Historic Landscape Drawings

A series of pencil sketches capturing tranquil landscapes and scenes from history. Soft lines render natural settings and architecture.

Along the Seine, draughtsman: Georges Michel, 1773 - 1843, paper, h 103 mm × w 163 mm

Cori, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 10 9/16 × 13 7/8 inches (26.8 × 35.2 cm)

Les bords de la Liane (The Banks of theLiane). Artist: Alphonse Legros, French, 1837-1911

Six's Bridge. Dated: 1645. Dimensions: plate: 13 x 22.4 cm (5 1/8 x 8 13/16 in.) sheet: 13.9 x 23.6 cm (5 1/2 x 9 5/16 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HARMENSZOON VAN RIJN REMBRANDT.

Park landscape with grave monument, Ernst Willem Jan Bagelaar, 1798 - 1837 print Netherlands paper etching / drypoint grave-building, monumental tomb

Two farms between trees. Draughtsman: Gerrit Willem Dijsselhof. Dating: 1876 - 1924. Measurements: h 127 mm × w 174 mm. Museum: Rijksmuseum, Amsterdam.

Depicts a board group with a distant landscape by Rembrandt, created using caltnadel in 1652, showing figures, horizon, and landscape elements.

Landscape with Erminia and the old shepherd, Richard Earlom, After Claude Lorrain, 1776 print Scene from the poem Jerusalem redeemed (1581) by Torquato Tasso. London paper etching forest, wood - HH - ideal landscapes. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. Erminia. (scenes from) specific works of literature: Tasso, Gerusalemme Liberata

Alphonse Legros, Near the Mill (Pres du moulin) Near the Mill (Pres du moulin)

Winter face with pollard wilg and man with sled.

Along the Seine, draughtsman: Georges Michel, 1773 - 1843, paper, h 103 mm × w 163 mm

Les saules étêtés. Daubigny, Charles François (1817-1878). 1862. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Cottage with a white eel, Rembrandt van Rijn, 1648 print Japanese paper (handmade paper) etching / drypoint

Old Willesley House. Francis Seymour Haden; English, 1818-1910. Date: 1860-1870. Dimensions: 169 × 252 mm (image/plate); 261 × 342 mm (sheet). Etching on zinc printed on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Man at a farm; Oosterbeek.

Johan B�low (1751-1828), Winterlandskab, 1777

Jean-Baptiste-Camille Corot (French, 1796-1875), Souvenir of Tuscany (Souvenir de Toscane), c. 1845, etching

Le voyageur étendu sur le gazon , Trees, Travelers, Alphonse Legros (1837-1911)

Photo production of a drawing by Claude Lorrain, Giovanni Brampton Philpot, After Claude Lorrain, 1851 - 1878 photograph Florence paper. cardboard albumen print drawing, sketch

The Woman and Tambourine. Dated: published 1807. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JOSEPH MALLORD WILLIAM TURNER.

Drawing from album with 13 drawings made in Germany by Captain Bagelaar, during the campaign of 1800, outside Kronberg near Frankfurt am Main., draughtsman: Ernst Willem Jan Bagelaar, 1800, paper, pen, brush, h 85 mm × w 110 mm

Schjerfbeck, Helene, work, Legs of a recumbent, according to Mariano Fortuny, 1877-1878, marker and pencil on paper, drawing, 14.3 cm x 14.7 cm, Helena Sofia Helene Schjerfbeck 1862 - 1946, Finnish modernist painter, known for her realist works, self-portraits, landscapes and still lifes, finland.

Francis Seymour Haden, 1818-1910, British, The Lark at Heaven's Gate Sings, 1859. Etching and drypoint, with plate tone on thin, slightly textured, cream Asian paper.

The Hague, Heppener, Jan, Landscape with a figure on a road, verso middle - stamped, print, prints, height 73 mm, width 109 mm, 1826 - 1898-03-01, print maker, printmaker, 1855 - 1855, paper, papier, chine collé, etching, etchings

Rijn, Rembrandt van, Landscape with drinking cow, verso lower left - stamped, print, prent, prints, prenten, height 104 mm, width 131 mm, Noord-Nederlands, 1606-07-15 - 1669-10-08, print maker, prentmaker, 1648 - 1652, second quarter 17th century, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, Northern Netherlands, after own design by

The Court, Gloucester. Artist: Childe Hassam (American, Dorchester, Massachusetts 1859-1935 East Hampton, New York). Dimensions: Sheet: 8 13/16 × 12 13/16 in. (22.4 × 32.5 cm). Date: August 4, 1918. Museum: Metropolitan Museum of Art, New York, USA.

Artist: Alphonse Legros, French, 1837-1911, La Vallee desDunes, Etching and drypoint, platemark: 10.2 × 22.5 cm (4 × 8 7/8in.), Made in France, French, 19thcentury, Works on Paper -Prints

Rentrant leFoin. Artist: Alphonse Legros, French, 1837-1911

Souvenir de mon village , Villages, Bodies of water, Alphonse Legros (1837-1911)

The House of the Well (La maison du puits). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Francis Hayden, Thames Ditton with a Sail, 1864, etching and drypoint on paper.

Etched by Joseph Mallord William Turner, 1775-1851, British, Sheep-Washing, Windsor, between 1813 and 1823. Etching, printed in brown ink Modern impression on medium, slightly textured, cream laid paper.

View of a street with figures. There are buildings along a road. Figures run on the road. Also a fence. Leaf 50 Verso from a sketchbook with 52 magazines manufactured in the area of Kampen, Hattem, Hoorn and Zwolle.

Le Vairon, Places, Le Vairon (Robert-Dumesnil 465, Barents 51) Albert Flamen (1620-1674). Divases An EDECEM OF Be Winery. Second start: le Vairon (Robert-Dumesnil 465, Baresch 51). Eau Dictionary forta, Xvie peiat.

Widok rzeki Kamienicy z okolic Barcinka. Blaschnik, Arthur (1823-1918), draughtsman, cartoonist

River landscape with sawmill, anonymous, after Domenico Campagnola, After Titian, c. 1600 - c. 1699 print Meadows hilly landscape with a sawmill on a river. In the foreground on the left swine around a trough with food. Title in Latin in STUDMARGE. Numbered below: 7. paper etching landscapes. boar (male pig). saw-mill (works)

Woman Standing Among the Trees Artist's working dates 1850-1895 France. Drypoint on cream laid paper . Henri-Emile Lessore

The Little Shepherd, 1855. Jean Baptiste Camille Corot (French, 1796-1875). Cliché-verre; sheet: 35.7 x 27.5 cm (14 1/16 x 10 13/16 in.); image: 33.5 x 26 cm (13 3/16 x 10 1/4 in.).

Le moissonneurs , Harvesting, Alphonse Legros (1837-1911)

The Footbridge (La Passerelle). Alphonse Legros (French, 1837-1911). Etching;

Landscape with a shepherd in the foreground; Saint-Non, Jean Claude Richard De (1727-1791), Le Prince, Jean-Baptiste (1734-1781); 1755 (1755-00-00-1755-00-00);France, Le Prince, Jean-Baptiste (1734-1781). Varie Vedute del Gentile Molino (Moulin Jola)-illustrations, Moulin Jola (France-Colombes, Haut-De-Seine), Witke-Jeżewski, Dominik (1862-1944)-collection, gift (provenance), French (culture), cross in a circle (filigree), gardens

L'enfouisseur et son compère.. 1852. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. La Fontaine, Jean de, 1621-1695. Fables

Rembrandt van Rijn (Dutch, 1606-1669), Six's Bridge, 1645, etching

Fuori della Porta di S. Lucia, Vicenza, Sir Robert Smirke the younger, 1781-1867, British, 1804, Graphite on medium, slightly textured, beige, wove paper, Sheet: 7 11/16 × 9 1/2 inches (19.5 × 24.1 cm)

Rijn, Rembrandt van, Netherlands, Koninck, Philips, Landscape with a white fence, verso lower left - stamped, Landscape with a white fence in front of a group of trees, behind it a house. Three people on the road., print, prints, height 90 mm, width 163 mm, 1619-11-05 - 1688-04-10, print maker, printmaker, 1659 - 1659, third quarter 17th century, paper, etching, etchings, Northern Netherlands, 1606-07-15 - 1669-10-08

A Pond Near Rousillon. Adolphe Appian; French, 1818-1898. Date: 1867. Dimensions: 235 × 165 mm (plate); 332 × 250 mm (sheet). Etching on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

On the Medina near Cowes, Isle of Wight, Capt. Thomas Hastings, 1778-1854, British, 1829, Graphite on medium, slightly textured, cream wove paper, Sheet: 5 1/2 × 9 1/8 inches (14 × 23.2 cm)

Podmokły krajobraz. Morgenstern, Carl Ernst (1847-1928), graphic artist

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Wieża kościoła wśród drzew w Kościelniku. Blaschnik, Arthur (1823-1918), draughtsman, cartoonist

View of Ruined Arches and Tomb in Villa Borghese Artist's working dates 1635-1675 France. Pen and brown ink and brush and brown wash, heightened with white gouache over traces of graphite, on blue laid paper incised and blackened on verso for transfer . Gaspard Dughet

Bathers (Baigneuses) Ker-Xavier Roussel (French, 1867-1944). Bathers (Baigneuses), ca. 1900. Color lithograph on wove paper, Image: 10 x 6 1/2 in. (25.4 x 16.5 cm). European Art ca. 1900

Landscape with inn and travelers, G. van Citters, c. 1750 - c. 1800 print Netherlands paper etching / drypoint hotel, hostelry, inn. landscapes in the temperate zone (+ landscape with figures, staffage)

Rocky landscape with a character Jean-Achille Benouville (Said Achille Benouville) (1815-1891). Rocky landscape with a character. Graphite pencil on cardboard.

The Abbey Farm. Alphonse Legros; French, 1837-1911. Date: 1888-1898. Dimensions: 216 × 287 mm (plate); 266 × 353 mm (sheet). Etching and drypoint on buff laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

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Sole Valley. Louis Auguste Lepère (French, 1849-1918); published by A. Desmoulins (French, active c. 1908-1910). Date: 1890. Dimensions: 42 × 161 mm (image); 157 × 267 mm (sheet). Wood engraving in black on cream laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Le tombeau de Sémiranis. Corot, Jean-Baptiste-Camille (1796-1875). 1853 - 1874. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Tombs & sepulchral monuments

'Stairs in a Park'. France, Circa 1760. Dimensions: 25x41,8 cm. Museum: State Hermitage, St. Petersburg. Author: JEAN-HONORE FRAGONARD.

Schjerfbeck, Helene, work name: Mauritz Maexmontan, face, ca. 1878-1879, technique text: pencil on paper, drawing, 17.7 cm x 10.6 cm, Helena Sofia Helene Schjerfbeck 1862 - 1946, Finnish modernist painter, known for her realist works, self-portraits, landscapes and still lifes, finland.

Marsh (Les marais). Medium: drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Sous Bois, à la Rigonette Made 1911 France. Etching on cream laid Japanese paper with two deckled edges . Louis Auguste Lepère

Sir Robert Smirke the younger, 1781-1867, British, Paris From the Hospital of Bicêtre, 1802-1804. Graphite on moderately thick, moderately textured, beige, wove paper.

Alphonse Legros, Sunset (Le soir (Coucher de soleil)) Sunset (Le soir (Coucher de soleil))

La Grande Chaumière Kercassier 1875 Charles Jacque. La Grande Chaumière Kercassier. Charles Jacque (French, Paris 1813-1894 Paris). 1875. Etching. Prints

This 19th-century etching by Félix Bracquemond shows the Bas-Meudon sawmill, printed on Japan paper, highlighting industrial architecture and landscape elements.

Landscape with a Draughtsman Seated by a River, a Bridge and a Cottage Behind. Artist: Nicolaes Maes (Dutch, Dordrecht 1634-1693 Amsterdam). Dimensions: sheet: 4 3/16 x 6 1/4 in. (10.7 x 15.8 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Drawing by Ferdinand Boberg. Stockholm, Söder, Fjällgatan Nordic

View of the Park at Versailles Statues and a Fountain 1781-1827 France. Brush and gray wash with touches of gouache, over graphite, on cream laid paper, squared in graphite for transfer . Pierre Antoine Mongin

Brumes du matin. Artist: Félix Bracquemond (French, Paris 1833-1914 Sèvres). Dimensions: Sheet: 11 1/16 × 15 3/4 in. (28.1 × 40 cm)Plate: 9 3/4 × 13 3/4 in. (24.8 × 34.9 cm). Date: 1882. Museum: Metropolitan Museum of Art, New York, USA.

David Lucas after John Constable, Old Sarum (a), probably 1830 Old Sarum (a)

Waldsee. Leistikow, Walter (1865-1908), graphic artist

Salmon Fisher (Le pecheur de saumon). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Joppa, Edward Francis Finden, 1791-1857, British, after Joseph Mallord William Turner, 1775-1851, British, 1835-1836, Line engraving, engravers' proof, touched

Jan van Goyen, Cottages by a River, c 1627 1629 Cottages by a River

Copy of an Engraving. Hippolyte Bayard (French, 1801 - 1887)

Little Terrace, Luxembourg Gardens. James McNeill Whistler; American, 1834-1903. Date: 1888-1890. Dimensions: 126 x 176 mm (image, trimmed within plate mark); 130 x 176 mm (sheet). Etching with foul biting in black ink on cream Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Le coteau , Hills, Alphonse Legros (1837-1911)

The stairs to the water. Design for a print.

De Haven in Veere, Johannes Frederik Engelbert ten Klooster, 1883 - 1940 drawing paper. ink. pencil pen harbour Veere

The Rider in the Reeds. Jean-Baptiste-Camille Corot; French, 1796-1875. Date: 1871. Dimensions: 217 × 277 mm (image); 396 × 571 mm (sheet). Transfer lithograph in black on ivory China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Garden of the Villa Madama, outside Rome, Gerard ter Borch (I), 1609, draughtsman: Gerard ter Borch (I), (signed by artist), Rome, 1609, paper, brush, h 275 mm × w 195 mm

Ruined Buildings near a River Bank, plate 9 from Quatrieme suite de paysages dessinés et grave a l'eau-forte par Moreau (Fourth Series of Landscapes Drawn and Etched by Moreau). Louis Gabriel Moreau; French, 1740-1806. Date: 1778-1779. Dimensions: 121 × 165 mm (plate); 207 × 257 mm (sheet). Etching in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Le moissonneurs , Harvesting, Alphonse Legros (1837-1911)

Bliżej Kultury Franz Hanfstaengl Kunstverlagsanstalt (Monachium), Hanfstaengl (Hanfstängl), Franz (1804 1877)

William Alfred Delamotte, 1775-1863, British, Llandovery Castle, South Wales, 1829. Graphite, pastels and white chalk on medium, moderately textured, beige wove paper.

Banditti, Print made by Robert Wallis, 1794-1878, British, after Joseph Mallord William Turner, 1775-1851, British, 1830, Etching and line engraving on medium, slightly textured, cream wove paper

The Woman and Tambourine, plate 3 from Liber Studiorum. Joseph Mallord William Turner (English, 1775-1851); Engraved by Charles Turner (English, 1773-1857). Date: 1807. Dimensions: 183 × 266 mm (image); 207.5 × 290 mm (plate); 279.5 × 383.5 mm (primary support); 306 × 445 mm (secondary support). Etching and engraving in brown on ivory wove paper, laid down on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Landscape with mill, Johannes Franciscus Hoppenbrouwers, 1829 - 1866 print The Hague paper etching windmill in landscape

Group of Trees. Artist: Titian (Tiziano Vecellio) (Italian, Pieve di Cadore ca. 1485/90-1576 Venice). Dimensions: 8 9/16 x 12 9/16in. (21.8 x 31.9cm). Date: 1485/90-1576. Museum: Metropolitan Museum of Art, New York, USA.

The es. Draughtsman: Pieter de Josselin de Jong. Dating: 1871 - 1906. Measurements: h 285 mm × w 460 mm. Museum: Rijksmuseum, Amsterdam.

La Seine àArgenteuil. Artist: Maxime Lalanne, French, 1827-1886

Firs (A Study). Francis Seymour Haden; English, 1818-1910. Date: 1868. Dimensions: 254 × 175 mm (image/plate); 343 × 216 mm (sheet). Etching on copper printed on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Jasper Francis Cropsey, Villa d'Este, Tivoli, 1848 Villa d'Este, Tivoli

Village de Wimille, près Boulogne , Villages, Alphonse Legros (1837-1911)

Joseph C. Bentley, 1809-1851, British, Rievaulx Abbey, 1834-1856. Line engraving, engraver's proof.

Near the Coast large plate. Dated: 1886. Dimensions: plate: 17.4 × 27.1 cm (6 7/8 × 10 11/16 in.) sheet: 29.5 × 42.2 cm (11 5/8 × 16 5/8 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Robert Swain Gifford.

The Marshes. Artist: Charles-François Daubigny (French, Paris 1817-1878 Paris). Dimensions: sheet: 11 x 14 in. (27.9 x 35.6 cm)plate: 6 x 8 1/2 in. (15.2 x 21.6 cm). Printer: Printed by Beillet (French). Date: 1851. Museum: Metropolitan Museum of Art, New York, USA. Author: Charles-Francois Daubigny.

Saint-Michel à L'Estre 1881 Félix-Hilaire Buhot French. Saint-Michel à L'Estre. Félix-Hilaire Buhot (French, Valognes 1847-1898 Paris). 1881. Etching, roulette, drypoint, and aquatint on laid paper; fourth state of five. Prints

John Bluck after Thomas Rowlandson, Running Running

Salisbury Cathedral from the Meadows. Date/Period: 1829. Drawing. Graphite and white gouache on medium, moderately textured, cream wove paper laid to card. Height: 235 mm (9.25 in); Width: 340 mm (13.38 in). Author: John Constable.

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