Historic Processions and Scenes

Depicts historic costumed processions and cultural celebrations, capturing the essence of past events with groups of figures and elaborate dressing.

Amsterdam, Tresling & Comp., Binger, Gebroeders, Netherlands, Historical and Allegorical Procession in Amsterdam. May 12, 1874, Plate 3. - Third Group. Period of Frederik Hendrik (1625-1647), Historical costumed procession in Amsterdam on the occasion of the 25th anniversary of the reign of King Willem III in 1874 (plate 3), Plate no. 3 with the part of the procession with figures from the time of Prince Frederik Hendrik. Part of a series of 24 plates of the costumed historical and allegorical procession held in Amsterdam on 12 May 1874, as part of the festivities celebrating the 25th anniversary of the reign of King William III., print, prent, prints, Frederik Muller Historieplaten, height 115 mm, width 365 mm, print maker, printmaker, 1874 - 1874, paper, papier, lithografie (techniek), Publication (Event), Publicatie, publisher, uitgever, Nederlands, printer, drukker

Die Eroberung von Mexico: Illustration, 1919. Max Slevogt (German, 1868-1932). Lithograph;

Historic costumed procession in Amsterdam by the 25-year-old government anniversary of King Willem III in 1874 (plate 3); Plate 3. - Third group. Timer from Frederik Hendrik (1625-1647); Historical and Allegorical procession in Amsterdam. 12 May 1874.plate No. 3 with the part of the procession with figures from the time of prince frederik hendrik. Part of a Series of 24 Plates of the Costumed Historical and Allegorical Procession Hero in Amsterdam on 12 May 1874, As part of the festivities During the Celebration of the 25-year-old Government Anniversary of King Willem III.

Entry of Maria de Médicis in Amsterdam (plate 7), 1638, Pieter Nolpe, After Jan Martszen de Jonge, 1638 - 1639 print Entry of the French Queen Maria de Médicis in Amsterdam, August 31, 1638. Seventh album in an unassembled ensemble consisting of a title page, a portrait and seven magazines of the procession. Small plate with the last part of the procession with a few riders and part of a second car. Northern Netherlands paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Amsterdam

Hot feast, Carl Gustaf Hjalmar Mörner, 1820 print Visitors to a party, in the background spectators in Lods. Part of a print work with a series of twenty prints about the celebration of Carnival in Rome. paper etching Carnival, Shrovetide (non-liturgical celebration). dress-up party Rome

Soldiers paves the way for the horse race, Carl Gustaf Hjalmar Mörner, 1820 print Soldiers paves the way for the horse race. Part of a print work with a series of twenty prints about the celebration of Carnival in Rome. paper etching Carnival, Shrovetide (non-liturgical celebration). horse-racing Rome

United, we want to justify the new constitution of the fatherland, With portrait of Emperor Ferdinand I, Joseph Albrecht, Lithographer, Mossbeck, publisher

Franz de Paula Ferg brush drawing in black with white highlights on brown-primed paper depicting a group of dealers with a horse.

Spotprent op de onenigheid in het Belgische Nationale Congres over het verkiezen van een koning, 1831. Le Congrès Belge ou la Ménagerie en désordre. (d'après Nature) (title on object). Draughtsman: anonymous. Dating: 1831. Place: Belgium. Measurements: h 203 mm × w 315 mm. Museum: Rijksmuseum, Amsterdam.

Jerzy Ossola's entry to Rome in 1633, Table III; Della Bella, Stefano (1610-1664); 1633 (1633-00-00-1633-00-00);

Amsterdam, Tresling & Comp., Binger, Gebroeders, Netherlands, Historical and Allegorical Procession in Amsterdam. May 12, 1874, Plate 3. - Third Group. Period of Frederik Hendrik (1625-1647), Historical costumed procession in Amsterdam on the occasion of the 25th anniversary of the reign of King Willem III in 1874 (plate 3), Plate no. 3 with the part of the procession with figures from the time of Prince Frederik Hendrik. Part of a series of 24 plates of the costumed historical and allegorical procession held in Amsterdam on 12 May 1874, as part of the festivities celebrating the 25th anniversary of the reign of King William III., print, prent, prints, Frederik Muller Historieplaten, height 115 mm, width 365 mm, print maker, printmaker, 1874 - 1874, paper, papier, lithografie (techniek), Publication (Event), Publicatie, publisher, uitgever, Nederlands, printer, drukker

Vogelmarkt in Rotterdam, c. 1854 - c. 1887 Recto of the drawing on page 1 of an album with 35 drawings. Rotterdam paper. ink. watercolor (paint) pen / brush Rotterdam Recto of the drawing on page 1 of an album with 35 drawings. Rotterdam paper. ink. watercolor (paint) pen / brush Rotterdam

# 88 / Chariar H HUIL at Messieurs Guiz .., DUP.S., ET. (You)

Like the German Michel in Wuth device, Caricature on the revolution in , under the Metternich, Friedrich Hecker, Ludwig I of Bavaria and Lola Montez shown, Eduard Gustav May -, publisher

Last Judgment. (IT)

Via Del Corso, Carl Gustaf Hjalmar Mörner, 1820 print Carnival parade about the Via del Corso. Part of a print work with a series of twenty prints about the celebration of Carnival in Rome. paper etching Carnival, Shrovetide (non-liturgical celebration) Rome. Via del Corso

Entry of the king people (IT)

Les Russes continuant à prendre leurs...précautions.... Honoré Daumier (1808-1879). Lithographs

Petites figures XXIV.. Artist: Paul Gavarni, French, 1804-1866

Hans Burgkmair I, Five Tilters on Foot, 1516 1518 (published 1522, printed 1777 or 1796) Five Tilters on Foot

Schmalz Otto (1861-1906), travel sketches from Bavaria, Austria and Italy (01.03.1887): Naples: Sacramen houses in the museum (detail relief s wereolation). Pencil on paper, 42.7 x 31.1 cm (including scan edges) Schmalz Otto (1861-1906): Reiseskizzen aus Bayern, Österreich und Italien

Haugolt von Storstidel such as Venus, Heinrich von Hagen as Minerva, Diterich von Rabiel as Juno and Hans Christof von Ragewitz as Paris, all on horseback and accompanied by a page and four musicians, Anonymous, 1553 - 1586 print paper etching rejoicing on special occasions (+ parade, pageant, cavalcade ~ festive activities). dress-up party. riding a horse, ass, or mule; rider, horseman. the Judgement of Paris (without Mercury)

Allegory and three views of the body of an annual boy, Hieronymus Sperling, after Johann Georg Bergmüller, 1723 print Allegorical scene in which caution and Minerva protect painting against laziness and envy. Middle: Fig. 2. paper engraving / etching human life and its ages (young, adult, old, etc.). standing figure (canon, proportions). man (showing himself) undressed, quasi-nude. standing figure. child. 'Pictura', symbolic representations, allegories and emblems ~ painting; 'Pittura' (Ripa). (story of) Minerva (Pallas, Athena). Prudentia (Prudence) as Roman personification. Invidia (Envy) as Roman personification. Sloth, Indolence, 'Acedia', 'Desidia'; 'Accidia' (Ripa) ~ personification of one of the Seven Deadly Sins

Pl.166 c Adoration of the patriots, in the appearance of a big guy / drawn in France according to nature the year without money 3 of freedom. (IT)

Francisco de Goya (1746-1828), Poebel (28), 1810-1820

A Man and a Monkey Riding on Horseback (in Sketch Book With Drawings on Twenty-six Leaves) ca. 1849 Frederic, Lord Leighton British. A Man and a Monkey Riding on Horseback (in Sketch Book With Drawings on Twenty-six Leaves) 418096

Woodcut on paper by an unidentified artist depicting the entry of Emperor Charles V into Bologna on November 5, 1529, showing ceremonial processions on sheets 3 and 4.

Composition Study for 'Castor and Pollux Freeing Helen'. Artist: Joseph-Ferdinand Lancrenon (French, 1794-1874). Dimensions: sheet: 8 13/16 x 9 1/8 in. (22.4 x 23.2 cm). Date: 1817. Museum: Metropolitan Museum of Art, New York, USA.

Vignet with an image of the Battle of Kalisch (29-10-1706), coming from the portrait of Frederik Augusti II, Duke of Saxony and King of Poland.

Corpse of Willem IV, 1752, plate 9, 1752 - 1755 The Dutch Garde. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder William IV in Delft on February 4, 1752. Numbered at the top right: 9. In the bound edition of 1755. print maker: Northern Netherlandspublisher: The Haguepublisher: The Hague paper etching / engraving Delft The Dutch Garde. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder William IV in Delft on February 4, 1752. Numbered at the top right: 9. In the bound edition of 1755. print maker: Northern Netherlandspublisher: The Haguepublisher: The Hague paper etching / engraving Delft

Greeks drag Cassandra from the temple, 1663 print A group of Greek soldiers takes Cassandra the temple of Minerva. Numbered III. The print originally belonged to Liber 22 of the Atlas of Rome by Michiel Hinloopen (Schijnvoet Book 10). paper etching (story of) Cassandra. Cassandra, sheltering in Minerva's temple (sometimes with Andromache), is dragged away by Ajax the Lesser, while she holds the image of the goddess

Key to the figures in 'The Death of Chatham', Abraham Raimbach, 1784-1868, British, after John Singleton Copley, 1738-1815, American, active in Britain (from 1776), 1794, Etching, published state, Plate: 10 5/8 x 30 5/8in. (27 x 77.8cm)

Jean-Victor Adam, known as Victor Adam (1801-1866), French painter and lithographer. Album "Le Bien et le Evil", (Pl.77). Lithography, 19th century. Paris, Carnavalet museum. 78055-24 Album The Good and Evil, Drawing, Illustration, Lithography, Character, Scene of Life, 19th XIXth 19th 19th 19th 19th century

Deathbed of Maria, Rembrandt van Rijn, 1807 - 1808 The print is part of an album. Paris paper etching / drypoint The print is part of an album. Paris paper etching / drypoint

Alexander the Great marries StaTeira II in Susa, Leonaert Bramer, c. 1655 - c. 1665 During the mass marriage in Susa, Alexander the Great marries StaTeira II, daughter of Darius III. They are centrally depicted for a priest. On the right in the background, two people can be seen on the banquet that Alexander organized for the occasion. Numbered at the top right: 44. Drawing is part of an album. prepared paper. ink pen / brush During the mass marriage in Susa, Alexander the Great marries StaTeira II, daughter of Darius III. They are centrally depicted for a priest. On the right in the background, two people can be seen on the banquet that Alexander organized for the occasion. Numbered at the top right: 44. Drawing is part of an album. prepared paper. ink pen / brush

This woodcut by Hans Burgkmair the Elder, first published 1526, repeats the depiction of the triumphal procession of Emperor Maximilian I, showing men carrying statues of Viktoria, with figures, gestures, and ceremonial composition.

The Body of Prince Józef Poniatowski fished out of the Elster. unknown, graphic artist

Abraham Raimbach, 1784-1868, British, Key to the figures in "The Death of Chatham", 1794. Etching, published state.

Sales of paintings, 1839 in Utrecht, Willem Roelofs (I), 1839 drawing paper. pencil art sale, auction

The Flogging of Punchinello ca. 1800 Giovanni Domenico Tiepolo Italian. The Flogging of Punchinello 459941

The folk poet Friedrich Kaiser proclaimed on March , the constitution, Anton Elfinger -, Lithographer, Johann Rauh -, Printer, Leopold Theodor Neumann -, publisher

Fifth Slede, Nicolaas van der Worm, After Abraham Delfos, 1776 print The fifth sledge in the parade. A sledge with Louis de Boisot and a boy with white bread and a herring, pulled by a horse and preceded by two musicians and two Hellaardiers. Part of a series of twelve plates from the Sleedevaart on January 24, 1776 organized by the Leiden Society Veniam Pro Laude On the occasion of the second century celebration of the Leiden Relief (3 October 1574) and the establishment of the University of Leiden (8 February 1575) . Northern Netherlands paper etching / engraving commemoration of the founding of a university. sledge, sleigh (winter sports) Leiden

Stefano Della Bella, Twenty Four Cavorting Cavaliers, 1652 Twenty-Four Cavorting Cavaliers

Nations of Europe ballets. Artist: Anonymous, Italian, 17th century. Dimensions: Sheet: 15 1/2 × 9 13/16 in. (39.4 × 25 cm). Date: 17th century.Three plates on one sheet illustrating ballets introduced by three European nations. The first with the representation of Bacchus at center, the second with Thetis, and the third with Saturn. Museum: Metropolitan Museum of Art, New York, USA.

Naples, Sommer, Giorgio, Photo reproduction of the Alexander Mosaic from the House of the Faun in Pompeii, recto - embossed, This photograph is part of an album., photograph, photo, reproduction, album sheet, photos, 1569, recto - printed, Giorgio Sommer, Largo Vittoria, Napoli, height 202 mm, width 254 mm, Italian, 1834 - 1914, photographer, 1874 - 1879, photographic paper, photo paper, albumen print, albumine print

Jurred graduates. The friend of the people. These Mrs, MRS of the provisional (...) (IT)

Lindholm, Berndt, work, Sketch book, 1889, pencil on paper, drawing, 11.5 cm x 17.5 cm, Lindholm, Berndt, part: coastal landscape, building, drying nets, 1889, pencil on paper

Carnival of 1830 Jean-Victor Adam, said Victor Adam (1801-1866). Press cartoon. "Carnival of 1830". Lithography. 1830. Paris, Balzac House.

Giovanni Balducci, A Battle on a Bridge, c1600 A Battle on a Bridge

Boerenbruiloft, Emrik & Binger, after Pieter Brueghel (II), 1857 - 1864 print The bride is sitting at the table, standing around her and sitting farmers and farmers. Two figures play a bagpipe in front of the table, the rest of the figures dances. print maker: Haarlemafter painting by: Antwerpprinter: Haarlem paper wedding feast, wedding meal - DD - out of doors. farmers. group dancing

Six portraits including two of Napoleon, supervised by his wives, his son and his son-son

Caricature (Journal)

Gustave Doré (1832-1883). "The masked ball at the opera, three in the morning: the intrigue at the home. IFF 80". Bois, 1861. Museum of Fine Arts of the city of Paris, Petit Palais. Mask ball, dance, dancing, elegant, high-brow, opera, engraving

A tournament, anonymous, after c. 1600 drawing Italy paper. ink pen tournament

The Entrance of Charles V Into Antwerp, Adolphe Lalauze, French, 1838 - 1905, Hans Makart, Austrian, 1840 - 1884, Etching on vellum, A large gathering witnesses the entry of Charles V on horseback. He gestures to a nude female slave nearby., France, 1879, Print, Print

Prescription hunt. (IT)

Meeting of the gods, Gérard Audran (attributed to), after Charles Le Brun, 1650 - 1690 print print maker: Francepublisher: Paris paper etching / engraving the Olympian gods together: Jupiter, Juno, Neptune, Ceres, Apollo, Diana, Mars, Venus, Mercury, Minerva, Vulcan, Vesta (or Bacchus)

I shot this buck, Crime on the escape of Metternich in March , Unknown

WILLEM IV, 1752, plate 21, 1753 - 1755 The horses of Bataille and Parade and the carriers of the Great Standard and the Banier of the Stadholder. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder William IV in Delft on February 4, 1752. Numbered at the top right: 21. In the bound edition of 1755. print maker: Northern Netherlandspublisher: The Haguepublisher: The Hague paper etching / engraving Delft The horses of Bataille and Parade and the carriers of the Great Standard and the Banier of the Stadholder. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder William IV in Delft on February 4, 1752. Numbered at the top right: 21. In the bound edition of 1755. print maker: Northern Netherlandspublisher: The Haguepublisher: The Hague paper etching / engraving Delft

The archers meal in the architect or St. Joris derels in Amsterdam to celebrate the Peace of Munster, 18 June 1648.The painting of the militia meal in the foot mogelroom or St. Joris derels in Amsterdam for celebration of the conclusion of the peace of peace Munster, June 18, 1648. It is presented: Captain Cornelis Jansz Witsen (with the silver drinking horn), Lieutenant Johan Oetgens van Waveren (who shakes his hand), the Vaandrig Jacob Banningh (sitting next to the big drum), Dirck Claesz Thoveling and Thomas Hartog (Sergeanten), Pieter van Hoorn, Willem Pietersz van der Voort, Adriaen Dirck Sparwer, Hendrick Calaer, Govert van der Me, Johannes Calaber, Benedictus Schaeck, Jan Maes, Jacob van Diemen, Jan van Ommeren, Isaac Ooyens, Gerrit Pietersz van Anstenraadt , Herman Teunisz de Kluyter, Andries van Anstenraad, Christoffel Poock, Hendrick Dommer WZ, Paulus Hennekijn, Lambregt van den Bos and Willem (the Drumslager). There is a paper with a poem by Jan Vos on the large drum. Due to

A Horse Sale at Hopkins's Repository (An outline). Drawing. Pen and black ink over graphite on moderately thick, slightly textured, cream, wove paper. Height: 237 mm (9.33 in); Width: 398 mm (15.66 in). Author: Thomas Rowlandson.

Studies of a woman with a jug, riding on a donkey. Draughtsman: Pieter van Loon. Dating: 1842. Measurements: h 281 mm × w 443 mm. Museum: Rijksmuseum, Amsterdam.

Napoleon in the underworld for Rhadamathe, Minos and Aeacus, Jacob Joseph Eeckhout, Guillaume Philidor van den Burggraaff, c. 1821 print Napoleon is brought to the judges in the underworld by the goddess Pallas Athena and the God Hermes: Minos, Rhadamanthe and Aeacus. The man on the left in the ferry is the skipper Charon. The text at the bottom is a poem in rhyme words. Brussels paper (story of) Pallas. (story of) Mercury (Hermes). judges of Hades. Charon, the ferryman

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Caricatural show with scenes from the life of a woman; Souvenirs d'une vieille fille.caricatural show with scenes from the life of a woman; With Inscription in The Middle and Captions, Pieces of Paper Pasted to the Drawing.

WILLEM IV, 1752, plate 37, 1754 - 1755 City council of The Hague and pastors of Delft. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder William IV in Delft on February 4, 1752. Numbered at the top right: 37. In the bound edition of 1755. print maker: Northern Netherlandspublisher: The Haguepublisher: The Hague paper etching / engraving Delft City council of The Hague and pastors of Delft. In the margin the caption in Dutch, French and English. Part of a series of 41 plates of the funeral procession of Stadholder William IV in Delft on February 4, 1752. Numbered at the top right: 37. In the bound edition of 1755. print maker: Northern Netherlandspublisher: The Haguepublisher: The Hague paper etching / engraving Delft

Luigi Schiavonetti, 1765-1810, Italian, Pandora, c. 1810. Etching.

Views of Paris. Financial aristocracy. (Dummy title)

Stone tablet found in a tomb at Thebes. Discovered by the Earl of Belmore, 1818. Height of the original 1 ft. 11 1/2 in., Length 4 ft. 5 in.. Scharf, George, 1788-1860. Belmore, Somerset Lowry-Corry, Earl, 1774-1841. Prints. 1822. General Research Division. Egypt , Antiquities

Sea goddesses pulled on a vessel, Pierre Brebiette, 1608 - 1650 print paper etching other gods of the waters. triumphs (allegorical and symbolic). sea. swimming mammals: dolphin

Vatican City, Papal Court, Langlois, François, Italy, Tempesta, Antonio, Ordine che tiene il gran Turco quando cavalca, Cavalcade for the departure of a sultan, verso - stamped, Part of a parade with soldiers on horseback and musicians on camels, on the occasion of the departure of a sultan. Captions in Italian in bottom margin., print, prints, height 99 mm, width 458 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1599 - 1647, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, uitgever van privilege

Foot firms with horses, plate 9; Procession of Karel V with the Pope in Bologna after his coronation to Emperor, 1530. Foot fires with horses, plate 9. Procession of Karel V with the Pope Clemens VII in Bologna after his coronation to Emperor, February 24, 1530.

A brown-gray ink and brush drawing attributed to Giuseppe Bossi depicting a frieze with the representation of a capture.

Drawing, Design for Two Freizes; Felice Giani (Italian, 1758-1823); Italy; graphite, pen and ink on paper

George Catlin, Slaves' Dance Saukie, 1861 Slaves' Dance - Saukie

Watercolor reproduction: Juliusz Kossak (1824-1899), says the father to his Basia, all the repayment: sanate yo, apparently ours, beaten in Tarabany; Paulussen, Richard (Vienna; Graphic Zak around 1890 (1885-00-00-1900-00-00);

The loading of nurses Anonymous. "The loading of nurses". Lithography, 1812.

Design for title page of the ballet Dame Tavote. Draughtsman: Bernard Picart. Dating: 1683 - 1733. Measurements: h 151 mm × w 87 mm. Museum: Rijksmuseum, Amsterdam.

Arrival of King Charles II of England and Queen Catharina of Braganza at the Hampton Court Palace, Dirk Stoop, 1662 print King Charles II of England and Queen Catharina of Braganza arrive in a carriage accompanied by a long procession of horses and carriages on the Hampton Court palace. Print is part of a series about the journey of Catharina from Braganza from Portugal to London, where she married Karel II of England, in 1662. England paper etching / engraving triumphal entry and public reception, pageant, 'entrée solennelle', 'joyeuse entrée'. four-wheeled vehicle drawn by more than three animals. king. queen, empress, etc. (wife of a ruler) Hampton Court Palace

Nuremberg, Solis, Virgil, Group of foot soldiers led by a horseman, verso - handwritten in brown ink, print, engraving, prints, engravings, verso - stamped, 42, height 38 mm, width 171 mm, German, 1514 - 1562-08-01, print maker, printmaker, 1541 - 1541, paper, papier, etching, etchings, plaattoon

Bullfights: The Death of Pepe Illo (2nd Composition), 1816, printed 1876. Francisco de Goya (Spanish, 1746-1828). Engraving;

The Thimble Rig! June 5, 1839 John Doyle. The Thimble Rig!. HB Sketches, No. 593. John Doyle (Irish, Dublin 1797-1868 London). June 5, 1839. Lithograph. Thomas McLean (British, 1788-1875). Prints

It served us with zeal / but Lombardy is free / what will we do with ... / Send the galleys, / the traitor. (IT)

Le Bal Musard ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Station of the Cross No. 2: "The Cross is Laid on Jesus. Dated: c. 1936. Dimensions: overall: 47.6 x 54.8 cm (18 3/4 x 21 9/16 in.) Original IAD Object: Approximately 30 x 50 in.. Medium: watercolor, gouache, colored pencil, and graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: Geoffrey Holt.

Two infantry in the Sierka in costumes from the 2nd half of the 16th century, according to the engraving of Abraham de Bruyn from 1581; Lesser, Aleksander (1814-1884), Bruyn, Abraham de (1540-1587); 1830-1884 (1830-00-00-1884-00-00);Bruyn, Abraham de (Ca 1540-1587), Bruyn, Abraham de (Ca 1540-1587)-reproduction, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884)-collections, Lesser, Wiktor Stanisław Zygmunt ( Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Lesser, Wiktor Stanisław Zygmunt - collections of Aleksander Lesser - Dar, Hungarians, 16th century, Dar (provenance), graphics (artist) , European graphics, infantry, clothing, men's clothes, foreign clothing, Hungarian army, soldiers

Twenty-four Cavaliers Battle with Swords in Four Groups 1652 Etched by Stefano della Bella Italian. Twenty-four Cavaliers Battle with Swords in Four Groups. 'The contest of the seasons' (La gara delle stagioni). Etched by Stefano della Bella (Italian, Florence 1610-1664 Florence). 1652. Etching. Prints

Torchlight Procession at the Modena Carrousel. Artist: Etched by Stefano della Bella (Italian, Florence 1610-1664 Florence). Series/Portfolio: La gara delle Stagioni. Date: 1652. Museum: Metropolitan Museum of Art, New York, USA.

Statue of Henry IV

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Arab Horsemen 1845-1885 France. Pen and black ink, on tan tracing paper, laid down on ivory wove paper . Rodolphe Bresdin

Petites figures IX.. Artist: Paul Gavarni, French, 1804-1866

De Kiesdwang, Willem van Konijnenburg, 1895 The Hague paper politics. political caricatures and satires

Coriolanus is disarmed by Veturia, Bartolomeo Pinelli, 1818 print Gaius Marcius Coriolanus is disarmed by his mother Veturia. On the left a group of mourning women and children. On the right the army of Coriolanus. Rome paper etching (story of) Coriolanus. Veturia, mother of Coriolanus (one of the nine worthiest women). Coriolanus (C. or Cn. Marcius) is met by his wife Volumnia (alternatively called Vergilia) with their two small sons, and his mother Veturia (alternatively called Volumnia); they entreat him not to fight any more

Stone tablet found in a tomb at Thebes. Discovered by the Earl of Belmore, 1818. Height of the original 1 ft. 8 in., Breadth 4 ft. 2 in.. Scharf, George, 1788-1860. Belmore, Somerset Lowry-Corry, Earl, 1774-1841. Prints. 1822. General Research Division. Egypt , Antiquities

Honoré Daumier (1808-1879). News, n ° 156 - Parisians having found the way to circulate in rainy weather, on macadamized boulevards. Black lithography. Paris, Carnavalet museum. 78185-19 Boulevard, circulation, humorous drawing, lithography, macadam, Parisian, rain, caricature

Green Corn Dance - Minatarrees. Dated: 1861. Dimensions: overall: 45.2 x 60 cm (17 13/16 x 23 5/8 in.). Medium: oil on card mounted on paperboard. Museum: National Gallery of Art, Washington DC. Author: George Catlin.

A 16th-century woodcut on paper showing the left part of Charles V's entry into Bologna on November 5, 1529, including ceremonial procession, attendants, and architectural elements.

Drawing, Lunette with Allegory of Painting; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and greyish-brown wash, black chalk, traces of graphite on laid paper.; 15.5 x 28.5 cm (6 1/8 x 11 1/4 in.)

No se puede saber por qué (One Cant Tell Why.), pl. 35 from the series Los desastres de la guerra (The Disasters of War). Artist: Francisco Goya, Spanish, 1746-1828

Bandits attacked, Bartolomeo Pinelli, 1819 - 1823 After an attack by a group of bandits, one of them is injured on the floor. The print is part of an album. Rome paper etching After an attack by a group of bandits, one of them is injured on the floor. The print is part of an album. Rome paper etching

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