Historic Textile Fragments

Intricate textile fragments from the 16th to 18th centuries, displaying elaborate patterns and materials like silk and brocade, highlighting craftsmanship.

Fragment blue Zijddamast ,, 1730 A fragment of blue silk tissue, with a pattern of checkered garlands with flower branches at the intersections and in the fields. Germany silk damask A fragment of blue silk tissue, with a pattern of checkered garlands with flower branches at the intersections and in the fields. Germany silk damask

Fragment 16th century Italian or French. Fragment 230454

Length of Textile, c. 1700. France or Italy, early 18th century, period of Louis XIV (1643-1715). Brocade; silk, gold and silver threads; overall: 17.5 x 57 cm (6 7/8 x 22 7/16 in.).

Fragment blue Zijddamast ,, 1730 A fragment of blue silk tissue, with a pattern of checkered garlands with flower branches at the intersections and in the fields. Germany silk damask A fragment of blue silk tissue, with a pattern of checkered garlands with flower branches at the intersections and in the fields. Germany silk damask

Piece 18th-19th century China. Piece. China. 18th-19th century. Silk. Qing dynasty (1644-1911). Textiles-Woven

Fragment (Spain); silk

Medieval ornament

Fragment; silk, cotton

Fragment Made 1800-1825 Japan. Brocade fragment .

Capslip from Valenciennes side, Anonymous, c. 1775 - c. 1800 Cutslip from Valenciennes side with a round end. The barbe has a picotrand. The pattern consists of floral motifs along the edge and sprinkling flowers in the middle. France linen (material) Valenciennes lace Cutslip from Valenciennes side with a round end. The barbe has a picotrand. The pattern consists of floral motifs along the edge and sprinkling flowers in the middle. France linen (material) Valenciennes lace

Sutra Cover Made 1590-1599 China. Silk, warp-float faced 4 1 satin weave with supplementary patterning wefts bound in weft-float faced 1 4 satin interlacings .

Fragment printed cotton, c. 1800 - c. 1899 Fragment printed cotton. Brown branches with leaves are printed on white cotton. One half of the leaf is dark brown, the further half is light brown. The outlets of the branches and the leaves have dots. cotton (textile) printing Fragment printed cotton. Brown branches with leaves are printed on white cotton. One half of the leaf is dark brown, the further half is light brown. The outlets of the branches and the leaves have dots. cotton (textile) printing

Fragment, Medium: silk Technique: supplememntary warp forming raised pile in 4&1 satin foundation (velvet), Detached branches, several with acorns, in green on yellow., 17th century, woven textiles, Fragment

Blanket, 49 x 30 in. (124.46 x 76.2 cm), Cotton; needlework, China

Textile, Medium: cotton Technique: printed by engraved roller on plain weave, Cotton print; red on white; vertical stripes alternating red and white with realistic flower and fruit designs. Two pieces sewed together. Edges bound with linen and rings attached to top for hanging., England, ca. 1810, printed, dyed & painted textiles, Textile

Fragment (Italy); medium; silk, metallic

Layla and Majnun, Medium: silk, metallic threads Technique: two intercrossed plain weave structures (double cloth), Fragment of woven silk shaped as if part of a skirt, with figures of a boy holding a deer and woman on either side of a flowering tree. Figures in cream, repeated in mirror image in alternating rows, alternating with rows of leaping gazelles, on a ribbed ground of red and silver., Iran, 16th-17th century, woven textiles, Textile, Textile

Bed Top View Isolated On White Top view of a bed with a blanket and a pillow isolated on white. Copyright: xZoonar.com/VictorxGladkiyx 8950432

Wrapper, 20th century, 67.5 x 48 in. (171.5 x 121.9 cm)(w/o fringe), Cotton, Nigeria, 20th century

Fragment (From a Chasuble) Made 1601-1650 Italy. Silk, plain weave with supplementary binding wefts and supplementary pile warps forming cut, uncut and voided velvet .

Fragments; silk

Sotck exchange. First 11th century. GAL1948.11.25

Textile Swatch , 1950s to 1960s. Silk, 19 3/4 x 21 3/4 in. (50.2 x 55.2 cm). 1950s to 1960s

Piece 15th-16th century Italian. Piece 222887

Sidewall, Flocked, Small gold laurel wreaths enclosing floral bouquets, on green flocked ground., possibly France, 1875-1900, Wallcoverings, Sidewall

Fragment (USA)

Fragment (Italy); silk, metallic (silvered gilt vellum wrapped around silk core)

Piece 18th century Japan. Piece. Japan. 18th century. Silk. Edo period (1615-1868). Textiles-Woven

Duplicata de la Matrice de Montpellier. France. Date: 1809. Dimensions: Average length of swatches: 2.5 cm (1 in.)Average width of swatches: 4.5 cm (1 3/4 in.)Measurement of volume: 48.9 × 20 × 5.7 cm (19 1/4 × 7 7/8 × 2 1/4 in.)Measurement of bo×: 51.3 × 21.6 × 8.5 cm (20 1/8 × 8 5/8 × 3 1/4 in.). Cotton, plain weave; printed; total of swatches: 1650 swatches. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Piece French 19th century

Chasuble fragments, Medium: silk, metallic yarns Technique: satin damask with discontinuous supplementary weft patterning (brocade), Two panels from a chasuble. Curving pattern of flowering branches with rococo and chinoiserie elements. In pale shades of blue, green, yellow, pink, white, and silver metallic on a salmon pink ground., France or Italy, early 18th century, woven textiles, Chasuble fragments

Napkin with a flower bouquet, anonymous, c. 1700 - c. 1749 Linnamast napkin. Oval fields with inward striker scalloped edge wear a flower bouquet of corrupted pomegranate, coming from a flattened spherical shape with bracts. Inner fillings of gridwork. Rosettes, loose flower branches in the swiking. Two narrow edges, the inside with double row stretched octagon with star motif, the outer with a running flower drink. Around a t-edge. Netherlands (possibly) linen (material) damask Linnamast napkin. Oval fields with inward striker scalloped edge wear a flower bouquet of corrupted pomegranate, coming from a flattened spherical shape with bracts. Inner fillings of gridwork. Rosettes, loose flower branches in the swiking. Two narrow edges, the inside with double row stretched octagon with star motif, the outer with a running flower drink. Around a t-edge. Netherlands (possibly) linen (material) damask

Scarf isolated on the white background

Entre-deux and Galon with beads, black, Gustav Schnitzler, c. 1920 Entre-deux and Galon with beads, black. NijmegenBelgium (possibly) paper Entre-deux and Galon with beads, black. NijmegenBelgium (possibly) paper

Textile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. Silk, 17 1/2 x 9 in. (44.5 x 22.9 cm). 1948-1959

Skirt (), from a three-piece group, 23 11/16 x 13 3/4 in. (60.17 x 34.93 cm), Cotton, metallic strip, China

Textile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. Silk, metal, a: 23 1/2 x 9 1/4 in. (59.7 x 23.5 cm). 1948-1959

Stole Fragments (Spain); wool, linen

Nakshi kantha, a type of embroidered quilt, is a centuries-old Bengali art tradition of the Bengal region, notable in Bangladesh and Indian states of West Bengal, Tripura and part of Assam. The basic material used is thread and old cloth. The colourful patterns and designs that are embroidered resulted in the name "Nakshi Kantha", which was derived from the Bengali word "naksha", which refers to artistic patterns.These items are preserved at the "Bangladesh Folk and Karur art Museum". Bangladesh.

Shards of a sign from V.O.C. ship De 'Witte Leeuw', Anonymous, Before 1613 plate (dishes) Shards of a sign from V.O.C. ship De 'Witte Leeuw', 35 present. Jingdezhen bone china (material) Sint-Helena

Fragment, Medium: silk Technique; 4&1 satin damask, Tangent rondels with plant infillings., 16th-17th century, woven textiles, Fragment

Tiles with carnation motifs, Casa Vicens Gaudi, Barcelona, Spain.

Cover of box from v.o.c. ship De 'Witte Leeuw', Anonymous, Before 1613 lid Lid of box from V.O.C. ship the 'Witte Leeuw'. From porcelain, the lid painted in underlaze blue with roses and rocks. The shard is glassy white and has little ingrained dirt. The glaze is blue -tinted. The bottom is glazed. No oven sand was found. Jingdezhen porcelain. bone china (material) Sint-Helena

Fragment, Medium: silk Technique: cut and uncut supplementary warp pile (velvet) on satin ground, One end of a stole of deep red cut and uncut velvet on white satin ground. Design of small flowering branches alternate horizontal rows turning left and right., Italy, late 16th-early 17th century, woven textiles, Fragment

Lace lace

Tile wall facing, Tin-glazed earthenware, underglaze, Horizontal rectangle. Thirty tiles wide and twenty-three tiles high with opening for fireplace eleven tiles wide and ten high. Foliage arabesques disposed about three vertical axes from which are emphazised by urns at center and right, and at left by the figure of a standing woman carrying an infant on her arm and accompanied by two children., Possibly Rotterdam, Holland, Possibly Delft, Netherlands, ca. 1725, tiles, Decorative Arts, Tile wall facing

Veil second quarter 19th century Flemish. Veil. Flemish. second quarter 19th century. Bobbin lace, Brussels bobbin lace. Textiles-Laces

Piece 17th-18th century Japan. Piece 65969

Sidewall And Border (France); block-printed and flocked on handmade paper; 45.5 x 19.5 cm (17 15/16 x 7 11/16 in.)

Textile Design with Alternating Vertical Garlands of Abstract Shapes Adorned with Pearls 1840 Anonymous, Alsatian, 19th century Rectangular sheet of paper with a textile design from a group, dated 1840, made in Mulhouse, Alsace, which was an important nineteenth-century center for textile production in the Haut-Rhin region of France. The design is made up of alternating vertical garlands of abstract shape with shades made of dark reddish-brown stipples and adorned with groups of five pearls horizontally arranged over a light tan pattern with dark reddish-brown stipples. The pearls are of white color with black outlines.. Textile Design with Alternating Vertical Garlands of Abstract Shapes Adorned with Pearls. Anonymous, Alsatian, 19th century. 1840. Gouache

Excerpt pale pink silk, c. 1690 - c. 1710 Fragment pale rose silk with silver pattern of leaves, flowers and fruits. France Ketting an element: Silk. Fragment pale rose silk with silver pattern of leaves, flowers and fruits. France Ketting an element: Silk.

Blanket roll. Isolated

Fragment, Medium: Technique: printed, 19th century, printed, dyed & painted textiles, Fragment

Border Made 1755-1765 Brussels. Linen, bobbin part lace of a type known as Brussels with a Droschel mesh ground .

Edward White, Quilt Patches, c 1938 Quilt Patches

handmade patchwork and batik scarf isolated handmade patchwork and batik scarf isolated on white background ,property released Copyright: xZoonar.com/ValeryxVoennyyx 6556394 ,model released, Symbolfoto ,property released

Valance; cotton

Shoulder Cloth (Kain Geringsing Wayang). Indonesia, East Bali, Tenganan Pegeringsingan, 19th century. Costumes. Cotton plain weave, resist-dyed warp and weft (double ikat), with metallic-cotton-thread discontinuous supplementary warp and weft patterning

Small Half Shawl Made 1865-1875 England. Silk, Pusher machine lace imitation of Blonde Matte bobbin lace .

Sheets of linen with bobbin and open hems, anonymous, c. 1650 - c. 1675 Cloth of white linen with bobbin and open hems. Model: consists of two, sewns -sewns sewns. Decoration: Lace: bobbin with bars stock and linen battle ornament, from a swinging slender, between which a three -sheet stands. At the top and bottom a detailed open zoom. Netherlands linen (material). bobbin lace Cloth of white linen with bobbin and open hems. Model: consists of two, sewns -sewns sewns. Decoration: Lace: bobbin with bars stock and linen battle ornament, from a swinging slender, between which a three -sheet stands. At the top and bottom a detailed open zoom. Netherlands linen (material). bobbin lace

Textile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. Silk, 23 x 18 in. (58.4 x 45.7 cm). 1948-1959

Tile, Tin-glazed earthenware, underglaze decoration, Square in shape, painted with an 8-pointed blossom in the center, from which radiate stylized floral arabesques and blossoms., Ottoman Empire (possibly Syria), late 16th-early 17th century, tiles, Decorative Arts, Tile

Woman scarf isolated on the white background

Shards of a deep plate from V.O.C. ship De 'Witte Leeuw', Anonymous, Before 1613 plate (dishes) Shards of a deep plate from V.O.C. ship the 'Witte Leeuw'. Jingdezhen bone china (material) Sint-Helena

Fragment (France); woven silk; 1896-21-8

Textile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. Silk, 23 1/4 x 17 1/2 in. (59.1 x 44.5 cm). 1948-1959

Textile, Triangel; Designed by Josef Hoffmann (Austrian, b. Moravia, 1870-1956); Made for Wiener Werkstätte (Austria); silk

Sampler (Germany); cotton

Sector of a parasold deck of soft green cotton, with a batist edge embroidered with wold wire, c. 1885 - c. 1900 Sector of a parasold deck of soft green cotton, with a batist embroidered with wold wire. Nijmegenfrance parasoldek: cotton (textile). cotton (textile). draad: wool embroidering Sector of a parasold deck of soft green cotton, with a batist embroidered with wold wire. Nijmegenfrance parasoldek: cotton (textile). cotton (textile). draad: wool embroidering

Prochownica

Rectangular tray with peonies and birds 16th century China The plump birds flying above the peonies on this densely carved tray may be magpies or sparrows, both of which are considered good omens in Chinese culture. Listen to experts illuminate this artwork's story Listen Play or pause #8997. Overview: Lacquer Supported by Bloomberg Philanthropies We're sorry, the transcript for this audio track is not available at this time. We are working to make it available as soon as possible.. Rectangular tray with peonies and birds 72757

blur in philippines accessory colorfull scarf and headscarf old market

Bedding

Pocket book, Medium: silk and metal thread embroidery on silk foundation Technique: embroidered, Pocket book with embroidered cover. Cover on one side shows initials 'S.A.M.' within a floral border. On the other, the word 'Souvenir' and four arrows with flowers and ribbons within border working on fine silk canvas. Lining is white satin. Satin covered book of white paper and pencil held in place by four satin straps that are fitted inside the pocket book., France, 19th century, costume & accessories, Pocket book

Napkin of linen with peel pattern, 1660 - 1700 White linen napkin with peel pattern Northern Netherlands (Possible) linen (material) White linen napkin with peel pattern Northern Netherlands (Possible) linen (material)

Card Case (Japan); enameled silver

OBI Kimono belt with HOO bird motives and Paulownia flowers unknown

Mitaine van Zwarte Kloskant with rose bouquet and flower garlands, anonymous, c. 1850 - c. 1899 Mitaine van Zwarte Kloskant: Chantilly side. The pattern consists of a bouquet with roses, rose buttons, berries and leaves on the back of the hand. Around the bouquet flower sideers with smaller flowers. There is a large leaf on the thumb. The edge along the top consists of a row of connected rosette flowers, with an arc under each flower. The edge along the underside consists of a row of connected openwork circles. All edges are finished with picots. The motifs are made in netslag and are accentuated by contour threads. The motifs are connected by a tuler land. Belgium (possibly) silk. bobbin lace Mitaine van Zwarte Kloskant: Chantilly side. The pattern consists of a bouquet with roses, rose buttons, berries and leaves on the back of the hand. Around the bouquet flower sideers with smaller flowers. There is a large leaf on the thumb. The edge along the top consists of a row of connected ro

Fragment; silk

Lavender bag from silk. Lavender bag made of multicolored silk with a ribbon begged.

Tulle sub -sleek with tamered flower vines, anonymous, c. 1860 Under sleeve, balloon -shaped, from tulle with tambouring work. The tambouring work, 'Dentelle de Liere' or Limerick, has a pattern of flower vines. The cuff is unadorned, but can be filled with a ribbon. Ivy (possibly) . Under sleeve, balloon -shaped, from tulle with tambouring work. The tambouring work, 'Dentelle de Liere' or Limerick, has a pattern of flower vines. The cuff is unadorned, but can be filled with a ribbon. Ivy (possibly) .

Scarf isolated on the white background

Drawstring bag 1875-89 American or European. Drawstring bag 116976

Glass Fragment 12th-14th century French. Glass Fragment. French. 12th-14th century. Pot-metal glass, vitreous paint. Glass-Stained

White spool (thread) isolated on white background

Card case, Enameled silver, A silver card case covered in a floral arrangement. Flower petals and selected leaves accented with blue, purple and green enamel., Japan, 1870-80, containers, Decorative Arts, Card case

Fragment 16th century Italian. Fragment. Italian. 16th century. Silk, metal thread. Textiles-Velvets

Textile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. Silk, metal, a: 40 1/2 x 25 in. (102.9 x 63.5 cm). 1948-1959

Scandinavian abstract wall art. Minimalistic art vector poster. Hand drawn minimalism design for interior. Printable bundle. Vector illustration.ndinavian wall art poster. Scandinavian wall art poster

Scarf isolated on the white background

Pair of finger plates, A.W.N. Pugin, English, 1812-1852, Brass, Long, narrow pierced finger plates with stylized Gothic flower and foliage design., ca. 1845, metalwork, Decorative Arts, Pair of finger plates

Christmas presents on wooden table

Cylotta straw cap in cylindrical shape, a pass lined with fabric flowers and lined with a braid of translucent fibers; fabric ribbons shaped with white and blue silk. Straw, metal, blue silk ribbon, fabric shaped with blue and white silk, taffeta and chick bottom, straw braid and translucent fiber. Around 1840-1845. Galliera, fashion museum of the city of Paris. Blue, bordee, cap, capped, crron, faconne, translucent fiber, cylindrical shape, braid, strawing braid, metal, straw, lined flower, ribbon, serge, white silk, blue silk ribbon, taffeta, fabric, fabric faconne

Stole. unknown, author

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