Historical Anatomy Engravings

Old anatomical illustrations of human skeletons and lymphatic systems, highlighting historical medical artistry.

Lymphatics: five figures showing the lymphatic vessels of dissected legs and a torso. Line engraving by A. Bell after W. Hewson, 1788/1797.

Lymphatics: five figures showing the lymphatic vessels of dissected legs and a torso. Line engraving by A. Bell after W. Hewson, 1788/1797.

Bones: six figures, including skeleton seen from front and back, cross section and surface of a bone, and a hand and foot. Line engraving by Kirkwood & Sons, 1813.

George Stubbs, 1724-1806, British, Human Skeleton, Anterior View, 1795 to 1806. Pen with iron gall ink, and graphite on cream, thin, slightly textured, wove paper laid on cream moderately thick, moderately textured, wove paper.

Human skeleton ..

T. Bartholin, sceleton

Skeleton

Cheselden, Osteographia, unlettered impression.

Anatomical study man, seen from the front. .

George Stubbs, 1724-1806, British, Human Skeleton, Anterior View, 1795 to 1806. Ink with touches of graphite on medium, slightly textured, cream wove paper.

Skeleton

Anatomical study and dissection of the testal ball and the seed leader. At the top right numbered T. 46.

Illustration of a human skeleton

George Stubbs, 1724-1806, British, Human Skeleton, Lateral View (in Crawling Posture; finished study for an unpublished table), 1795 to 1806. Graphite on thin, slightly textured, cream wove paper.

Anatomical representation of man, Robert Benard, 1744 - 1777 print Numbered in the top right pl. I. paper etching physiology and anatomy. (human) skeleton. grave, tomb

An écorché figure showing bones, with left arm extended, seen from the back. Lithograph by Battistelli after C. Squanquerillo, 1836.

Dissections of the arm, hand and elbow joint; three figures, with the blood vessels indicated in red. Coloured lithograph by J. Roux, 1822.

Print at the top right labeled: fol: 136.

Views of the femur and rotula bones in the human leg. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Sue from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.

Human bone with a deviation ..

Anatomical drawing by William Cheselden in Osteographia, or The anatomy of the bones. (London: 1733).

Fractures of the radius and ulna bones, anterior and posterior views. Line block print after R.W. Smith, 1862.

Osteographie ou Description iconographique comparee du squelette et du système dentaire des Mammifères recents et fossiles, Paris, J.B. Baillière et fils, 1839-1864, Henri Marie Ducrotay, A detailed anatomical illustration showcasing the skeletal structure of an elephant. The image highlights the intricate arrangement of bones, with a focus on the large skull, long limbs, and robust ribcage. Accompanying the main figure is a smaller skeletal representation, possibly of a different species, providing a comparative perspective. This artwork serves not only as a study of anatomy but also as a visual exploration of the majestic size and complexity of elephant physiology, with precise labeling of key skeletal components.

A history of British fossil reptiles, London, Cassell & Company Limited, 1849-1884, Great Britain, paleontology, fossils, reptiles, fossil, fossil stories, arthropod, This illustration presents a series of detailed anatomical drawings of vertebrae, showcasing various views and features. In the upper section, the distinct shapes of the vertebrae are highlighted, with labels indicating different parts, such as processes and facets. The lower section features additional views, providing insight into the morphology and structure of the vertebrae. The careful rendering emphasizes the complexity of the skeletal elements, suitable for educational or scientific reference.

Skull: two figures, showing side and front views. Watercolour by A. Mongrédien, ca. 1880.

anatomical drawings by Bernhard Siegfried Albinus 'Tabulae sceleti et musculorum corporis humani'. (Londini : Typis H. Woodfall, impensis Johannis et Pauli Knapton, 1749).

Osteographie ou Description iconographique comparee du squelette et du système dentaire des Mammifères recents et fossiles, Paris, J.B. Baillière et fils, 1839-1864, Henri Marie Ducrotay de Blainville, An anatomical illustration of a monkey skeleton, showcasing the complete structure of the body in a seated position. The detailed rendering highlights the individual bones, including the skull, vertebrae, ribs, and limb bones, emphasizing their anatomical relationships. The tail is extended behind, demonstrating the full length and flexibility typical of primate vertebrae. This depiction serves as a reference for the study of primate anatomy and contributes to the understanding of evolutionary biology.

Anatomy of the human venal system in the arms. Lithograph by C. Mayer from Lorenz Oken's Universal Natural History, Allgemeine Naturgeschichte fur alle Stande, Stuttgart, 1839.

Crossed femurs (thigh-bones). Ink and watercolour, 1830/1835, after W. Cheselden, ca. 1733.

Brussels, Laurent Frères, Jobard, Jean Baptiste Ambroise Marcellin, Bossuet, Nageoires Pectorales, Pectoral fins of the whale, 1827, The bones of the pectoral fins of the whale. The representation in two parts on two sheets. Illustration in a publication about the whale stranded on 4 November 1827 near Ostend. The whale was owned by H. Kessels and J. Dubar., print, book, height 187 mm, width 275 mm, height 235 mm, print maker, printmaker, 1828 - 1828, paper, lithography (technique), intermediary draughtsman, after a drawing by, Belgian, 1792-05-17 - 1861-10-27, printer, Publication (Event), Publication, publisher

A rachitic skeleton, measuring two feet two inches in length, seen from the front and the back. Engraving, 1749.

Skeleton and skull of the Bornean orangutan, Pongo pygmaeus. Endangered. (Great Borneo ape, Simia satyrus.) Handcoloured copperplate engraving by J. Pass after an illustration by Jean Baptiste Audebert from Ebenezer Sibly's Universal System of Natural History, London, 1804.

Skull of an Ethiopian: three figures. Chromolithograph, 1877.

Skeleton study of R K, school drawing; Jasi Ski, Ignacy (1833-1878); 1858-1876 (1858-00-00-1876-00-00);

Skeleton of Chimpanzee

Skulls of male and female Sayou monkeys, with vertical sections. Lithograph, c. 1835.

Skeleton fragments of a prehistoric creature, with details showing the teeth. Etching, 18--

Plate V: Female Cro-Magnon skull in two views.

Finished Study for the Second Skeleton Table.

Skull with trachea: three figures. Lithograph by Wieller and Martelli after C. Squanquerillo, 1838.

Ein menschliches Skelett, von hinten gesehen, nach vorne gebeugt, die Hände am Schädel gefaltet, nach Vesalius, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert.

Human pelvis with a break in the bone ..

Netherlands, Weissenbruch, Isaac, Human bone with an abnormality, print, prints, height 103 mm, width 45 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier, houtgravure

illustration from 'Traitè de phrénologie humaine et comparée (Paris, 1832-1835); by Joseph Vimont 1795 - 1857. phrenology was founded in the early 19th century by Franz Josef Gall (1758-1828). It holds that different intelligences and personality traits have specific loci in the brain.

Bones of the arm and the clavicle. Etching by or after J. Gamelin, 1778/1779.

A skull seen from underneath and foetus skeletons. Date: Circa 1760

. Anatomical image. At the top right: Tab. VI.

An écorché showing bones, with left arm extended to the side, seen from the front. Line engraving by Campbell, 1816/1821.

Skeleton of a full grown young lion, Panthera leo, Felis leo. Handcoloured steel engraving by Robert Bell after an illustration by Joseph Lyon from William Rhinds The Miscellany of Natural History: Feline Species, edited by Sir Thomas Dick Lauder, Fraser & Co., Edinburgh, Scotland, 1834.

Anatomical drawing by William Cheselden in Osteographia, or The anatomy of the bones. (London: 1733).

Osteographie ou Description iconographique comparee du squelette et du système dentaire des Mammifères recents et fossiles, Paris, J.B. Baillière et fils, 1839-1864, Henri Marie Ducrotay, A detailed anatomical illustration showcasing the skeleton of a primate exhibiting both bipedal and quadrupedal features. The drawing highlights the structure of the skull, ribcage, limbs, and spine, emphasizing the arrangement of the bones. Additionally, sections of the skeleton are labeled to indicate specific bones, providing insight into the skeletal anatomy and movement capabilities of the species. The depiction serves as a valuable resource for understanding primate morphology and evolutionary biology.

Dissection of a horse's foot. Engraving with etching and stipple by W. Skelton after St. Aubin, 1800/1830

Stages in the formation of the foetal skull. Copperplate engraving by Edward Mitchell after an anatomical illustration by Jean-Joseph Sue from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.

Lacan, E., Ville de Paris, Bilordeaux, Adolphe, Fragments of the ulna, radius and bones from the human arm and hand, recto - printed, photomechanical print, page, photographs, photographically illustrated books, Procédé spécial photo-litho. A. Bilordeaux, 1, 2 nature, PL.69, FRAGMENTS DE RADIUS ET DE CUBITUS HUMAINS, ET OS DES MAINS., height 238 mm, width 190 mm, photographer, 1864 - 1869, paper, photolithography, French, 1807 - 1870, cliché maker, printer, supervision

A skeleton leaning on an inscribed tombstone, resting his right hand on a skull. Line engraving by J. Tinney, after A. Vesalius, 1743.

A skeleton standing in a landscape, reaching out to touch the pelvis of a standing lower limb of much greater size. Engraving by W. Cheselden, 1733.

Comparative, Osteology, London, Taylor and Walton, 1847, bones., This illustration features two detailed anatomical representations of the human skeletal structure, focusing on the skull and spinal column. On the left, a frontal view of the skull is displayed, highlighting its intricate features including the sutures and facial cavities. The right side showcases a vertical view of the vertebral column, featuring the individual vertebrae clearly labeled, illustrating the cervical, thoracic, lumbar, sacral, and coccygeal regions. The technical drawing emphasizes the anatomical precision and serves as an educational tool for understanding human anatomy.

George Stubbs, 1724-1806, British, Human Skeleton, Lateral View, 1795 to 1806. Pen with iron gall ink, and graphite on cream, thin, slightly textured, wove paper laid on cream, moderately thick, moderately textured, wove paper.

Osteographie ou Description iconographique comparee du squelette et du système dentaire des Mammifères recents et fossiles Paris, J.B. Baillière et fils, 1839-1864. Henri Marie Ducrotay, This illustration displays a series of detailed anatomical sketches of various skulls, showcasing different perspectives and features. The composition includes five distinct views: a frontal view, a lateral view, and a top-down perspective of a human skull, alongside views of animal skulls, highlighting their structural differences. Labels accompany each illustration, providing clarity on the specific types of skulls represented. The anatomical precision emphasizes the complexity and variations in cranial structures, serving as a valuable resource for understanding comparative anatomy.

Skeleton, seen from behind; Anatomical studies.

Skeleton of an elephant with human skeleton rider, from Dr. Barclay's Museum, Edinburgh. The specimen was assembled by Dr. George Ballingall, surgeon of the 33rd Regiment of Foot. Copperplate engraving by Edward Mitchell after an anatomical illustration by Robert Kaye Greville from John Barclay's A Series of Engravings of the Human Skeleton, MacLachlan and Stewart, Edinburgh, 1824.

Skelet, from behind, Pieter Feddes van Harlingen, after Marcus Gheeraerts (I), 1614 print print maker: Frieslandafter design by: Bruges paper etching anatomical model of the skeletal system

Views of the skull. Handcolored steel engraving by Corbie of a drawing by Corbie from Dr. Joseph Nicolas Masse's "Petit Atlas complet d'Anatomie descriptive du Corps Humain," Paris, 1864, published by Mequignon-Marvis. Masse's "Pocket Anatomy of the Human Body" was first published in 1848 and went through many editions.

Studies of the effects of decomposition on exhumed bodies, 1831

African macaque species, Cercopithecus angolensis major. Skeleton. Copperplate engraving by Chevillet after an illustration by Jacques de Seve from Georges-Louis Leclerc, Comte de Buffon's Histoire Naturelle, Imprimerie Royale, Paris, 1766.

ANATOMY-SHEET III-SKULLS. Author: LACABA I. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Bones of the skull: nineteen figures. Line engraving by H. Winkles under the direction of J.G. Heck, 1830/1845.

Human skull: frontal view. Lithograph, c. 1835.

Skeleton of a foot, draughtsman: Jan l'Admiral, 1709 - 1773, paper, brush, h 239 mm × w 375 mm

Illustration of a human skeleton

Bones of the arm and hand: three figures. Pencil drawing by J.C. Zeller ca. 1833 () after B. Genga, 1691.

Evolution, skeleton, skeleton of the human and the gorilla in comparison, digitally restored reproduction of an original from the 19th century, exact original date unknown

Three skulls, seen from different angles, with two limb bones shown above. Etching by or after J. Gamelin, 1778/9.

An animal skeleton of the Megatherium, a human skeleton found in Guadeloupe and the fossilised remains of a bird. Engraving by J. Moffat.

Vertebral column and ribcage. Watercolour by J. Mongrédien, ca. 1880.

This copper engraving and etching by Giovanni Battista Franco, called Semolei, depicts osteological studies, showing detailed human bones and anatomical structures.

A history of British fossil reptiles, London, Cassell & company limited, 1849-1884, Great Britain, paleontology, fossils, reptiles, fossil, fossil stories, The image depicts a detailed illustration of a dinosaur vertebra, showcasing its intricate bone structure. Various labeled parts highlight the distinctive features of the vertebra, including the neural arch, spinous process, and other anatomical elements. This scientific representation emphasizes the complexity of dinosaur skeletons, contributing to the study of their physiology and evolution. The illustration is part of a larger academic work exploring paleontology and prehistoric life, aimed at providing insight into the anatomy of these ancient creatures.

Two views of a human skull, front view and rear view, c. 1860 - in or before 1869 photomechanical print Franceparisprinter: ParisPublisher: ParisParis paper photolithography palaeontology. animals (+ skeleton of an animal) France

Human skulls: seven figures. Line engraving, 1770/1830

Skeleton of Chinchilla

A skeleton. Watercolour by A. Mongrédien, ca. 1880.

Skeleton of the thorax, pelvis, arms and legs, Anatomical study after Leonardo da Vinci, Historical, digitally restored reproduction from a 19th century original.

A Comparative Anatomical Exposition of the Structure of the Human Body with that of a Tiger and a Common Fowl: Human Skeleton, Lateral View Seen from the Left, Running (Finished Study for Table III). Date/Period: 1795 to 1806. Drawing. Graphite on cream, thin, smooth, wove paper. Height: 445 mm (17.51 in); Width: 279 mm (10.98 in). Author: George Stubbs.

A Human Skeleton. Date/Period: 1784/1859. Graphite and brown ink and brown and gray wash on medium, smooth, cream wove paper. Width: 27.6 cm. Height: 25.1 cm. Author: James Ward.

Skull of a Caribbean person: side view. Lithograph.

Human skulls: three figures showing the skulls of an ancient Cimbrian, an Estonian and Laplander. Stipple engraving, 1843.

Methods of bandaging a broken leg: eight figures, showing femur and tibia bones broken at various points and the appropriate methods of applying bandages and splints. Lithograph, 18--

Tab. LXVI, Steph. Blancardi Anatomia reformata, sive, Concinna corporis humani dissectio, ad neotericorum mentem adornata, accedit ejusdem authoris De balsamatione nova methodus, à nemine antehac similiter descripta, Blankaart, Steven, 1650-1702, Engraving, 1695

Skeleton of a Meerkat, Christian Hallbaur, 1735 print paper etching monkeys, apes: long-tailed monkey (skeleton of an animal)

Dictionnaire classique des sciences naturelles Brussels Meline Cans et Ce. 1853 Natural history Dictionaries, The illustration showcases three distinct fossilized specimens. On the left, a detailed skeleton of a prehistoric vertebrate, potentially a large amphibian, is depicted, highlighting its intricate bone structure. To the right, an elongated, elongated fossil resembling a reptile or ancient marine creature is illustrated, suggesting its streamlined shape adapted for aquatic life. At the bottom, a smaller skull, associated with the larger body, exhibits pronounced features characteristic of amphibian anatomy. The accompanying text identifies these specimens as significant representations of ancient life, providing key insights into the evolutionary history of vertebrates.

Octuagesimaseptima tabula, Godefridi Bidloo, medicinae doctoris and chirurgi, Anatomia humani corporis: centum and quinque tabulis, per artificiosiss. G. de Lairesse ad vivum delineatis, demonstrata, veterum recentiorumque inventis explicata plurimisque hactenus non detectis, illustrata, Lairesse, Gérard de, 1640-1711, Engraving, 1685

CRANEO DE HOMO SAPIENS DEL NEANDERTHAL. Location: FACULTAD DE BIOLOGICAS. MADRID. SPANIEN.

Human skeleton and a skeleton of a monkey, anatomical illustration

Anatomy van the arm, the hand a shooter, Jacob van the Skley, After Petrus Camper, 1762 print paper etching / engraving parts of the human body (skeleton excepted). arms. hand

The Plates from the First Book of the De Humani Corporis Fabrica by Andreas Vesalius, (1514-1564) Plate 22 - A delineation from the side of the bones of the human body freed from the rest of the parts which they support, and placed in position.

Bones of the pelvis and scapula: four figures. Pencil and chalk drawing by A. Mongrédien, ca. 1880.

CRANEO DE HOMBRE DE PEKIN - HOMO ERECTUS - MEDIO PLEISTOCENO - 300.000 AÑOS. Location: FACULTAD DE BIOLOGICAS. MADRID. SPAIN.

Samplet seen on the back.; Fundaments of drawing; Instructions et fund's the Bien Pourtraire. Skeleton: standing, seen on the back. The print is part of a thirteen partner about the foundations of drawing.

Anatomical model of a human skeleton (back), Pieter van Gunst, after Gerard de Lairesse, 1685 print Anatomical model of a human skeleton. The skeleton turned back. A grave next to him. T. 88 at the top right. Amsterdam paper etching / engraving (human) skeleton. grave, tomb

Muscles and bones of the upper leg and pelvis: two figures. Lithograph by Martelli after C. Squanquerillo, 1840.

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