image: 33.34 × 50.17 cm (13 1/8 × 19 3/4 in.) plate: 40.64 × 54.93 cm (16 × 21 5/8 in.) sheet: 42.7 × 58.6 cm (16 13/16 × 23 1/16 in.). Medium: etching in black. Museum: National Gallery of Art, Washington DC. Author: Stephen Parrish.

Gezicht op Duffel. Duffel (title on object). Draughtsman: Constantijn Huygens (II). Dating: 29-May-1675. Measurements: h 100 mm × w 166 mm. Museum: Rijksmuseum, Amsterdam.

The Old and the New. Dated: 1917. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

North River. Dated: 1917. Dimensions: image: 28.89 × 27.94 cm (11 3/8 × 11 in.) sheet: 38.1 × 30.48 cm (15 × 12 in.). Medium: lithograph in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Childe Hassam.

The west side of the Damrak at night, Damrak at night, draughtsman: George Hendrik Breitner, (signed by artist), 1867 - 1923, paper, h 210 mm × w 340 mm

The Houses of Parliament, London 1892-1902 France. Lithograph in black on off-white wove paper . Camille Pissarro

Concept sketches of three paintings; Gierymski, Maksymilian (1846-1874); before 1874 (1867-00-00-1874-00-00);Nocturnes, studies for paintings, sketches, purchase (provenance)

View of Nogent 1883 France. Etching on ivory wove paper . Maxime Lalanne

Point du Jour, Paris, Carel Nicolaas Storm van 's-Gravesande, 1905 drawing paper. chalk. watercolor (paint) brush dock crane Paris

James McNeill Whistler, 1834-1903, American, active in Britain (from 1859), Île de la Cité, Paris, 1859. Etching and drypoint, printed from canceled plate on thin, slightly textured, cream laid paper.

View of a city, Jacob Maris, 1847 - 1899 drawing paper brush public road

The Towing Path Made 1859-1869 England. Etching and drypoint on copper printed on ivory laid paper . Francis Seymour Haden

Trouville, Paysage et Villers (trois croquis sur la même planche), by Maxime Lalanne and Jules Dupré., 1870 - 1882. The illustration features beaches, harbors, and sailboats in Trouville-sur-Mer, France

St. Paul, St. Louis, Paris,1908. Artist: Eugène Béjot, French, 1867-1931

Italian landscape

Widok na Canal Grande i Palazzo Corner, w: Urbis Venetiarum prospectus celebriores ex Antonii Canal tabulis XL aere expressi ab Antonio Visentini. Visentini, Antonio (1688-1782), graphic artist, Viero, Teodoro (Wenecja ; wydawnictwo ; ca 1750-1819), publishing house, Canaletto (1697-1768), painter

Bliżej Kultury Stanisławski, Jan (1860 1907)

John Le Keux, 1783-1846, British, The Nets in the Rapids, Damon and Pythias and The Seal the Seal, undated.

John Constable, Salisbury Cathedral from the River Avon (recto); Man Pulling a Rope (verso), 07/23/1829, graphite on cream wove paper.

Quiet canal , Houses, Canals, Gondolas. James McNeill Whistler (1834-1903). Lithographs

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