Historic Maps And Battles

A collection of historical prints depicting towns, battles, and fortifications, featuring detailed landscapes and dramatic events from the 16th to 18th centuries.

Cologne, Hogenberg, French, Series 5: Dutch Events, 1566-1570, Battle of Oosterweel, 1567, The Battle of Oosterweel, in the night of 13 to 14 March 1567. Fighting around the dike at the waterfront, on the right a burning building. The Calvinists led by Jan van Marnix are defeated by the troops of the Duke of Aremberg and Philips van Lanoy. With an 8-line caption in German. Lower left numbered: 42. The print is part of an album., print, picture, history print, album page, prints, pictures, Frederik Muller History plates, height 210 mm, width 282 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1568 - 1572, paper, etching, etchings

View of the Heerlijkheid Nieuwland, Jan Luyken, 1696 print View of the village and the Heerlijkheid Nieuwland on Walcheren, in a nutshell perspective. At the top left putti with the weapon of Nieuwland. At the top in the middle a map of the glory and the title. At the top right the coat of arms of Catharina Verbrugge - The widow of Cornelis Claesz. van Elfsdijk - who had bought the glory in 1679. Imagined at the top right: p. 663. Print Maker: Amsterdampublisher: Middelburg Publisher: Amsterdam paper etching / engraving maps of separate countries or regions. coat of arms (as symbol of the state, etc.). armorial bearing, heraldry. sailing-ship, sailing-boat. church (exterior). polder, reclaimed land Nieuwland (Walcheren)

Dahlberg, Erik Jönssen, Stockholm, Aveele, Johannes Jacobsz van den, Suecia Antiqua et Hodierna, Fahlkiöping, Waenersborgh, View of the towns of Falköping and Vänersborg, The print is part of an album., print, album sheet, prints, height 260 mm, width 382 mm, 1655 - 1727-05-18, print maker, printmaker, 1701 - 1701, paper, papier, etching, etchings, Swedish, 1625-10-10 - 1703-01-16, supervision

Cologne, Hogenberg, French, Series 5: Dutch Events, 1566-1570, Battle of Oosterweel, 1567, The Battle of Oosterweel, in the night of 13 to 14 March 1567. Fighting around the dike at the waterfront, on the right a burning building. The Calvinists led by Jan van Marnix are defeated by the troops of the Duke of Aremberg and Philips van Lanoy. With an 8-line caption in German. Lower left numbered: 42. The print is part of an album., print, picture, history print, album page, prints, pictures, Frederik Muller History plates, height 210 mm, width 282 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1568 - 1572, paper, etching, etchings

Cologne, Hogenberg, French, Series 10: Dutch and Foreign Events, 1587-1612, Bredenband entsetzt, durch Ihre Keys. Mt. kriegsvolck Den 12. Martij. Anno MDCX, Relief of Breitenbend Castle, 1610, 12 March 1610. Lower left cartouche with title. Episode from the Gulik-Kleefse question. Below that a legend with the numbers 1-11 in German. Numbered lower left: 369. The print is part of an album., print, prent, nieuwsprent, albumblad, prints, prenten, Frederik Muller Historieplaten, height 213 mm, width 298 mm, height 27 mm, width 262 mm, Dutch, German, 1540 - 1590, print maker, prentmaker, 1610 - 1612, first quarter 17th century, paper, papier, etching, etsen

Face of Nijmegen; Narrowly, with the intended fortifications of the General Koehoorn; Narrow, a city in Neerl an d The capital V an Gelderl an D (...) 1702 did the French in vain and escaped shameful; Les Principales Forterses & Villes Fortes, D'Espagne, De France, D'Italie, The Savoia, D'Allemagne & des Païs-Bas (...) / Sittingurial images of the main strong cities and fortresses in Spanjen, Vrankryk, Italien, Savoy, Duytsland and Nederlanden (...). View of the Waal and Nijmegen. On the left the Fort Knodsenburg. With texts in Dutch and French. The text refers to the failed attack of the French in 1702. The print is part of an album.

Whale stranded near Noordwijk aan Zee, 1614, 1614 print Cadaver of a sperm fish spewed on the beach near Noordwijk aan Zee, December 28, 1614. In the foreground and on the right are visitors on the beach. Some men are measuring the animal. With caption of one line in Dutch. Northern Netherlands paper etching swimming mammals: whale (+ dying animal; death of animal; dead animal) Noordwijk aan Zee

View of Maastricht, Anonymous, 1715 print View of Maastricht. Title in roller tape above. Numbered at the top right: p. 24. paper etching prospect of city, town panorama, silhouette of city Maastricht

View of the city of Limburg, 1726; Limbourgh, Ville des Pais bass; Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme Aussi Les Cartes des Côtes de France et d'Espagne. View of the city of Limburg (Limbourg) in the Spanish Nederlanden, in the foreground a man and woman on the way. Plate No. 271 in Part XII of the Picture: Les Forces de l'Europe, Asia, Afrique et amique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand Numbered Plates of renowned strong cities and fortresses in the context of the Spanish Succession War 1701-1713. For most part, these plates have been copied to the anonymous French plates of renowned strong cities and fortresses: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) In the context of the nine-year war. Title in French.

View of the city of Limburg, 1726, 1726 print View of the city of Limburg (Limbourg) in the Spanish Netherlands, in the foreground a man and woman en route. Plate no. 271 in Part XII of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. print maker: Northern Netherlandspublisher: Leiden paper etching Head of Limbourg Handy (City

View of Ostia, Anonymous, After Hendrick van Cleve, 1585 print View of Ostia, the harbor town of the classic Rome. The Tiber in the foreground with a few boats. The print is part of a series that depicts different places in the Mediterranean. print maker: Antwerpafter design by: Antwerppublisher: Haarlem paper engraving city-view in general; 'veduta' Ostia

Cologne, Hogenberg, French, Series 9: Dutch and German Events, 1583-1587, Ürdingen is surprised, 1584, 1584. Episode from the Cologne War. With 8-line caption in German. Numbered lower left: 211. The print is part of an album., print, picture, history print, album sheet, prints, pictures, Frederik Muller History plates, height 205 mm, width 284 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1587 - 1591, paper, papier, etching, etchings

Castelnau comes to Amboise, 1560; Series 3: French religious wars, 1559-1573. Michel de Castelnau discovers the conspiracy of Amboise, 13-15 March 1560. With caption of 8 rules in German. Numbered: 4. Leaf from an album that has been dismantled. At the top right numbered (in pen): 38.

Gezicht op Emden; Steden en vestigingen in de Republiek der Nederlanden; Thooneel der Steden ende Sterckten van 't Vereenight Nederlandt met d'aengrensende Plaetsen.View of the city of Emden. In the foreground, outside the city walls, the sea. A sailing ship tries to apply ashore while a rowing boat defies the sea. Above the cityscape a cartouche with the name of the city and the coat of arms. The print has a Dutch and French caption.

View of Vienna, 1726; Vienne, capitale de l'Autriche; Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme Aussi Les Cartes des Côtes de France et d'Espagne. View of Vienna, in the foreground travelers on a road. Plate No. 199 in Part IX of the Picture: Les Forces de l'Europe, Asia, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this first part with 238 by hand Numbered Plates of renowned strong cities and fortresses in the context of the Spanish Succession War 1701-1713. For most part, these plates have been copied to the anonymous French plates of renowned strong cities and fortresses: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) In the context of the nine-year war. Title in French.

View of Attamanskoy-Gorod andAssach. Artist: Pieter van Mammeren, Dutch, possibly Russian, active ca. 1630

Face on Monte Testaccio; MONS TESTACEUS; Ruinarum Varii Prospectus. View of Monte Testaccio. A tournament is underway and many spectators have been composed to see the spectacle. The print is part of a series that depicts different places in the Mediterranean.

View of Goes, Pieter Hendricksz. Schut, 1657 print paper etching prospect of village, silhouette of village Goes

View of Bergen (Mons), 1726, 1726 print View of Bergen (Mons) in Hainaut, in the foreground two travelers and a rider with a horse. Plate no. 257 in part XI of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. Leiden paper etching Bergen (Belgium)

Hohenlimburg won in Westphalia Voor Truchsess, 1584, 1584 - 1586 print Schloss Hohenlimburg won in Westphalia for Truchsess, November 12, 1584. Episode from the Cologne War. With caption of 12 lines in German. Numbered: 78. Cologne paper etching capture of city (after the siege) Schloss Hohenlimburg

The conquest from Bonn by Willem III, 1673; The conquest of voucher. The conquest of Bonn by Prince Willem III, November 13, 1673. View of the German city located on the Rhine. In the foreground on the right, the prince and count Montecuccoli congratulate each other. At the top of the corners two small representations of the conquests of Rheinbach and Brühl.

View of the sulfur sources of Pozzuoli, Pieter van der Borcht (I), after Jan van der Straet, 1587 print The sulfur sources at the Pozzuoli volcano. Travelers come to view the works. Artists outline the work. A few workers are removed who have become unwell because of the vapors. In the background the port of Pozzuoli. The print has a Latin top. print maker: Antwerpprint maker: Antwerpafter design by: Florencepublisher: Antwerp paper etching Pozzuoli

View of the city of Gorinchem and left part of a map of Gorinchem. Two performances on a leaf. Above: View of the city of Gorinchem. In the foreground the Merwede with different ships. Above left is an angel on the clouds with a arrow beam and an orange branch under the arm and a bird on the hand. Center left the weapon of Prince Maurits, the weapon of Holland and on the right the city weapon of Gorinchem. Under the coat of arms of Holland, a banderole hangs with the following two-legged inscription: he is not at Menschen Maer on Godt bolt. Neither on Stercke vests or the Wallen Barrout. Below: the left part of a map of the city of Gorinchem.

Fights outside Cologne, 1588, 1588 - c. 1591 print Fights outside Cologne, 26 May 1588. Episode from the Cologne War. With caption of 16 lines in German. Numbered in the bottom left: 251. The print is part of an album. Cologne paper etching cortege, funeral procession Cologne

Ansbach and Coburg, View (a) of two views (a&b). Artist: Wenceslaus Hollar (Bohemian, Prague 1607-1677 London). Dimensions: Plate: 7 5/16 × 19 13/16 in. (18.5 × 50.3 cm). Date: 1625-77.View of Ansbach with its surroundings and some figures; a coat of arms in the upper centre; after Peter Isselburg after Hans Bien and Wolffgang Birckne. Museum: Metropolitan Museum of Art, New York, USA.

Tournament at the Grote Markt in Brussels, 1569, 1569 - c. 1572 print Tournament on the Grote Markt in Brussels, 1569. Knights in armor fight each other with Lans and Zwaard, from the right some dressed figures come on the square. With caption of 8 lines in German. Nummered at the bottom left: 62. The print is part of an album. Cologne paper etching tournament Large market

City on a bay; Releasing Gaaleien. .

View of Muiden, Gaspar Bouttats, After Jan Peeters (1624-1678), 1679 print View of the city of Muiden. In the foreground, outside the city walls, the Zuiderzee with fishing boats. Above the cityscape a cartouche with the name of the city and the coat of arms. The print has a Dutch and French caption. paper etching / letterpress printing prospect of city, town panorama, silhouette of city Others

Siege of Groningen. A square silver plate engraved with the siege of Groningen by Rabenhaupt, with a inscription. Signature.

View of Mainz, 1726, 1726 print View of the city of Mainz. In the foreground, a boy begs at a rider. Plate no. 187 in part VIII of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this first part with 238 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. print maker: Northern Netherlandspublisher: Leiden paper etching Mainz

Chief Biel in Kerpen hung, 1579, 1581 - c. 1585 print Siege of Kerpen at Gullik by the troops of Farnese, January 15, 1579. After the conquest of the city, the leader of the defenders Biel is hung together with others. At the front of the lock of the lock, on the bridge to the lock, the body of Biel hangs. With caption of 16 lines in German. Nummered at the bottom left: 158. The print is part of an album. Cologne paper etching siege, position war. violent death by hanging Kerpen

The siege of Haarlem, 1572-1573, 1739 print Overview of the siege of the city of Haarlem with the surrounding area in a nutshell perspective. In the foreground the army place of the Spanish troops at the Ter Kleef house. Bottom left a cartouche stopped by a young man with the legend 1-24 in Dutch. At the top a banner with the title, top left a weapon with a withered tree and the top right the weapon of Haarlem. print maker: Netherlandsafter print by: Northern Netherlandsafter design by: Haarlem paper etching / engraving Victory, position was Haarlem

Kultura w Śeci Kultura+ William Honda, Pleitner, Jan

Wien (Vienna), 1569, Engravings, 6 1/2 x 10 1/2 in. (16.5 x 26.7 cm), Paper / Sheet 11 1/8 x 13 3/4 in. (28.3 x 34.9 cm), Cream wove

Etching by Melchior Küsel from 1666 depicting the center of the imperial bride Margarita Theresa of Spain in Vienna on December 5, showing ceremonial procession and architecture.

Murder of the Protestants in Tours, 1562; Series 3: French religious wars, 1559-1573. Murder of the Protestants Tours, July 1562. Slaughter by soldiers outside the walls of city, on the bridge and in the water. With caption of 8 rules in German. Numbered: 13. Leaf from an album that has been dismantled. At the top right numbered (in pen): 47.

Entry of Henri III, King of France and Poland, into Venice. Artist: Domenico Zenoi (Italian, active Venice and Padua, 1559-74). Dimensions: Sheet: 7 3/4 × 10 11/16 in. (19.7 × 27.1 cm). Date: 1574.The French king Henri's entry into Venice on July 18, 1574, marked the beginning of ten days of festivities. This print gives some idea of the elaborate water spectacle staged to greet him. The ship that carried the king is shown in the center of the fleet. It was one of forty such vessels, each of which is identified on the print according to the guild that sponsored it. Later in the celebrations there were sea races and a tableau of "sea gods" came to play music to Henri. This etching was made the year of the event. A much more ambitious print of the same subject made years later in 1591 (see 2015.53). Museum: Metropolitan Museum of Art, New York, USA.

View of a quay in Messina, Sicily. In the center a fountain with a statue of Neptune, to its left a statue of a monarch. On the quay a crowd of people from all walks of life, with driving and vehicles in between. Below the representation in the center a small view of the Messina lighthouse. At the bottom, next to this small representation, a legend in Italian. Top right: VII., View of the harbour and shipping lane of Messina., print maker: Willem Fortuyn, (mentioned on object), Willem Fortuyn, (mentioned on object), Amsterdam, 1777, paper, etching, engraving, h 429 mm × w 601 mm

Antwerp, Jode, Gerard de, Groeningen, Gerard van, Doetechum, Johannes of Lucas van, Metamorphoses of Ovidius, Pyramus and Thisbe, The deceased Pyramus lies by the fountain. He stabbed himself with his sword, because he thought Thisbe had been killed by a lion. Thisbe discovers her dying lover, whereupon she commits suicide with the sword of Pyramus. On the left in the background the lion sits under a stone arch. Below the representation an explanatory text in Latin. This print is part of an album., print, prent, albumblad, prints, prenten, height 203 mm, width 289 mm, print maker, prentmaker, 1570 - 1574, paper, papier, etching, etsen, Work conception, Zuid-Nederlands, 1515 - 1599, after a design by, Publication (Event), Publicatie, Noord-Nederlands, 1509 - 1591-02-05, publisher

Val d'Ema 1909 United States. Etching in black on buff wove paper . Donald Shaw MacLaughlan

Neapolitanae vrbis pars, view of the coast, in the foreground, a tower on the island, Vesuvius in the background.. Galle, Theodor (1571-1633), graphic artist, Galle, Philips (1537-1612), graphic artist, Cleve, Hendrick van, III (ca 1525-1589), draughtsman, cartoonist

Jonah is under the Wonderboom, 1579 print Jonah is sitting on a rock above the city of Nineve and waiting for God to destroy the city. God has grown a miracle tree for him so that He can be in the shade. God appears on the clouds. Under the performance an explanatory text in Latin. Print is part of an album. paper engraving the prophet Jonah withdraws from Nineveh; he builds a booth and while enjoying the shade of a plant (gourd or vine) which God made grow for him, he awaits the destiny of the city

Constructed by Sostratus ofSnidus, for PtolemyPhiladelphus.Its light couldbe seen 50 km out at sea.

Speculum Romanae Magnificentiae: Castello Sant' Angelo 16th century Anonymous This print comes from the museums copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger groups which were often bound together in an album. In 1573, Lafreri commissioned a title page for this purpose, which is where the title ‘Speculum Romanae Magnificentiae first appears. Lafreri envisioned an ideal arrangement of the prints in 7 different categories, but during his lifetime, never appears to have offered one standard, bound set of prints. Instead, clients

Cologne, Hogenberg, French, Series 8: Dutch Events, 1577-1583, The French driven out of Antwerp, 1583, The French soldiers are driven out of the city by the armed citizens of Antwerp, January 17, 1583. Soldiers flee the city via the Kipdorppoort. With a caption of 10 lines in German and 2 lines in French. Numbered lower left: 185. The print is part of an album., print, picture, history print, album page, prints, pictures, Frederik Muller Historieplaten, height 215 mm, width 271 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1583 - 1585, paper, papier, etching, etchings, granter of privilege

Panoramic View of Nuremberg: Left Portion, 1552. Hanns Lautensack (German, 1524-1566). Etching; platemark: 29.4 x 48.9 cm (11 9/16 x 19 1/4 in.); sheet: 42.7 x 50.9 cm (16 13/16 x 20 1/16 in.).

Gy Lente and Zomertyd, / and autumn and winter, see here; So the Deelen (...). Leaf with 4 performances of the four seasons and associated activities. Under every image a four-line verse. Numbered at the top right: No. 263.

View of Vlaardingen, Gaspar Bouttats, After Jan Peeters (1624-1678), 1674 print View of the city of Vlaardingen. In the foreground, outside the city walls, the river Maas. A group of people is swimming. Above the cityscape a cartouche with the name of the city and the coat of arms. The print has a Dutch and French caption. Antwerp paper etching / letterpress printing prospect of city, town panorama, silhouette of city Vlaardingen

View of Bourbourg, Anonymous, 1575 - 1657 print paper etching prospect of village, silhouette of village Bourbourg

Landscape with company getting into a boat, Remigius Hogenberg, 1546-1588

Two faces on Kortgene, Anonymous, 1696 print Two faces on Kortgene. Under 'Out Cortgene', or the Kortgene from before the floods of 1530 and 1532, when the whole of Noord-Beveland became flooded. At the top left this performance the weapon of Kortgene. Above 'Nieuw Cortgene', or the rebuilt Kortgene from after the renewed reclamation of Noord-Beveland in 1684. Below this performance the weapon of Kortgene and another weapon. Inside the Plaatrand cut off therefore numbering at the top right not visible p. 618. paper etching prospect of city, town panorama, silhouette of city. coat of arms (as symbol of the state, etc.). coat of arms (as symbol of the state, etc.) (+ city; municipal) Kortgene

Typus solennitatum quibus tabulæ pacis inter regna Sueciæ et Daniæ postquam in tentorijs æquali spacio inter castra Suedica, et vrbem Hafniam fixis signatæ erant, sub dio extradebantur die 27 Maij, 1660 , Swedish-Polish War, 1655-1660, Pictorial works, Early works to 1800, Copenhagen Denmark, Pictorial works, Early works to 1800, Copenhagen Denmark, Maps, Early works to 1800 Norman B. Leventhal Map Center Collection

Jacques Callot (1592-1635). "Headquarters of the Citadel of Saint Martin in the Ile de Ré, first leaf from the top, on the left" (Lieure 654, Meaume 522). Etching. 1629-1630. Museum of Fine Arts of the City of Paris, Petit Palais. 99597-12 Etching, engraving

The Siege of La Rochelle, plate one Made 1631 France. Reproductions of etchings . Jacques Callot

View of Strömstad, Johannes Jacobsz van den Aveele, 1713 The print is part of an album. Stockholm paper etching Strömstad The print is part of an album. Stockholm paper etching Strömstad

Greek Landscape, or TheAnchorage. Artist: Edgar Degas, French, 1834-1917

Departure of Willem III from Hellevoetsluis and arrival in England, 1688, 1688 print Tour from Willem III to England, 1688. Two performances. Below: The storytelling of Willem with his fleet on November 11, 1688 from Hellevoetsluis with face from the crowd on the full quay. Above the arrival of the prince's fleet at Dartmouth, November 15, 1688. The troops land at the castle of Dartmouth. In the caption De Legends 1-8 and A-V. In this state, the portrait of Charles II has been replaced by the upper scene. Northern Netherlands paper etching departure ~ travelling. arrival and return ~ travelling Hellevoetsluis. Dartmouth

View of Amsterdam, seen from the Amstel, Anonymous, 1683 - 1700 print View of Amsterdam, seen from the Amstel. At the top left a putto with the legend 1-20, at the top in the middle a banderole with the title, at the top right a putto with the legend 21-40. Under the show a description Amsterdam in Latin (left) and in German (right) with the coat of arms of the city in between. Nummered in the bottom left: No. 20 or 10. paper etching / engraving prospect of city, town panorama, silhouette of city. coat of arms (as symbol of the state, etc.) (+ city; municipal) Amsterdam. Amstel (river)

Relaxing of Arras, besieged by the Spaniards (bottom row, plate 2), 1654, 1655 print Relief of the city of Arras (Atrecht), besieged by the Spaniards, 23-25 August 1654. Arras deprived by the French army under the Marshal Turenne of the siege by the Spaniards under Louis de Condé and Archthertog Leopold Willem. Second leaf in the bottom row. Part of the map of the siege with fleeing troops, at the bottom of the cartouche with the intake of St. Paul, a portrait of Marshal Turenne and part of a deployment with a detailed presentation of the defenses of the city. Part of an unmounted whole consisting of a title page and a large performance on fifteen plates (the half plate at the bottom right is missing). France paper etching / engraving raising the siege with outside assistance, relief Arras

View of Kruiningen, Pieter Hendricksz. Schut, c. 1662 print View of Kruiningen in Zeeland. In the foreground a well -to -do pair on horseback. The man has two hunting dogs and a falcon with him. Two men show the couple the way. The print is part of an album. paper etching city-view, and landscape with man-made constructions. castle. hunting, chase Criningen

Copy of an Early Print by Visscher showing the River Front from the Savoy to Whitefriars' Stairs; and Whitehall to Bedford House, Richard Sawyer, active 1820-1830, after Claus Jansz Visscher, 1586-1652, Dutch, 1809, Etching

Children the Zardammer bull, his great cruelty sees here, 1822 - 1849 print Leaf with a large performance about the Sardammer Taurus. Bottom left the bull Boer Jacob Egh, farmer Trijn Jans flies above them, who loses her child. On the right a boy with a kite and behind it finishing the bull. The whole is caught in a decorative frame of flower vines. Numbered at the top right: N 30. publisher: Deventerprint maker: Netherlands paper letterpress printing bull. farmers. tales and fairy tales: Savagery of the Bull

External presentation , of the more truthful course , the sharp siege , the world -famous Kaserl, Residence = City , Vienna , with it extremely gratifying = happy exposure , The siege of Vienna , Unknown

Haven with Hengelaar, Abraham Casembroot, 1603 - 1658 print A harbor with a few fishing boats. In the foreground a rod on the quay. paper etching harbour. fisherman

Accurate performance according to the Viennese original, the great misfortune and , Schrecke before all of Vienna d, Iuny morning , Explosion of the powder magazine on the Nussdorf line on June , Johann Martin Will -, Copper Engraver

Ser. Reg. Caroli Gustavi victoriolus e Sialandia disccssus facta pace Rothschildenli d. 5 Martij 1658 ; Ser. Reg. Sueciæ aduentus Helsingburgi postquam Ser. Reg. Daniæ Fridericiburgi valedixerat eiusdemque celoce fretum traiecerat 5 Mart 1658 , Swedish-Polish War, 1655-1660, Pictorial works, Early works to 1800, Helsingør Denmark, Pictorial works, Early works to 1800, Helsingborg Sweden, Maps, Early works to 1800, Helsingborg Sweden, Pictorial works, Early works to 1800 Norman B. Leventhal Map Center Collection

Five fish on the beach, after 1595 - 1618 print A bream, a mackerel, two pons and a snotolf are washed up on the beach with some shells. In the background the sea with a few ships. The print is part of a series with fish as the subject. paper engraving bony fishes: snail-fish. bony fishes: bream. bony fishes: mackerel. sea (seascape). bony fishes: gurnard

Title print of series faces in and around the city of Danzig; Faces in and around the city of Danzig; Praecipuor. LocoRum et aedificorum Quae in Urbe Dantiscana Visunter Adumbracio.view of the City Danzig, Framed With Architectural Decoration. On Either Side is a Couple Dressed in Seventeenth-Century Costume. In The Front, Three Objects Form an Allegory of the City.

Voyage Arien EnFrance. Artist: Noury, French

SEVILLA. CIUDAD DE SEVILLA ENTRE LOS AÑOS 1629 A 1630. GRABADO DEL SIGLO XVII.

The Fleet of the Prince in the port of Hellevoetsluis, 1688; Signed golden fleet of Sijn spelled Hoogheijt the Lord Prince of Orangien. To Hellevoetsluijs. The 28th October 1688. The fleet is prepared in the port of Hellevoetsluis for the journey of Prince Willem III with his army to England, 28 October 1688. A panorist of the fleet of Stadholder Willem III, with an explanation in a frame at the bottom (where also the title), left and right half a palm tree and a crowned shield with bazing angles upstairs. The fleet seems largely ready to lie at sea, but a few ships are still loaded with cannons that are ready on the quay. Front left is a ship that is marked (with a C) as the ship of 'sijn Hoogheijt in which were Mr. Van Odijck and Den Marschalk van Schombergh'. We find the latter on the right to the quay (marked with a B) where he watches the fleet in the company of the "Den Grave Carel SIn Soon and Mr Dela Caillemotte Soon Vande Marquis de Ruvignij." Left and right palm trees, in the

View of Leiden, 1726, 1726 print View of Leiden, in the foreground farmers and cattle. Plate no. 302 in Part XIII of the print work: Les Forces de l'Europe, Asie, Afrique et Amerique ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this second part with 271 by hand numbered Plates of renowned strong cities and fortresses in the context of the Spanish War of Succession 1701-1713. For the most part, these records have been copied to the anonymous French records of renowned strong cities and forces: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) in the context of the Nine Years' War. Title in French. print maker: Northern Netherlandspublisher: Leiden paper etching Leiden

Fan; Battaglia del Re Tessi E del RE Tinta Festa Rapresentata in Firenze Nel Fiume d'Arno il di XXV di Luglio 1619; La Noblesse de Lorraine. Javelin between Ververs and Wevers in Florence (July 25, 1619). View of the Arno River in Florence, where a joust takes place between Ververs and Wevers. From the banks and two bridges, many interested parties are giving the festivities. In the foreground some carriages and first name spares. At the top of the show a banderole with Italian text. The scene is caught in a cartouche in the form of a range, hence the nickname of this print.

Menagerie in the gardens of the Palace of Versailles, 1726; La Menagerie A Versailles; Les Forces de l'Europe, Asie, Afrique et Amerique (...) Comme Aussi Les Cartes des Côtes de France et d'Espagne. The menagerie in the gardens of the Palace of Versailles. Plate No. 55 in Part III of the Picture: Les Forces de l'Europe, Asia, Afrique et amic ... Comme Aussi Les Cartes des Côtes de France et d'Espagne from 1726, this first part with 238 by hand Numbered Plates of renowned strong cities and fortresses in the context of the Spanish Succession War 1701-1713. For most part, these plates have been copied to the anonymous French plates of renowned strong cities and fortresses: in Les Forces de l'Europe and in: Le Theater de la Guerre, Dans Les Pays-Bas, both originally published by Nicolas de Fer in Paris (1693-1697) In the context of the nine-year war. Title in French.

Use of a measuring tape illustrated, Sébastien Leclerc (I), 1690 print print maker: Francepublisher: Paris paper etching planimetry, geometry. church (exterior). landscapes with waters, waterscapes, seascapes (in the temperate zone)

Santiago, Navidad and the fight with the Spaniards, 1615; St. Iago, Natividaet and Contra La Spaignol; Imagehe of S. Iago, Selages and the Natividaet, and in what ways the Onse were against the Spaignaerts Beshs. Three performances with the fleet at Santiago and Barra de Navidad in Mexico and the fight there with the Spaniards on November 11, 1615. Part of the illustrations in Joris Journey report from Spilbergen to the world, 1614-1617, No. 15.

Image of the Haarlemmer port / image of the saw-moolens port: with the clock-casting, in it. Leaf with 2 performances of faces on Amsterdam. Above: view of the Haarlemmerpoort. Below: view of the sawmill port. Under every image a caption. Numbered upper left: No. 69.

Cologne, Hogenberg, French, Series 10: Dutch and Foreign Events, 1587-1612, Entry of the Cardinals and Ertzhertzogen Alberti into Brussels happened on 11 February 1596, Entry of Archduke Albert of Austria as the new governor into Brussels, 11 February 1596. The procession with Albert, the Count of Fuentes and Prince Philip William pass through triumphal gates and past scenes and a float with a ship to the Palace. With a 16-line caption in German. Numbered lower left: 315. The print is part of an album., print, picture, news print, album sheet, prints, pictures, Frederik Muller History plates, height 220 mm, width 273 mm, Dutch, German, 1540 - 1590, print maker, printmaker, 1596 - 1598, fourth quarter 16th century, paper, etching, etchings

Paris Under Snow, Viewed from the Tower of Saint-Gervais Made 1890 France. Wood engraving in black on cream Japanese tissue . Louis Auguste Lepère

View of Nuremberg with puppet players, Daniel Sudermann, After Matthäus Merian (I), 1624 paper etching city-view, and landscape with man-made constructions. puppet Nuremberg

Silenus; Bottoms of scales: landscapes with biblical and mythological representations. Silenus, moving on a donkey and accompanied by Saters. Two putti floats in the air with a laurel wreath. From series of 8 sheets

Illustration for 'The Labor of Mars' by Allain Manesson Mallet. Mathematical figure. Below a face on a city on a river (spiers). Some soldiers in the foreground. In the top left corner the number 179 (= the number of the page in the book to which the illustration is placed).

The / Slot Vredenburg / to Uytrecht

View of the city of Pozzuoli and the ruins of the Flavian amphitheater. In the background the bay and some ships. The print is part of a series depicting various places in the Mediterranean, View of Pozzuoli Puteoli Ruinarum varii prospectus , Hendrick van Cleve, (mentioned on object), print maker: anonymous, publisher: Philips Galle, (mentioned on object), Antwerp, print maker: Antwerp, publisher: Haarlem, 1585, paper, engraving, h 172 mm × w 244 mm

From "Bizzarie di varie Figure". Dated: 1624. Dimensions: plate: 8.5 x 10.9 cm (3 3/8 x 4 5/16 in.) sheet: 11.2 x 15 cm (4 7/16 x 5 7/8 in.). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Giovanni Battista Bracelli.

Justice and the personification of abundance sit on opposite sides of a cartouche, Beside and behind them are weapons, armor parts and agricultural implements, in the distance, a view of the city of Breda in the middle of the Great Church, Grote Kerk, The Netherlands, print maker: Abraham Dircksz Santvoort (mentioned on object), Dating 1645.

Drawing by Joris Hoefnagel of Nocerra in the Apennine mountains, executed in brown ink with brown and blue lavated washes, dated 1577.

Illustration for 'The Labor of Mars' by Allain Manesson Mallet, Romeyn de Hooghe, 1672 print Floor plan for a fortress, fort or reinforcement (square). Below that a face on a church, village or monastery complex ('Viginelle'). In the foreground a man with two pack sling. In the corner at the top left the number 85 (= the number of the page in the book on the other hand the illustration has been placed). Amsterdam paper etching / engraving fortifications, military engineering. prospect of village, silhouette of village. church (exterior). mountains

Ruins and fantasy landscapes. Draughtsman: anonymous. Dating: 1550 - 1570. Place: Nederlanden. Measurements: h 153 mm × w 225 mm. Museum: Rijksmuseum, Amsterdam.

Map of Salzburg, Anonymous, 1657 - 1728 print Map of Salzburg with buildings in a nutshell perspective. paper etching / engraving prospect of city, town panorama, silhouette of city. armorial bearing, heraldry Salzburg

Amsterdam, Halma, François, Netherlands, Goeree, Jan, Magesyn der Italiaense bouwen, Thermen van Agrippa, Stone wall with two representations. Above a reconstruction of the Baths of Agrippa. Below a representation of the ruins of the baths. In the foreground a young man lies and an older man kneels. Numbered top right: Fol. 774. I. The print is part of an album., print, picture, book illustration, album page, prints, pictures, height 337 mm, width 211 mm, 1670-10-20 - 1731-01-04, print maker, printmaker, 1704 - 1704, paper, etching, etchings, Work conception, after own design by, Northern Netherlands, 1653-01-03 - 1722-01-13

Repair of a bark on the quay of the port of Messina, Abraham Casembroot, 1603 - 1658 print View of a quay of the port of Messina. In the foreground is a bark on its side. The sailing ship is repaired and widely. On the quay some workmen who prepare their work utilizers. Print from series of thirteen prints with faces of the port of Messina paper etching harbour. quay. sailing-ship, sailing-boat (with NAME). repairing, caulking, careening (~ ship) Messina

Illustration for 'The Labor of Mars' by Allain Manesson Mallet. Ground plan for a fortress, fortress or reinforcement (hexagon). Below a face on a city on a river (Madrid). In the top right of the number 148 (= the number of the page in the book to which the illustration is placed).

BLAEU, Jan (1596-1673). Atlas Novus or Atlas Maior. 1635 - 1665. Detail of the world map with the legend of America. Etching. SPAIN. CATALONIA. Barcelona. Biblioteca de Catalunya (National Library of Catalonia).

Northern Netherlands, Frisius, Simon, Duke of Anjou takes Binche, 1578, After a siege, the city of Binche surrenders to the Duke of Anjou, October 7, 1578. In the foreground the Duke of Anjou on horseback, behind him his armies enter the city. With a 4-line caption in Latin. Numbered: 105. Printed on the back with text in Latin., print, picture, history print, prints, pictures, Frederik Muller History plates, height 132 mm, width 160 mm, 1575 - 1628, print maker, printmaker, 1613 - 1615, first quarter 17th century, paper, etching, etchings

Alexander the Great crosses the river Iister, Antonio Tempesta (Attributed to), 1565 - 1630 print Alexander the Great and his army cross the Iister (Danube) river. Italy paper etching (story of) Alexander the Great. crossing a river. the soldier; the soldier's life Ister

View of Hamburg at Nacht, Bastiaen Stopendael, after Hans Martin Wintersstein, 1668 print View of Hamburg with stars and comets in the sky. In the middle of two angels with Hamburg's coat of arms. Amsterdam paper etching / engraving comet. city-view in general; 'veduta'. stars Hamburg

Ormovs / Svrattte / Bantam / Damasco / Batavia / Iervsalem / Goa / Calecvth, anonymous, 1670 - 1672 print Leaf with two vertical strips each with four faces on the cities in Asia: Hormoz, Suratte, Bantam, Damascus, Batavia, Jerusalem, Goa and Calcutta. Uncuted leaf with eight edge figures intended to stick in strips as a frame to stick a map of a continent. Amsterdam paper etching maps of cities. prospect of city, town panorama, silhouette of city Hormoz, Jazih-YE. A picture. My bandam. Damscus. Battery. Woundower. Goa. Colocking

Parma knighted in the Order of the Golden Fleece, 1585, 1587 - c. 1591 print The Duke of Parma is knighted at the Kallo Fort in the Order of the Golden Fleges, 11 August 1585, as a reward for conquering the city of Antwerp. With caption of 12 lines in German. Nummered in the bottom left: 224. The print is part of an album. Cologne paper etching knighthood order of the Golden Fleece Fort Kallo. Antwerp

Cologne, Hogenberg, French, Series 8: Dutch Events, 1577-1583, Own description of the Hispanigscher expedition vor dem hause Kerpen, Chieftain Biel hanged in Kerpen, 1579, Siege of Kerpen near Gullik by the troops of Farnese, January 15, 1579. After the capture of the city, the leader of the defenders Biel is hanged together with others. In front the shelling of the castle, on the bridge to the castle hangs the body of Biel. With a 16-line caption in German. Numbered: 29., print, prent, nieuwsprent, albumblad, prints, prenten, Frederik Muller Historieplaten, height 210 mm, width 280 mm, Dutch, German, 1540 - 1590, print maker, prentmaker, 1579 - 1581, fourth quarter 16th century, paper, papier, etching, etsen

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